porto practicum

Simo workshop, Porto
The second and final workshop I took was with Simonetta (Simo) Capecchi, from Naples. I met Simo at the 2010 Portland symposium, and took one of her workshops there (actually at that one I think I may have wandered off and lost track of time, if I recall), oops. I was super excited to take this one though, as I love Simo’s work and her ideas, and this workshop was called “One Page Says It All: A Reportage on Porto Wine”. Simo does a lot of reportage sketching for a travel magazine called “Dove” (it’s in Italian), so she has a lot of experience in commissions for travel reportages. The point of this workshop was to create a page about Porto wine – think of an angle, map out your page, and think up a catchy title. There wasn’t a lot of time to do a ton of research, so it was mostly looking through windows, mooching around the wineries (or their info stands and gift shops) at quick pace, browsing leaflets in the tourist office. Most of the time is spent sketching, but the text had to be important. I sketched Simo above, before we took the little ferryboat over the Douro to our location in Vila Nova de Gaia. I liked the phrase “drawing and writing together don’t make two, they make three.” It’s so true.
Simo workshop, Porto
Here, Simo shows us some of her own reportage work, offering advice on how we can construct our pages. Some of the results of the various sketchers were very good, some highly detailed and well thought out, others a little more carefree, I think I fell into the latter a little. My page is below. It’s drawn in the Clairefontaine sketchbook that came in our symposium goody bags. I focused on the old English names of all the Port wineries – many of them were founded by English vintners several hundred years ago (and Anglo-Portuguese relations do go back many centuries, to their alliance back in the middle ages, the longest standing alliance between nations). I rushed the title though, quickly adding it in just before the show and tell: “A Glass of Old England” (I then added “In Old Porto” and immediately regretted it). I didn’t like the title though. I should have called it “Going Out For An English” in reference to that classic Goodness Gracious Me sketch. I really enjoyed this workshop, Simo is a very interesting storyteller and has always been an inspiration to me, and going over the river and thinking about Porto wine was a very pleasant way to spend a morning.

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Below, sketched on the ferryboat back over the river, is my friend Rita Sabler, who was one of the official correspondents for the Porto symposium. She had been sketching and reporting on our workshop. You can read her daily reports, along with those of the other two correspondents Paulo Mendes and Marina Grechanik, on the Urban Sketchers website.
Rita Sabler

And finally, here is the sketch of Sandeman’s without all the writing and stuff around it. Those cable-cars above are part of the Teleferico de Gaia. I did not ride these but would have liked to, if I’d given myself the time.

Sandeman Porto

All this reportaging, you would have thought I’d have topped it off with a nice glass of tawny. Instead, I got myself something unusual: a gelato made from Port wine. It was actually delicious.

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porto people

Porto Dinner

The Symposium always offers a chance to feel ok about drawing people. Everyone is doing it, nobody judges you about how unrealistic it looks, and nobody feels self-conscious about someone sketching them. Well, usually. I mixed up sketching the public with sketching the participants, and tried to keep it fast (far less than the ‘five minutes’ per person!) and tended to stick to pencil, with a bit of watercolour for effect. I used a Palomino pencil that a pal of mine sent me from Japan (cheers Tel), it does wear down fast though, I had to keep sharpening. Pencil moves fast though, so is good for those really quick people sketches. Above, dinner on the Thursday evening with several of my old sketching buddies. You can see Kumi Matsukawa (from Japan), Shiho Nakaza (from Santa Monica) and Rita Sabler (from Portland), all of whom wrote chapters in my 2015 book ‘Creative Sketching Workshop’ and all of whome I met in the 2010 symposium, which is also where I met Mike Daikabura (from Boston), at the end of the table. There’s also Tina Koyama (from Seattle) who of course I have met at other symposia, great to see her again with her partner Greg, and Corinna from Germany, who I did meet briefly in Manchester. Others at the table are Jane (from LA who was in Portland, but I’d never met), and Elaine and Alex, who I didn’t speak to. It was a nice gathering for the “Drink’n’Draw”. The Drink’n’Draw events were generally done at the Ribeira square next to the river, and were generally hundreds of sketchers messed all over the place, so the fact I actually found several sketchers that I already knew was nice. It was a nice evening.

Porto people
Porto people

Above, sketching the locals. And the tourists. I stood in a couple of spots and tried to capture people as they passed by. I liked the lads in the Porto kits kicking the ball about up the Alfandega, I kinda wanted to join in. The bizarre looking Chef with the big eyes is actually not a person, nor a Frank Sidebottom mask, but a large figure in the window of a restaurant. Below, some people I sketched while waiting for my Francesinha.

Porto people at lunch

Below, some other locals or maybe tourists, eating dinner at Ribeira. The woman on the right, I might have drawn her head slightly too small. The giveaway is that the person behind her has a larger head. As does the person sitting opposite, who is further away from my POV than she is. Now unless they are wearing Frank Sidebottom heads, I’ve got that wrong. Ah well.

People at dinner porto

And below, two fellow sketchers I enjoyed a beer with on Friday evening, Aglaia and Joel, both from the US. Joel I had met in the Manchester symposium, he was busy during this one with accounting and money stuff for Urban Sketchers. He’s wearing his red Chicago symposium shirt, from last year’s event (that I missed). Aglaia teaches history at a university, so we had a long discussion about history and what not. At one point they mentioned they had seen the Beatles film A Hard Day’s Night again recently, and asked about the Wilfred Bramble character and why they kept saying he looks ‘very clean’, which is a reference to steptoe and Son that many Americans these days would probably not get, so I got to do an Harry H Corbett impression and say “you dirty old man!” Also I think I may have done a Simon Schama impression or two. A fun evening.

Aglaia and Joel

Stay tuned for more Porto sketches!!!

porto performative

Amber Sausen, USk President
The reason we were all there in Porto was for the 9th Urban Sketching Symposium. “USk Porto 2018” as it is known (see the hashtag #USkPorto2018 on the various platforms) was the largest one yet – 800 registrants, with a similar number descending on Porto just for the ride. Urban Sketchers is quite big now. The first Symposium back in Portland in 2010 (check out my Flickr album, or look at my Portland 2010 blog posts) had less than 80 people, many of whom had only ever met each other online and never in person, and yet we all seemed to get to know each other. The ‘Woodstock of Sketching’ Matthew Brehm called it. With 800 people it was hard enough to find the people you knew! Yet I still managed to meet new people, though for sure, it was a really big crowd. Above, the current Urban Sketchers President, Amber Sausen, sings to the gathered Thursday morning crowd before they set off for their workshops. Below, Amber introduces the Symposium at the Wednesday evening reception. There was a show of hands; over 50% were first-time symposium participants!
USk Porto opening ceremony
One aspect of the symposium this year were the demos. There have been demos before, but this year we had to sign up upon registration and choose whose demo we wanted to attend. Most were held outside on the streets, in the urban setting, our little groups shepherded by friendly volunteers. I went to the demo of Gabi Campanario, Seattle-based journalist and the founder of Urban Sketchers. I’ve not seen Gabi in person since Lisbon 2011 so it was nice to see him again. He was the one who invited me to be a correspondent on the new blog ‘Urban Sketchers’ when it was first launched, back when it was tiny, so it is great to see a decade later just how big and popular it has become. Gabi’s style of sketching is very particular, he works fast but gets in a lot of information; he sketches for a newspaper after all. I’ve always been in particular impressed with his approach to perspective, and it was this that he helped to demonstrate first. He usually draws fairly small, but sketched on a large pad for the demo so that everyone could see. I drew the group watching and learning.
Gabi demo
We were on the Alfandega, which has a lot of very interesting vistas to sketch, so Gabi continued his demo by showing us a bit about how to go about composing such a sketch. I like the poses he gives. The demo is very much a performance, a piece of street theatre that is both instructive and interactive.
Gabi demo
Finally, here is another sketcher, called Paula. I will post more pictures of the other sketchers I drew, though to be honest I don’t feel like I drew enough of the other sketchers this time. There were 800 other participants after all, plus about that many who just joined in the crowds in Porto. I don’t think she minded me sketching her; it’s expected at the symposium, you will be sketched. I’m including this though because she was very much in the act of sketching (actually by this point I think she was checking her phone). I have always wondered about the line between sketching and performance.
USk Porto Paula

On one hand we are working in our private journals, they are our business and not really anybody else’s. You aren’t under any obligation to show anybody anything you have drawn. On the other hand, there is an unwitting performative element to the urban sketcher. I think it’s one that fascinates the public. This is something that I would love to explore further; years ago I used to do interactive theatre, and so many of the workshops and skills and ideas I picked up in those days have informed my attitude to urban sketching. I really want to explore this somehow. When we as sketchers are out in public, creating art, we are in fact engaging in two kinds of performance art. There is the result, the sketch that we share online (and we usually do, as part of Urban Sketchers). Then there is the act of sketching itself. Once I stopped finding a place to hide when I sketch, I started to lose my fear of being watched while I sketch. Why do people watch? They are fascinated that you are creating something. So many times people will come up and say, oh wow that is beautiful, and I have literally drawn five pencil lines and spent ten minutes squinting up at a building. Is that really the thing that is beautiful, or is it the act of going out and actually trying to draw something that is beautiful? I think it’s more often than not the latter. “Wow, did you draw that?” I know artists who get very upset with that statement; in the early days, I would often imagine sarcastic responses too, and mumble them under my breath, but that’s not what the person is asking. They aren’t asking if you drew that. They are making an exclamation of wonder, often not even of the drawing but of the act of drawing, of the bravery that it takes to attempt the drawing in public, the performance. Honestly I could write a long article on this, and go back to my old drama degree theory stuff, Eric Bentley (A plays B watched by C). It is worth thinking about though, when you are next out sketching, how much of it is personal and how much is public performance, albeit of a quiet kind. If that is the case, USk Porto 2018 was one of the largest pieces of public theatre I’ve been to in ages.

porto pumps

Porto Hydrants sm
I should start at the beginning. I should start in england, with the few sketches I did there, and with stories about watching England win and then lose in the World Cup, with the heatwave of London proving too much for my air-conditioned Californian constitution. I should maybe even add my sketches of Madrid first, since they at least are all scanned now; one of the great things about coming back from a trip where you fill an entire sketchbook in a short amount of time is that there is so much scanning to do to digitize them when I get home. I always do that as I go along, a point that came in handy for my ten-year retrospective exhibition in 2016. I could dive straight into the Porto symposium, although I am still digesting my experiences there, and figuring out what new things I have learned (something that may take me months). So I will start with the easy stuff, the fun stuff, the thing that I am known for the most (actually the second-most – I certainly got the “oh you’re the one who holds his pen in a funny way” more than “oh you’re the one who draws the fire hydrants” this time when meeting new people.). I sketched fifteen hydrants in Portugal, nine in Porto and six in Lisbon (quickly checks my maths). Actually I just realized there was one more, but it is small and part of a larger reportage sketch so doesn’t count. For a close view, here they all are – and I have tried my best to remember where they all are, but I didn’t write it down as I often wasn’t sure where exactly I was when I sketched them, Porto is a little bit like that.
Porto Hydrant
This little red one was at Rua Chã, near the Cathedral and not far from my hotel. Now I must tell you that the little scribble in front of the hydrant, that was dog poo. No, I’m not saying there was a lot of dog poo in Porto because there wasn’t, it’s not like Charleroi in the 90s. What I’m saying is that if you have dog poo in your sketch make sure you keep it in the drawing. This is a pretty standard hydrant for Porto, though the big bulky silver ones were common as well.

Porto Hydrant
This model was very exciting, not only to me but to everyone else who was excited to see unusual fire hydrants on my behalf. I opted to draw a really rusty version, which was across the street from the Sao Bento station. Rusty hydrants are beautiful, and give off that used-universe vibe. They would look great in Mos Eisley.

Porto Hydrant
Now this little oxidized beauty was on a very steep street next to the Igreja Dos Grilos (and the Museu de Arte Sacra e Arqueologia according to the sign I read), but I didn’t go further down that mazy street as I was getting a little lost, so climbed back up. It’s similar to the first one but not painted red.

Porto Hydrant
On my second evening in Porto I got a bit lost (to say the least) trying to find my hotel, which as it turns out was at the top of a very steep hill with a few different routes to get up there, none of them particularly great. I stopped for a rest at one point when I saw this little hydrant in an alley in Ribeira, looking like it had been blindfolded and abandoned. It reminded me a bit of a young Scott Summers. There was wine bar just opposite. It took me 45 minutes to walk back to the hotel in the end (well I will stop to sketch hydrants). Perhaps I should have called a cab, but I’m an explorer after all and I need to sue my own two feet (my two very tired feet, those Porto hills are a nightmare).

Porto Hydrant
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Ooh now this was an exciting find. I was over in Vila Nova de Gaia, which is on the other side of the Douro river. Technically not really Porto any more but it totally is. I crossed the enormous Ponte Luiz II bridge via the road at the top, and after sketching the view of the river I tried to find my way down. That wasn’t easy. I’m sure there is an easier way down than the long steep quiet path that I took, but I found this hydrant painted in bright pink which I just had to sketch.

Porto Hydrant
Now this model is one that usually have a big plastic lid on it. I sketched ones like this in Lisbon, years ago. They do look a bit like overturned wine bottles. This one had no lid however, and I was drawn to it because someone had stenciled a picture of a fox onto it. I had seen this fox all over Porto, on the side of buildings and fences, sprayed onto the cobblestones on the ground, and now here on a hydrant. I did not figure out the fox’s significance (because I never actually asked anyone, surprise surprise). The Portuguese word for ‘fox’ is ‘raposa’. I don’t know what the word for ‘do some deeper research’ is though. This one was found next to the Palacio da Bolsa, on Rua Ferreira Borges.

Porto Hydrant
This is another one from Vila Nova de Gaia which I sketched on the way down the mountain, same model as the pink one you may remember from a couple of paragraphs back. I never saw this model on the other side of the river, which doesn’t mean they don’t have it, just that I never saw it.

Porto Hydrant
This bright blue version of the second one is found on Rua das Flores, in Ribeira. OR it was Rua Mouzinho da Silva. I can’t remember. Maybe it was neither. It was very blue though.

Porto Hydrant
Now THIS one was on Rua Mouzinho da Silva. That is a main street that goes from Sao Bento downhill into the Jardim do Infante Dom Henrique. Henry the Navigator, as he was known. I should have had a similar nickname, for the amount of times I got lost in Porto. This one I am calling ‘J’Existe’ because of the sticker on the top. This as you can see is one of those ones that is covered up with a nice Kinder-Egg style lid.

And there you have it, my Porto hydrant sketchers. I’ll post the Lisbon ones separately. But finally, I didn’t draw this one but it made me laugh anyway, because of the owl sticker, and because it looks a bit strange. IMG_8616

PS I originally titled this post ‘Porto Hydrants’ but changed it to ‘Porto Pumps’ to match my blog theme of ‘Porto + P-Word’. Editorial consistency!

porto!

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This is a view of Porto, the second city of Portugal, from where I have just returned after taking part in the 9th Urban Sketching Symposium. I was away for three weeks, visiting family in London, spending a few days in Madrid, sketching the hell out of Porto, before flying back to America from Lisbon. While not as epic or multi-countried as my 1998 trans-European train trip, which I should really do a blog post about, I slept in nicer places, there were no night trains and I filled a whole sketchbook. It will take me a while to scan them all, finish off unfinished sketches, organize my notes and thoughts, and I am still dealing with jet-lag and a truly enormous inbox, as well as the readjustment from being a sketch-constantly-everywhere person to a, well, ok I do sketch a lot anyway, but lots of other things too. Porto was amazing, a really sketchable city, with epic vistas and accompanying steep streets and pathways. My legs were hurting a lot. They are very strong now. Portugal left its mark on me but I am really bad at Portuguese. I did a lot of sketching, both in pen (architecture) and in pencil (people). You can check out the sketches of everyone else on all the various social media platforms by searching for #USkPorto2018, Urban Sketching Symposium, #USkSymposium, and if you want to see what I posted photos of you can check out my Instagram page (yeah I have one of those, though I still feel like I’m not getting it right) at https://www.instagram.com/pwscully/. I’m looking forward to sharing my sketches here, and my stories and thoughts too, and will do my best to make it concise and not nonsensical at all, but as Han Solo once said, “Hey, it’s me!” He also said “Don’t Get Cocky.” He also said “No match for a good blaster at your side kid,” which I will adapt by replacing the word ‘blaster’ with ‘sketchbook’. Oh, I also drew a LOT of fire hydrants…

Workshop, June 3: “Perspectives of San Francisco”

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Exciting Announcement! I’m going to be teaching a workshop in San Francisco on Saturday June 3rd called “Perspectives of San Francisco“. It is part of the Urban Sketchers “10×10” series of workshops, being held to commemorate ten years of Urban Sketchers. Yes, Urban Sketchers has been around for ten years. Well, the Flickr group, started in 2007 (I remember well, it was called “Urban Sketches” (no ‘r’), and I joined another group at the same time called “Rural Sketches” wonder what happened to them) (hey for all I know they are still around, I’m just in my Urban bubble obviously). So, let’s explain what this is all about. Cities around the world, from Seattle to Sydney, from Johannesburg to Jakarta, from Ramallah to Rome, will be holding ten workshops each over the course of the year. Workshops are limited and you have to pay for them, but will be taught by Urban Sketchers members on a variety of different subjects. Here you can find the in-progress list: http://www.urbansketchers.org/p/10-years-x-10-classes.html.

In San Francisco, the workshops kick off on March 11 (with a launch party at Arch Art & Drafting Supply on February 11)  and continue through June 10. The instructors teaching workshops are Srivani Narra Ward, Laurie Wigham, Nina Khashchina, Richard Sheppard, Uma Kelkar, Rhoda Draws, Oliver Hoeller, Suma CM, Susan Cornelis and myself. The full list of workshops can be found at: http://www.urbansketchers.org/2017/01/10-years-x-10-classes-in-san-francisco.html. In fact there is a pdf with more details including cost ($45 per workshop) to be found here.

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So, my own workshop will be called “Perspectives of San Francisco”, starting at 1:00pm in San Francisco’s North Beach neighborhood. As you can probably tell, the focus of this workshop is ‘perspective’, but specifically perspective in a busy city built on hills with steep streets and steep history.  The level will be intermediate, but I will make the approach to perspective as digestible as possible. Spaces are limited to fifteen participants, and you’ll need to bring drawing materials and sketchbooks (preferably panoramic – big enough to fit long perspective sketches on!). North Beach is my favourite part of the city and a great place to practice urban perspective sketching so I do hope you can sign up!

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You can register by contacting Suhita Shirodkar, the lead instructor of the San Francisco Bay Area 10×10 program by emailing suhita@gmail.com. Or why not check the Urban Sketchers website for a workshop taking place in a city near you!

 

 

lunch with the portlands

PDX urban sketchers
Last Saturday in Portland the PDX Urban Sketchers met for their regular sketchcrawl, this time down in Goose Hollow. I was having a nice lie-in, so I joined them for lunch at the Goose Hollow Inn where they shared their beautiful sketchbooks. They are an inspirational bunch, the Portland sketchers, many of whom I have met before on numerous occasions. I sketched (see above: Vicky, Kalina and Andrea) and had some nice warm soup, and I got my new pirate hat. Yes, you heard that right, a new pirate hat – I was in Portland to be a pirate and go to the Swashbuckler’s Ball you see, and say “be” instead of “am” occasionally. Kalina was kind enough to order it from DressLikeAPirate.com (yarrr!), and it’s a most excellent hat – there’s even a picture of me wearing it on the USk Portland website! Yarr indeed me old landlubbers.
A Roadside Attraction

That evening, I dressed like a pirate (yarr) and walked through Portland before finding the eclectic sketcher’s dream of a place called A Roadside Attraction, where I met up with fellow pirate sketcher Kalina for some pre-Swashbuckler’s Ball sketching. To be honest though, there was almost too much to sketch! I did what I could, but this was a place that needs several days to sketch in any justice. And so, on to meet the pirates! To be continued…

meet the portlands

PDX Floyds
One of the reasons I wanted to go back to Portland was to sketch with the Portland Urban Sketchers, partly because I have at least met several of them before, and partly because I love their work on USk PDX. We met at Floyd’s Coffee in Old Town, and I got a breakfast burrito and sketched People. I traditionally only sketch People when those People are also Sketchers – it’s like it’s ‘alright’. Still, I need the practise, and I’ve been doing a lot more of it lately. Anyway, it was good to catch up with some familiar faces – Linda, Alanna, Kalina, Vicky, Pascale – and meet some more, such as Greg (who I actually drew in Lisbon but never met), Deb, Andrea, Marta, Marco, Cassie, Angelika, Gary (hope I’ve not missed anyone out!) – and of course, to watch them sketch. One thing I know about myself is that I don’t tend to sketch quite as much when I am talking, but when I meet other sketchers I do love to talk. About pens, mostly. And Magneto.
sketching with the pdx urban sketchers
After Floyd’s I took a brief interlude to sketch in the rain (see the sketch at the bottom, drawn by Skidmore Fountain in very wet conditions), before rejoining the group at Old Town Pizza, an interesting old place full of things to look at at draw. It was a fun afternoon with lots of conversation, and I am glad to have gone. A shame we couldn’t have all sketched outside, but the rain really was pouring, and it was nice and friendly inside.
PDX Urban Sketchers
Portland Urban Sketchers (with me)
Portland sketchbooks

Here’s to the next time!

PDX rainy skidmore

urban sketching london!

A couple of weeks ago I organized a sketchcrawl in London (“Let’s Draw London!”) around the Temple and Fleet Street parts of London, one of my favourite areas. It was organized alongside the recently launched Urban Sketchers London, and was also picked up by members of the Meetup group ‘Drawing London on Location’. My hope was that a fair few London sketchers would come out and come together, and boy did that happen!

Let's Draw London May 26, 2012: start

Above is part of the group that met at 10:30 outside Temple station. I passed around sign-in sheets, and all in all we had more than 50 sketchers on this sketchcrawl, and we all set off in groups or individually to draw London. What a sunny day it was too! I met several of the London Urban Sketchers, including Katherine Tyrell who thankfully took some great photos to record the day – you can see them on this post on USk London.

I printed out fliers for everyone (I had just enough!), and provided a little hand-drawn map with interesting sketchable spots, though really anywhere is interesting. Here it is:

It was great to walk around and see so many Londoners out sketching, and also to identify each other by those carrying the little fliers I made. Below are some of my photos, taken at the end meeting at Gough Square. I wanted to meet up at the statue of Dr.Johnson’s (Samuel not Boris) cat, Hodge. We decided to do the now common laying-down of the sketchbooks on the ground, all around the cat, for everyone to admire. I found this common at the USk Symposia, and while it’s a good and fun way to display them all, it’s also very humbling (and a little scary) seeing my little drawings beside so many great pieces of art! I still prefer the one on one sketchbook exchanges at the end of a sketchcrawl, and it was nice to do some of that with people. Many of us reconvened into the Olde Cheshire Cheese for a pint, some sketchbook viewing and lots of sketching talk! I’ll post my sketches in the next post, but in the meantime…

Let's Draw London May 26, 2012Let's Draw London May 26, 2012Let's Draw London May 26, 2012Let's Draw London May 26, 2012Let's Draw London May 26, 2012Let's Draw London May 26, 2012

To all who came, THANKS for coming! I did meet some truly fantastic London sketchers whose work I have followed for years (especially nice to meet Olha Pryymak, her work is beautiful), met many more whose work I will now eagerly follow, but missed meeting some others whose work I love. Not enough time! Even an old schoolfriend, Joan, from my art class 20 years ago came – I had only seen her once since leaving school so it was nice to catch up. And excitingly, I was joined by my two long-lost (and Facebook-found) cousins Claire and Dawn, who are both superb artists. We haven’t seen each other since we were kids but have grown up with an avid love of drawing, so what a great way to reconnect at last. Everyone I spoke to had a great day, and some others on the sketchcrawl are returning this Saturday to follow the same route again (wish I could join them!). In the meantime, if you’re London based or nearby, you may wish to keep an eye on the regular meetings of…

And finally, check out the newly set-up Urban Sketchers London flickr group, which any London based sketcher can join and where many great sketches and photos from the sketchcrawl are posted.

…I really must do this again!

sketching the urban sketchers (part 3)

isabel fiadeiroagnes bolley

Final batch of Urban Sketcher portraits…I wish I’d sketched more! Quite a lot of people who afterwards I was thinking, oh wish I’d sketched him, wish I drawn her; maybe next time! The two above though were done in the very early hours of sunday morning (see the time-stamp!) at Cafe A Brasileira, after the Symposium had ended. I was out late there sketching with Liz Steel, Paul Wang and Lee Peng Hui, when Isabel Fiadeiro and some others came in, sat down and straight away it was a sketch-off! A bit like gunslingers in the Old West in an old saloon, Urban Sketchers are quick on the draw. (How cheesy, I can’t believe I just said that…)

(Above Left): Isabel Fiadeiro, USk correspondent in Nouakchott, Mauritania (but originally from Portugal), one of the organisers of this year’s event, I met her last year in Portland. (Above Right): Agnes Bolley, an artist from France.

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(Above Left): Luis Ruiz, USk correspondent from Malaga, Spain. It was a highlight of the symposium for me to meet and sketch with Luis, his subtle but powerful work is among my favourites. (Above Right): Nina Johansson, USk correspondent from Stockholm, Sweden. I’ve followed Nina’s work for years, very influential. I took her workshop ‘Unfinished Business’, though I never got a chance to actually sketch with her.

inma serranoisaac

(Above Left): Inma Serrano, USk Spain correspondent from Sevilla. She had this tiny sketchbook made into an earring that sketchers contributed to (I drew a tiny fire hydrant, what else!). Sketched at lunchtime near Rua da Bica, she was sketching me at the time. (Above Right): Isaac, from Spain; I didn’t get to speak to him other than to ask his name but he had a great profile to sketch! 

ea ejersboliz steel

(Above Left): Ea Ejersbo, USk correspondent from Aarhus in Denmark, sketched while out at dinner with other urban sketchers and her husband Reza (a great guy!). I’ve followed Ea for years, I really enjoy her drawings and the fact she’s from Aarhus, as I visited that city a couple of times many years ago and loved it.  (Above Right): Liz Steel, USk correspondent from Sydney (alongside Borromini Bear, not seen in this picture). Liz is one of the most well-known Urban Sketchers and it was great to sketch and hang out with her in Lisbon, having first met her in Portland last year.

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(Above Left): Daniela Rodrigues, USk Portugal sketcher from Lisbon who I spoke to during the Light of Lisboa workshop. Finally, (Above Right): Marina Grechanik, USk correspondent from Tel Aviv, Israel, sketched at the same dinner as the pistures of Ea and Liz. Marina even tried to draw holding the pen the way I do!

And that’s it! Well, I have more sketches from Lisbon to be posted, but these are all the people I drew. Some I drew in my watercolour Moleskine, but most were drawn in the London/Lisbon ‘Volant’ Moleskine, the small red one that looks like a passport.