This is a fraternity house on Russell Boulevard in Davis, on the edge of the UC Davis campus. Kappa Kappa Gamma. Good job they have that Gamma. (If I created a fraternity I’d call it Gamma Gamma Gamma Gamma Gamma Chameleon). I sketched on a late Saturday afternoon, shortly before the sun started dropping low. After the rainy week there was a day of sun (followed by more rain next day). I stood on the grassy field opposite, and mosquitoes, out for a dinnertime feast, swarmed about me, not put off by my occasional clapping of the sketchbook (was I hoping for a dead mosquito squashed all over my sketch, well yes I probably was but in hindsight maybe not, they were very big mosquitoes). I must have done a very good job in stopping them biting me because I had no itchy spots afterwards, but they did fly around me a lot, like drones trying to close an airport. Anyway this is a building, seen from across a street, with a tree in the foreground to one side. If I have three chords those are my three chords. I do like those trees that run alongside Russell though. Not so much the leaves, while are a bit annoying to sketch, but the bark on the trunk, I should spend a whole sketchbook just studying that. Hey there’s a good idea. It’ll be a bit dull but at my time of life I am allowed to be a bit dull. What my excuse was in the earlier part of my life was I don’t know.
Tag: drawing
freeborn rain

This week has been very rainy in Davis. We have so much of the year without rain, when it finally comes it can be heavy. I had a pre-lunchtime meeting on the other side of campus, and so was stuck in the MU when a deluge came down. So I sketched Freeborn Hall, because it’s going to be knocked down anyway. Yes, I read recently that they decided to demolish rather than redevelop. They have almost finished with the plaza in front of the MU (that took forever, and I thought it was fine the first time they redeveloped it a couple of years ago), but it is interesting to have sketched this section of campus several times over the years, and to see how it has changed. Well, it’s going to change again. That rain was really bucketing down.
Portland’s Autumn
In November I went up to Portland, Oregon, to teach one of the 10×10 Urban Sketchers workshops, on Interior Perspective. I was invited by my friend Rita Sabler (the excellent Portland reportage sketcher), and it was as always an enjoyable visit to one of my favourite cities. I only ever seem to go these days in dark November, but this time it was not rainy at all. It was very colourful in fact, with the autumn leaves out in full force. I tried to capture as much of that as possible in my out-and-about sketches. Above, Portland’s Saturday market, with the Skidmore Fountain in the foreground. I sketched this fountain in 2010 at the first USk Symposium, on a Saturday morning perspective sketching class with Frank Ching. That was the moment I always look back to when I really gave up my inhibitions about drawing in public; rather than find a place to hide and be invisible, better to sketch openly and not worry about being ‘in the way’, become part of the place. On this day, I was able to observe the market as some stalls were still setting up, and as people passed by I got a real feel for the character of this quarter of Portland.
I like the Steel Bridge, another one I drew on that first Portland symposium, that time at a workshop with Lapin, I sat between him and Gerard Michel discussing different approaches. I’ve always wanted to return to this riverbank in the Spring when the blossoms are all pink, but coming back in Fall with golden leaves floating down is almost as nice. I did get a bit cold though, and so streetcarred it back to the hotel for a rest before my workshop.
This one was sketched at the food carts area at Alder Street, after I had spent a good long afternoon wandering about Powell’s. Powell’s is such a great big bookstore, I could spend forever in there. They had my books, too, which is always exciting to see. I have a tradition now of going to Powell’s and then wandering up here for a big hot dish of Thai food, and I was not disappointed. I sketched across the street, the sunlight starting to fade, the urban greys brightened up by the reddish orange of the trees.
Not too far away, a bit earlier in the day, the Star Theater, with yellowy leaves scattered about. A group of homeless people sat nearby talking and laughing, streetcars rattled past, a slight breeze blew leaves and thoughts past as I sketched. My legs were hurting; I had had a night out before, and a good lie-in, but as each year passes I always forget I need a bit more rest. I spent the rest of the afternoon in Powell’s. And below, of course, an orange Portland fire hydrant, weather-worn and pock-marked.
Tributes to Officer Natalie Corona
Last Thursday evening, at around dinner-time, a three-car traffic collision on the busy Fifth Street in Davis was attended to by Police Officer Natalie Corona. It was an unusually foggy evening. I had gone back home not too long before then, we ate dinner, watched TV, and then received calls and texts on our phones that came from the Davis PD, telling us to stay inside and shelter in place until further notice, that the police are searching for an active gunman in downtown Davis. Living in America, these are the alerts you fear most. We learned that a police officer had been shot and that the shooter had fled. Police Officer Corona was taken to hospital in Sacramento, where she passed away. She was only 22, and had been a full police officer for only a few weeks. Watching the Davis Police Chief Darren Pytel give a press conference that night when so little was still known was difficult, it was clear he and the whole of Davis PD were in a state of shock. A massive police presence in downtown Davis scoured the area, eventually surrounding a house about a block from the crime scene. Reports were that the shooter was inside. Eventually at around 1am it was reported that the gunman had shot himself, confirmed by more automated phone calls and texts at around 2am. It was a shocking evening in Davis, one that it is hard for me to stop thinking about. I pass that way most days, I know a lot of people who were around that area, this is a small city. The next day I walked up to the area around Fifth and C, but it was all still closed off by police. The name of the shooter was not released until Saturday, one Kevin Limbaugh, 48. It transpired that Limbaugh was not related to the traffic collision, but had cycled up to officer Corona and shot her multiple times, then discharged his weapon around him, hitting the boot of a firefighter, a student’s backpack, and the back of a bus; it’s a miracle nobody else was hurt or killed. Then he circled back and went home to a house he shared on Fifth and E. The details of the evening, what is known of it, has been reported in the Davis Enterprise, whose reporters provided excellent coverage throughout, especially Lauren Keene posting on Twitter.
At the spot where officer Corona was shot, tributes from all over have been left, by police officers and members of the public, thanking her for her service, shocked at this terrible loss. Blue ribbons have been put up around trees for many blocks around, and a candlelit vigil attended by hundreds took place in Central Park. A memorial service for officer Corona is being held this Friday. Our community in Davis has been shocked by this horrible crime, but it’s at difficult times like these when community is most important; I’m glad that we have one.
R.I.P. Natalie Corona.
Also posted at urbansketchers.org
i wanna see some history

Here’s a little bit of my past, a drawing of an old concert ticket I still have, the Sex Pistols comeback show at Finsbury Park in June 1996. It’s pretty worn out – most of that wear and tear was from being in my pocket while pogoing around with 30,000 other sweaty punk rockers on a very hot Sunday evening. I went with my uncle Billy, and my Hungarian friend Andrea (we lost her during Skunk Anansie, one of the many supporting acts). I had been a Sex Pistols fan since I was about 13, when Billy first played me some Pistols records at his flat, but never thought I’d ever get to see them – I was not even two in 1978 when they split up. When the ‘Filthy Lucre’ comeback reunion tour in ’96 (with Glen Matlock back on bass) was announced, we had to go, and the Finsbury Park gig, being in Johnny Rotten’s home area (he used to go to the same school as my dad actually, but much later), was going to be great: support from loads of old (and new) punk and similar acts, most exciting of all for me being Buzzcocks, another group I’d always wanted to see (and never saw again; RIP Pete Shelley, by the way!) I had been at the Hellfire Club on Oxford Street the night before, practicing my pogo, Iggy Pop was on stage right before the Pistols, shirt ripped off, all abs and muscles and dancing (I couldn’t relate) and then it was time for the Sex Pistols and it was loud and crazy and too much fun, going right into the night. We were at the front, crushed against the barrier, barely able to move. I remember there was a woman next to me cheering and dancing, and behind her this lecherous bloke made many gross moves on her, and didn’t stop even when people called him out; I’m happy to say I elbowed him in the face as I was pogoing to ‘Seventeen’ and he sodded off. It was a crazy night. I went over the top of the crowd eventually, the crush at the front being a bit much, and then jumped up and down for the rest of the night in the middle of the Finsbury Park crowd. Rotten gave a massive fun performance, I remember him announcing “Fat, Forty and Back!” (I was Skinny and Twenty). They rattled off all the classics (they don’t actually have that many songs so it was basically their whole catalogue), in front of an audience that was probably larger than the total number of people they had ever played in front of, combined. Well, their largest gig ever. Not exactly how I grew up imagining Pistols gigs – in some sticky-floored ballroom jumping up and down on broken glass, or down at the 100 Club with cracked ribs and sweat and smoke (though there were those things), and not exactly Manchester Free Trade Hall, but I daresay a few bands were formed that night too. Andrea must have gotten home on her own, and Billy and I found his car on the other side of Finsbury Park and sped back to Burnt Oak. Wicked, we just saw the Pistols, no big deal. Not going to be going on about this for the next twenty years or so. It’s especially more fun telling people about that day now that I live in America, where people are more impressed, “oh yeah I saw Buzzcocks supporting the Pistols,” like it was in 1976 or something. It does go down as one of those things I’m glad I went to, and glad I went with Billy, and I’ll remember it all my life.
the last few sketches of the year

It’s New Year’s Eve! Look to the future now, it’s only just begun. I wish it could be New Year’s Eve every day. I don’t really do much for New Year’s Eve, but I do make a point to get out and sketch somewhere, no matter how cold it is. Here are today’s ones. Most sketching I’ve done in a month! My thumb was hurting, so I had to go light on the sketching. Still hurts but wanted to feel productive. I have been trying to teach myself to do digital illustration, the very basics, which has meant a fair bit of tracing as well. Feels very ground-level though so it was nice to get back to sketching, something I feel a bit better at. Bloody windy out today though. It’s 2018 being blown away. I’m not looking forward to 2019 (specifically March, when Britain leaves the EU with no apparent deal in sight), but it’s just numbers on a calendar. I think that it’s just the last year of an unknowable decade. We don’t really have an agreed name for this decade. The last one is sometimes called the ‘noughties’ which is a bit of a rubbish name, and I’ve heard this one called the ‘twenty-tens’ but that just isn’t anything. When we finally hit 2020, and the Twenties, we can get back on track. I’m still not used to being in the ‘twenty-first century’. It’s all just numbers on a calendar. The sketch above, drawn in the wind, C Street Davis. I drew this same building on New Year’s Eve four or five years ago, from a different angle.

This is my back yard. Apart from the above, I’ve not left the house much this week. I did this before going out to sketch, as if to warm up, and listened to a podcast of Edgar Wright speaking to Adam Buxton, which was really interesting. I really liked that long triangular shadow sneaking across the back fence. New Year’s Eve, I don’t party on New Year’s Eve any more. When I was a kid my family always had a party, or if not us then someone else in our street. When I was in my 20s, I’d sometimes go out on New Year’s Eve, but I also remember the ones in my late teens when I’d just stay in watching Jools Holland and Rab C Nesbitt on my little TV in my bedroom, while drawing football kits. I ain’t changed much!

I did one last sketch, a quick one paint-first while the daylight drew to a close, and my son took part in a smaller soccer practice session at Playfields in Davis. It was cold, windy, brisk, but the boys were just happy to get kicking balls about. As I’m not coaching now, I was happy to just watch and sketch, though I did get cold.
I do have some more 2018 sketches to scan, maybe I’ll do those later tonight (party on!!), but I need to finish assembling the 2018 sketches grid. I do it every year. You may remember from last year (you probably won’t, that’s fine) that I have been doing more and more sketches each year. Here’s the post. Well, I can confirm that this year the sketch-rate went down again, and I could not catch up with 2017, not by a long way. Ah well. Happy New Year 2019!
christmas crackers

Christmas morning, we were up early, opening presents, calling England. Our morning pressie-time is about the time of my London family’s Christmas dinner-time. Then, time to go over to my wife’s family in Santa Rosa for Christmas Day. We have crab for dinner on Christmas Day in Santa Rosa, and I’m always the world’s worst eater of crab, it tastes great but I am such an amateur with the crackers. I did pretty well this year but I live for the broth, I love dipping the bread into that. We have brought the tradition of Christmas Crackers with us from England, along with the hilarious Christmas Cracker jokes. I say hilarious, I mean terrible, but British humour is different from American humour anyway. That said, my five-year-old nephew likes knock-knock jokes, and we always do the ‘interrupting cow’ version (“knock-knock / Who’s there? / The Interrupting Cow / the interruptin/MOOOOO!”) (I got that one from the Vicar of Dibley back in the 90s), and then many other variants (the one I like the most is the ‘interrupting rabbit’, because of course the rabbit doesn’t ‘moooo’ or anything but just makes a noise tapping its foot). Actually my favourite joke EVER sounds like it comes from a Christmas Cracker, but in fact it comes from ‘3001 Jokes For Kids’. It’s the only joke I remember from that book, which I got for Christmas when I was about nine or ten, and to this day is my favourite joke. When I first read it, by myself in my room, I laughed harder than I had ever laughed, and then laughed more. I still find it hilarious. What is the joke? Well if I tell you, promise not to laugh. Well I mean you can laugh at the joke obviously because it’s brilliant and funny, but just not at me for liking the joke so much. Ok, here goes, the best joke of all time, here it is, here goes.
“What is a polygon? A dead parrot.”
Isn’t that the best?! Many years later in America someone made some reference to the Monty Python Dead Parrot Sketch being their favourite bit of British humour, and yes it is very funny, the Pythons are my favourites, but it’s not even the funniest dead parrot joke. Polygon is the funniest dead parrot joke. I remember doing maths at school and we had to do shapes and someone used the word polygon, and I laughed so much I had to go to the toilet. When I was in my late teens I visited Strasbourg and the lycee was close to a street called the ‘Route du Polygone’ and every day I would see that sign and laugh so hard, and I tried the French version of the joke, “Que-ce que c’est un polygone? C’est un perroquet mort!” The joke didn’t necessarily translate directly but they laughed at me anyway, and pointed a lot, which I think means it was extra funny. Strasbourg being historically part German I would sometimes impress people with the German version, “Was ist ein Polygon? Ein toter Papagei.” Again the humour isn’t necessarily transferable but I like to think that what I mistook for confused silent stares were in fact their way of saying, wow what a joke, das ist really cool, Pete ist sehr lustig.

Let’s move on from the world’s funniest ever joke (if you are finished laughing about Polly being ‘gone’, if not, take your time). Above, I sketched my mother-in-law’s Christmas tree, which this year was dressed up as a snowman. The hat actually has a history, it was brought over from London by my mum over ten years ago and left at my mother-in-law’s in Santa Rosa, and before that my mum actually got it from my uncle in Belfast, so the hat has a long well-travelled history. I like this snowman tree, and I sketched it while we watched the Water Horse, that movie set in Scotland with the Loch Ness Monster. It reminded me of the Family Ness, that was a cartoon I liked as a kid. Not as funny as the polygon joke but amusing nonetheless. I nearly drew a cartoon many years ago about fish living in a Scottish loch called “Under Loch And Quai”, with a kind of Porridge-like cell-mate dynamic to it, but while the little fishies were fun to draw, I had no actual material other than trying to work in the polygon joke, which doesn’t really work when it’s a cartoon about two fish, because (a) they wouldn’t understand what a parrot is, what with fish being entirely water-bound, and (b) parrots not exactly being aquatic nor common in Scotland. To the underwater community, “Polly” might well be a common name for a frog, for all we know, what with a ‘pollywog’ being another name for a tadpole, albeit more common in America than rural Scotland. So a better version of the joke for two fish to say would be “What is a Polygon? A dead frog.” And you can imagine, this might make two fish roll about in hysterics, but would have us humans just shrugging our shoulders. Maybe humour isn’t as translatable as we think. The only joke I could think of for this cartoon was another one which I may have read in 3001 Jokes For Kids, I don’t remember, but it goes as follows:
FISH 1: “Why are you swimming under the pier?
FISH 2: “Because it is raining.”
christmas is all around

Happy Christmas to you all. This is the E Street Plaza in Davis California, decked out with the big tree. This came after a long period of not-sketching. I did this after work, after our office closed for the holidays; I just really wanted to capture a bit of Christmas, and followed this up by the evening sketch at De Vere’s. And now it’s Christmas Eve. Well, it just turned Christmas Day (better get to bed, the Ghost of Christmas Past isn’t going to haunt itself). I’ve spent today scoffing cheese, mince pies, turkey, hot chocolate, a couple of beers, pumpkin pie, and the second-worst level of Quality Streets (the strawberry / orange cremes, not the rock-hard toffee ones; it wasn’t a big box, in fact it only had two purple ones and one green triangle, but four toffee pennies? Inequality Street more like.) And of course, watching Christmas movies. It’s A Wonderful Life is one of my favourites, though actually most of it doesn’t take place at Christmas, and in the end they sing Auld Lang Syne on Christmas Eve, bizarrely. Abother one I always watch is Muppet’s Christmas Carol, which is probably the best version of that story that exists (the other one I love is the 1970 Albert Finney version of Scrooge, which I feel the Muppets drew from quite heavily. That Ghost of Christmas Future gave me nightmares for years!). One of the reasons I love the Muppet’s version is that Michael Caine plays it so straight, so believably, among all the Muppets, he doesn’t just pretend it’s all a larf. Home Alone is another classic Christmas film we love, my son adores it, so I like it a lot now as well. I have a soft spot for Love Actually as well, silly though it is. It reminds me of London in 2003, and seeing the occasional shots of the skyline, when not even the Gherkin was finished, it makes me very nostalgic for that period right before we moved to America; that was the London I left, the London of Hugh Grant being a bachelor Prime Minister telling American President Billy Bob Thornton to go and do one. We always watch some classic Christmas telly as well: The Snowman, Blackadder’s Christmas Carol, and the Christmas edition of Father Ted (“and now we move on to liars…”). Of course in proper British Christmas TV someone always dies, at least in Eastenders and Downton Abbey anyway. Now it’s also the time of year when people include Die Hard as one of their favourite Christmas movies, because those people are really clever and perceptive and are the first people to figure out Die Hard was set during Christmas; well done you, here is a prize. One thing that is different over here in California is that we don’t get the special Christmas edition of Radio Times (and/or TV Times), when all the TV listings would be set out like great, epic events. Die Hard With A Vengeance is on at 11pm on ITV two days before Christmas? Set the video timer! Get home early from the pub! And the Queen’s Speech, oh I always loved the Queen’s Speech, though I don’t remember ever actually watching it, as we usually had Christmas dinner at that time and it was the one time of the day when the TV was off (the one time of the year in fact, our TV was always on). I like the idea of the Queen’s Speech but the only thing I remember was the Annus Horribilis bit. And that was because I thought it meant Horrible Bum. And on that note, Merry Christmas everybody, and a Happy New Bum!
a festive friday
It’s almost Christmas! I haven’t had much energy for sketching lately, but I really needed to get some drawing in. I went to see Spider-Man: Into The Spider-Verse (by the way, an awesome film, incredibly creative animation) and then popped into De Vere’s (not Into the Spi-De Vere’s), our local Irish Pub, for some Smithwicks and sketching. It was pretty busy with festive end-of-year partygoers. I sketched in dark green pen. It was really nice to get this sketch done, to get anything done. I’ve been finding it hard to be productive lately, everything seems to take me forever. Actually I have made a lot of things out of Perler Beads. This year I made my son’s advent calendar out of 14,000 of those beads; that was a lot of work. Anyway Christmas is almost here, so I wish you all the very best for the festive season, and hope you go and watch Spider-Verse, because it was pretty great.
on a colourful day

I’ve been a bit slow with posting this year. My sketching numbers are down too; but then again, 2016 and 2017 were a little hard to beat for sketch volume! I have a fair number of recent sketches still to scan though, but before we get on with those, here are the two I did on the last Let’s Draw Davis sketchcrawl, which was on a lovely sunny-after-the-rain morning at the Farmers Market. The trees were painted in exciting colours. We had a good turn-out, I talked a bit about drawing crowds and perspective (remembering all the things James Richards once taught me). These trees are almost all leafless now, as we hit mid-December. There were a lot of locals out this day, gearing up for the festive season. Below, sketched from almost the same spot but looking in a different direction, across C Street to the rear section of Davis Community Church.








