And so on to the very last spread of the Panoramarathon, and of the Seawhite sketchbook. The Year of the Horse had just begun, so time to saddle up and gallop the last furlong. So, cue the joke about the horse and the bar and “why the long sketchbook?”. I never got that joke anyway. The barman shouldn’t be asking why a horse has a long face, but what exactly a horse expects to be served in a bar. Unless bars are serving sugar-lumps and brewing hay-beer (and they probably are, these days) I would say, “oi, Tonto, never mind your long face, you drink from the trough outside mate, or you can git the hell outta this town, and the man who rode in on you”, or words to that effect. This is technically the old wild west after all, or Back to the Future III country at least. Anyway, back to the drawing… I have sketched the Little Prague bar on several occasions over the past seven years or so, but not quite from this angle, so I decided that I would take up that challenge to finish out the project. After a very busy week I popped by on a quiet Friday evening and sketched away. After a while, a large crowd of people came in en masse (there they all are in the sketch, mingling away with their pitchers and their nametags). That chef bloke with the bleached hair and the goatee, Guy Fieri I think he is called, was on the telly. I didn’t really pay attention to anything much except finishing the sketch. This panoramarathon was going to be done by the end of January, dammit! February is just not long enough to keep saying such a complicated word. After a while, the DJs came in and the loud dance music started, and so after one quickly-sketched panorama and three slowly-drunk dark beers, I finished up and went home to bed.
So that was the Seawhite of Brighton sketchbook, started in August, finished in January. You can see all the images form that book in this handy set on my Flickr site.