symposium people

August 24, 2016August 25, 20165 Comments

And now for the final post about #Uksmnachsrte2106 (sorry, been typing it so many times I have forgotten how to type) (that looks like a joke but I corrected about half the words typed in this sentence just now so it isn’t) (my autocorrect has just given up on me and gone home). The final official day was on Saturday July 30th, we had a Closing Ceremony, and they announced that CHICAGO will host the next one! Hooray! I do hope I can go. Anyway here are a few more sketches of people that I did over the days of the Symposium, in no particular order, but starting with Simone Ridyard, above, Manchester resident and one of the main organizers of this whole awesome successful symposium. Here she is announcing day three, with some of the main stage backdrop behind her. Well done Simone and all the Symposium team! I have Simone’s book Archisketcher, by the way, it is very good.

Next up is Bridget March, a lovely lady I met in the first workshop, who is from Harrogate (I had a friend at school from Harrogate, sounds nice there) but lives and works in Saigon in Vietnam. We ate with some others at a great little street-food type snack bar on Oxford Road, while rain drizzled down outside.

Here I did my only digital sketch of the Symposium, made on the iPad with the Paper app. this is Danni Hoedemakers, from Belgium (Hasselt), who I met talking with Corinne Raes at the Peveril of the Peak. She was telling me about these really interesting tours of Hasselt that she gives, “Happiness Tours” I think they were called, which I really liked the sound of, though I struggle to explain them. This gave me a few ideas of doing similar things but including sketching or writing. Anyway, it sounded like fun. There were quite a lot of Belgians at the Symposium, always a good thing, allez les Belges!

Now here we meet Mateusz Hajnsz from Poland, who I remember from the USk Manchester facebook page, nice to meet him. He actually had a copy of my book to be signed! So I sketched him as well. I sketched him later during dinner as well as part of the group at the Indian Tiffin Room.

Speaking of signing books, this is Stephanie Bower from Seattle. I really like Stephanie’s artwork, very architectural and full of light, and she is a delight. Her book “Understanding Perspective“, the latest in the Urban Sketching Series, just came out, so she was signing copies at the Symposium (I bought my copy in the US) when I sketched her.

And here is the book-signing event several of us who have books were asked to come and sign them at. these two fine people are from Quarto books, Ben and Emma, with a selection of publications such as the Urban Sketching Series books (of which Stephanie’s is one), Gabi Campanario’s “The Art of Urban Sketching”, Katherine Tyrell’s “Sketching 365”, Simone Ridyard’s “Archisketcher”, and James Hobbs’s “Sketch Your World”. Ok then…where was Creative Sketching Workshop? When I got there they had none. They had some the day before, apparently, but none now. So I stuck around anyway and sketched Ben and Emma, and then after a while they found at the bottom of a box a few remaining copies and put them out, so I added those in! I didn’t sign any though. I never know what to write when signing books anyhow, I always think I should write “Happy Birthday”!

At the final Closing Ceremony party at the School of Art, I was already feeling tired, but I did spend time talking to people and sketching, saying my goodbyes and see-you-in-Chicagos, and I’m very glad to have rubbed shoulders with so many international sketchers, old and new friends. The funny thing about urban sketching symposia is that you might only say a few things to someone, see them in a few workshops, raise a drink and say “great job on all the sketching, here’s my Moo card” but then over the next couple of years you make a point of Liking their FB pages, commenting on their sketches, checking out their websites, being inspired by their prodigious output, and then next time you see them in another country you feel you know each other a lot more, and it all begins to feel like a big global sketching family. Above, on the right is Vincent Desplanche, from France, who I met briefly last year in Strasbourg and was blown away by his sketchbooks, and who I have followed with great interest over the past year, it was great to see him again in Manchester, and hopefully we’ll sketch together in the future. He is talking to Daniel Nies, from Germany, who I met for the first time in Manchester but I recognize from the Urban Sketcher group on Facebook. He told me that he is a beekeper, and was very interested in the bee symbol of Manchester (though it’s an inaccurate bee, he said!), and made a really cool lino-print of that same bee emblem. Incidentally the bee represents the worker element of Manchester, the home of the Industrial Revolution. On the right is Kalina Wilson from Portland (aka Geminica), who I’ve known since the first symposium (uskpdx2010) and feels like an old sketching buddy. Also a fellow pirate. Here she is disbelieving me when I tell her that I used to teach Cockney Rhyming Slang in classes at a university in Belgium, but this fact is absolutely true (it even came up in their exam). So glad she was able to make it to the UK this summer, and she even came to the Wren crawl the weekend before in London.

Here are a couple of sketchers from Yorkshire (I do like a Yorkshire accent!), on the left is none other than Matthew Midgley from Huddersfield, who I have wanted to meet for years, I love his artwork. Super nice guy, who likes to draw food. On the right is Alec Turner, who I did not know, but was also friendly and a nice subject to draw.

Next up was Ed Harker from Bristol/Bath, who I had spoken to earlier in the day, and whom I saw sketching me in his long accordion notebook. Well, I couldn’t resist sketching him back! You will notice that I am sketching most of these people in pencil, which is quicker and a bit more expressive – I’m doing this more, and it’s fun. Little dab of paint, lovely. Ed was a lovely bloke, and his sketches are lively and fun.

Above, two well-known urban sketchers, Lynne Chapman and Liz Steel. Lynne from Sheffield (though originally from the south of England), a much-published children’s illustrator who also recently brought out a book about Sketching People, which I haven’t yet got but I certainly will do. It came out in March, just a little bit too late for me to read while writing my own book about sketching people – shame, as I am hugely inspired by how Lynne draws people, she does such a fantastic (and often very colourful) job. Speaking of books, Liz Steel (from Sydney, Australia) (there was a big contingent from Australia this year!) But Liz has been to every single symposium, since Portland 2010) also has a book coming out this Fall – it is the ‘other half’ of the one I wrote! “Five Minute Sketching Architecture” will be published in the US on October 1, same date as my “Five Minute Sketching People”

Ok now these were sketchers dancing at the closing ceremony party. The pen scribble is an aborted attempt at sketching Marina Grechanik that just didn’t work. The other sketches on the page however are obviously super accurate and obviously detailed likenesses. Maybe not, but sketching dancers isn’t easy – it is fun though.Two of them I do recognize, the others I don’t know who they are. There was a lot of dancing; they even did the Conga. Pete doesn’t do the Conga.

Pete does dress up as Captain America and pose heroically though. Here I am with Marc van Liefferinge from Belgium (a photographer whom I met in Strasbourg last summer, this time he was photographing the big symposium!), and Vincent Desplanche from France.

And finally, Liz Steel once more, and Paul Wang from Singapore. More old Urban Sketching friends! I remember nice evenings at dinner with Paul and Liz in Lisbon and Barcelona. Hopefully again in Chicago!

There were about 500 people sketching Manchester this symposium, and I’m pretty glad I was one of them. Too many however to meet them all, though I gave it a good try, but not ever overwhelming. I think that was Manchester itself, which despite being the first time I was there, had a real familiarity about it. I didn’t even mind the rain. I think it was the Chips in Gravy. A huge thanks to all the Symposium organizers for showing us Manchester, and who knows, see you in Chicago…

of these northern streets

August 24, 2016August 25, 20163 Comments

And now for a post showing many of the other buildings and views I sketched in Manchester during the 7th Urban Sketching Symposium. Usually sketched between workshops or activities (or while skipping activities because sketch-sketch-sketch). I would love to explore Manchester – the north of England in general – in more depth and at unbound pace, but here are some street scenes and buildings that I managed to fit in. Above, the Grosvenor Picture Palace, a building I feel sure was sketched a few hundred times that week, being right opposite the Manchester School of Art on Oxford Road.Buses whizzed by as they do, and while it was damp it managed not to rain while I sketched, stood on the corner of All-Saints Park.

This pub, the Lass O’Gowrie, was on the way back to my apartment and I just had to sketch it. however the time I chose to sketch was probably the wrong one – I got the time of the final big group photo wrong (6pm), thinking it was 6:30pm (doh!), and so I missed it because I was sketching this. Second time I have missed the final group photo at a Symposium! It’s becoming my Thing. Still I am not too downhearted about that, as I probably would not have had the chance to sketch this pub, and I’m happy I did, a traditional looking Mancunian ale-house, next to a small canal-way. I went for a half-coloured-in look because I only half-coloured it in before dashing back to All-Saints Park for the final group photo, like an idiot. At least I got into the American group photo (I am after 11 years in California an honorary American now after all (at least where urban sketching is concerned!), a nice group to be in.

This was sketched earlier in the afternoon, right opposite All-Saints Park. It only took twenty minutes or so, Johnny Roadhouse Music, but that was because I considered doing a big panorama (decided against it!). You can see my ‘working-out’ on the sides there.

After sketching Johnny Roadhouse Music I walked back over to the School, on my way to one of the presentations I’d signed up for, however I got side-tracked talking to Paul Heaston and Marc Taro, who were sketching the Ormond Building, another that was surely sketched several hundred times (and then some) over those few days. Sketchers were starting to dot around the area as part of the Final Sketchwalk (all waiting for the Final Group Photo; yeah, that was a good idea). What with chatting to fellow sketchers and working on the perspective this building took about an hour and a half, compared to the quicker music shop sketched before it. I always worry I’m not going to come back from somewhere with enough sketches to ‘justify’ the long journey out there, and I still had a few things left on my list. Still I enjoyed the experience sketching this building, and it was nice to talk to people, and learn from how they approached it.

The Hotspur Press! I had to sketch it. I drew it on the way back from Veronica Lawlor’s workshop, drawing quickly in pencil beneath a railway arch to shelter from the rain, but I had to add colour afterwards as I needed to get back to the School; I had been told I was to be signing copies of my book (though I got there, and they didn’t even have any copies of it). The rain-soaked old brick and industry, that’s the North isn’t it. Hotspur by the way would be a reference to the Percy’s; Harry Hotspur was a medieval knight and member of the Percy family, Henry Percy, son of the Earl of Northumberland. This is why Tottenham Hotspur are so named, too – they were originally Hotspur FC, and the Percy family owned land in the Tottenham area (think Northumberland Park).

For the Silent Auction many of us were asked to donate a sketch, and so because my other Thing (apart from Missing the Final Group Photo like a late idiot) is of course Fire Hydrants. Now in England they are underground, so I drew one of those, with an explanation as to how to find British hydrants. Here it is! And it sold as well!

Here is a group of sketchers sketching the streets around the School of Art. Speaking of which, there will be one more post before I have exhausted all #UskManchester2016 news, and it will be long and full of quick people sketches. and then, back to the present month…

dinnertime in manchester

August 23, 2016August 25, 20162 Comments

Dinnertime at the Symposium is naturally a time for taking a break from sketching, putting that pen or pencil down, breaking bread and drinking wine and naaaaah, KEEP ON SKETCHING! It’s just what we do, and here we have permission, justification, obligation, compulsion. We can never really stop. Of the four evenings spent in Manchester I went out for meals with fellows sketchers on two of them (the other two, I ate at the apartment, or at the closing reception). It’s a good time to flex those people-sketching skills. I remarked more than once that I don’t often like sketching people, because I’m quite self-conscious about it in public, but at the symposia (and this one especially) I let loose and sketch away. It’s quite liberating. I had never sketched an entire table of people in one sketch before though (I don’t think I have anyway), always running out of space, and on my first night in Manchester I joined some of the French-speaking sketchers for dinner at Thomas’s Chop House. Actually it turned out to not just be the Franco-Belgian sketchers, but from all over the world, the Symposium in a nutshell. There was Spanish, German, Portuguese, French and English spoken, and it was a really nice evening. It was cold too so many of us, sat outside, were given blankets by the restaurant to keep warm. I shared a blanket with Arnaud De Meyer, a sketcher from Luxembourg who was sat next to me. The long sketch is above – click on it for a closer view. It’s actually over two double-page spreads.

The third night in Manchester I went with a group for a late dinner at the Indian Tiffin Room, which was obviously a popular choice for the urban sketchers as the place was full of them! Our group was mostly Portuguese (Vicente, Luis, Nelson and Pedro) but also Rita from Portland, Mateusz from Poland and Silvio from Argentina, a great bunch of people. There was a lot of Spanish spoken though, I couldn’t keep up with that! (I never did learn Spanish, I must remedy that) The food was great and the company friendly, and I sketched the scene above, managing to just about fit everyone in, though I had to place Nelson into an inset window. Pedro Loureiro did do a sketch of me on one of the paper menu-placemats, but it got curry spilled on it (I didn’t mind that, seemed appropriate! I love a curry, as my cheeks will attest…)

Stay tuned for more #UskManchester2016 sketches…

The Big Picture (with Paul Heaston)

August 22, 2016August 25, 20163 Comments

The final #UskManchester2016 sketching workshop I attended was on the Saturday morning: “The Big Picture“, taught by Paul Heaston. Paul is an absolute master at the curving wide-angle perspective, and that approach to composition and getting everything into the area of your drawing was the focus of this workshop. Paul has a great way at explaining this often difficult concept, and gave out very useful and informative handouts that explained his concept well. This is a look at the five-point perspective – straight ahead, left, right, up above, down below, you’re too slow. Sorry, couldn’t resist. My own sketch is above; while this isn’t something I am unfamiliar with, I do wish I had expanded the scene a bit more, and shown the left-right vanishing points in the frame itself. Still, I had a lot of fun, and while we did stop for some mid-workshop tips, we did have time to flesh out the details. In his handout, Paul gave some great tips on how to draw details in a large sketch like this, noting that the human eye is vastly more capable of perceiving detail than any drawing instrument that we possess, so some economization and simplification is useful. Paul talked a lot about relative scale, and asked us to try to include ourselves in the sketch – within our frame of view of course, meaning our hands and sketchbook. Spatial relationships are also important in determining relative scale. I thought about Father Ted and the cows: “Small…far away…”.

Here is the show-and-tell at the end, with the sketchbooks all over the floor; thankfully this workshop was not rainy! I sketched Paul below, adding some notes from what he told us.

While we sketched, by the way, we were treated to scores of people dressed up as super heroes – Manchester Comic Con was happening nearby at the same time. We saw Deadpools, Pikachus, Winter Soldiers, Flashes, Reys, Scarlet Witches and one absolutely amazing Squirrel-Girl I totally wish I had time to sketch. Oh, and there was one incredibly realistic Captain America, look (hey, Cap was a sketcher too)…

Pete Cap! photo by Marina Regina Tuazon

Key points I took away:

Understand spatial relationships; even if the perspective isn’t quite right you can still describe the space between objects
Don’t be afraid to draw those huge buildings small, if that’s how they are in the overall sketch, as it shows their distance relative to the objects in the foreground
Draw loads of details! Why not? But simplify where you can, and note that the further back things are, the simpler the details
It doesn’t rain every single day in Manchester! It really doesn’t! (Spoiler alert, it rained that evening on the way home)

I very much had fun on this workshop, the last structured part of the Symposium for me (plenty more sketches and posts to come though…). Massive thanks to Paul Heaston – do check out his Flickr and his Facebook pages.

Puzzling out the Picture (with Veronica Lawlor)

August 20, 2016August 19, 20162 Comments

And so we return our attentions to Manchester, and the third of the workshops I attended: “Puzzling out the Picture“, taught by Veronica Lawlor, from New York. This was focused on composing your sketches using directions to move us into and out of the image, to see the picture as “a dimensional space in your mind”, that has six sides. We went down to Catslefield, an area of Manchester I didn’t know much about, but was truly an urban sketchers dream – bridges and canals going in every direction, the perfect space for this sort of exercise. Veronica asked us to move about the space and draw quick thumbnails of the different views we encountered, encouraging us to identify how the eye moves into and around the space. Mine are above; this was a really enjoyable exercise.

Above, Veronica explains the idea. We were then asked to choose a scene from our thumbnails and draw it larger and in more detail. The rain was not heavy, but constant and drizzly – hello Manchester, hi English summer, how I’ve missed thee – and also kind of moving sideways making any cover a bit useless, but we all persisted. I stood beneath a big archway beneath a bridge and drew the scene below. Notice the little iron castle turrets on the railway bridge, a nice touch! Manchester was where the Industrial Revolution was really born, the city is a child of that booming period, and Castlefield really takes you back into that history. It was here that the world’s first industrial canal, the Bridgewater Canal (1764), terminated, and here was also the terminus of the world’s very first passenger railway line, at Liverpool Road station, in 1830. History doesn’t begin with the Industrial Revolution however – nearby was the Roman fort of Mamucium, or Mancunium, which gave Manchester its name (English town and cities with the suffix -chester or -caster generally have origins as Roman forts). I sketched in the usual brown-black pen, but used some grey markers to add a bit of tone, as well as a touch of red.

Now I probably would have done a bit more detail or added a bit more colour, but, well, Chips in Gravy. I remembered that there was a chip shop around the corner from here (I passed it while lost the previous evening, looking for the Peveril) and just had a huge craving for chips in gravy. This is more common in the north of England than in the south, and I absolutely love it. Now it’s not quite the same as poutine – there is no cheese – this is just what you can get at any chippy up north and it drives me mad to even think about it, it’s so good. I used to eat it in Scarborough when I’d go up there years ago. Now, it rained a lot during this workshop, so it was good to take a break from the sketch and go and grab some chips in gravy, and sit in the drizzle, with an orange Tango. Totally a “back in England” moment for me. Then, it was back to the sketching.

Despite the rain (which nobody really minded much), this was an extremely enjoyable workshop. Veronica teaches with a lot of enthusiasm and has a very encouraging manner, and her own work is so alive that it was a real pleasure to learn from her. She joked that it would be nice to come back and sketch Castlefield in the summertime!

Key points I took away:

Think of your pictures as representing a three dimensional space and try see and depict the lines of movement through the scene
Make quick thumbnails from different points of view to physically explore the dimensions of the space before your final sketch
Let shapes extend and move out of your physical boundary
When hungry, eat chips in gravy
Manchester = rain again!

Many thanks to Veronica for a fun workshop! Check out her work at www.veronicalawlor.com, and also her books, particularly “One Drawing A Day“, and “Reportage and Documentary Drawing“, part of the Urban Sketching Handbook series.

The Art and Habit of Travel Sketching (with Rita Sabler)

August 17, 2016August 25, 20163 Comments

There were many interesting and varied talks that you could attend at #uskmanchester2016. Yes, I just used a hashtag in a sentence. Now if were saying that out loud I wouldn’t say the word “hashtag” but then that is why the written medium is capable of things that the spoken medium just isn’t, and vice-versa, and then there is the drawn medium. One thing I like about sketching at talks and presentations is that you can use it not only to document the visual of the event, but also take notes on the text. There is the issue of course that you must be careful what you write down, as that then potentially defines the speaker’s points in possibly unintended ways – take a sentence out of context, written down in a hurry, and sure they did say that, but it may not be what their talk was about. So whenever I have drawn presenters, I have been aware of this and tried to write down the thoughts and phrases that seem most to encapsulate it, though it’s impossible to catch it all.

I only managed to attend one talk in Manchester, having been off sketching the streets all the other times, taking advantage of the non-rain, but I wasn’t going to miss this one, “The Art and Habit of Travel Sketching“, by my friend from Portland, Rita Sabler. I first met Rita at the first symposium in Portland, learning that she was a UC Davis alumna, and have followed her sketching work ever since. She has a really cool and vibrant style, with a lot of travelling under her belt as well. In this talk she showed us some of her amazing travel sketches and shared her experiences around the world, both the good and the sometimes scary. She offered tips and advice on travel sketching, and spoke in general about the act of keeping a sketchbook, and the unexpected interactions it can bring. I wrote down some of what she was saying – click on the image above to get a better view – and some of my favourite takeaways were:

Sketching your surroundings, you become “at once the observer and the participant”
If sketching people in bars, pick the people who have the fullest glass – they will stay there longest!
If people notice you sketching them, smile!

I really enjoyed the talk, and everybody else that was there enjoyed it as well – and it was a full house. I was surprised that more people were not sketching though! I did spot a few others with sketchbooks out. Here was Rita afterwards, holding my book:

You can see more of Rita’s work on her website www.portlandsketcher.com, or on her Flickr page. You can also see three awesome chapters written by Rita in my book, Creative Sketching Workshop!

a peek at the Peveril

August 16, 20161 Comment

“It is these little passages of secret history, which leave a tinge of romance in every bosom, scarce permitting us, even in the most busy or advanced period of life, to listen with total indifference to a tale of true love.”
That was from Sir Walter Scott’s classic novel, Peveril of the Peak, which up until visiting this pub in Manchester, I had of course never heard of. I thought Sir Walter Scotts were something you drank beer out of. It turns out that is kind of right. Peveril of the Peak was the colourful and yet old-fashioned pub was the nightly location of the Drink and Draw, set upon by scores of sketchers inside and out during the few days of Symposium. I sketched it outside (see above) alongside many other sketchers, several seated, others lined up across the street. Take a look at 13 other takes on the pub, collected by Suhita Shirodkar on the Urban Sketchers blog. I’ve seen many more online, each as outstanding as the next. I do love to sketch a pub, as you might have noticed if you have followed my blog at all. I think it’s the classic air of social interaction. I just can’t get that in a restaurant, and hardly ever in cafes either (most cafes I ever go into these days, people are just buried in their laptops). I sketched people as well; at an urban sketching symposium I am much more inclined to do that than at other times, and so I practiced as much as I could. Below, two of my long-time sketchblogging heroes, back from the early days of Flickr, before Urban Sketchers: Andrea Joseph and Jason Das. Now Jason I have known since meeting him in Portland in 2010, and he is an especially cool bloke and an inspirational artist; check out his site jasondas.com. Andrea Joseph I had never until now actually ever met in person – I have her zines and have followed her amazing drawings for years on her blog, so it was wicked to finally meet her in person. Here they are chatting away about music outside the Peveril…

Now I did sketch other people, not all on the same night. Here are a bunch of people who were actually non-sketchers (I know, I was surprised to meet non-sketchers as well, after hanging around five hundred people tooled-up with Micron pens and Leuchturms I had forgotten that other people could even be non-sketchers). I did chat with them and gave the statutory “would you mind if…?” before sketching, and I think they really liked them. For all they knew they were probably drawn about 50 times by others in the pub that evening.

Actually I think the bottom right lady was either a sketcher or with a sketcher; I forget now. California, I believe. The others were locals. On that evening in the Pev, as people would call it, two Portuguese sketchers Vicente Sardinha and Nelson Paciencia, hosted a special Drink and Draw in which they actually made very cool handouts, which gave tips on sketching in a pub (“Sketching while Sober” I think it was called). Then those that took part in the activity all gathered and did a show-and-tell, it was pretty nice. My personal tip for sketching in bars is this – if you draw the bar-staff, draw them busy!

This group of sketchers from around the world was sat in a little ante-room inside the Peveril. They are Tine Klein from Switzerland, Suma CM and (sorry, I forgot to write down your name!) from California, and Mark Leibowitz from New York; unseen is Daniel Nies from Germany, sat to my right, but that is his hat. I sketched them and chatted; I had met Mark in Barcelona in 2013, a lovely guy; I unfortunately missed his presentation on the final day due to getting lost in a sketch (that happens), but I hope to sketch with him again in NYC some day. Suma lives in san Jose so hopefully we’ll sketch together in SF some day; she did come along to the London sketchcrawl as well. After this, I moved into the main bar, and had barely an hour to try and sketch an interior panoramic – as you know, that ain’t long enough, but I dashed through it!

Click on the image to see it in more details.There is Arno Hartmann in the middle there, excellent architect from Germany who was at the Symposium teaching a workshop on 360 degree sketching, really nice to meet him. At the end of the bar, two fellows who were drinking and dancing along to the music on the jukebox – here I must say that I was singing along too, for the music was pretty wicked. I live in America now, I don’t hear the Small Faces, the Jam, the Pistols, Pulp, all those being played at the pub. This was like going back to the great Soho pubs back in the 90s, just all my faves being pumped out all night. I got conversing to the people sat around me; a couple attending the symposium from Austin, Texas (well one sketcher and her non-sketcher hubby, who also loved his music, but was more a fan of Death Metal than David Bowie), plus another couple who were up from Luton. There were local art students there telling us about Simone Ridyard’s books, and the beer was tasty (and a lot cheaper than London). And all around people still sketched away, every single night. On the Saturday evening we ended up there again. I gifted a man we sat next to a quick sketch of his building’s front door (he lived in an apartment opposite the pub), while I unashamedly wore my Captain America hoody with the hood up (just for photos though…), because much of Manchester was dressed up in costumes for that weekend was the city’s Comic Con. I saw an absolutely perfect Squirrel Girl earlier that day and really wish I had sketched her, but I was busy drawing a building. I was one of many Caps. Here I am below with Jason; dear oh dear. Months ago, I had pledged to Simone on the USk Manchester Facebook group page that if I somehow managed to get tickets and time off to attend, I would come dressed as Captain America. Well, I kept my word…

And on that silly note we conclude our trip to the Peveril of the Peak. Stay tuned for more Manchester sketches and stories…

Capturing the Crowd (with James Richards)

August 16, 2016August 16, 20164 Comments

The second workshop I attended at the 7th Urban Sketching Sympo – er,”USKManchester2016″, let’s just call it (that’s the official hashtag by the way, #uskmanchester2016, if you happen to be on Twitter, Facebook, Instagram, MySpace, well maybe not MySpace, anyway all those so-called media sites (that is the term right?), just use that hashtag and you will find everyone else’s Symposium stuff. It’s pretty damn wicked.) Sorry, just interrupted a sentence to shorten it with a longer sentence. Ok. The second workshop I took in Manchester was called “Capturing the Crowd“, taught by James Richards, assisted by his wife Patti, and held up at Albert Square (no, not that Albert Square, a real and much better one).

Jim is an excellent teacher who went through everything step by step, how to construct a scene with a crowd of people in it, tips on detail and colour, tricks for poses and perspective. I’d not met him in person before so it was a real treat to learn from this master, especially as I have been trying more and more to add crowds of people into my location drawings. The only thing we didn’t really have was a crowd – that afternoon was pretty rainy (hello Manchester!) – but that wasn’t a problem. People were always walking past, and if you draw enough of them, then voila – you have a crowd!

There is Jim on the right there, I managed a very quick sketch while he was going over the mechanics, as it were. He was extremely well prepared. Now I won’t go over every aspect of what he taught us, but if you pop over to Jim’s website, he has put together a thorough step-by-step demo.

Here are the first quick sketches I did in the workshop, just rapid sketches of people as they passed by, working on poses and using people to create perspective. The final drawing I did is at the top – I stuck around the finish it after the workshop had ended. The rain didn’t last all afternoon, though I stood beneath an arch. I did bump into former USk London sketcher and animator Nathan Brenville, who was visiting family in the north (he now lives in Madrid). He has a colouring-in book coming out soon which is all about Maggie Thatcher!

Capturing the crowd sketches sm

Key points I took away:

Go with the basic eye-level as the point to draw the heads in your crowd – the bodies will shorten as they get further away
Only the front ‘row’ of people need to have details – beyond that, simple people shapes – and bring some people right up close in your sketch, to add to the depth
Legs overlap a lot so many figures walking towards or away from you will appear to have one long ‘upside-down-triangular’ leg
Add a few different colours to peoples’ clothes – even if all the ‘real’ people seem to be wearing shades of grey, a few bolder colours will make all the difference
Yeah Manchester really does like to rain
I should look at a map and not just use the force*

Cheers Jim! Check out more of his lovely work at www.jamesrichardssketchbook.com/

*Ahem. After this I was supposed to meet up with other sketchers at the Peveril of the Peak pub, but I totally got lost TWICE. Even after being given directions. I made it eventually…

Cars in the City (with Lapin and Gerard Michel)

August 15, 2016August 15, 20166 Comments

The 7th International Urban Sketching Symposium kicked off on the Wednesday evening with a big gathering at Manchester Town Hall in a huge, wonderful room that was not unlike the Great Hall at Hogwarts, but more ornate and elaborate. I didn’t however take any photos or do any sketching, busy as I was meeting with old friends and chatting away. I did got for dinner afterwards and sketched there but I will post all the ‘dinnertime’ sketches separately I think. I’d like now to dive into the Symposium itself – above is a quick sketch I did of the first morning introduction session, with Simone Ridyard, Elizabeth Alley and Omar Jaramillo there. It was time to go and sketch, and my first workshop was one I was really looking forward to: “Cars in the City“, with Lapin and Gerard Michel.

Yes indeed. I’ve known Lapin and Gerard since the first Symposium (though have followed their work since the start of Urban Sketchers), both have very different approaches but have a big love of drawing cars, especially classic vehicles. This workshop of course was originally to be co-taught with Florian Afflerbach, the great sketcher of cars who sadly passed away earlier this year. I took a workshop Gerard and Florian co-taught in Lisbon, teaching me a lot about perspective. While this workshop was not necessarily about large scenes and mastering vanishing points, the workshop did focus very much on how the eye perceives the world based on our distance from what we are sketching, and Lapin and Gerard did a good job of showing us what they mean.

Our first assignment was to sketch a car from a distance of about a metre or so, maybe a little more. The view of the car would be more typical, and they gave us an example of how to work out the shape using simple boxes. My first car happened to be a Mercedes, and I drew in pencil (thinking again of Florian), keeping a little way back from the car, crouched, as it looked very much like it might rain. Oh and by the way it certainly did rain.

So we found a car-park not too far away which was sheltered beneath an overpass, and sketched in there. Lapin asked us to sit very close to the car we wanted to sketch – the closer you sit, the more warped the perspective would start to look. This is a good rule for perspective – you position matters enormously, and even slight changes to your position can alter the perspective of what you are drawing immensely. I found a blue Ford Focus – hardly a beautiful car but still attractive for the sketch’s purpose. I drew my reflection in it and also changed the number plate to something more fitting the Symposium. Lapin came and said, sit even closer! I was pretty close, but still two feet or so out – he suggested going right up to the car, and seeing what happened. His suggestion to the class was that we don’t think about perspective rules, rather, just see what is in front of you as a series of shapes, and draw the shapes, letting the picture unfold itself. For my next car then I chose a Rover 400 (below), a more classic British brand, and sat right up to the headlight.

Well I think you can see the difference! Immediately everything bends that bit more, yet the sketch really starts to pop out. This is something I would like to try a bit more. We ran out of time before I could add colour, and we had a little gathering to discuss what we had learned, but the parking attendant in charge of the car-park came along and booted us out; I guess the car park is private property, but it was good shelter from the rain. We moved along to a spot around the corner for the final part of the workshop, drawing cars with the city around them. This was very much Gerard’s part of the class and he showed us some examples; including the cars in the foreground of the sketches helped to add depth but also some foreground anchor to help understand the perspective of the scene. there was a nice spot away from the rain next to an office block, showing a clear view of Manchester’s skyline (thanks to a building having been demolished, I believe it was something to do with the BBC). We did go into the building and ask permission to sit beneath it and sketch, and they were fine with it. It was a very interesting view, with the Palace Hotel there, but oh so rainy.

Key points I took away:

Your perspective of an object curves dramatically as you get closer to it
Use box shapes often helps figure out the car’s overall shape
Draw the scene as the shapes you see and the perspective often figures itself out
Manchester really is quite rainy

Many thanks to Lapin and to Gerard! Awesome instructors!

Mancunian Street Sketchers

August 11, 20161 Comment

Two weeks ago, I attended the 7th Urban Sketching Symposium in Manchester, in the north of England. I went as a “Workshop Pass Holder”, which is the full access pass, though of course there are so many workshops and activities there is really only time to do a few, but I certainly packed a lot in. I had never been to Manchester before, and had no idea what to expect. It was pretty awesome actually, lots of sketchable buildings, lots of old pubs, and yes, it rained almost every day. Well you’re not doing Manchester properly if you don’t get rained on a bit.

When I first arrived, I checked into my apartment at the Atrium on Princess Street, did a bit of shopping at Sainsburys Local,and then sketched the magnificent Palace Hotel, above. I had intended on colouring it in but when I was finally done, I preferred it like this. Also, I needed to go and check in at the Symposium venue, the Manchester School of Art. I enjoyed sketching this; I stood beside a group of Jehovah’s Witnesses and I chatted to one of them, a nice chap who told me about his passion for photography, but that he hadn’t done any drawing in quite a while. I told him that Manchester was about to be flooded with hundreds of people out drawing the streets, sketchers from all over the world. As yet I had not seen a single one, but as I thought about that, I bumped into Vincent Desplanche, a prolific French sketcher who I met last year in Strasbourg. I stood with him and sketched the Oxford Road station and this curving picture house on the corner of the street. I was moved by the words on the sign which read, “Thanks for 30 years…see you at home.” To see old cinemas closing down like this, beloved old buildings falling into disuse by the swift steely march of modern times, and with that big crane in the background, and the touching, sad sentiment of “see you at home” obviously being some reference to the fact people don’t go and watch films any more, they stream them all nowadays, sitting on their armchairs and microwaving popcorn, where is the community, where is the shared cultural experience, oh then someone pointed out to me that “home” meant “HOME”, not “home”. “HOME” is a big new arts, theatre and film complex just down the street, and I guess the cinema was just moving there. Well. Now I know. So much for my poignant image, people streaming by on their way “home”.

Here is a map I added to my sketchbook. I will be documenting my time at the Symposium in a less ‘chronological’ and more ‘themed’ type of way, with a post for each of the workshops I attended, including what I learnt and a bit about the instructor, as well as the social gatherings, sketches of pubs, and other miscellany. I will probably post these all over the next week or so, but will also be posting current sketches as well. Oh, and the football season is about to begin so expect some new football kit posts too. I’ll also do a couple of posts about the exciting upcoming projects coming from me this Fall. I will also ramble on about some nonsense you don’t care about, make a few terrible puns, and explain why proper north-of-England chips in gravy is the best food ever.