i was dreaming of the past

E st Pano April 2018

Another panorama, this one is of E Street in Davis, stood in the shade outside Peet’s Coffee next to Chipotle. Pete doesn’t drink coffee. This was a fun one for perspective. Nothing too complicated, all heading into a single vanishing point at eye level, but made interesting by that Chipotle design going off at a different angle. Yeah some of the brickwork goes askew but that is ok. Again I have used the tree as the middle of the page, to help mask the valley you get in between two pages in these Seawhite of Brighton books, something I don’t get as much in the Moleskines and the Stillman & Birns. Actually in this spread it does open very flat, it’s one of those pages, but nonetheless in these spreads it’s good to have a tree or a pole in the middle so you can fudge it a bit if need be. I didn’t include any people walking by, because I didn’t want to. I have drawn along this street for years, from various angles, never this angle. One time I was drawing, some weird guy said to me “are you pretending to be an artist?” I said “are you pretending to be funny?” He went away. I saw him a couple of weeks later in Newsbeat, and he spoke to me again, “wow Snickers, that is a great thing to buy, you will really enjoy eating that, Snickers, those are great, good choice!” I ignored him, because seriously. Downtown Davis, man. I’ve been in Davis almost thirteen years. This Chipotle was here when I first came, it was one of the first places I ate, I still get the same thing whenever I go, a chicken fajita burrito, no beans, mild salsa and corn, light on cheese. I am a creature of habits. Beyond that, the comics shop Bizarro World (formerly on 5th Street), which is in the former location of Bogey’s Books when I first joined this town, I bought a set of Prisoner Cell Block H dvds there in like 2006 and the guy behind the counter said, “do you miss Australia?” assuming me to be from down under (for many Americans the London accent is easy to confuse with Australian, I’m used to it). I used to love Prisoner though, it was one of my favourite TV shows, old Lizzie Birdsworth and co. Beyond there is De Vere’s Irish pub, which regular listeners will recall is a pub I have sketched many times since it opened in 2011. Really good place for a pint. Across the street (unseen) is Baskin Robbins, from whom I have bought many a massive milkshake over the years. That’s what I get when I need cheering up. Anyway, on with the rest of the weekend.

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what’s the matter with you, sing me something new

B and 8th, Easter 2018 sm

Here is another panorama, this one from Easter Sunday. This is the Davis Lutheran Church on the corner of B and 8th. B8. “B-8-iful sketch!” a passing punster might say. “B-8-a-fool” more like. Anyway I have wanted to draw this scene for ages, not so much the church which is just a regular building, not exactly Sagrada Familia, but that tree in front is incredible. I had to draw it soon; this was the start of April, which is still leaving it late, but I had to draw it when there were no leaves. It’s too leafy after that. Like this you can see the branches and the shape and yes, it was a bit tedious drawing all those branches but no, actually it was great fun. I’m glad I drew it on Easter because there’s that big cross on the lawn. There are significantly more colourful objects on the left page of this panorama than on the right. This is the way home from downtown. Nice to sketch something I have not already sketched in Davis. There are still one or two things left to draw, I guess.

cause those rosy days are few

6th and G St Davis March 2018 sm

Here is a panorama of the corner of 6th and G Streets, Davis. You can click on it for a closer look. It’s mostly trees and a couple of buildings, the usual. Couple of roads, the odd mis-shapen car. I only sketch in three chords, plus maybe a minor chord, you know what you’re getting. I should draw streets in musical order, so that they make a song. Start with C Street, then F Street, back to C, maybe up to the corner of G and 7th, you get the idea. I sketched it on the last day of March when I was home alone for the weekend while the family was in Oregon. It was one where I decided on just a few colours, mostly because I was tired. I still love sketching panoramas. There’s the Davis Co-Op on the other side of the street.

uncle vito’s

uncle vito's mar 2018 sm

Slowly scanning sketches. This one is from a Davis pizzeria / bar called Uncle Vito’s. I have sketched it a couple of times before (once every couple of years or so) and on one evening in early March I needed to come out and do some bar sketching. The beer is nice here, and not expensive. And tall, as you can see from my drink. I don’t really eat the food here though; I had a pizza once that was not really to my liking (it had Thai flavours, which in this case meant peanut sauce and beansprouts), and I have also had their garlic fries, which are delicious but come in an enormous pile, I think I had it in 2009 or so and am still feeling full up. Just beer it is then. The screens are blank, there might have been sports on them, basketball maybe, too late for American Football, too early for American Baseball, maybe it was American Soccer, or maybe it was like just the news or something. Or a movie. I don’t know. It doesn’t matter, stop wondering. The leg lamp-post, it’s from that Christmas movie, anyway the first time I went in there I though they had two of them, before realizing it’s just a mirror. Mirrors behind bars can be deceptive. For years I thought there was a mirror behind the bar at the Good Mixer in Camden Town, I never clocked that that was in fact another side to the bar. I never clocked that I had no reflection, or if I did I must look pretty different, Camden will do that to you. Anyway this most definitely isn’t Camden, it’s Davis.

building california hall

california hall feb2018 sm

Ok here is another post. This is California Hall, currently under construction at the UC Davis campus. It has come along since this was sketched, in February, but it won’t be ready for Fall. No, I wish it would be but it won’t. At least that is what I’m told. Perhaps Darth Vader needs to come along and say that the Emperor is coming. I have sketched the earlier stages of this construction before. I like sketching the building work on campus, watching this place change gradually over the years. Another panorama, stood in the shade over the course of a couple of days while people biked past. There is Kerr Hall on the right there. Storer Hall is to the left. Those trees will have leaves now.

Here is what this spot looked like just three years ago: https://petescully.com/2015/03/21/asmundsen-kerr/

“You can’t handle the roof!”

Manetti Shrem panorama Jan2018 sm
This is the courtyard of the Manetti Shrem Museum of Art at the UC Davis campus. In January we had our monthly sketchcrawl here in Davis (we missed February; the next one will be on March 17, details to be posted later today at facebook.com/letsdrawdavis), and it was held at the Manetti Shrem. Regular viewers will recall that I drew this building from its first days of construction right through to the grand opening, and I was even invited to the big fancy party for artists and donors on the night before the opening, which was amazingly fun (the ice cream lollipops made on slabs of nitrogen were incredible). It’s a complicated piece of architecture, and I have not drawn it very often since, so I was overdue a sketch. After a morning of coaching a game of under-10 soccer (we lost 9-2 that morning, ouch) I needed to spend some time on a complicated panorama. This is a complicated panorama. Fun though, and it was nice having chats with people passing by, either other sketchers, or local Davis people I knew who happened to be visiting the museum, or students who were interested in art. One young bloke asked me about perspective and how I approach it. Well, get me on that subject! I told him about the multiple vanishing points, both up and down, and the horizon, and the sphere, curvilinear perspective, but said that with a building like this you just have to throw caution to the wind and say, ah just draw it all and see how it comes out. Don’t worry about it. Also another trick, on a two-page spread when the big valley is in the middle of the page, I used the large yellow pole that was in the foreground as a good place for a middle. Saved all those lines getting screwed up in the centre, falling down the gap. On the right, across Vanderhoef Quad, is the Mondavi Center. We’ll be going to see John Cleese there later this month. I’m sure he will be all grumpy

You can click on the sketch for a closer view if you like. Or maybe if you are in Davis, for an even more close view of the museum why not visit? It’s really cool there: https://manettishremmuseum.ucdavis.edu/

Also, try to draw that roof. Honestly, it is fun, like a puzzle. And if drawing that roof gets too much just put on a Jack Nicholson voice and say …

tree’s last stand

The Barn UCD pano Jan18 sm

One damp grey day last month I ate my lunch and went over to The Barn (an old building on the UC Davis campus) to draw, surprise surprise, a panorama. I approached it in the following way. I mapped out the scene with a few light guidelines in pencil, so that I could be sure to fit the whole building in, and then went straight into pen with the drawing itself, drawing the large, heavy leaning tree. I started there. I knew my lunchtime was short (I had eaten at Shah’s Halal food truck by the Silo, spicy chicken over rice, so good) and that this would take more than one lunchtime. Normally I would draw the front of the building first but it’s always easier to draw on the left page when standing, back to the wall, holding a landscape-format sketchbook. For some reason I always struggle a bit more sketching the right page while standing. So I drew the big tree, it was just too interesting. I did the tree, left the rest, went back to work.

I came back two days alter to continue, and THE TREE WAS GONE!!! Totally gone. The place was all cordoned off while the tree-chopper-people finished off chainsawing it up, and I stood there looking at my page like, “but…but…”. I don’t know how old the tree was, but look at it. It was really leaning over. It was an aging ballerina, tumbling in slow motion as time froze around it. I’m sure the tree was older than me. And I had sketched its very last days. This scene no longer looks like it does in this sketch. I carried on drawing the rest of the scene, The Barn itself, the buildings behind, the lines of the bike path. I was going to add paint but, I don’t know, it didn’t seem right. That tree was drawn at the end of its life. I wonder what it was thinking at the time? “I’ll Be Bark”