There is a great little Italian deli in downtown Davis that I can’t believe I’ve never sketched in before. It’s called Zia’s, on 3rd Street (ziasdeli.com), and I occasionally pop in here for a can of that lovely orange San Pellegrino. (now I’ve drawn them before!) It was a hot Saturday afternoon, I had been dropping off fliers for the sketchcrawl at various spots downtown, I was thirsty, and I sat in here and started sketching. They do great sandwiches (they’ve won the ‘best sandwich’ award in Davis), and have a nice selection of Italian biscuits and sweets. They were almost closing up, so when I was done I popped outside to do a quick sketch of the front. The owner of the deli pulled up in his car and commended me on my drawing, which was nice. I commended him on his deli, which is nice too.
Tag: davis
chock-lit
Such a popular Davis place, Ciocolat on the corner of B and 3rd. And yet, I have never actually been there, never so much as walked through the door. One day I will. I do like chocolate after all. I’m juts not much of a cafe person. I was walking back to work one lunchtime last week when I decided I needed to do a very quick sketch.
I do love chocolate though. Give me some Cadbury’s Dairy Milk, or big bar of Milka, I’m well happy mate. Chocolate over here isn’t as good as back home, the commercial stuff anyway (I’m looking at Hershey’s here), but there are some amazing chocolatiers such as See’s Candy and Scharffenbergen, as well as lots of small local ones I don’t even know. But I’ll have a Milky Way too, dunk it in my cuppa tea, I love a bit of chocolate. Funny enough, I don’t drink hot chocolate. I can’t stand the stuff. Nor dark chocolate. Give me a nice big chocolate covered pastry though, pain-au-chocolat, oh yes.
the more i see, the more i know
I wonder how many times I have sketched this building over the past few years? I don’t think I ever sketched it as directly head on as this. The UC Davis Bike Barn, drawn on Strathmore watercolour paper. I actually omitted one element from this drawing, a rather weedy looking mini-tree in the foreground that I didn’t want to draw, as it would take away from the detail of the building. I don’t like the tree anyway. I still miss the bigger tree that used to stand to the left of this drawing, which was a nice place to sit beneath and eat lunch or sketch, until it blew over in a big windstorm back in October 2006 (wow, I’ve been here a while). I remember that day; the smell of grassfires was everywhere, as the wind blew across the tinder-dry landscape (it has been a hellish hot summer), and trees were down, and fire tucks were busy. It’s always a shame when a big tree just goes. So it wasn’t really a shame for me to eliminate the small little tree from the drawing. It’s still there in real life.
It’s another hot Davis summer. Well, when I say hot I mean it’s been in the 90s, so therefore not a hot Davis summer. We’ve hit the hundreds a few times this year but not as often as in the past, thankfully. It’s still pretty toasty when you’re cycling home in it though. I’m not a fan of the heat, though it’s better than the bad weather I’ve had on my last two London trips. I’m Californian now, but still British enough to moan about the weather, hot or cold.
unplugged
Ever wondered what a fire hydrant looks like befre it’s plugged in? No? Well in case you were, here is one I spotted the other day, along with some others, ready to be inserted into the ground of whatever this new development is. I have cycled past this open space for years, watching the hares bound by and the snakes slither off, while kids on BMX bikes race over the bumpy dirt. however, the buildings have been slowly rising in this neck of Davis, and this land looks soon to be lost. And unusually for Davis it will have red fire hydrants (most of them are yellow, or white/blue on campus, except for a couple of red ones I spotted once). One was already plugged into the ground, like the flag of a conquering civilization (we should have put one on the Moon, that would confuse later generations).
Seen through the fence like this it looks a bit like a prison yard, with the hydrant doing press-ups or something. No, the anthropomorphizing of hydrants is silly (but might make a great comic).
double dutch colonial
I have sketched this building before; I like the shape of the roof. Dutch Colonial Revival Gambrel, I seem to recall someone telling me. It’s on 1st Street, and on thursday lunchtime I got out and sketched it, adding the colour later at home. Drawn on Strathmore hot press watercolour paper, micron pen and watercolours.
Here’s the one I did about a year and a half ago (it was winter time then), from a different angle.
you’ll always find us out to lunch
One from last Saturday. I’m still catching up. This is the other side of the building which used to be old city hall (and a police station, and a fire station, hence the big arches), one I’ve drawn several times. This is now Bistro 33, a fancy (but not too overpriced) restaurant on 3rd Street, Davis. For years I thought it was just called Bistro (are those things supposed to be numbers? Apparently so. I thought they were snakes).
captain sensible
I went to see Captain America last week. It’s funny how the movie companies are now making prequels before they make the main films now (the main film being The Avengers). Before the movie, I sat outside and sketched local Czech pub Little Prague. I’ve drawn the interior several times now but never really the exterior.
The movie was good fun, a little silly in places, but likeable, not ridiculous, not a made-for-3D ‘thrill ride’. some of the trailers before the movie were clearly such – the new Spiderman for example, coming out next year, looked too slick, too obviously 3D orientated, and lacking the personality of the Tobey Maguire Spidey (whose first two movies were great; the third one was dreadful, largely because it was overblown and too interested on spinning your head around a screen while nothing particularly interesting happened, oh a mid-air fight, oh he’s brushing off concrete blocks like they’re made of polystyrene, oh wow a man made of sand, and as for that stupid dance routine…) (that’s why they rebooted). Other trailers I saw, the new Three Musketeers, apparently back in the 18th century there were flying airship galleons that could do battle mid-air (it always has to be mid-air, doesn’t it? Do they think moviegoers can’t stay awake during ground-level scenes any more?); I’m pretty sure they didn’t have those in the original book, but I haven’t read it. My only reference (and come on, probably yours too) is Dogtanian and the Three Muskehounds. Don’t ever try to reboot that, that series was a classic. Another trailer was for some doomsday plague virus movie with an all-star cast (they love those genres, don’t they) Then there was Rise of the Planet of the Apes, looks pretty good, Draco Malfoy is in it, so is the Green Goblin’s son, and William Stryker, and the Trinity Killer, oh and Gollum plays the chimp, Caesar the Geezer. Actually at first I thought it was a reboot of Bigfoot and the Hendersons now that they can reboot). I want to see it, mostly because of that shot of the gorilla jumping into a helicopter from the Golden Gate Bridge. Nice try, bananas, but how are you going to fly that thing?
After all of that, Captain America was quite wholesome and satisfying, with proper leather-jacketed and jack-booted nazi/megalomaniacal villainy, and a quite international team alongside the Cap, a ‘coalition of the willing’ if you like. The feel was not hugely ‘American’ in fact, not so much Captain America, but Team Member America. There are other overly patriotic macho nonsense films, so this didn’t need to be – to its credit, I think, but still surprising given that he is, you know, Captain America.
After the movie, I popped into Little Prague to finish off the last bit of colour in the first drawing, and to draw the sketch below. Didn’t spend too long there doing all the details (I have done that before), but captured the atmosphere.

the space between us
The Robert Mondavi Institute for Wine and Food Science at UC Davis, sketched from afar on the Old Davis Road. Pass by it every day, always wanted to sketch from this spot, beneath a shady tree at the other end of the vinyards, planted a couple of years ago or so. UC Davis is a leading institution for viticulture and enology. California has a lot of wine-growers. I like this sketch; it illustrates the colours of Davis, the local ‘palette’, and gives a nice sense of location – not just northern California in the middle of July when the grass is ochre and the sky is permanent blue, but my actual location while sketching it, sat distantly among the foliage.
Tomorrow my location will be even further away, as I’ll be flying off to England, and then to Portugal…
whatever i choose, and i’ll sing the blues if i want
The thing about urban sketching is that for the most part people are friendly, and if you are courteous and respectful most people are respectful to you as well. Every so often however you get someone that confronts you, rightly or wrongly, and this can sometimes leave the urban sketcher feeling like they don’t want to be out there drawing any more, or it makes them determined to draw even more. Either way, it is good to remember that the urban sketcher does have rights while doing what they do in a public place. I had an argument about those rights yesterday, when I sat down on the sidewalk nearby a boutique in downtown Davis (which I won’t name; just imagine Bianca Butcher’s famous catchphrase) to continue sketching my series on clothing dsiplayed in downtown store windows (see my previous post).
No sooner had I sat down and opened my pencil case, the owner of the store came charging out demanding to know what I was doing. I told her, I was planning to do some sketching, that I’m an urban sketcher. She told me quite pointedly that I cannot do that and it is not appropriate to draw products in store windows, and started shooing me away. I must point out that I hadn’t actually drawn anything at this point, and I was sat by the kerb on a public sidewalk; it wasn’t like I was in the doorway or had my nose pressed against the window. I introduced myself as a local artist and told her who I am and what I do, and flicked through the pages of my sketchbook to show her what sort of things I draw, inviting her to check out my online work. She however was not in the slightest bit interested, and told me I had no right to draw there. She said that I could be copying the designs of her dresses so that Chinese manufacturers could reproduce them (her words). That took me back a little; fair enough, perhaps, you’re worried about your work being ripped off, but your products are on public display. I told her that actually I have every right to draw sketches of that which is in public view from a public place; it’s not like I was in the store. She argued against that, telling me that she was a manufacturer and reiterating that I don’t have any such rights. “What if someone stood here and took a photo?” I asked; that would be much easier for any passing industrial spy, Chinese or otherwise. She told me that was still not allowed, and that she’d actually had that happen to her before and had dealt with it (though she didn’t say exactly how).
The thing is, in the United States photographers (and urban sketchers by extension) absolutely do have rights to make images of whatever they like in a public place (such as a sidewalk or park), be it a person, a building or a shop window display. Many people don’t actually realise this, which is why sometimes artists are unlawfully harassed by security guards outside public buildings or by people not wishing to be photographed, or by shopkeepers who have some notion that by drawing those products which they have put on public display in their window (and which remain on public display after the store has closed) is somehow off-limits for anyone passing by with a sketchbook or a camera, even if they are very pretty dresses which they made themselves. For a nice downloadable flyer explaining your rights in these cases visit this site here (written by attorney Bert Krages); it’s not a bad idea to print it out and carry it in your sketchbook or camera case.
By this point, I didn’t particularly want to draw her window display any more. Her abrasive attitude had put me off (plus the clothes were not even that interesting to draw). Though I thought I’d made it clear I wasn’t a Chinese spy, she still persisted in shooing me away like a dog. I pointed out that I am more aware of my rights than she is and that I can draw whatever I like; I could even draw her. I turned slightly and chose to draw a San Franciso Giants shirt in the shop next door (that sketch will be in my next post), and she seemed to feel like it scored her a victory because she smirked and said I can go off and draw what I wanted. I told her she was very rude.
As an urban sketcher I am always very conscientious of who or what I am drawing. I rarely draw random people (and when I do they’re usually just part of a larger scene), because I’m nervous about personal space, unless I let them know. I tend to prefer drawing other sketchers, or performers. I also don’t draw inside shops without asking. Even out on the streets I don’t like to be in the way, prefering to be invisible, and didn’t much like interaction, things I started to overcome only last year at the Portland Symposium. Now I am happy to talk about my sketchbooks and am very open about what I do, and I encourage others to get out with their sketchbooks and draw their world. I understand my rights, but try to be respectful whenever I sketch. I didn’t deserve to be confronted and told explicitly that I don’t have rights which in fact I do have.
So here’s a suggestion for that store owner – put a little sign in your window, politely asking that people do not photograph or draw your window display. You cannot legally forbid it, but you most people might respect your wishes. If you don’t want people to see your products, display them away from public view. And for urban sketchers across America, whatever people may tell you – know that you have rights!
window dressing
The last few sketches from Saturday’s sketchcrawl: things seen in shop windows. I like drawing the colourful dresses, it’s very rewarding drawing all that fabric. The pink one was in the window of ‘the Wardrobe’ on E Street, and the blue dress was in ‘Preeti Girl’, on the corner of E and 2nd.
Meanwhile, I also sketched this lovely cuddly cow that was in the window of the Mother and Baby Source on 2nd Street. Cows are popular in Davis, some even call us ‘cow-town’. Cows are funny creatures. What is a Cow’s favourite TV show? Graze Anatomy. Ok I’ll restrain myself from any more of the the many bovine-related puns out there. Anyway, the next sketchcrawl in Davis will likely be on July 23, the day of the Worldwide Sketchcrawl (though I won’t be there, as I’ll be in Lisbon…)










