Before I dive into the Manchester posting I thought I would jump back to the present day (Manchester was like less than two weeks ago) and show you some of what I’ve been doing since I got back. Here is Davis Community Church, on 4th Street, sketched while squeezing the curving perspective lines to fit the image in. In truth I wasn’t actually squeezing them – this is how they looked from where I was standing. As you get closer to a building those parallel perspective lines to curve more. I have wanted to redraw this building for a long time so this was a fun way to do so; after taking Paul Heaston’s workshop in Manchester I realized I need to squeeze in those perspectives even more, to get the bigger picture. I had just gotten my hair cut (finally! it was too long while I was in Manchester, too long for me) and the weather was hot but not bad. My body was aching and tired still after my trip back, my back being still a bit stuff from the cramped journey across the Atlantic. Although I complain there’s nothing left for me to draw in Davis, it’s still nice getting back to the old familiar streets.
Month: August 2016
Dinosaurs at Knebworth

While in England, I went with my Mum, my sister Lauren and my nephew Sonny to the grounds of Knebworth House, in Hertfordshire. I had never been before. It’s very nice. There is a maze, and some incredible wooden goblins and fairies and things carved into tree stumps. You would like it. We never went into the house itself though.

Wh
at I liked most though were the dinosaurs. The Dinosaur Trail winds through some of the woodland area, and those dinosaurs and prehistoric beasts are in some cases enormous. There are 70 of them in total, and so my nephew and I started to draw them. Here he is below, sketching a Scolosaurus. He did a lot more drawings than me – the speed of youth, eh! – but I sketched a few of my old favourites. On the left there is a Corythosaurus, which I didn’t colour in. I used to have a model of a Corythosaurus when I was a kid, I remember gluing it all together, and I loved it. I really loved dinosaurs. My son for example thinks they’re ok, but whenever we go to the Natural History Museum he is usually more interested in rocks and geology, that is his passion. When I was little, it was all about those dinos, man. I still have some of my old dinosaur books, with their out-of-date depictions and dramatic paintings. One of them was an Elasmosaurus, which they did have a model of at Knebworth, but I sadly did not draw. Those things were terrifying. Below though, probably my favourite dinosaur, the Styracosaurus. Any animal that can have that many spikes on its head is a friend to me. It looks like Keith from the Prodigy. It’s a total fantasy creature.
Below, the old lovable Triceratops. The original king of the Ceratopsians. My horns face forward, laughing boy, so don’t get cocky or you’ll find yourself turned into a Tyrannosaurus Kebab! They both have those big parrot-like beaks. Hey I tell you who does know a lot (and I mean a lot) about dinosaurs is the fellow who made an appearance in my last post, Paul Heaston. He once even made an amazing model of a feathered Deinonychus (another of my favourite dinosaurs). Here is an interview with him from 2012 on the fantastically-named website “Love in the Time of Chasmosaurs“. Up in Manchester, another dinosaur-loving artist Lapin mentioned to his “Cars in the City” workshop (images posted soon) that all sketchbooks should contain a car…and at least one dinosaur. I agree. DINOSAURS RULE!

Incidentally, today happens to be 20 years to the day that Oasis played their massive enormous gig at Knebworth. I never went to that myself (I never did see Oasis live, though a massive fan – I saw the Sex Pistols at Finsbury Park in ’96 and it was great but totally did me in for big music crowds). Lots of old rock bands played Knebworth over the years, the Rolling Stones, Led Zep, Genesis, and above are some drawings of some other old dinosaurs.
down the grafton with james and paul

On the Monday I was back in London, I took my Mum to afternoon tea at Fortnum and Mason’s (always fun), and in the evening I went down to the Camden area to meet up with my good friend James, and my fellow urban sketcher Paul Heaston. It was actually the first time I had ever met Paul in person, having followed him for the best part of a decade online since the early days on Flickr and Urban Sketchers, always been one of my sketching heroes (and a fellow ginger sketcher). So it was great to finally meet him, and he is a super nice dude as well. It turns out he loves the Beatles as much as James and I do, so there was a lot of music talk. We went down to the Grafton Arms in Kentish Town and sketched in there, silly jokes ahoy, and Paul showed us his remarkable sketchbook, full of extremely accurate curving perspectives and highly detailed interiors. Blown away and inspired in equal measure. I sketched the above scene, and also drew my companions (below). A fun evening out in north London.


And here are a couple of action photos, the first sowing Paul’s great skills of fitting everything in, the second showing me with that thing I apparently do when I am drawing, poking my tongue out. My son does that when he plays soccer so it must be a Scully thing.


Oh, and James and I did our Panini football sticker swapping for Euro 2016. Business sorted!
Sketching Wren’s London – 2016

On Sunday July 24, a lot of us gathered outside St.Paul’s, and then dispersed and sketched Christopher Wren’s London. It’s the second time I have run a Wren-themed sketchcrawl, and the fourth themed ‘crawl I have hosted in London since 2012. I’m already thinking of themes for next year! As in the past, I created special handouts which included a hand-drawn map showing all of the Wren churches (and other buildings) within the City boundaries. There are a couple of Wren’s City churches not showing, only because I didn’t stretch the map far enough north, and of course it shows none that are outside the Square Mile; perhaps we’ll sketch all of those next time! Here is the map:

We started at 10:30am outside St. Paul’s, and I gave a little historical introduction (see this photo by James Hobbs!) talking about London leading up to 1666, starting with the beheading of Charles I, which many English people believed had brought a curse upon them, manifesting in the year of the beast, 1666. That was the year of the Great Fire of London; I won’t tell the whole story here, you had to be there. We were joined by a good number of people from around the world who were in England for the Symposium, including my Portland sketcher friend Kalina Wilson (Geminica). I met a lot of great new people that day too, as well as old friends. It was very international – in addition to the UK and the US, we had sketchers from Singapore, Hong Kong, Italy, France, Pakistan, Luxembourg, China, This was day two of London’s Urban Sketching pre-Symposium, and it was a little cooler, and a lot calmer than the previous day in Trafalgar Square. I do like the City on a weekend.
In 2014, I sketched seven Wren buildings in one day, and my ambition was to sketch more. However, you sketch what you can sketch, and I’m pleased to say I at least matched my previous haul. I did use more pencil while sketching than usual, something I am doing more. First off though I sketched the Temple Bar gateway in pen. This was originally down at Fleet Street at the entrance to the City but removed many decades ago, only to sit languishing in Theobolds Park near Cheshunt. It was restored and placed next to St. Paul’s just over a decade ago, forming the entrance to Paternoster Square. It was from that still-shining-new plaza that I sketched St. Paul’s itself. I have always struggled with the great domed cathedral from this angle but that’s ok, you have to draw St. Paul’s.
Next up, a couple of neighbours to St. Paul’s. First of all, St. Augustine’s Watling Street, largely destroyed in the Blitz. I sketched this in pencil from the gardens of St. Paul’s churchyard while talking to my old friend from high school, Joan Uloth (check out her Instagram) and Beliza Mendes from Luxembourg. I really want to sketch Luxembourg, I met more Luxembourg sketchers in Manchester.

Then I sketched St. Nicholas Cole Abbey, which is visible across the street (now that the building that was in the way has been demolished, that is).

This one was sketched across a busy street, St. Benet’s Paul’s Wharf, the church where they hold the sermons in Welsh.
Ok this next one was sketched from an angle and with the very loud and quite chaotic bells ringing. St. James Garlickhythe (haunted by “Jimmy Garlick” who sounds like an old washed up musician from the early 70s). I did the old paint splatter thing because the great Tia Boon Sim from Singapore was on the sketchcrawl and I’ve always been inspired by her paint-splatter styles. It seemed appropriate given the noise of the bells!
My final sketch was of the neighbour to St. James, which is St. Michael Paternoster Royal. What I loved about this crawl was that wherever I went there would always be at least one or two other sketchers there busy plugging away. This by the way is the church where legendary (but historically very real) Mayor Dick Whittington (he of the cat and the pantomime) was buried. Nobody knows where his grave is now though, but while Wren’s tomb says “Look Around You” I presume Whittington’s tomb says “Look Behind You”.

And then we met up at The Monument, to look at each other’s sketchbooks. Of all the people that made it to the finish (and quite a few did not; I checked the number of maps given out and I think we had around 80 participants total), we got together and I read out the names of each Wren building, asking sketchers to raise hands if they had sketched it.
You’ll never guess – we sketched ALL OF THEM. Every single one! Great job, London sketchers!!!
Here are a few photos from the end. You can see more at Urban Sketchers London (JAmes Hobbs has posted a nice set “In Wren’s Footsteps“) and on this Flickr set “Sketching Wren’s London“.
Afterwards several of us went to a pub near Borough Market for a post-sketchcrawl-pint. I sketched two sketchers, Rachel and Jimmy…
And here is the final group photo at the base of Wren’s Monument to the Great Fire! Can’t wait to sketch with Urban Sketchers London again in the near future. So nice to meet so many new sketching friends.

Oh, and everyone got a sticker!
sketchcrawl in trafalgar square
On Saturday July 23 I went along to the “Let’s Draw Trafalgar Square” sketchcrawl organized by members of Urban Sketchers London. It was a hot, sweaty day, and the Square was filled with people: tourists, buskers, and people playing Pokemon Go. By the way I love how Pokemon Go is the latest Thing-To-Be-Annoyed-At among the moaning classes, just the mention of the words ‘Pokemon’ and ‘Go’ automatically bring forth well-rehearsed stories of people walking in front of buses or just not looking up from their phones in the street, neither of which were things that ever happened before people started catching Porygons and Spearows just a few weeks ago. I bet if you had a referendum to ban people playing Pokemon Go you’d get more than half the population saying “Gotta ban em all!” Just let them be, grandad. Anyway, as I sat and sketched the National Gallery and the church of St. Martin-in-the-Fields, a man on an unusual bike in front of me beckoned tourists to have a go and try to win ten quid from him. I didn’t sketch him. I did speak to a few tourists, giving directions and talking about the sketchcrawl. The crowds really did start getting a bit much, but I look at this stretch of pedestrianized goodness and I still remember how much of a coughing traffic mess it used to be. That right there is where I would get my Night Bus back to Burnt Oak in the wee hours of a Sunday morning, twenty years ago. It’s so much better now.
We met up at half-time by the column of the Grand Old Duke Of York, and the sketchcrawl’s numbers had swelled to include many more of the international sketchers who would soon go up to Manchester, including a large contingent from Singapore. So great to see so many familiar faces, such as Tia Boom Sim (Singapore), Omar Jaramillo (Berlin) and James Oses (London), and also meet many new ones I had only ever known from following online, such as Stephanie Bower (Seattle), Patrick Ng (Singapore) and Emma-Jane Rosenberg (Ely), and many others. Above though is not the Duke of York, rather this is King Charles I. He is holding a European flag, which is either a pro-Europe protest or the opposite, depending on your views of Charles, I guess. Look at all those Boris Buses milling about in the background there. The interior temperature of those buses was on that particular day hot enough to fry an egg (but to do that you needs to brexit first). No, I didn’t get it either. This statue by the way is the middle of London – all distances from London are measured from this spot. Charles was the shortest English king (well, the shortest adult English king). After his head was chopped off, just down the street from here, he was considerably shorter. Ok that is your history lesson done now. I sketched this while squashed against a wall next to Tesco Metro, itself a highly squashed experience, stood with paints balanced on elbow, while a large number of anti-Mugabe protesters from Zimbabwe paraded past, while tourists waved selfie-sticks in front of them, and absolutely nobody was playing Pokemon Go. Samuel Johnson said a couple of centuries ago that the full tide of human existence is at Charing Cross, and he wasn’t wrong. I bet he would have hated Pokemon Go though. Imagine his face when you asked whether Jigglypuff, Blastoise, and Lickitung are in his dictionary! It would have caused him terrible pericombobulations.
I had to leave the Trafalgar-Squarea (tourists! This is a real term used by actual Londoners by the way so you should definitely say it next time you are there) and escape to the slightly less busy area of Cambridge Circus. Still a busy bustling Bedlam, but I was able to find a spot next to a pub and sketch the Palace Theatre, where currently they are showing the play about Harry Potter, call “The Cursed Child”. I just read the expensive hard-bound script, and I can reveal it is pretty good, and probably makes more a hell of a lot sense watching it on stage. Tickets are sold out for the next century and a half, and it’s in two parts, for some reason (I think the reason rhymes with the words “bunny bunny bunny”). I have wanted to sketch this theatre for ages, so the Potter connection gave me a good reason too (for example if I sell this sketch, then the reason may well rhyme with “honey honey honey”). I remember when Les Mis ran here for about six hundred years, or something. I sketched for an hour and added the colour at home, as I had to run down to St. Martin’s for the final meeting of the sketchcrawl, where everyone puts their books on the ground and looks down at them. It was a fun event and I am glad I went, a good sketching first day back in London, and I spent a good bit of time catching up and chatting with my fellow sketchers afterwards in the cafe in the crypt beneath St. Martin’s. By the way that cafe is the place to go when it is hot outside and you want a lukewarm fizzy drink. I did some sketching of the sketchers…
And afterwards I met my friend Roshan, and we went for dinner, then out for a nice relaxed beer in Covent Garden, being joined by other friends Lee and Jamie. I sketched them too. A couple siting next to us kooed over eagerly at my book while sketching, it seemed like they thought they might be next in the book, but alas my sketching energy needed conserving for the next day, when I would be sketching Wren’s London. Nice segue there into the next post, huh!
london’s ancient highway

For the first sketch back in London I wanted to draw this stretch of the River Thames again, looking out towards Waterloo Bridge. Last time I sat on Hungerford Bridge (a little bit further toward the middle, drawn to include the then-brand-new Shard) the skyline looked different. New skyscrapers keep popping up, all in fun zany shapes like some ten-year-old invented a futuristic robotopolis. They all have funny names too, the Gherkin, the Cheesegrater, the Walkie-Talkie, the Spaghetti Western, the Cordless Kettle, the Balrog, the Gelfling’s Prophecy, all very silly names. Ok some of those may not exist yet. The oldest structure in this sketch is actually Cleopatra’s Needle, on the left there, at about 3500 years old (placed here in the 19th century). Its twin is in New York, you can apparently use it to teleport between the two cities but they don’t like to tell anyone (see previous posts for feelings about Translatlantic travel). Ancient Egyptians used to smirk at the silly nickname too, also making fun of Thoth’s Sewing Machine, Rameses’s Hat-Stand and Mark Antony’s Hypodermic Syringe, and so on. Anyway, I sat on my uncomfortable little stool (now retired) and sketched for two hours straight, as London in the Summertime started up around me, tourists, day-outers, amblers all looked around and marveled at the view. Now if the proposed mess of a project the Garden Bridge gets built this view will be spoiled. I believe the Bridge would go just beyond Waterloo bridge, but with trees poking out of the top of it the views down river would be compromised somewhat. Not a fan. Might be useful elsewhere, but not there. It’s a folly of Boris and Lumley. We’ll see if it actually gets built. If it does, expect more cranes, more changing views, and more sketches along the ever-changing, ever-constant river. I do love this river.

need a little time to rest your mind
Transatlantic travel can leave you feeling cramped up for days. Well, it does now I am 40. I don’t remember it happening so much when I was 39, a few months ago. Ah well, a week of non-stop sketching and wandering both London and Manchester clutching sketchbook to my body in that peculiar way that I do probably added to the effect somewhat. I have not started all the scanning yet from the many sketches I did at the Urban Sketching Symposium in Manchester (July 27-30), as well as the Sketching Wren’s London sketchcrawl (July 24) and the Let’s Draw London sketchcrawl at Trafalgar Square (July 23). Here though are the sketches in transit, starting with the Virgin Atlantic flight to London from SFO. As usual I barely slept a wink, my knees being squashed against the seat in front. I love flying Virgin Atlantic, but their legroom in Economy truly sucks.
Virgin Trains on the other hand had pretty good legroom, and the train up to Manchester was a very pleasant journey. I sketched again in the “Lapin” Miquelrius notebook and listened to music from Mancunian bands while the countryside whizzed by.
On the train back from Manchester I sat by the window and sketched a much larger panorama; I had taken Paul Heaston’s workshop in Manchester and realized I do need to stretch that curving perspective a lot more. While I do love a bit of the old curvilinear as you know, I don’t stretch it quite so often as I might, and it’s a good game to play.
And in this last one, the squashed flight back to California. I watched Force Awakens as you can see, and Civil War (while wearing my Captain America hoodie). I also watched Zootopia, or rather, “Zootropolis” as it is called for some reason in the British release. Stay tuned for the sketches from England. There are a lot of them…
















