Here is a map showing where I did my Amsterdam sketches. It links to Flickr where you can see a much bigger version. It’s hard to see otherwise. I drew the map on my iPad this time. It was therapeutic, drawing all those streets and canals. Well tracing them really. I ‘forgot’ all the little lanes in the very middle, but I didn’t sketch in there anyway. I have mixed feelings about Amsterdam. Seeing the map now I just really want to go back, not be doing a symposium, just eat cheese and poffertjes and maybe not go mad in a heatwave. Explore the bits I didn’t sketch in, like De Pijp, the Museum Quarter, and Jordaan, even the trendy northern districts. But then I want to go everywhere all the time, even more so in this sudden new dark time of coronavirus pandemic and no travelling. I spend my evenings watching travel videos on Youtube like we may never have travel again. When all this is over I feel like I’m going to want to see everything on earth while we can. In the meantime I will make more maps, and if I can’t go there, I’ll sketch from Google Street View if I have to. Anyway, I’ll post some more recent sketches for a bit before returning to the story of last summer (after Amsterdam, we went back to Belgium, then Disneyland Paris, then London).
The Symposium finished, people went there separate ways, some together, some sticking about in Amsterdam, and I decided to have a lie in and a late start for a day of wandering and sketching some of the parts of the city I hadn’t explored much yet. My family were arriving in town later that day so I had a lot of time for some more sketching before the full-on tourist part of the trip started. The temperatures had dropped, the skies started to cloud up a little, it was still busy out but I finally had a bit of headspace. I walked over to Herengracht and sat down by the canal to draw this bridge. I saw a few other sketchers here and there, nobody I knew, but we know we’re all in the sketching family so there’s usually a nod of respect.
I really like this particular junction at the corner of Leliegracht and Keizersgracht. Amsterdam has a lot of charm. I think I didn’t love Amsterdam, overall, it felt a little stressful with the tight sidewalks and cyclists, the tourists and the partygoers, and the dirt, far too many cigarette butts on the ground, but there is no denying Amsterdam is still beautiful, and so unlike many other cities. The first time I came to Amsterdam in the summer of 1998 I had the same impression, though I had also spent all night on a train from Berlin. There is so much to search though, no shortage of places to explore. I mooched around bookshops, tried samples in cheese shops, got lost in alleys and small squares, or as lost as my map-enable apple watch would let me. This side of the city west of Damrak is full of postcard views and long canal vistas. I knew I’d come back so I wandered back toward the Centraal Station area (perhaps my least favourite station area), had a look around the football-themed store Copa (perhaps my most favourite store in Amsterdam), buying two pairs of socks, one which features Diego Maradona doing the ‘Hand of God’ in 1986, and Zidane headbutting Materazzi in the 2006 world cup final, and went to meet up with my family. The next couple of days here would be doing more of the tourist stuff – a boat trip around the canals, Anne Frank’s house, the Van Gogh Museum, and a change of hotel.
Here are a couple of sketches I did near the Centraal station. Teh lamp-post thing below looks like some kind of city warning against public drunkenness.
I didn’t sketch as much once the family arrived, just a few here and there, I think I had earned the break. Above is a quick one I drew at Spui while eating Flemish Frites (see below, they were delicious). I can’t reiterate how much I love the frites over here, they do taste delicious.
I did try to do a quick sketch of the tall houses at Damrak one evening, just to mess about with some of the new materials we were given at the symposium.Not my usueal sketching but fun to mess about.
Below, I drank a beer called “Bastaard” by Hertog Jan while we had an Indonesian meal at Kantjil by Spui. Sketching with pencil can get messy as you can see by the filthy page.
And here is one of the little tiny toy cars they have here in Amsterdam to get around the super narrow streets. I never did sketch one; I asked Lapin who loves to sketch cars if he was going to add one to his collection, but even he said no, that’s no car. Look at it, it’s like something from Richard Scarry. I expected another one to come along looking like a big carved out apple , and a pencil and a banana.
I did change hotels when my family arrived, moving from the Grand Amrâth to the Doubletree, which my wife had booked (she got a really good deal). It was a nice hotel for sure, very modern, with amazing views over the city, but zero of the character of the Grand Amrâth. But these views! I had to sketch it. I did go up to the rooftop lounge to look over the city, but I did not want to sketch up there, it wasn’t really my thing to hang out there. The Doubletree hotel is right across the canal from the Grand Amrâth so we could see the whole building in all its glory from across the water, and I would get up for a run past it, and some of that lovely fresh juice from a nearby supermarket. I miss all the nice juices and foods from Holland. I would like to come back and explore more of the Netherlands. The Dutch people I met at the symposium came from all over and there are so many places I know not that much about. Aaargh, the world is so big, there is so much I want to see before I’m done. I want to see it all, and sketch it all.
But I was done with Amsterdam, we all were. Time to move on, time to go back to Belgium and eat some more frites and waffles. But the heatwave wasn’t done with us yet. We went to get our Thalys but of course, there were cancellations and delays, hung over from the travel chaos a week before. We waited and waited, a few hours with hundreds of others, until in the end a Thalys came and everyone was lucky to get on. But we had first class reservations (a good call as it turns out, for very little more cost) and so I was given a couple of free Belgian beers (a couple of cans of Leffe Blonde) in our carriage for the journey. It was all a bit stressful at the time, but I’m usually travel lucky, it all works out in the end. When life gives you lemons, draw in your sketchbook and be patient, and life will eventually give you Leffe. Onwards to Brussels!
If I was continuing the silly a-themed alliterative titles I would call this post “Apes and Ale in Amsterdam” but the phrase I am using, “je bent in de aep gelogeerd”, is more than appropriate. Ape-proriate if you will. This is ‘In’t Aepjen‘, a celebrated historic brown cafe in the heart of Amsterdam, near the red light district. It was on that Friday of the Symposium when I was totally wiped out by the heat, I had gone back to the hotel for a rest in the evening, to spend some time in air-conditioned comfort. But I got hungry, so I went out to find some food. It was still stupendously hot. I wanted to eat some Indonesian food, but I was passing an Indian restaurant near my hotel that just looked really nice, and I can never resist a good Indian. It was absolutely delicious. I sat in there for a while writing my diary, sweat dripping from my brow. There was a couple on the table next to me, who asked if the food was too hot for me, I said no it’s just the weather! They were visiting from India, and they said the food was like back home, it really was very good. Happy to have found a delicious meal, I went for a wander about Amsterdam. It was already after 10pm by this point, so I didn’t want to go down to Amstelhoeck with the other sketchers, so I went for a walk. I had wanted to find a proper old ‘brown cafe’, and maybe get one last sketch in. I ended up coming across ‘In’t Aepjen’, which was small and full to the brim with character. Brown cafes are old Dutch pubs, called brown due to their dark and cozy interiors, usually wooden and often stained with decades of smoke. No smoke any more, thankfully, but the brown was very much in this cafe. It was decorated with lots of monkey themed items, and barrels and ships and other knick-knacks. I decided to continue drawing with a brown Pitt brush pen, and knocked out the panorama above, which took me just one beer to draw. The beer in question was the ‘Aepjen Bier’, red and tasty. Click on the image to see it in more detail. I chatted with the barman, who told me the story of the bar, its name, and that Dutch phrase.
The brown cafe was opened in 1519 on Zeedijk, so it was celebrating its 500th year, and the name means “in the monkeys”. It was a place that would give lodging to sailors, many of whom would have been returning from distant exotic lands, like Indonesia, this being the Dutch Golden Age of Exploration, bringing back many things, including monkeys. To pay for their lodgings they would sometimes give the monkeys to the owner of the cafe, who would then sell them to a local whose animal gardens would be what became the Amsterdam zoo, but in the meantime there would be monkeys all over the shop, and it wasn’t a great place to sleep when you’ve got monkeys jumping about all over you, with their fleas and lice and banana skins and PG Tips and so on. In fact people would get sick from staying there, bringing rise to a common phrase in Dutch, “je bent in de aep gelogeerd”, which meneertje barman told me translates as “you are fucked up by the monkey”. I suspect ‘gelogeerd’ is probably closer to ‘lodged’ but the barkeep’s colourful local translation is better. Its written on all their stuff, and I’m assured this phrase is well known in Dutch, and that it does actually originate from this cafe. To be “fucked up by the monkey” is to be having bad luck or be in trouble. I went home having learned a new Dutch phrase, repeating it to myself as I walked through the narrow streets back to my hotel in the Scheepvaarthuis.
I really wanted to come back to In’t Aepjen and sketch another time, so a few days later when I was less heat-exhausted I returned for a couple of beers and to draw in more regular pen. I spoke again with the barman, and he told his story (reluctantly this time) to some female American visitors who wanted to know about it. I also chatted to a guy from Glasgow who was visiting on business (I think he was in the toilet paper business, but I couldn’t think of any good jokes, apart from “how do you make a bog roll? Push it down a hill” but I didn’t say that because one, it’s rubbish, two they might not call it bog roll in Scotland, that might be a London thing, and three he might have actually explained to me how you do make bog roll, what with him being in the bog roll industry). So I just told him the story about “je bent in de aep gelogeerd.” It’s a conversation piece alright. I might start making up similar stories in London pubs. “Oh yes, the Olde Cheddar Cheese, that gave rise to the popular phrase “to get the cheese stuck on your elbow”, which basically means to be confused about what time it is,” or if I’m in the Good Mixer, “ah well this is where the very common phrase “you have been good-mixed up” which is when you can’t find your wallet but a stranger buys you a beer and a round for the whole bar”, or actually I’m going to not think of any more now. I drew as much as I could, adding a little bit of colour, but my eyesight wasn’t great and I wanted to sleep so I added the rest of the colour later on. These are a couple of my favourite of my many bar-sketches, and if you’re in Amsterdam you should look for this place, there is lots to see and sketch, and the atmosphere is good. Just don’t get fucked up by the monkey.
Moving on to the next day and the final day of the Symposium, I woke up Saturday morning definitely feeling the heat exhaustion. I decided to skip my final workshop (I did go and let them know so they wouldn’t be waiting for me) and find a spot to sketch peacefully. I hadn’t yet drawn the dancing houses along the banks of the Amstel from Groenburgwal, so I found a nice bench and drew away. I met another sketcher doing the same. It was quiet, the weekend heat had not yet started cranking up, and my stress-headache was clearing up immediately. I didn’t need to be in a class, stopping and starting and rushing, being “on”, I needed to be in “breathe-in, breathe-out, sketch” mode. It worked. I had met Lapin earlier the morning, and I was going to go and sketch with them (as it turns out he and Gerard and co went to sketch my hotel), but I decided to draw the Dancing Houses. They are impressive. Many houses seem to ‘dance’ in Amsterdam, leaning this way or that – my perspective tip of following the windows to find the vanishing point on the horizon doesn’t work as well here, where the windows follow lines more suited to more Marty Feldman’s binoculars (Young Frankenstein reference). Crooked buildings are fun to draw. By the way I did overhear one sketch instructor scoff at counting the windows on houses in Amsterdam, but counting the windows really helped the composition of each element, and also helps get the scale right. Besides, in Amsterdam they are usually three windows across as a rule. The patchwork nature of the architecture breaks up the monotony you find in many cities, it’s just so fun to draw. Looking back I probably could have had the energy to do some more group sketching and plough on, be a bit more sociable and awake, but mental health came first and I look at this sketch and immediately I feel more relaxed. Breathe in, breathe out, sketch.
I wandered about a bit more, bumping into the occasional sketching friend, I met Nina Johansson (long term urban sketch idol of mine since the beginning) teaching a class nearby here, the tall Montelbaanstoren. It was pretty peaceful over here too, a couple of blocks from my hotel, in fact the workshop I had skipped was being taught close by, but I decided not to join late. I sat by the canal and drew the tower as best I could, with a bike in the foreground. I was going to add full colour, but stopped at the blues, it just felt right for the relaxed mood.
After doing a few sketches of the hotel (I posted those already), I wandered over to Niewmaarkt to enjoy one of my favourite discoveries in Amsterdam – poffertjes. Little mini pancakes, from a friendly guy called Tony Benson. I spoke with Tony and a woman who was with him, we talked about Belgian footballers (maybe because I was wearing my Belgian shirt again), she was really inot Eden Hazard and asked who my favourite Belgian player was (Super Jan Vertonghen obviously!). The poffertjes were small but delicious. I could eat some of those now.
In the afternoon, there would be another sketchwalk, over near the NEMO center, culminating in a huge group photo (the ones I usually miss at every symposium), and then the final reception over at the Muziekgebouw. I was going to meet up with everyone there, but at the hotel I realized I really needed more rest, not more rushing around in the heat. Here’s how I rested:
I also rested by spending an hour or so in the amazing blue-tiled pool in the hotel’s basement, and relaxing in the hot-tub. Best decision I ever made. Matt Brehm was right, you don’t have to draw.
The sketchwalk was nice, and although I turned up too late for any sketching, I did meet up with a lot people I had not seen during the symposium. Many of the local groups got together for their local group photos – I am one of the Californians, but I wasn’t quick enough to get a photo with them. I did at least make the final group photo, but there are so many people in the picture that I obviously can’t be spotted, even with my bright red Belgium 1984 shirt. Actually though, in this photo of the whole group (by Belgian friend and photographer Marc Van Liefferinge) I can be spotted near the middle of the back. Proof I made it there.
You know what, there are loads of sketches you can find from other symposium attendees, if you go to Flickr and search through the tag “amsterdam symposium“. Of course most people now just bounce them out on Instagram and so on too. There are a LOT of Amsterdam sketches to be found. I went over to the final reception (a very very long walk, I went with Mauro and Fabien, though Fabien stopped on the way for a beer and to wait for Gerard, they were not coming to the reception but actually driving back to Liège that night). At the reception I caught up with all the people I had not spoken to as much so far, such as Gabi, and Liz (we snuck up on Paul Wang and got our annual symposium pic of the three of us, guerilla-style), Elizabeth, James, and of course Rita, and did a little people sketching, but mostly chatting. I also got to meet Danny Gregory for the first time, he was there with all the Sketchbook Skool lot, that’s a big thing now. I had been a chapter in one of his books years ago, the one with my drawing of Vipins ont he cover, and we’d tried to arrange a video interview to go on his website but it was always dinnertime in my house and we never did it, so it was nice to finally meet. (Though I suspect I he didn’t remember who I was). I also met a number of people who I’ve since started following on Instagram, it’s what these whole events are about really. And then in the end, it was the gathering off for dinner, I went off with a big group of the usual sketchers, and we had a great evening. The best bit though was finishing off with some late night or early morning) car sketching. A bunch of us led by Lapin sat in a narrow street by a canal and drew a couple of classic Citroens. This is apparently a tradition at the Clermont Ferrand festival. My habit of sketching fire hydrants at 3am when I travel does not seem so odd now; these are my people. One of though people though, Hugo Costa, nearly fell in the canal when his stool broke – lucky escape! Here’s what I drew, and a photo of some of us sketching in the darkness of Amsterdam.
Now this little fire hydrant I actually drew at night on the first night in Amsterdam, but I’ve saved until now because why not. As for the blog post title, “Alleviating All Anxiety of Amsterdam”, I mean it says it all but seriously I might come back and change all these titles some day.
And that was it for another Symposium. I have more Amsterdam sketches to share here, plus a bit more Belgium, a bit of Disneyland Paris, a few from London, and then loads more of Davis, then some from Santa Monica, and Portland again, and Hawaii. But after this long day of relaxful sketching Citroens by lamplight, I had a well-earned lie-in on Sunday. After all the heat, there was a little rain coming, but so were my family.
When I posted my sketches from Porto in 2018 every post had an alliterative “p” title, and I am doing something similar for Amsterdam, but making far less sense. I could put more thought into it, but that would not be indicative of how my mind was completely melted by the heat there. I was all over the place. Some people go to Amsterdam and do that on purpose of course, through other means, but for me it was just the heat making me feel continuously confused. Also the streets – I love bikes and am a cyclist myself, but wow they are everywhere in Amsterdam, and sidewalks are super narrow. When it is busy it feels stressful. On the second morning of the symposium though I felt quite good, raring to go, I had even got up and had a run around the emptier morning streets, before I marched along to the Zuiderkerk to meet up with my workshop group, chatting away to people I hadn’t seen in a year, today was going to be great. However I had mixed up which workshop I was supposed to be doing, thinking that I was in Ian Fennely’s class. When it came time for roll call though he made it very clear my name was not on the list for the workshop, “no, you are not on the list.” Ok, I’m not trying to sneak in, maybe I wrote it down wrong. Turns out I had got my days mixed up (first sign my mind was not functioning at capacity), and that I was going to Shari Blaukopf’s workshop. That cheered me up as I was really looking forward to her class on sketching boats, which is why I thought I had selected it to save for last. She is an exceptional watercolour painter and I of course am not a painter, though I use watercolours to colour in my drawings, I am all about the lines so I really wanted to learn from her, and while my results weren’t where I wanted them to be, I came away with lots of new knowledge and wanting to try some new things – such as drawing with brush pens.
Shari encouraged us to bring along brush pens and do some quick sketches of the boats with those. Of course I also drew her talking about the boats. Drawing in brush pen is not something I do a lot of – I realized that drawing people is super fun, especially adding a little watercolour – but those dark shapes and thick lines of the black and white boat drawings really helped to focus in on the values.
Drawing boats is good practice for perspective, and really good for shading and value. I don’t get much opportunity to draw boats in Davis, only when I go down to the City. Amsterdam harbour is the perfect place for boat sketching. Oh, except when it is very sunny, pushing midday and there is little shade. I was getting thirsty, so I walked over to NEMO (a huge building, very easy to find), which is a big science museum, to get a drink. I had to go to a cafe on the actual roof, climbing up these huge steps, and when I got to the cafe I couldn’t decide in my overheated mind what to get, so I think I got two types of fresh juice, one might have been a smoothie, and some fruit, and some water as well, and it still didn’t feel like enough. I think I was getting a bit of heat exhaustion. I carried on with the workshop, drawing the scene below, first with the brush pen (which I liked) and then just with watercolours (which I liked less).
My colours seemed dull. Shari suggested that perhaps my paints were a bit too dry, and that dulls the colours I would get. I didn’t quite understand, because they were wet, I was using water (I’m so thick), but I learned that if I had ‘wet’ paints, that is, paints from a tube and not dry in the pan, my colours would be a lot brighter. I got to experience that later in the day when Donald Saluling let me use his paints, and I could instantly tell the difference. I don’t really try a lot of different paints out, so that got me thinking maybe now is the time to invest in a bunch of tubed paints, maybe some nice Daniel Smiths or something. I’m so scared of that, but I think now’s the time to start being a bit bolder. (Fast forward to March 2020, I still haven’t bought new paints but I am using an iPad now and I can get way bolder! In a funny way this class really helped me think about digital sketching). Shari also showed us some very interesting travel paintbrushes too, and I have since got some of those, but of course haven’t yet tried them out (because as I have said before I like to let paintbrushes sit there for half a year before I pluck up the courage to actually use them for anything).
When the workshop was over, I decided I needed to draw a couple more boats before I had lunch. My hotel was only across the street, so I found some shade under a tree, and cooled off. This was a nice way to end the first part of the day. But it just kept getting hotter. After a rest, I grabbed some more nice juice and a sandwich from the Albert Hein supermarket, and headed out to the sketchwalk taking place at Spui. Clearly my forgetfulness was taking control because I totally forgot to attend Rita Sabler’s sketch demo. When I got to Spui I found the sketchers, and was meeting up with another Portland sketching friend Kalina. The heat was hitting me hard now, I was sweating and sluggish. And then I realized I had forgotten my paints. I wanted to spend the rest of the day painting watery scenes, putting into practice what I learned in the morning, but my watercolors were sitting on my bed at the hotel. Aargh! I saw Gerard Michel sketching on Herengracht and joined him for a bit. I then found a green Citroen and sat in a small gap next to a bike and tried to draw it. I spoke to a guy from Ohio and a woman from Germany who were also sketching it. There were so many sketchers everywhere. That’s how it should be. The heat was getting to everyone, but still we soldiered on, filling our sketchbooks. I added some colour later to this, if you are wondering.
I also added the colour later to this, but this was a scene I was determined to sketch, but in no real state to do so. This was the moment in the Symposium when I think the heat battered me the most. I really should have just been doing something else, maybe sitting inside a dark cafe with a cold cold beer. Beer did not sound that good to me right then though, my head was already a barrel filled with porridge. This by the way is at Herengracht and Leidsegracht. I should like to come back here when it is cloudy. Again, I added in the wash later, to reflect some of my mood.
This is what it looks like when you look through that bridge, and through a whole load of other bridges.
But my head could not handle such views. The bridges could have gone on for ever and ever. I needed some water, but then I found a cafe called Joe and the Juice. It was cool inside, and I liked the names of the drinks. I decided I needed a refreshing smoothie called “Stress Down”, that name just stood out to me. It was made with Aardbei, Gember and Framboos, which I determined was Strawberry, Ginger and Raspberry.
Honestly I have no idea why that combination worked so well, but it felt like a complete power-up. Like in a computer game when you find a floating heart and it restores your health. My sluggish mind and drained body suddenly felt much more energized, and I went outside, pulled out the brush pen, and immediately drew the sketch below, which I really enjoyed.
Finally feeling a bit better about my sketching, I went back to Spui and was finally ready for a beer, I met up with Kalina and we met Donald Saluling (first time I had met him in person), and we sat outside a bar filling the early evening with chat and good times. Even on hot days like this, it’s good to all be alive.
Long post this, could have been two. But it’s all one story. The next posts will be really much shorter. Or maybe longer. That day’s sketching was not over, and I did manage another brush pen sketch at a brown cafe, but I’ll save that for another day.
The Urban Sketching Symposium is all about spending time with your fellow sketchers, many of whom are now old friends, especially those who were there at the very start, but it’s also about meeting new people. Often what happens is that you meet people, you are cordial, then you follow each other online and by the next time you see them, they’re like old pals. And of course we sketch each other. Above was a sketch from the first evening in Amsterdam, pay no attention to the parade of massive beers. The light was red, Lapin was sketching me, Matt was talking Italian to Mauro (I’d never met Mauro before, he is Italian living in Luxembourg), Arnaud (on this very hot evening there was no need for us to share a blanket as we had at an outside restaurant in Manchester, 2016) and Ludovina, who I did not know but was also sketching. Amstelhoeck was the place to meet everyone every evening.
Above is Lapin’s sketch of Matt and me, and you can really see the red light we were drenched in. This was not the red light district by the way. Lapin by the way likes to write down things that you say, just anything from the conversations, and they might be random, such as when I was talking about being “better than him at Mario Kart: (I was probably talking about my brother), while Matt said “there is not a middle in 4”. We joked that we would need to save any conversation not for the public for when Lapin went to the toilet!
This post will be of the sketches I did of my fellow sketchers, outside of the workshops. Below on the right is Donald Saluling from Indonesia, who I had not met in person but had conversed with (usually about football) over the years, so it was nice to finally meet him. I cannot recall the name of the guy on the left but he was also from Indonesia, nice guy. I was there at a cafe with my Portland friend Kalina after one of the sketchwalks, it was that super hot day where my head had been totally melted by the heat, when I had even left my paints at home. So Donald graciously lent me his (very nice) paints to colour in the sketch. That was a really enjoyable early evening, one of the nicest moments in Amsterdam, utterly exhausted but lots of fun hanging out.
On the final night of the Symposium there was a large final reception, where Amber Sausen (Urban Sketchers president) announced the 2020 Symposium would be…Hong Kong! I had guessed it, and hoped for it, but that it would be in April rather than summertime, due to the heat. Now as I write in March 2020, sadly the symposium has been cancelled, because of the social disruption that was taking place over the second half of last year. Now of course with the ongoing drama of the Coronavirus outbreak, it would probably have been cancelled anyway, but it’s a shame. So, there will be no Symposium for 2020. Amsterdam however was a big success, despite all the heat, and although I feel quite hugely overwhelmed by the sheer mass of people – when you are knocking closer to a thousand including those that come along just for the sketching, it feels a long way from the more intimate 75 or so of us that were in Portland – I say that every year – I still really enjoyed meeting new people. Below many of us are sat at a table late at night after wandering about Amsterdam looking for a restaurant that would stay open for us, and we found this one Italian place that put a bunch of tables together in the street for us. I love Europe. I tried to sketch all my neighbours, such as several amazing artists whose work I had not really seen before such as Johanna Krimmel, Eleanor Doughty and Jorg Asselborn. Also at the table are Jenny Adam, my Portland friend Rita Sabler, Matt, Arnaud, Mauro, Lapin, Marina, and a few others I can’t quite see.
Below are a few sketches from the final reception, the red-hatted Belgian man is Etienne Legrand, who I sketched while waiting in line for a drink. I always enjoy speaking French at these events, I feel like I’m a little bit part of the Francophone sketching world, though as we’ve established my French cannot be understood except in Charleroi, where nobody ever goes. The wild-haired fellow on the right is Richard Briggs, who I had met in Porto, one of the most creative artists I’ve met at these symposia.
Here he is again with Aurore from Israel, Marina also from Israel (I’m a big fan of hers since the start of Urban Sketchers), and Hugo Costa.
More Amsterdam sketches to come, but these were all the random people sketches I did this time, fewer than usual, but I’m always glad for capturing these moments.
First workshop day of the Urban Sketching Symposium! We got a big bag of goodies this year, loads of paints and pens and sketchbooks. I still have goodies from the first symposium in my art cupboard. This year symposium attendees all got bright red bags to carry our gear, which also made it easy to spot the other symposium people. The first thing I drew in the morning was the castle-like building called ‘Waag’, in the Niewmaarkt. I think everyone sketched this. It sits there nice and sketchable. I drew it from the most obvious angle. Perhaps I should have sat closer and made more of an effort, but I was in a hurry, I needed to get to my first workshop: “Amsterdam Rooftops” with the very nice Hugo Costa. I met Hugo in Porto, so was eager to take one of his workshops, and he really had an advantage over the other workshops, in that we were going to be looking out over the top of the city, but also sketching in a cool air-conditioned rooftop restaurant, “Blue”. I drew him introducing the workshop below.
For the class we had to bring large sketchpads, like A3 size, which of course is not my usual thing but I wanted to give it a go. Definitely enjoy attacking something so big and detailed on a large piece of paper. I decided against adding colour, but just added a bit of shade. I took this photo of it. I submitted this into the end-of-symposium auction, and it sold! Most of all, I enjoyed observing Amsterdam from above. There is something so peaceful about sitting above a city, counting the spires, watching it stretch to the horizon. The Netherlands is a very flat country. When I was a kid I had a map of Amsterdam on my wall, and I loved how the canal rings curved around the city centre. It’s amazing I have not spent that much time in Amsterdam in my life, but I have never really spent much time in many of the places I used to read all about when I was a kid (I had a map of Sydney too, never been to Australia, as well as those little Berlitz books about Hong Kong, New Zealand, Norway and the Rhine Valley, none of which I’ve been to. YET.).
This is one of my favourite photos from the symposium, the various workshop attendees from all over the world all huddled together in an elevator going up to Blue, all ready to sketch. I made some silly joke about “watch out for pickpockets!”. This was a really nice workshop experience, we had some nice conversations.
Here is Hugo taking a look at some of the sketches.
After the workshop many of us stayed for lunch. I caught up with Daniel Green, always nice to chat with him, and sketched the view looking down what I think is Regulierbreestraat. This is a city I would love to explore so much of, maybe in a slightly less busy time of year (whenever that is!).
After lunch I headed back to the hotel and then went out to see something I just had to see – the Ajax Arena. Well it’s called the Johan Cruijff arena now after the most famous footballing son of Holland. I wanted to go there because I love Dutch football (well, I like it) and have always admired Ajax, but maybe the real reason is that my team Tottenham knocked Ajax out of the Champions League semi-final in a most dramatic last-minute way in 2019, and I wanted to wear my emerald-green Spurs top there, just for a laugh. I got a few comments in the club shop, “oh you can’t wear that here.”
I didn’t get to go inside the stadium but that is ok, I just sketched outside. I did meet one Ajax fan though who was not a fan of Tottenham, let’s say. I was standing outside a restaurant next to the stadium which was called “Burger Bitch” (one of the burgers was called “That’s a huge bitch”) and he came dashing out to tell me, no you cannot wear that Tottenham shirt here. Not so much for us beating them, which he blamed completely on Ajax, more for how he and other Ajax fans were treated by the police when they visited our new stadium in the first leg (he never got to see the game because some English hooligans attacked them, and so the police just took them away and sent them to Leicester Square, no game for them). I felt bad for the guy, we had a good chat about footy, but yeah at first I thought he might chase me away. He told me of his other stories about traveling with the Ajax, such as when they were in Turin and the Italian ultras of Juventus would attack them with knives, and a guy he knows got one of those infamous knives in the buttock that are popular with Italian calcio hooligans. I had heard of this being a thing. He told me that was the worst thing because they cannot sit. Actually he might have said “cannot shit”, it was hard to tell the way the Dutch sometimes say their “s”, but either way not a nice injury to have. I didn’t tell him about when my brother in law fought against Ajax fans in the early 80s on a canal boat in Amsterdam and he was attacked by a guy with a samurai sword and had to jump ship. I’ve always wondered about that story. Anyway after all this fun chat I went back into central Amsterdam, and decided I might not wear my Tottenham shirt out to the pub that evening.
A couple of photos. I was particularly proud of my quip when I saw the picture of Danny Blind holding hands with a young Daley Blind, two generations of Ajax player, when I said “D. Blind leading D. Blind”. But nobody was there to hear or care. And there it is, Burger Bitch, to prove it’s a real actual place.
I had to wait ages for the metro. The station at the Arena was absolutely packed, largely with people traveling home from work, but the heatwave was causing more delays I think. I sketched a little. When I got back, I rested for a while at the hotel before getting back to the sketching job. I drew the Zuiderkirk from the banks of the Zuiderkerk from Kloveniersburgwal canal…
…before drawing the sunset at the Amstelhoeck. I then spent the rest of the evening drinking beer and hanging out with sketching buddies, another very fun evening. A very hot but very productive day. The next day was even hotter…
And so, on to Amsterdam. Due to the heat-related travel chaos I arrived later than I’d hoped (but still, I was lucky to make it), and so I missed the opening ceremony of the 10th Urban Sketching Symposium. This annual event started in Portland in 2010, and I’ve gone to many of them since. Boy how they’ve grown. I arrived in Amsterdam, waded through the crowds at Centraal (I’ve never been a fan of that station, and it’s just how I remember it), and checked in to my hotel, a spectacular historic building called the Scheepvaarthuis, now the Grand Amrâth Hotel. This might have been my favourite thing about Amsterdam, and in fact many other sketchers would come to draw the building. I didn’t stop too long though as I wanted to go and meet up with the other sketchers that I know. There were a LOT of sketchers milling around. I found many of my old Urban Sketchers pals who I met at the first symposium, and some went off to eat while I went off to sketch with Matt Brehm and Lapin, because you have to draw before you can eat. We drew the scene above. It was my first time in Amsterdam in 20 years, and I remember it as somewhere I always wanted to go back and sketch, but was not a fan of the crowds. These crooked buildings are just the thing to get me started though, and I like those girders that stick out at the top which are used as a pulley to bring things up to the higher floors of those narrow houses. After this, the three of us headed down to Amstelhoeck, which was where many urban sketchers would be gathering each night for a drink and draw, and we had much merriment, always nice to hang out with those lads. I’ll add in my people sketching in a later post.
So here is my hotel, the Grand Amrâth. I spent a lot of time online looking for the right hotel. Everything was pricey, and I knew that I could stay further out and save some money, because the public transport is so good in Amsterdam and well connected, and I could even ride a bike around (spoiler alert, I never ended up riding a bike in Amsterdam, despite being a cyclist in America’s self-styled ‘biking capital’ Davis, I wasn’t brave enough!). But I also wanted to be in short walking distance from the symposium, without having to pass through too many crowds. I wanted somewhere with character rather somewhere bland and corporate, or meagre and depressing. Having stayed at an ok place in Porto which ended up being up a really steep hill and was modern having little character, I wanted to choose a bit more wisely this time. I found a decently priced room at this place, the Grand Amrâth, about the same price as many of the other dingier looking places, and chose it because the building looked like a haunted castle. In fact some of the reviews said it actually was haunted. So when I showed up and saw that it was in fact a five star hotel I was surprised. The place is an architectural wonder. The Scheepvaarthuis (“Shipping House”) was built in the early part of the twentieth century, and was the ornate headquarters of several shipping comanies. Architecturally speaking it is perhaps the finest example of the ‘Amsterdam School’ (and I say this knowing full well I don’t know any other examples). I enjoyed the elaborate stained glass windows, as well as the decorative ironwork, but also the entertaining moustachioed statues, one of which looked a bit like my sketching friend Arnaud de Meyer (he pointed it out, that it was the most accurate drawing I have done of him). Have a butcher’s at all of this though. I would definitely stay here again, if only for the sketching opportunities.
Other sketchers came out to sketch here too at various points, such as Lapin, Arnaud de Meyer, Martine Kervagoret and of course Gerard Michel (click on the links to see their sketches of the building). Plus many more. However I am really glad that I stayed here during the heatwave. My room (which was very nice, and always well-stocked with a free mini-bar, always lots of nice cold water and Diet Coke to come back to every night) had good air-conditioning, unlike a lot of the hotel rooms in the city. From stories other sketchers and tourists were telling me, apparently a lot of them were breaking down, meaning it was very difficult for people to sleep in their intensely hot rooms, to the point that people were sleeping in the cooler hallways. Thankfully I did not experience that here. There was also a nice indoor pool in the basement that I definitely took advantage of when the intense heat got too much for me (and boy did it, it melted my mind). I never ate at the restaurant, but I did eat an ‘Uitsmijter’ (a Dutch dish, three fried eggs with cheese on thick bread) at the small bar, also having a nice cocktail there. Look at the building at night, below, one side facing a quiet canal shrouded in total darkness. It’s one of the most spectacular places I’ve ever stayed in. I was looking for character, I found a whole Pirandelli. I would come back to Amsterdam just to stay here.
As I say, it was very hot. Below is an unrelated picture of a mn pressing a button at a crosswalk, which is a diagram you see on the pole, showing you how to press the button in case the ehat has melted your mind so you might forget. Next to that, a photo of a Mango flavoured Fanta. Mango Fanta is delicious. They do a whole spectrum of flavours of Fanta in the Netherlands (though what I drank most were the delicious fresh juices you get everywhere, so good), but the fancy flavors are expensive. I think this can was like 3.50 Euros, just for a can of soda. When the man in the shop opposite the hotel told me the price, my eyes popped out and I was like, no way dude, that’s a lot for a can of drink. I’m thinking, tourist shop, silly prices. So I went next door, where the price was exactly the same, and so I thought oh well, that’s what it costs, I’m thirsty. But as I walked past the other shop I hid my drink, the walk of shame. It was worth it though, best Fanta ever.
As always when I recount my stories from the sketching symposium it might take a few posts, but I’ll try to mix them up a bit. I sketched a lot in Amsterdam, but because of the heat destroying me I always felt like I could not sketch enough. The symposia always feel like a big competition to draw the most, when that’s never really the point of them, it’s about spending time with other sketching friends, learning from each other, seeing and experiencing the world. Matt Brehm said on this trip, “It’s ok not to draw.” All that said, I really did draw a lot…