Bonjour Bayeux

Bayeux Cathedral, France
We spent a few nights staying in the little city of Bayeux, a good base to explore Normandy. There are a lot of places in Normandy we didn’t get to that we’d like to have seen – Rouen, Honfleur, Giverny, I mean it’s a big place – but for what we were going to see Bayeux was perfect, especially being so very close to the D-Day Beaches. For me though Bayeux was the place for the thing I’ve wanted to see forever, the Bayeux Tapestry. It did not disappoint! It has its own museum, and while we went when it was early and not yet too crowded, the line has to keep moving along it. It’s long – about 70 metres – and while I’ve learned about it for many years there’s nothing like the experience of seeing it all in one go, and constantly moving along, with the commentary in the headphones explaining it, made it feel like watching a long comic strip, a cartoon about the Norman Invasion of England. And it was funny, too. There were a lot of willies. The inventiveness and use of colours is incredible, and the sense of movement you get in the horses and the battle scenes is something a few modern movie directors could learn from. The Bayeux Tapestry was made sometime in the 1070s with the Conquest still fresh, is of course, neither a tapestry (it’s an embroidery) nor from Bayeux (Made In England, by Nuns in Barking and Canterbury, likely under the instruction of Odo, the Bishop of Bayeux and Earl of Kent) but so what, as Macca would say, it’s the bloody Bayeux Tapestry, it sold, shut up. It wasn’t about Peace and Love though. A brilliant piece of Norman propaganda, perhaps, but as I said to my wife, for me this is like going to see the US Declaration if Independence or something (but in reverse, I guess), 1066 being such a crucial moment in British history and in the history of the English language. If it wasn’t for William the Bastard getting all Conqueror on our medieval asses, we’d probably be speaking a language much closer to Dutch and German than the way it looks today. Either way, the gist of the story is that the Normans totally stitched up the Anglo-Saxons.

The Bayeux Tapestry used to be kept in the cathedral but isn’t any more. The Cathédrale Notre-Dame de Bayeux (above) is pretty massive and as in many French towns you can orient yourself by looking up and seeing where the spire is, and it’s visible for miles around. While we didn’t get a chance to go inside, I did sketch it on one of my morning walks, though it started to rain so I finished it off inside. It was consecrated in 1077 with William the Conqueror there, so it fits into the timeline of the Tapestry. It was supposed to be here that William got his promise from Harold that he would support him to be King after Edward the Confessor died, starting that whole thing. The little courtyard in front of the cathedral’s main entrance is very pretty, I stood at the rear a little way down the hill where the view was pretty magnificent. Even when looking at this, I keep thinking, I must go and get a pain aux amandes for breakfast.
Bayeux rue st Martin and rue Franche

The narrow street we stayed on, Rue Saint-Patrice, was full of little shops (many closed on both Sunday and Monday, when we were there) and many very old looking buildings. I don’t recall what this building was called, on the corner of Rue Franche, but I drew it on my evening walk after we had eaten dinner and had a busy day touristing somewhere else. There are flags lining the streets in Bayeux. I love a timber-frame building, it’s like a puzzle when drawing to make sure you get all the bits in the right place, but a little personality goes a long way and you don’t want too many straight lines. The weather was nice, the sky had dappled clouds and of course the sun set so much later, so after this I went further into town and drew another scene, below. This pretty postcard view is across the little river Aure, that trickles through Bayeux with the Cathedral in the background. Every evening we would take a walk down this way, and around the corner we ate some nice Norman food at a restaurant, though on one evening I walked up to a little store about a mile up the road (the supermarket in the centre-ville being already closed) to buy some dinner supplies, and was brought back to living in France years ago, standing in line in a small shop for about 20 minutes and then carrying heavy bags up and down streets and up a narrow staircase, it was like going back 20 years. I really liked Bayeux, and my family loved it, we had no ‘Bayeux remorse’. Bit quiet, but a good base to explore.

Bayeux river view

And of course, I drew a hydrant! More Normandy sketches to come…

Bayeux hydrant

“thou Scheldt not pass”

Antwerp Steen sm

I weaved through the streets of Antwerp heading for the river Scheldt, to use that brilliant “thou Scheldt not pass” line I had thought of in my previous post. I might use that as a title for this blog post. I headed for Het Steen, the little castle on the banks of the wide river that is the oldest building in Antwerp. It dates from the early 1200s, and means “The Rock” (though “Steen” is a pretty common word for a stone castle in Dutch). There was a castle on this spot right back in the 9th century Carolingian period. It has a decent tourist information office in there now, where I bought some chocolates for my son (little chocolate hands from Antwerp). I had a good spot to sketch from across the busy street, up some stairs, but it was starting to spit so I sketched quickly. You know I love a street sign, so I made sure to include the blue crosswalk sign in the bottom right corner. Some people might think no, you leave those out, takes away from the historic castle, but I say thee nay, give me modern metal street signs and old medieval buildings any day. Back on my 1998 train tour of Europe I became a little bit obsessed with crosswalk signs, because they were a little different in every country. I liked the German ones in particular, wearing the little hat, as do the ones in the Czech Republic which look a bit like spies. I would always get obsessed with things like that.

Antwerp Lange Wapper sm

I tell you what, they can’t get enough of those Flemish giants here in Antwerp. This is a statue of a big lad called Lange Wapper. It’s right outside Het Steen, and shows Lange Wapper doing that Tory-party conference stance and looking down on two smaller people, crotch out, threatening them with his Lange Wapper (I’m so glad he is clothed, unlike Silvius Brabo). Lange Wapper is a Flemish folk tale, about a boy who started out as a bit of parsley and cabbage and then became a bit of a trickster. He apparently saved an old woman who had been thrown into the river Scheldt by a gang, and the old woman gave him the ability to shape-shift, for example turning into a massive giant who could leap between towns. He got into all sorts of antics; he would probably be cancelled now. He is kind of like a bogeyman figure of Antwerp. This statue was put there in the early 1960s.

Antwerp hydrant 2 sm

Not far from here I found another hydrant I needed to draw. This one had a peculiar sticker that said “Love the game, hate the business” and “Against modern football!” on it, which must really make the firemen think. Haha, a fire hydrant talking about sportswashing, the irony. Anyway I drew this down a fairly quiet street. Those few drops of rain I felt over at Het Steen were coming back, we were definitely going to get wet today. It’s good to keep adding new city fire hydrants to my big collection.

Antwerp Kathedraal sm

This is the Onze Lieve Vrouwe Kathedraal, in the heart of Antwerp. As well as fire hydrants, and crosswalk signs, I am obsessed with drawing cathedrals, though one subject generally takes a lot longer than the other. I drew this one looking upwards from a standing spot, all the benches in that particular square having been taken, and those clouds were pretty ominous. I did about 75% of it and finished the rest later when I was sitting down not craning my neck. The hours of the day were moving along quicker than those clouds, and I wanted to go and sit inside somewhere before getting the train back to Brussels, and have another hearty Belgian beer. I had a place in mind, but it would be a walk to get there. It took a while, but I beat the incoming rainstorm by bare minutes.

VTDF #4: Amiens

04 Amiens

Stage 4 of the Virtual Tour de France finds us in the northern city of AMIENS, on the river (and department) Somme. It is difficult to say the name ‘Somme’ without thinking of the historic atrocity of the 1916 Battle of the Somme, in World War I. Three million soldiers fought in that battle, with over a million wounded or killed. Amiens is right in the heart of World War 1 country, and itself saw a 1918 battle that ended in an Allied victory. World War II didn’t exactly pass it by either, with another Battle of Amiens in 1940 when Germany took the town, and later on pretty heavy bombardment by the Allies in 1944 before it was liberated. There were wars and sieges and sackings here in the many centuries before, but Amiens and the Somme are inescapably linked with the awful World Wars.

This is a nice view though, down by the river, looking up at the cathedral. I could imagine coming here and eating lunch by the Somme, before driving on to another town for a bit more history. I found out recently that an ancestor of mine from Dublin fought in World War 1 and was wounded in a gas attack at Loos, not far from Lens. I saw my great-great grandfather’s photo (his name was James Higgins, as was his father, and his son who I think also fought in that war?) and he had the most amazing bushy “General Melchett” moustache. He wasn’t a general though, just a regular soldier. I also saw a postcard he sent home to his wife (my great-great granny) in Dublin from Loos before the battle took place. Fascinating stuff, I never knew he even existed until recently. I never inherited the moustache. It was a big handlebar one with two pointy tails, that reminds me a bit of the Red Bull logo, or two rats fighting. I would not know how to take care of an amazing moustache like that, I would probably get it in my soup, this is why I shave. I only briefly had a moustache, though it was part of a goatee, and that was for a few months in the 90s and that my friend is where for most people goatees should have stayed. Funnily enough I never saw anyone in France with that classic French moustache, the one with the twirly sides, that all cartoon French people have (along with the beret and the onions and the baguette), but I have seen many hipster people in America wear that ‘tache. I couldn’t pull it off.

There does appear what looks like a lifesize Subbuteo figure standing in the river, to the left there. I think it is called “L’Homme sur sa bouée” (“The man on his buoy”). It seems that it’s common for the people of the town to dress him up, put t-shirts on him and so on. He is the work of German sculptor Stephan Balkenhol and was originally installed there in 1993, but being made of wood and manhandled by so many locals it degraded a fair bit over the years and was replaced in 2019 by the artist, this time in aluminium. Or maybe it is still wood but now painted in aluminium, it’s hard to tell. L’Homme sur sa bouée has become a bit of local celebrity in Amiens. There are two other similar statues by the same artist placed nearby against the walls of buildings that the man in the river is looking at. If I ever got to Amiens I will look out for them all. 

After Amiens we leave Picardy behind and head into another part of France famous for its role in World War II: Normandy. So join me on the Road to Rouen. 

Dublin part 1: This Is Your Liffey

Dublin GPO sm
Earlier this year during the first months of the pandemic, Sheltering-In-Place, I decided that since there was no travel back to Britain this year I would do a virtual tour of the island, and that was a fun and enlightening journey. I wanted to do another virtual tour, maybe of France, but the thought of it overwhelmed me a bit (the planning, fitting all the places into a certain number of pages, and pretty much everywhere in France is sketchworthy) so I picked up a much thinner sketchbook a mate gave me last year from Dublin and decided to do a shorter virtual tour around Ireland. This quickly became limited to just Dublin (there are only fifteen spreads in the book) as the paper was very thin, too thin for watercolour, and I knew I’d need to add a bit more paint to the Irish countryside. Well, mostly green, and probably grey for the sky. But a trip around Dublin, well that sounded pretty grand. My mate who gave me the book was in the process of moving to Dublin while I drew this, so I was thinking of him at the time, but also of my own family history, most of whom came from Dublin, from my grandparents’ generation backwards (3 from Dublin, 1 from Belfast). I still have loads of family in Dublin, the vast majority I’ve never met or know anything about, except for my great aunt and a couple of my mum’s cousins I met when I was a kid. I only just recently learned about the family beyond my nan’s generation, when my sister dug a bit further, finding out some very interesting things about great-great-grandfathers with big General Melchett moustaches. Nothing too exciting, just regular Dubliners going back years. We just didn’t really know much though, people didn’t talk about the past. It was a fun bit of discovery, but Anyway, let’s start this Dublin journey off with that most important of Dublin buildings, above: the GPO, or General Post Office, on O’Connell Street. The first time I came to Dublin in 1988 this was one of the first places we came to (right before going to eat at Beshoffs, which I’ll never forget because I poured sugar all over my chips and got upset). I knew about the 1916 Easter Rising – hard not to, I was brought up on the rebel music – and this was the epicentre, the headquarters of the rebellion it was here that Pádraic Pearse read out the Proclamation of the Irish Republic. So, a good place to start, but we had a lot of city to cover, in no particular direction. So let’s set off around Baile Átha Cliath.

Dublin O'Neills sm We move down across the Liffey to the corner of Suffolk Street, Church Street and St.Andrew’s Street, to the huge O’Neill’s pub. I’ve never been here but I like the look of the building. This was the page that convinced me I wouldn’t be adding paint to any other pages (though I gave it a go one more time). You’ve got to draw pubs in Dublin. If I should come back I’d mostly be doing that. In fact I’d go when it is most likely to rain so I’d have an excuse to go to more pubs. I hear the rainy season is shorter than people say though, it’s only from August to July. (I got no problem recycling jokes from my London tour bus days, feel free to use that for whatever city, Manchester, Portland, Brussels). This one is near the Molly Mallone statue. Molly Mallone wheeled a wheelbarrow through streets of all different widths selling coppers with muscles from Hawaii Five-O. 

Dublin Four Courts sm Here is the river Liffey, with the Four Courts along the north bank. The river isn’t green, it just appears like that in with the trees reflected in it. It’s not been dyed like that one in Chicago does on St.Patrick’s Day (is it Chicago, I don’t know, or care). Also, it’s just green paint on thin paper. The Liffey (An Life in Irish) flows from the Wicklow Mountains, curves around a bit and ends up in Dublin Bay. Dublin is centred on the Liffey and has some lovely bridges, the most famous being the Ha’penny Bridge, the iron footbridge which I did not bother drawing because it’s difficult and I couldn’t be bothered. I’ll draw it in person maybe if I go there unless it’s raining in which case I shall be in the pub drawing people playing bodhrans. Last time we were in Dublin my wife twisted her ankle on it. The bridge you can see is called the O’Donovan Rossa Bridge which is from the 18th century. I remember a fountain/statue that used to be on O’Connell Street called the Anna Livia which represented the female embodiment of the River Liffey, my great-aunt told me they called it the Floozie in the Jacuzzi. It’s moved somewhere else now. 

Dublin Christchurch sm And this is Christ Church Cathedral. We stayed in an apart-hotel near here last time we were in Dublin, six years ago, and went to the Dublinia exhibit located in the big section to the left. That was a lot of fun, learning about Dublin’s Viking history in particular. There’s a lot of Viking in Irish history, my great-uncle Albert Scully used to tell me that the Scullys had Viking origins, but I don’t think he really knew, but it would explain why I read so much Hagar The Horrible when I was a kid I guess. I did love Hagar. Sorry, Hägar. And Helga, and Hamlet, and Lucky Eddie. They did that advert for Skol on TV where they’re all singing Skol-Skol-Skol-Skol but Lucky Eddie doesn’t know the words. That might be where the Scully name really comes from, people singing Skol-Skol-Skol. Skol is actually from the Danish for Cheers, skål, though in fact the beer originated in Scotland. This is really off topic now. By the way I am aware that ‘Scully’ bears zero relation to ‘Skol’ but it doesn’t stop Americans mispronouncing my name to sound like Skol, or mis-spelling my name with a k despite seeing my name spelled with a c literally all the time. It comes from “O Scolaidhe” meaning “scholar”, and like so many Irish names has one of those nice little shields you can get on keyrings in gift shops all over Ireland. My family names are pretty common Irish names: Scully, Higgins, O’Donnell, McIlwaine (that’s the branch from Belfast), plus there’s Barrys and Kennedys and Crokes and Byrnes and more in my siblings and cousins families, plus who knows what. I do remember going to Rock of Cashel (the ancient seat of the Kings of Ireland) when I was 12 and being stunned to find so many graves bearing the name of Scully, along with the big Scully Cross, which is more of a pillar these days, because the top of it was blasted off when struck by lightning in the year of my birth. Moral: don’t make a Scully cross?

Join me next time for part two of my virtual Dublin tour, when we visit another pub, a publisher, a campus, and I dunno, another pub.  

(52) Scarborough, (53) Whitby, and (54) Durham)

GB 52-54 sm

Right, let’s go into the North Riding, and along the North Sea coast. First up is Scarborough. I have been to Scarborough a number of times, on a long six hour bus journey from London (passing through York, Stamford Bridge, Driffield, Bridlignton, and Filey). Scarborough is a popular seaside town with a big old hotel, a castle, two beaches, a vibrant town centre, and great views from the cliffs (which famously eroded dropping another hotel into the sea years ago). I used to go out with someone who spent some time studying here over two decades ago, but I also considered coming to study drama here as well, having previously worked at Asda with someone who did the same. It’s a big town for drama, and lots of well known drama people have lived here. Sir Alan Ayckbourn, the great playwright, was the artistic director here at the Stephen Joseph Theatre for a long time. This theatre, named after its founder, was the first ‘theatre-in-the-round’ in England. I do like a theatre-in-the-round (though my favourite one was, er, White Hart Lane). Other entertainment people involved with Scarborough, well, Winner (ugh) made one film here and then there’s Saville (massive ugh), he lived here too, I remember seeing his house. This was back in the late 90s and people there would still say, yeah he’s a right creep. They weren’t wrong. I do like Scarborough though, and I wish I had been sketching loads back then, because it’s a classic sketchable coastal town, but I wasn’t. I recall during the daytime when I’d be by myself walking about the coastline and learning lines for whatever play I was doing at university at the time (usually something in German), and listening to David Devant. The wind coming in off the coast can really drive through you though, so it’s nice to reach the chip shop and get some delicious chips in gravy. Scarborough was the subject of a song called “Scarborough Fair”, which goes something like “Are you going to Scarborough Fair, they have the Big Wheel and the Twister and the Waltzers there, You can get candy floss stuck in your hair, And with an air gun you can win a teddy bear.” It’s an old folk song. Anne Brontë is buried in Scarborough. The Brontës were from Yorkshire and wrote books, though I have not read them. I think they are about dinosaurs but they might not be. One of them has a character called “Heathcliff” which let’s face it is what happens when you can’t think of a name and you just look around, there’s the heath, oh there’s a cliff, that’ll do. Other characters are Doorwall, Tablechair and Fieldpond. I haven’t read the books so I might not be completely accurate there.

As you go up the coast there is a nice little town called Robin Hood’s Bay, though I didn’t draw it on this virtual trip. I remember eating some delicious scampi there. Robin Hood may well have come here for scampi too, but the story goes that he beat up a bunch of French pirates here. I wonder how French pirates pronounced the Pirate word “Arrrr”? “Yeau-eau-eau, chevre mes timbres!” Ok that’s enough. On this trip I was headed straight for the town of Whitby, lots of peoples’ favourite spot on the northern coast. When I think of Whitby I think of the Synod of Whitby, where they determined the date of Easter many centuries ago. Nah, I think of Dracula. In Bram Stoker’s book Dracula, in which an ancient supernatural from Transylvania being spends a great deal of time trying to broker a property deal in London while turning into great wolf-like beast, a bat, and for some reason some mist. I mean, you do what you can to get the deal you want, who among us has not turned into mist when trying to get a bank loan. Anyway the vampire gets on a Russian ship with loads of boxes of mud and lands in Whitby, getting into all sorts of shenanigans up at the ruins of the Abbey, on top of that big cliff. Strange thing about vampires, not being allowed to cross running water and not being able to come inside without an invitation. Whitby has a beautiful harbour, I can imagine being here on a cold October evening as the rain is blowing in, heading into a warm pub, eating some delicious fish and writing ghost stories in a journal. With everybody else there doing the same. The town is probably full of goths looking for vampire stories, which is fine too. In fact when I was at school I actually wrote and performed an eight-song musical for the drama part of my expressive arts class called “Dracula AD 1992”. That one took place in Essex at the ‘Alucard Motel’. Anyway, I enjoyed drawing Whitby and look forward to some day going and drawing the real thing. I’ll bring a cape, and maybe an umbrella and a wooden stake.

I remember a joke someone told me when I was a kid. Where does the Pink Panther live? Durham, Durham, Durham Durham Durham Durham Durhaaaam… I think you have to do the Pink Panther music in your head to get it, and to know where Durham is (or that it exists) which when I was a kid, I didn’t. In fact I thought it was in Ireland, because people say “County Durham”, and you only say that for counties in Ireland, like County Wicklow or County Clare, you don’t say for example “County Suffolk” or “County Leicestershire”.  Anyway I never thought the joke was funny (it’s certainly no dead parrot polygon joke), and it’s filed away with the one about Batman being told it’s dinner time. So, time to visit Durham. Durham has one of the most dramatic cathedrals in the country, high up on a hill overlooking the river Wear that curves like a race-track around the historic town centre. I’ve wanted to go and draw that ever since I studied Anglo-Saxon literature and we did the poem about Durham. This actual cathedral building came later than that poem but the words were still very illustrative. This was St Cuthbert’s city. We are very much in old Northumbria now, far away from the southern kingdoms of Wessex and Kent. Northumbria was an important kingdom in the Anglo-Saxon times, with centres of great learning and scholarly activities, most notably at Lindisfarne with our man Bede. Despite sounding like one of the “softies” from the Beano, Cuthbert was one of the most important monastic figures in northern Britain in the Early Middle Ages and is considered the patron saint of Northumbria. A couple of centuries after his death, his relics were brought from his original burial site at Lindisfarne where he was Bishop to find a new spot (there was a cow involved apparently) on a perch overlooking the Wear, and that’s where Durham and its cathedral were founded. The cathedral building that is there now dates back to the end of the 11th century and the time of William the Conqueror, who we have met a couple of times on this story already (beating Harry at Hastings and chasing Hereward the Woke out of Ely). William was a bastard (he was called William the Bastard before the Conqueror URL became available) and especially in the north, where he undertook the Harrying of the North, though we should have called it the Williaming of the North since Harry had been beaten in 1066; bloody leaders blaming and naming their own actions on their predecessors, good job we don’t have leaders like that now eh. But the legacy of cathedrals like this is quite a tick on the plus side, because it is really gorgeous. I would love to do a cathedral tour of England, fill an entire sketchbook, bigger size, with cathedral drawings.

Next up, we are reaching the top of England, and heading into the other great cities of the North-East: Newcastle and Sunderland. I’m starting to get dizzy.

(44) Chester, and (45) Liverpool

GB 44-45 sm
Continuing the virtual tour through North-West England now, with one place I’ve never been to, and another place I have not been too in a really long time. As I wind my way through England I am going through the emotions that I went through when I drew all of this. Now at this stage in the virtual journey, in the real world the living-room flood had happened and I’d relocated upstairs; I only just moved my desk downstairs again, much to the annoyance of my cat Whiskers who has gotten very comfortable spending his afternoons on the downstairs desk chair. Now he tries to push me off at around 2pm so he can get his usual nap in. In the virtual world, I was still passing through each virtual street, with so many places “temporarily closed”, the image of a country in limbo. My relationship with England waxes and wanes in my absence, as it did when I lived there, some days I just think nope, place drives me nuts, other days I miss it terribly, even missing places I have never stepped foot. Often I just miss the Cadbury’s chocolate and the Jaffa Cakes, and silly things like the meal deal sandwiches at Tesco Metro. I don’t know, it makes me feel sad sometimes, especially during this whole thing. Anyway.

So, first stop on this spread is the city of Chester, in Cheshire. This might be my favourite drawing in the whole damn book. I love nothing more than drawing timber-framed buildings, and the whole of downtown Chester (“downtown”, I’m so American now, I’m going to forget what a Jaffa Cake is) is filled with this sort of architecture. I should draw a whole book just of timber-framed buildings. I am sure there must be lots of sketchers in Chester, busy drawing these all the time, but if they aren’t called “Chester Drawers” I’d be really disappointed. While there are medieval buildings in Chester, most of these ones such as this are from the 19th Century’s “Black and White Revival”; this one was built by one of its great proponents, T. M. Lockwood. I bet his friends called him “Trademark”. I don’t know much else about Chester, except that it has a zoo, and that I think my nan lived there years ago before she lived in London, I remember my mum telling me (I might not have been listening, for all I know she was telling me about her chest of drawers). It’s funny visiting places where ancestors lived (even if it was only for a short time and might actually have been me mishearing a story about a chest of drawers). Chester is actually Roman though, the imperial city of “Deva”. On AA road maps in the UK (at least ones I used to read) the Roman name of the city would be listed underneath the modern name on a map, usually in small caps. While it is interesting for someone like me to know that Chester was once DEVA, York was once EBORACUM, St. Alban’s was once VERULAMIUM, I’m not sure why it’s important to the motorist trying to find their way from the A41. Unless the AA are expecting the Romans to return someday.

Speaking of the AA, the next stop is Liverpool. That is a reference to the joke, who do you call when your car breaks down in Liverpool? The “AA, Calm Down”.  That is a reference to a Harry Enfield sketch about Scousers, which itself was a parody of characters from Liverpool-based soap Brookside, which I’m not ashamed to say was one of my favourite shows years ago. The Liverpool accent is probably my favourite English accent, much better than my own one. Years ago when I spent a year in Provence I directed a university play, an adaptation of The Lion, The Witch and The Wardrobe, and my flatmate Emma who is from Liverpool played one of the “Scouse Squirrels”. Every time a Davis squirrel gets all aggressive with me on campus now I hear the Scouse Squirrels voice in my head. Liverpool is most famous for the Beatles, who I love, and also loads of old comedians like Jimmy Tarbuck, and of course Cilla Black, singer and beloved TV presenter. I visited Liverpool a couple of times when Iw as a kid, while we holidayed in nearby Southport, the last time being back in 1989. That was a long time ago! At that time, local football teams Liverpool and Everton were trading league titles (although in that year Arsenal won it, though Liverpool got the FA Cup; it was also the year of Hillsborough). We did all the tourist stuff, went to the Beatles museum (I remember getting a cool Beatles badge that I actually gave to a girl a few years later), took a ferry across the Mersey, went to the Albert Dock and saw the floating weather map from This Morning (although I’ve since heard about the weather man from that map; ughhh, glad he’s in jail), and visited one of Liverpool’s TWO cathedrals. We didn’t go to the big Anglican cathedral, which was designed by Giles Gilbert Scott (he of the phone box, Waterloo Bridge and Bankside Power Station, aka Tate Modern); shame as that one is massive; we could see it across the city. But probably because my mum had become a Catholic in the 80s we went to Liverpool Metropolitan Cathedral, the modern triangular spikey looking building which I actually thought was totally brilliant. I really like this odd looking church, built in the 1960s, because on the inside the colourful light is beautiful. It reminds me of the Jedi Temple. Liverpool has a very Irish heritage; it’s not surprising given how close it is, but this was where a lot of Irish immigrants landed in the 19ths century during the Famine, many settling and many leaving Liverpool on a big boat to America. Lots of the Irish songs I learned as a kid were about this very thing. I never expected I would end up in America myself. Actually the reason we would come to Liverpool is because, as I mentioned, we were holidaying in Southport at the Pontins resort, which hosted an annual Irish Festival in the 1980s, so we always had a lot of traditional Irish music on in our house. I’d like to come back to Liverpool, come sketching, maybe visit my old flatmate Emma, not seen her in nearly two decades. I expect it has changed a lot since 1989. The football team just became league champions for the first time since 1990. There aren’t as many Beatles any more, but a lot more Beatles monuments. I assume there is still a ferry across the Mersey, though I expect people take hoverboards or flying cars now or something (in 1989 I imagined they would be by 2020). Mostly I would come just to hear the accent.

Next up, we turn north up to Blackpool, before taking in some Lancashire countryside and crossing the Pennines into Yorkshire. We’re right up north now.

(39) Lincoln, (40) Nottingham), and (41) Sheffield

GB 39-41 sm
Onwards through great Britain we go. Last time out we were in Skegness, Lincolnshire, and that’s a big country so I decided to stick around. I really want to visit Lincoln some day, to draw the big cathedral. I would love to do a real tour of all of England’s cathedrals, but them into a big book. On this virtual trip however I couldn’t get a great view, but you can see it poking its head out from over that scaffolding in the panorama at the top of the spread. Lincoln of course is the name of one of the great American presidents, Honest Abe Lincoln, wearer of tall hats. The city does date back to the Romans, Lindum Colonia, though that grew from an older Iron Age settlement. The Cathedral was, believe it or not, the Tallest Building In The World for about 200 years in the Middle Ages, but the really tall spire that gave them that title fell down a long time ago and they never bothered putting it back.

Next up is Nottingham. I used to wonder a lot about Nottingham when I was a kid. Obviously I always associated it with Robin Hood, but I would read road maps of Britain before going to bed at night (and Europe too; I was really into travelling in my head) and Nottingham would pop out as a place that wasn’t far from all the other places in England. Now it makes me think of that film “This Is England”. So while virtually wandering Nottingham, I found a big old pub called “Rose of England” covered in England flags, so I decided to draw that. I needed somewhere with lots of England flags, since I drew a pub in Cardiff covered in Welsh flags. I never found a pub covered in Scotland flags, but ah well, maybe if Street View goes around Glasgow during the next football World Cup they’ll find some. Oh, ok, maybe not the World Cup, er, maybe the Rugby Six Nations. Anyway Nottingham is also the place where Brian Clough, one of the greatest football managers of all, worked as the gaffer of Nottingham Forest, leading them to two European Cups, one Football League Title, and a helluva lotta League Cups. I am a big fan of Cloughie and his funny ways, especially all the stories his former players would tell about him. but of course with Nottingham we have to think about one man only – the Sheriff of Nottingham. Oh, and Robin Hood. The Sheriff was played by one of my favourite actors of all time, Rickman. Rickman’s voice was perfect, nasal and dismissive. Anyway enough of Nottingham, time to move slightly further north into South Yorkshire, and to the Steel City.

Sheffield is big, and has an important history. This is where our knives and forks were made, the steel industry here being world-famous. In sporting terms, the oldest professional club is Sheffield FC, while the two other bigger clubs have a long history in the game, Sheffield Wednesday and Sheffield United (who are the “Blades”). I used to watch the Snooker World Championships every May on TV which take place at the Crucible in Sheffield. One of my favourite bands, Pulp, are famous Sheffielders, as is the singer’s namesake Joe Cocker. There’s something intrinsically normal and unpretentious about Sheffield, and I’d like to walk about its neighbourhoods one day with a sketchbook. I drew the quite modern looking Winter Gardens entrance on my virtual tour. But despite all of this, whenever I think of Sheffield, I get flashbacks of nightmares I had for years because of one TV miniseries that came out in 1984: “Threads”. If you haven’t heard of Threads, it was a dramatization of a nuclear attack seen through the eyes of local people in Sheffield. It was so realistic, it scared the absolute living bejeezus out of me. The woman peeing herself in the street. The white flash melting milkbottles and people. I was only eight and the Cold War was very much a thing and something I worried about a lot, I had that book “When The Wind Blows” and I remember “Protect and Survive”, the government information advising us to paint the windows white and take the doors off their hinges. So yeah, if I think of Sheffield I think of when it was blown away in Threads.

And on that bleak note, we will move into the Peak District and continue westwards on the virtual Great Britain tour, and take our minds off of fictitious 1980s nuclear wars that still wake me up in the night.

(36) Cambridge, (37) Norwich, and (38) Skegness

GB 36-38 sm
I’m not doing East Anglia any justice. It might not be as dramatic as Wales or as culturally diverse as London, but there are lots of places to explore, immense amounts of history and legend, and despite geographically not being that far from London it sometimes feels far away and distant. At least that’s how I usually felt when going there as a kid, but even now Premier League football teams in London will often fly to games in Norwich rather than take the coach. So in this virtual tour I am really rushing past this important part of England, just stopping off at a couple of places to say hi before heading into the north of the country.

First up is Ely, a small cathedral city in Cambridgeshire. Ely might be small but the cathedral is huge, and I’ve always wanted to go back there and draw it. The first time I was in Ely was in 1995 visiting my friend Jacki for the day, looking at the cathedral, the river, Oliver Cromwell’s house, the shops, and the Woolworth’s, but not the Little Chef which I had heard a lot about, before I caught my train back to King’s Cross; I think I stopped by Ely again briefly a year later, but memory fails me a bit. I do have a few sketching friends in Ely now and have wanted to get back there for a while to draw that cathedral, but I’ll have to make do with virtual sketching for now. The Woolworth’s is long gone, as is the Little Chef I expect. Ely is in the Fens, and the name probably comes from the “isle of eels”, or so I was told at the time. The Fens are a flat and marshy landscape, spreading out across northern East Anglia right up to The Wash. They bring to mind the great Anglo-Saxon hero Hereward the Wake, who held out against the Norman conquerors (who probably called him “The Wake” as an insult like online trolls now dismiss people as “Woke”). Hereward the SJW led a virtue-signalling rebellion (or was it a radical left riot?) against the freedom-loving Normans who had come to England in 1066 to create jobs (building castles, chopping heads, harrying norths). They didn’t have Twitter in those days, just scribes who used no punctuation whatsoever (so a bit like today). It was here in Ely that Hereward made his stand against William the Conqueror’s Normans, who even brought along a Witch, an actual Witch, in a tall mobile wooden tower to try to freak the English out with magic and spells, though that didn’t work and the English just set fire to the tower (true story). The isle of Ely (as it was an island in those days) ultimately fell, and Hereward escaped to live as an outlaw in the Fens, with his brothers Thereward and Everywhereward (not a true story).

So that’s Ely, now it’s time to head into Norfolk. I decided to miss out the Suffolk part of East Anglia, which is a real shame as the countryside is really nice there. Think Constable, Gainsborough, and the others. I needed to get to Norwich, the biggest city in East Anglia and a place that has a lot of childhood memories for me. My aunt Pat lived in Norwich when I was a kid, in a house next to the big Heath with lots of my cousins. We’d visit them from time to time, this house with what seemed like so many rooms, even a basement (I still get excited when a house has a basement). When I was seven I spent a few weeks staying up there with my aunt when my little sister was a baby, mostly playing with my cousin Daniel, speeding down the steep slope of the Heath on bits of cardboard box, playing Star Wars, going to see Superman III, eating out at a place called Zaks. My cousins were Jehovah’s Witnesses so I remember bedtime stories being stories like Lot’s wife turning into a pillar of salt, which didn’t give me nightmares but made me really wonder about the physics of that. I think I still have the book of those stories my aunt gave me somewhere. Speaking of salt, when I was visiting as a kid my cousin Daniel decided to pour loads of salt into my orange squash, to see what would happen. I remember saying, this tastes funny, and he told me what he’d done. Oh ok, I said, and I kept drinking it, assuming it was some Norfolk thing. Then we sat down for breakfast and I erupted in vomit like Mount Vesuvius, all over my older cousin Debbie’s nice leather jacket. Daniel got in trouble, I just kept throwing up, but the lesson learned was don’t put salt in orange squash. The last time I visited Norwich was when I was 15, we popped by to see my aunt and to my cousin Denise’s. I still have a lot of family around Norwich and Norfolk, I wish I had the time to pop by and say hi to them all, and Norwich would be a fun place to explore and draw. I chose to draw Jarrold’s, the big department store in the centre of town, I vaguely remember my cousin telling me about it when I was a kid, but I don’t know if I ever went there.

And finally in this spread, we leave East Anglia but stick with the flatter Fen counties, going into Lincolnshire, on the other side of the Wash. This is the coastal town of Skegness, traditionally seaside holiday spot on the North Sea. Since I missed out all the other east coast seaside spots like Clacton, Walton-on-the-Naze, Great Yarmouth, Caister, Sheringham, I had to include Skeggy, though I have not been there myself. I drew the clock tower on the seafront, and you can see in the background there are several fish and chip shops. There seem to be so many chippies around here, and that is a very good thing, I think you always need a good fish and chip shop nearby, it’s a requirement. Being northern and by the sea the fish and chips are bound to be pretty good. When I think of Skegness, as with many coastal towns, I think of chalet parks, caravan parks, chip shops, arcades, bingo, sticks of rock. We used to stay in chalets at holiday parks in Caister as a kid, and we would go further north on the other side of England to the Pontins resort in Southport, near Blackpool. We would also go to a caravan park in Walton-on-the-Naze in Essex, and occasionally to Camber Sands on the south coast. But never to Skegness, always just a bit further away, most Londoners wouldn’t head that far, again unless they went up to Blackpool. “Skegness” as a name sounds very “Danelaw”, and the name does come from Old Norse, with Skeggi either being the name of a Viking or just a word meaning “beard-shaped”, with “Ness” being a coastal headland. What’s the Danelaw? That’s the portion of England that was cut diagonally across the country in late Anglo-Saxon times that was effectively taken over by the Vikings, in short. You’ll find a larger number of place-names of Norse origin, lots of -thorpes and -bys and -holmes and -nesses. Looking at the map as I take the virtual trip I see a lot more of them popping up the further we travel up this way.

But next up, we are heading west again, to Lincoln and further inland.

pottering about paris

Paris Moulin Rouge
I really like Paris, but it has always felt like the city I never really got to know very well, and is better friends with other people. It’s not really very far from London, its history has long been bound up with every other country around it in some way – if Paris sneezes, Europe catches [insert whichever virus is trending that year], and yet from Britain it felt a world away; funny how the British see near neighbours. “Paris m’est inconnue“, a line I remember from Cyrano. My time spent in France was mostly down in the far south, which is why my French accent is so different (see also my time in Belgium, more on that in the next posts) (actually the real reason is that I’m just not that good at French) (I do have a degree in French though). But in all the times I have been to Paris, I realized that I’d only ever been there by myself once, and that was over 20 years ago, for the day, on my way elsewhere. I had been as a 13 year old kid on a day-trip with school, when I first entered Notre Dame and felt the cold ancient stone, and our bus went past the Moulin Rouge. I went when I was about 20 with a girl, that didn’t really work out, and all I really remember now is when I decided to go for a late night wander by myself and walked all over the city, exploring Paris after dark fearlessly and completely without any sort of map. I went another time (with another girl) and I remember going to Pere Lachaise and up Montmartre but little else, it was a long time ago. My solo visit was during the World Cup 1998, as the opening part of my summer-long European rail journey, and I spent the evening watching Brazil beat Holland on a big screen in front of the Hotel de Ville. I never went back, save for changing trains to catch the Eurostar, until my family and I went in 2012 when my son was quite young, and that was my favourite Paris visit, hitting many of the sights, watching Les Guignols in the Jardins de Luxembourg, and taking my son on all the metro lines because he liked being on the train. I really like Paris but have rarely been on a solo trip. And this day, well I was by myself, but it was another day trip. However I was determined to just wander about one area only, the steep hill of Montmartre. I landed at CDG, took an RER to Paris Nord, and set out on foot. And when I arrived on rue Pigalle, on the leafy traffic islands flanked by sexy DVD shops and nightclubs, I saw the one thing that reminded me I am back in France – a man pissing openly in the street, and nobody caring. Some things don’t change. That was a fairly common sight when I lived in Aix, but back then I was not Californian, and didn’t think anything of it. But hey when you gotta go you gotta go. Later that same day I went to Brussels, whose most famous statue is a boy very happily having a public wee.

So anyway, as you can see above, I stopped on Pigalle, and drew the famous Moulin Rouge. It’s so famous that Nicole Kidman made a film about it. It’s so famous that Rod Hull made a TV show about it, although he watered it down a bit. As I mentioned my French isn’t as great as it should be so I think Moulin Rouge means ‘Mussels in Lipstick’ but I didn’t go in to find out, so instead I just drew the big red windmill that is for some reason on the top. I know that the famous ‘can-can’ dance has something to do with this place, presumably it’s about canned mussels (which btw are fine but not as nice as fresh mussels). The can-can was very popular when I was a kid in around 1980-81, I think it had been released in the charts to compete with Shakin’ Stevens, and I remember at parties in our street people attempting to dance a can-can and kick their legs up high. So anyway I drew the windmill because I figured, I am going to be spending a good amount of time in the Netherlands on this trip, this will be the first windmill of many. Spoiler alert, this was the only one I drew. Incidentally, I decided to put a Gnome – a ‘Nain de Jardin’ – on my sketchbook. We all remember that film Amelie, in which there was a gnome that disappeared and traveled the world sending postcards back as you do. That film was set around here, so there’s a photo of me trying to do as the gnomes do (“when in Gnome…”), and failing because I couldn’t get the focus right on the background. This is filed under the chapter “Why I Am An Urban Sketcher (And Not An Instagram Photographer)”. All that said, I will intersperse these stories with the odd photo, such as this one and also the one of the little pixelated wall-sprite, to flesh out the experience. My little gnome, he is in French colours (or maybe Dutch flag colours), and has the sign of the Euro on his belt.
Paris Montmarte Cemetery
I love the big city. The big city is my natural environment. Put me in a big city and I’m like that video that always gets shared of a dog running out of a car into a lake and splashing around. Not that I splashed around in that bloke’s wee, but I just feel energized being back in the urban environment again. Davis, you ain’t Paris. But even I need some quiet time, so I went to Montmartre Cemetery and got all the quiet time I could want. I had never been there before, and it is quite a place, small and yet massive, with secluded corners and grand boulevards. Part of it runs underneath a bridge. I found a bench and sketched while the sound of trees and wind and crows gently muffled out the distant traffic. Peace and calm. Speaking of crows, seeing crows on gravestones was, I thought, the most gothic thing ever. Until I saw a dead crow on a gravestone. I like cemeteries, I am always careful not to walk across any graves and I’m solemn around the dead. We’re all going where they have gone, some way or other. Maybe not this cemetery though, you might have to be quite famous and French to end up here. I looked at the map showing where all the famous corpses were, most of whom I did not know. Except Adolphe Sax, Belgian inventor of the Saxophone. Francois Truffaut is buried here too, but I never watched his films, despite my degree in French, I kinda turned my nose up haughtily at Truffaut, as one of those film-makers that the university wannabes all said they loved at the pub when comparing coolness. “Oh you think that thing’s cool? Then I don’t,” was how I went about things. Even choosing my location for a year abroad, everyone went to France, so I went to Belgium, to be different. So anyway, I didn’t find Truffaut’s grave, and one day I might watch his films. Whoah…Edgar Degas was buried there. I found his grave. Foucault, he’s there too, though admittedly I know Foucault about him. And Emile Zola! I was impressed there. And Stendhal, I looked for his grave too. And the last name I had heard of was Nijinski, though I thought that was a racehorse.

IMG_3497IMG_3516

After a couple of hours spent among the dead, it was time for lunch. I climbed uphill into the windy streets of Montmartre, and found a nice little restaurant called Au Claire De La Lune, on Rue Poulbot. I sat outside, the most Parisian of settings, with a surprising lack of foreign tourists, everyone around me was French. I had sole with bearnaise sauce, and a Kronenbourg 1664. This was a good day.
Paris Rue Poulbot

IMG_3553IMG_3550Paris People

And finally I had to wander the streets around Sacre Coeur. I’m a big fan of Sacre Coeur, although I must admit, I have never been inside. I never gave myself time. I had time to sketch though, and I was pretty pleased with what I drew. The sky had character, and the view up to those white domes is one of the most iconic in the world. The view across Paris is jaw-dropping, but you can see the fire-damaged Notre Dame, missing the famous central spire. I didn’t go down to see what has happened to those ancient stones in that awful fire, but I gave her a nod of respect from afar.


Paris Sacre Coeur

And that was all the time I had. There was a train to catch, the high-speed Thalys, taking me to Brussels, a city I had a lot more history in, a springboard for a few days jaunting about Belgium, that country of rain, chocolate, frites, rain, moules, beer, and rain.

What I didn’t know was that it wasn’t going to rain, but it was going to get hot –  very, very hot.

 

Westminster Cathedral, stripes and domes

Westminster cathedral , London
The only rainy day on my visit back to England was the day I dedicated to doing the most sketching, but I don’t mind the rain, and I wanted to explore anyway. A slightly later start than I had wanted (due to waking up super early – jetlag – after a night out seeing an old friend in Borough – hangover – meaning I stayed in bed trying to get back to sleep a bit more, rather than dashing out at 8am to sketch every inch – or centimetre – of the city). I wanted to explore Victoria – the area not the person – and maybe draw a map of the neighbourhood showing people all the interesting things to sketch around there. I haven’t drawn the map yet, and in fact Victoria has changed a lot since I last spent time around there, which was almost 20 years ago when I was a tour guide based out of there. It’s really different there now. I don’t know what has happened to New Scotland Yard but it’s an empty building site now. Lots of modern buildings have risen up. One building I have always been interested in but never sketched nor been inside was Westminster Cathedral. My old tour bus used to swing past this building while I gave a courteous nod to the recent history of Catholicism in England, on the way to (or was it from?) the much more illustrious and ancient Westminster Abbey, further up the road (which is not technically a Cathedral but a Royal Peculiar, our highly knowledgeable tour guide instructor instructed us to say. Regardless, only one of these buildings gave the City of Westminster its name and it wasn’t stripey boy here). I stood opposite Westminster Cathedral, in the light rain, my London Underground umbrella firmly stashed inside my jacket hands-free, sketching in the Stillman and Birn Alpha book. The tower had to be squashed ever so slightly because it’s actually very tall, but you wouldn’t notice unless I tell you, so I’ll keep quiet. I like the stiripes; some of the older buildings around the back of it have similar horizontal stripes either in mimicry or as a survival instinct to blend in; it’s nature’s way. The long name of this building is the “Metropolitan Cathedral of the Precious Blood of Our Lord Jesus Christ”. Or “No not Westminster Abbey, the stripey one around the corner”. It was built in 1903 out of brick with no steel reinforcements, none of your steel reinforcements, proper brick done properly. The flags waving above the entrance are that of the United Kingdom and that of the Vatican City. The domes and curves brought to mind the St Mark’s Basilica in Venice, but less glitzy. I had never been inside though, and so after a sandwich from Boots (Meal Deal of course – I love the Meal Deals in England) I went in and had a look around. I was very impressed, there was a lot to see and it had a fair bit of glitz itself (it’s the big Catholic church of the country, you need some glitz) such as golden neo-Byzantine mosaics, but most exciting was that for the tidy sum of six quid I could go up the tower.
View from Westminster cathedral's tower

“It’s very foggy today,” said the man in the gift shop who operated the elevator,  “you won’t see much.” Oh I don’t mind that, I said, thinking it might make drawing a bit easier if I can’t see all the details. It was a really good view (for six quid it had to be, but it supports keeping the elevator open so I’m all for it), and the wind did blow some of the rain in towards me, I stood pretty sheltered and draw as much as I could. The growing pattern of skyscrapers in the distance was a ghostly silhouette, dominated by the Shard. The Palace of Westminster’s Victoria Tower stands tall in the middle, and just behind Westminster Abbey you can see Big Ben still covered in scaffolding. I enjoyed drawing this so much. There’s nothing like drawing a city from a high perch, and I did it again a couple of days later at the Tate. If you like perspective drawing this is like a dream job. When I was done, I wandered about the streets of Victoria for a bit more, before heading back over towards the shops of Covent Garden. It’s times like this when I feel such an affection for London, the unbeatable metropolis that can never be completely discovered. I’ve always liked this building but never been in, and now I have.