Toulouse: two lose in the semi-finals

TLS France v Spain 071426 sm

The Longest World Cup Ever is over, at last, and I am done with football for a while. FIFA and its All-Powerful Leader, He-Who-Must-Be-Shown-Onscreen-In-The-13th-Minute-Of-Every-Game, have been very quiet since it ended, nothing controversial happening, very low profile. Maybe this will be the last ever World Cup. It’s just the shirts I like anyway these days. The game itself, well good games are few and far between. Certainly the World Cup Final was one of the most boring games I have ever pretended to enjoy. I am glad Spain won that final, Argentina were about as anti-football a team in that game since the Argentina of the 1990 final, unsporting thugs. I didn’t sketch the Final, as it came at the end of a very very busy Urban Sketching Symposium in Toulouse, and anyway who would sketch that game, better to just paint my page and watch it dry. The Third Place Game between England and France was unmissable but I missed most of it, because those games are usually missable, and besides I was busy. I did however watch and sketch what I could of the Semi-Finals. I will post the Symposium story and my Toulouse and London sketches soon (and then get back to catching up from 2025, by which time it will be 2028 and time for the Euros). For now tough it seems a good moment to close out my World Cup documentation. I arrived in Toulouse on July 14, which we call Bastille Day but the French call the Fête Nationale. They held the fireworks the night before on the July 13, and this night was all about the football. I watched it in a bar right across the street from my hotel, O’Brien’s, with fellow sketche Kalina. It was full of locals dressed in the colours of Les Bleus (ie, blue), some draped in French flags, lots of bières blondes (it was happy hour, buy one get one free), and a lot of nervous anticipation. I was probably expecting more noise and atmosphere, as France had been the most exciting team in the tournament and I fully expected them to win the whole thing with goals and panache, but people were not getting carried away. Not like in 2002, when they were on top of the world and the atmosphere in France was triumphal to say the least (I was living in Aix that year), until they completely flopped in the group stage. It was a bit more like 1998, I was there for the semi-final then as well, watching it at my friend Roland’s apartment, and people did not want to get too carried away, until the final whistle blew and wow, they were actually in the Final, and would play Brazil, in Paris, and boy did they celebrate that night. Well this night felt a bit more like that, but with the opposite outcome. Even at the start, when the national anthem La Marseillaise played on the TV, it was fairly subdued, save a few people singing the rousing part “aux armes, nos citoyens!”. I had been expecting that scene in Casablanca, or even Escape to Victory, but it was more like the opening to All You Need Is Love. It was a quiet game too, France could not lay a glove on Spain, who were a defensive masterclass without being boring. I had to add in a few yells at the screen on my page, but even they didn’t really happen (nobody says “Zut Alors!” in France, except maybe in the Tricolore textbooks). It became clear that France were not getting back into this game, so there was very little edge-of-your-seat tension, and people seemed a bit relieved it was over by the end. At least France have won two World Cups in our lifetimes (or one, based on the ages of many in the bar), so it’s not like with England and their famous ‘Years-Of-Hurt-Ometer’ which has now been reset to ‘At Least 64’). After the game, many left but the bar did not empty and we stayed and sketched and had fun conversations with some locals, and it was nice.

England-Argentina 071526

I did watch the second semi-final, of course, as it was England vs Argentina, and yeah, I am disappointed with the result. I missed half of the first half because I was at the Symposium Opening Reception, but ducked out early to a pub called The George and Dragon, which is about as sure a place to watch an England game as you can get in Toulouse. About half the people in there, maybe less, were in England shirts, the rest were either not really watching, or were French but cheering for Argentina, mostly because Messi, or maybe because they wanted to play England in the 3rd Place game, if they cared about that game. Mostly they wee not that bothered. England were winning for quite a while, and then they weren’t, and then it was extra time, and shortly before the end they weren’t winning even more, and I went back to my hotel to get some pre-Symposium sleep. Football is rubbish anyway, it’s only the shirts that I like. The Premier League will be starting again soon, how excited am I, ooh I can’t contain myself.

BYT I drew these on the reverse side of the accordion sketchbook that I drew the USA-Belgium game on, in the previous post. I got that sketchbook in Poznan in the Sympsoium goody-bag, and I don;t really like the bumpy watercolour paper much.

Anyway, I was in France and London recently and I have so many sketches to post. And then after that, catch up with 2025 and the first half of 2026. I can’t stop sketching.

supergrass in san francisco

Amtrak views from window 090625 sm

I’d been back from Europe for less than a week and I was off again, this time down to San Francisco to see a performance by the band Supergrass. I had been planning this for ages, and would be staying overnight in the city. I got into Supergrass back in 1995 when I was still just about a teenager, but in all those years I never got to see them play live. They were doing a special tour playing their first album I Should Coco, the mark its 30 year anniversary. Now is the real resurgence of the old 90s Britpop bands, coming back out and playing again; we saw Pulp for the first time in 2024, then they brought out a new album in ’25, but the big news comeback was the massive reunion tour of Oasis (another band I was well into but missed seeing live). I knew there was no chance I’d get to go to that tour, since it sold it out so quickly, and tickets were astronomically overpriced. Supergrass though was such an exciting prospect for me, I loved that youthful optimistic first album, but I was massively into their second album In It For The Money. My friend James in England (fellow Supergrass fan when we were at uni) saw them at the Roundhouse (and was standing next to James McCartney at the show) and had told me how good it was, that they also played a bunch of other classics as well as running through the album. So I was well looking forward to it. Then the night before leaving, I was talking to my wife and she said that, well you know Oasis are playing in Los Angeles this weekend, there are apparently still some tickets. Yeah, but I’m going to San Francisco to see Supergrass, I can’t do both. Why not, she says. We looked, there were still some good seats at the Rose Bowl on Sunday evening. Sure, but where would I stay at this short notice? Flights would cost so much, too days out. As it turned out, I had a Southwest credit from a cancelled trip to Vegas earlier that year (I had planned to fly down meet my friend in Vegas, who was participating in a big poker tournament, but he had to cancel due to illness). My wife was able to find a room at a nice hotel in Pasadena on points, and so I booked the ticker… this was going to be the big 90s Britpop weekend, Supergrass and Oasis, 19 year old me would be freaking out with excitement, and it only took me thirty years and a lot of mileage to finally see them. Sure I was still exhausted after the long summer trip but as they say, here we go.

Amtrak to SF 090625 sm

I took the Amtrak down, sketching the view from the window. I planned to hang about in the city during the day before checking into my (cheap) hotel, and going to the show. I’d be getting up next morning to fly from SFO down to LAX, but as always I try to fit in as much extra sketching as I can, because there’s NEVER ENOUGH SKETCHING is there. I jumped onto the Muni, and headed out to the Inner Sunset area around Irving Street. I like it up there. I drew some of the colourful shops (and then didn’t even colour two of them in). Sketching in the bigger portrait format like this I tend to do larger drawings, and they tend to take a bit longer, and I tend to get bored drawing them. But I enjoyed standing out on this street watching everyone go by and drawing these buildings, I know I have sketched this row before (see how it looked in 2010 when that ‘Easy Breezy’ cafe was a placed called ‘Tutti Frutti’). This place must have a contract that when it becomes something new, it should still have a rhyming name.

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I had some lunch in Crepevine on Irving Street, and sketched a couple of people chatting in my little brown book. I just liked the pinks and greens.

Crepevine SF people 090625 sm

Later in the afternoon I went over to the Little Shamrock pub, opposite Golden Gate Park. I have sketched here before; they still have one of my drawings on the wall, which I did back in 2013. It is one of the oldest pubs in the city, established in 1893. I sat on one of the little benches outside and sketched in pencil, but regretted the pencil I was using and wish I’d drawn in pen. It’s this two-page portrait format, it seems like a good idea, then I get bored and impatient with it, the bigger size. Still it’s good to sit and observe. I was being observed by the people at the bar, who would occasionally come out to have a look.

Little Shamrock (ext) 090625 sm

When I was done, I came in for a pint. It’s cash only, I rarely carry cash any more. I do like the interior, there is a lot to draw and usually a good atmosphere, on a Saturday afternoon. I’ve never been in the evening. I sat and sketched this interesting little corner, and then turned and drew the bar area. I used my fountain pen this time. I think I was a little conscious of time, and unwilling to really dive into too many details. I still had to get back to Union Square and check into my hotel, eat something, then head to the Supergrass show.

Little Shamrock (int) 090625 sm

So I did that. My hotel was the King George, and it was a bit crummy to be honest, the room was pretty grim. I was going to stay in the nice new hotel next to the Warfield, but figured I was not going to be there long enough to need anything nice. In hindsight I wish I had; the couple of blocks or so between the King George and the Warfield were, well very sketchy to say the least, classic Tenderloin. It did not feel very safe walking down there during daylight, and I’d have to come back this way after dark as well. A lot of very dodgy people hanging about, it’s not a great place to be by yourself. I got to the Warfield early; it’s a fantastic venue. I last went there in 2015 when we saw Noel Gallagher, and the acoustics were very impressive, like being inside a gramophone. A lot of famous bands have played here over the years. My seats were good. There were some Italians seated next to me; I was wearing my AS Roma shirt. The opening band were pretty good, I did do a quick pencil sketch of them singing about the A1 road in England (or maybe it was a song about European paper sizes, I don’t know). Then Supergrass came on, and I was 19 again. Well no, if I was 19 I’d have been pogo-ing about down in the crowd and not wearing glasses. They were really good, for being older (they weren’t very old when they first started so we’re about the same age; singer Gaz Coombes is a month younger than me, the drummer Danny Goffey shares my birthday but is two years older, the bassist Mick Quinn – not the former Coventry and Liverpool striker – was born in 1969 so he is ancient). We all look good for our ages I think. Supergrass had a lot of fans in San Francisco, mostly of a similar age to me. They played the whole of the I Should Coco album, including my favourite track from that, Sofa of My Lethargy, which I used to listen to over and over in my old bedroom in Burnt Oak. They stopped and started on a couple of tracks, maybe a bit out of practice, or maybe some of the album tracks are just well difficult to play live, they were really creative with their switching of time signatures and interesting chord sequences. This was live music though, man, and it felt pretty real, hearing these songs I only knew from my old CDs being played in real time. Watching the drummer put in a proper shift. It was great stuff. They played a few other classics, including Richard III, which I rocked out to in 1997, Late In The Day, and Sun Hits The Sky, which definitely had a different element to it as a live track. There were no fancy theatrics, just really good live music. They finished with Pumping On Your Stereo, which was never my favourite of their singles but had a fun video, and was a feelgood way to round off the show. Well enjoyed it.

Warfield SF 090625 sm

I didn’t enjoy the walk back to the hotel. Market Street after dark was not somewhere to hang about, and there were plenty of spaced-out unpredictable people outside the venue. I took a slight detour away from Mason Street, which was dark and foreboding but was the quickest route to my hotel, and grabbed a chicken burger in Carl’s Jr a block away, though that was a fairly scary experience itself, like I was stuck in a scene from Blade Runner. When I finally got my greasy tasteless food, I left the grotty fast food place and headed towards the hotel. There’s an Irish pub on the way that I remember going to once (with my Mum, when we stayed down here years ago; she actually loved the Tenderloin), Johnny Foley’s, so I popped in to have a post-show beer and sketch. There was a band playing old 60’s numbers, they were really good. I sat at the bar and sketched it, while tourists from China came in and drank pints of Guinness next to me. It was then time to to go to bed, because I had a long day ahead of me on Sunday – Oasis in Pasadena.

Johnny Foley's SF 090625 sm

the king and queen of fitzrovia

King and Queen pub Fitzrovia 081625 sm

I went for a walk around an area I don’t visit often, Fitzrovia. This is the area of London to the west of Gower Street, south of the Euston Road, east of Great Portland Street, north of Oxford Street. I got out at Warren Street and walked down that way to Cleveland Street. It’s a quieter area than you’d expect on a Saturday afternoon in central London, full of surprises. London is full of surprises. I walked down Cleveland Street and sketched one of my favourite buildings in London, the BT Tower, and then walked further and sketched the King and Queen pub, on the corner of Foley Street. I had heard about this pub, being famous as the place where Bob Dylan first played in London, and they do mention this in a few places around the pub, but I was pleasantly surprised to find this was not some tourist trap full of Bob Dylan fans, but just a normal looking proper pub with locals and good beer. They even had a Southern Comfort mirror on the wall, proper old pub style, exactly the same one we used to have on our dining room wall when I was a kid (very likely from a pub). It was quiet around here, no traffic rushing by, hardly any of those bloody delivery cyclists cutting corners and red lights, and after I had sat across the street drawing I popped in for a couple of pints. This sketch took me a bit longer than I wanted, I was getting a bit bogged down with details, but I enjoyed sitting in the pub listening to the chat and the football results (Spurs won). Proper pub. These are a dying breed in this city. I was reluctant to leave, but I had some more wandering and sketching to do before I went home.

BT Tower from Celveland St 081625 sm

Here is my first sketch, which I drew while sitting on a wall outside the George and Dragon pub. By the way, look at that bumpy paper the watercolour Moleskine now has, I don’t like it. I prefer the Hahnemuhle I used in the other sketch. I love this building though, poking out above those old rooftops. It’s been the BT Tower (or Telecom Tower) all of my life, though when I was a kid it was still called the Post Office Tower by older Londoners so that’s how I first knew it. I always like that it looked like a lightsabre, but also it was visible from so many places, being all up on its own and very unique in the London skyline, a bit like the Fernsehturm of Berlin. The top featured a revolving restaurant, so you could never complain about the view. BT Tower is located at [REDACTED]. Ah, yeah I forgot, it’s a secret. Yes I know you can see it, but like a rainbow, you aren’t supposed to know where the base is. This is genuine, it was designated as an official secret back in the 1970s, and was referred to by a judge as “Location 23”. This is presumably due to its importance in national communications during times of emergency, this was the Cold War after all. Apparently the tower was recently sold by BT to an American hotel company who will turn it into a luxury hotel, hopefully restoring the revolving restaurant. They will have to find it first.

Richmond, by the river

Richmond White Cross Pub 081325sm

We met up with my friend Simon who was back visiting from Dublin, and took the Overground train down to Richmond. I was there last in the previous winter with Simon exploring the old pus and riverside walks, and wanted to go back in the summertime with the family. Richmond is London, but I hardly ever go there, it’s quite far but always worth a visit. I drew the White Cross pub, above, which we never went into but I know if it from videos I’ve seen online, apparently when the river tides get a bit high it cuts off the exits, and they lend you wellington boots to wade through to higher ground. I’d probably just stay in the pub. There are a lot of ducks around here, not surprising really. We had a nice refreshing drink at the cafe on one of the boats floating on the Thames. It didn’t go anywhere, but it was nice to sit and catch up. I sketched Simon (below; I was worried I was making him look like Pep Guardiola or Enzo Maresca, but it looked more like him this time, I always struggle sketching him for some reason). I was starting my new small Stillman & Birn brown paper sketchbook which would be my ‘people sketching’ book for this trip, and indeed I would get a lot of use from it in Poland at the symposium, Simon was a good page 1 subject. Some ladies were watching me sketch and asked if I could draw them, I respectfully declined (as they weren’t all that respectful themselves).
Simon M 081325 sm

I tried to draw Richmond Bridge while sat on the boat but only got as far as outlines, I ended up finishing the rest off later on. The bridge dates from the 18th century.
Richmond Bridge 081325

On the train back into central London I sketched a little more in that brown book, this time using some interesting Derwent ‘Inktense’ paints I had picked up, fun to test those out, I don’t think I’ve used them since. I drew my wife, and also drew Simon again looking very different this time.  Outside, it started raining, and got very heavy by the time we reached central London. Nothing more English than a mid-August downpour.
Angela & Simon 081325 sm

at the holly bush, hampstead

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I should probably have included this in the last post about Hampstead but I didn’t, and it was drawn on a different day. A short but steep walk up Holly Hill from the tube station is the Holly Bush pub, tucked away in a narrow lane called Holly Mount. It’s a holly good pub too. This is definitely in ‘cute American-targeted movie set in Hampstead’ territory, and ‘random celebrity sighting’ land, but I like that it’s a little bit hidden and takes an effort to get to. I’ve wanted to sketch here for a while (I should draw the inside sometime) so one Saturday I was heading into London when I stopped off in Hampstead to buy some art supplies at Cass, sketch the Holly Bush, then met up with my friend who happened to be having lunch nearby with his girlfriend, we had a pint and a chat here. I used to enjoy spending the odd Saturday lunchtime down this way, another mate of mine used to live down here when I was in my twenties, though we would like going to the Haverstock down in Belsize Park, when the football was on. I miss this about London, even though it’s always so busy and crowded and expensive there are little places of relative calm and charm, and a Saturday afternoon pint and chat in an old pub can be so totally relaxing. After I left my friends I got back on the tube and headed into central London to explore some other areas, I’ll post those later. The Holly Bush is a Fullers pub which means they do London Pride, I always liked that beer, room temperature, nothing fancy. I got it once at a British themed pub in California and it was served cold, which was very odd (but tasted fine). As I sketched outside, a family of Americans all decked out in Tottenham Hotspur gear started to talk with me, they were getting ready to head over to N17 to watch Spurs play, which made me quite jealous as I wish I’d done that too (but couldn’t get a ticket). This was the day we beat Burnley 3-0 in an early season romp where we all thought, oh yes life will be very good under Thomas Frank, this season is going to be entertaining and full of wins. Spoiler alert: yeah not so much.

back to the railway hotel

Edgware Railway Hotel 081425

The Railway Hotel in Edgware, at the end of the Northern Line in London, has been lying empty and boarded up for a long time now. It closed in 2006, twenty years ago, and it’s been in a sorry state ever since, even suffering a fire in 2016, which sometimes happens to old buildings that are in the way of new buildings. However it did survive, though it has spent the past decade with nobody sure of what will happen to it. However recent plans have been proposed to finally renovate the site as part of the lerger ‘Forumside’ development of the land behind it. That’s what it’s being called, Forumside, and this is that big plan to build tall towers with hundreds of flats, changing the look of Edgware, but the plan is that they will be keeping the Railway Hotel and restoring it, so we can still enjoy some older buildings in Edgware. Not that I live there any more, but I care what happens to this venerable old building, that goes back all the way to 1936. Ok yeah that’s not that old, you don’t have the ghost of Dick Turpin riding through here, but they don’t make pretend-old buildings like this any more. I stood in the graveyard of St. Margaret’s Church across Station Road, careful not to stand on anyone’s graves (I’m not superstitious, except when I definitely am, but I’m always careful where I tread in a graveyard). Those boarded up windows are sad, but it saves cleaning the windows. I love those big old chimneys. I remember going into the railway, it was a lovely pub and friendlier than most, and we had a nice dinner up there for my mate Terry’s 18th birthday (I remember his grandad making us laugh with his funny sayings). I drew the view below on the same day as the first sketch, just from a different angle so you can see more of the adjoining side building. It was that sky though, I loved drawing that last summer. Unfortunately that newer blend of Moleskine watercolour paper is not good at all and makes every wash look like it’s on textured bogroll, all those little bumps, this is why I have now stopped using the Moleskines, until they improve. I’m using Hahnemuhle now, which is much better.
Edgware Railway Hotel #2 081425

I actually did draw it back in 2015 and wrote about it in a blog post ten years ago, where I lamented the ‘End of the Railway’ and noted that it was not a listed building. That’s what I was told at the time, but maybe it was listed (in 2003); it was added to the ‘Historic England’s At Risk Register‘ in 2013. Here’s the sketch I did in 2015. By the way if you’re on Facebook and talking about this building and you use my sketch, please ask me first, ffs. I drew that on Christmas Eve, I remember it, I think it was the last Christmas we even spent in London. We used to go over every other year for Christmas, but haven’t done so in years now. I’ve been over in November and December, but not for the big day itself. I remember going up to Edgware, last bit of shopping at M&S and WH Smiths the Boardwalk (both gone from there now), drawing the Railway Hotel, and then getting the 305 bus (a route which no longer exists) back to Burnt Oak to get ready for Father Christmas. I don’t think it snowed that year.
the railway, edgware
You can learn about the new plans for this building at: https://edgwarerailwayhotel.co.uk/. They have an artist impression of what it might look like (and I swear it looks like I’m sitting on a bench drawing it). Whatever ends up happening, I hope the Railway reopens with a new life, and these big mock Tudor triangles and tall chimneys stay on the Station Road for another century. Well ok they haven’t been here for one full century yet but you know what I mean. Stay tuned for more sketches from my big Summer 2025 trip back to Europe. These are the last of the Edgware ones, but there are a couple more from Burnt Oak to come.

the rest is April

5th St 040925 sm

As I’ve said, I am a bit behind in my posting, though not in my sketching, and it’s another one of those times when I have a backlog of regular day-to-day sketches of Davis to post but not really a lot of stories to tell about them. I am sketching more than ever it seems, as I do when I need to think about something else; yay for anxious and uncertain and turbulent political times, I guess. I’m hiding in my sketchbook. Anyway, as a way to catch up, here are a bunch of sketches from around Davis in April. It’s already past mid-June in the real world, and if April thought things were bad, wait until they get to June. At least Spurs have won a trophy and sacked a manager in that time. Ok, let’s dive in. The building above is on 5th Street, and the bench outside commemorates where young Officer Natalie Corona was tragically shot several years ago, right here. I’ll always think of that awful thing happening when I pass by here. I stood over the street in the shade of a tree to sketch, headphones on. A woman passing by on the other side called over to ask something, I couldn’t hear over the traffic and whatever podcast I was listening to, football or history or something. Turned out she was asking where the train station was. I couldn’t tell why she had to yell it across a busy street and not ask one of the people passing by on that side, but I pointed in the vague direction of where the station is and put my headphones back on.

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Here’s another from downtown, this time on the corner of 2nd and D, across from the First National Bank. I don’t know if this was the actual first national bank, seems like a wild claim to me, but I was drawn to the spots of yellow. These are days when I just need to draw something. I get out, eat lunch, have to draw. Helps me focus. I always go on about why I draw. I brew it down to the simple because I like drawing, which is good enough for me and good enough for you. Do I always like what I’m drawing? Probably not, but I like the act of drawing. I am up early right now and going for a run soon. It will probably be slow and not very interesting, running around the same circuit of streets and paths as always, nothing new to see, and not breaking any records or even really pushing myself, but its exercise, and when I do the interesting runs I need to have done the boring ones. It’s all exercising the muscles, practicing pacing myself, seeing what I can do in a certain amount of time and being alright with it. I track my running, but I track my drawing too. I don’t really push myself too hard to do anything out of the ordinary and I probably should, but while I’m thinking about doing that I’ll just go out drawing the world and see what happens. I tend to end up drawing places I’ve drawn many times before, but I’ve been living in this small town for 20 years now so I’m really just tracking the changes. I’m sure Cezanne felt like that as he was sitting under a tree in Aix-en-Provence painting Mont St. Victoire yet again. But I never drew that corner before, so it’s a new place ticked off the list.

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Here is another sketch of the newly reimagined G Street, a couple of the big useful yellow chairs that have been placed in random spots on the side of the now pedestrianized road. I have never sat in one of these types of big chair other than for one of those photos where you go “look at me, I’m really small” and pull a face. It was warm out while I sketched this and being mid-April my nose was probably running, but I can’t remember all the details now. I am not really in love with G Street. It may be a while before it figures out what it really is. My favourite place on G Street was a couple of blocks up, the Regal Cinema with the stadium seating, but it has closed now because cinemas are closing. We still have the Regal on F Street which is slightly bigger but I don’t like as much, and we have the Varsity on 2nd which is great for the arthouse and quirky movies, you probably won’t see ‘Quick Angry Car Chase IX’ there (or whatever action films are called), though we have seen some really good films there. But I miss the other cinema on G Street because it was a couple of blocks less to cycle from my house, and one of my favourite restaurants Thai Nakorn was next door, also now closed.

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On to more a familiar street for me, E Street, and Bizarro World Comics next to Chipotle. I stood in the little alley next to the Bull’n’Mouth (formerly De Vere’s; I feel I have to keep saying that in the same way we would say “X, formerly Twitter” but it’s not really a comparable comparison at all, and I don’t say “Bizarro World, formerly Bogey’s Books”, but that’s because Bizarro World used to be on 5th Street and moved here after Bogey’s went bye-bye). Anyway, that’s where I stood. I have bought comics from them over the years, though not recently since I’m not reading as many now. I have never rented movies from them, but if that’s still a thing, good on them. We were talking about that last night, how when I first moved to Davis we would rent movies and shows on DVD or even Video from Blockbuster (which was where Panera is now; I stopped calling it “Panera, formerly Blockbuster” right away because Panera sells big sandwiches that you don’t have to return nor rewind). Then Netflix came along and it was brilliant, getting our DVDs in the mail from our wishlist, mailing them back when we want, getting another, and you don’t even have to rewind DVDs, this is the future. Blockbuster went the way of MySpace (but we didn’t throw away our Blockbuster cards, did we? No we still hold on to them just in case, don’t we). Then Netflix was like, you don’t need DVDs, you can just stream stuff! Wow, mind blown. And they had all the movies, and all new shows they would make themselves and binge all at once, and we finally had broadband internet capable of handling that, what a time to be alive. Then bit by bit other streaming services came along, and Netflix seemed not to have quite as many movies you wanted to watch, but that’s ok because this other one had so many, and then this other had, and then this other one, and now there are so many different streaming services which you have to pay for, and none of them seem to have the movies you want to watch now so you still end up having to look for it on Amazon Prime (which you pay for) and then pay a rental fee to rent that movie so you can watch it that night. Just like when we’d go down the video store, except instead of watching trailers for other movies at the start of the video, you get to watch a couple of minutes of the same tedious adverts. What a time to be alive, eh.

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And further down E Street, another building I have sketched before a few times. I like the triangle bits, they remind me of Darth Vader’s mouth. They also remind me of those houses you see a lot in north west London, in the rows of suburbia that spread for miles, leafy Middlesex (I mean, “north-west Greater London, formerly called Middlesex”). If I ever leave Davis I’ll probably miss drawing this building. If I ever leave Davis I will probably get the urge to come back to draw whatever new buildings get built. I get that with London, the need to come back and record what’s still there and what is new. This gets me back to the whole ‘why I draw’ thing again. I draw to record the changes, so I can look back over two or three drawings I have done of the same place years apart and saw, oh yeah, looks a bit different. I have drawn many hundreds of drawings of Davis, thousands really (let’s say millions) and so I have this record of two decades in this place, scenes of my everyday life. Nothing special, not an unusual life, not an unusual town, just a place like any other. Things happen, most of the time they don’t. Things change slowly, sometimes a bit more quickly. That’s one of the reasons I draw. Mostly though it’s just a side-effect, I draw because I have to. Even when I try to take a break from it, I can’t really. I will still scribble on my notepad, or draw cartoons on my iPad, or design football shirts on the back of scrap bits of paper or envelopes lying on my desk.

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That same evening, I popped into the aforementioned Bull’n’Mouth pub (formerly De Vere’s) and sketched the colourful bar area. “Is It Beer You’re Looking For?” it reads, above a large selection of not-beers. I did have a couple of beers; I find it harder these days to actually finish a beer, most of the ones now are way too hoppy, or make my stomach feel funny, or I just don’t like the taste. I drink a beer slowly when I sketch anyway. It’s a nice pub still, I probably liked it more as De Vere’s but that’s because of the Irish theme, which they don’t do any more. I used to like having a pint of Smithwicks here, but they don’t serve it now. Other than that, it still looks mostly the same. I like their cosy little library area.

bizarro world Davis CA

And finally, on the last day of April we find ourselves once again at the comic shop next door, Bizarro World as seen from across the street. A building with a tree in front of it, the typical Davis sketch. I wander about in my spare moments, looking for something new to draw, but I’m so predictable. A building with a tree in front is like comfort food for a suburban urban sketcher. Now I am thinking forward, it’s already June but it will soon be July, and then August, and then I will be in Poland for the 2025 Urban Sketching Symposium, held in the city of Poznań, my first Symposium since 2019. I’m actually feeling nervous, not scared exactly, but apprehensive. The Symposia are so big now, I worry about feeling lost. I do know some people who are going, but it’s been a long time and I feel a bit outside of everything these days, the whole urban sketching community, like I’m a little bit from a previous world. I’ve become very shy since the pandemic, the thought of being lost among all those sketchers… I get overwhelmed and just wander off on my own. I’m sure it will be ok. When I’m around a whole world of people also sketching, I remember that it’s not just me, I’m not alone in my sketching obsession. And so instead of worrying, I’ll just keep sketching. That was April, another April in the bag.

Return to Pete’s Tavern

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A little place of mine in New York is Pete’s Tavern, down in Gramercy Park. For really obvious reasons. It is one of the oldest bars in the city and still a very popular pub, in a well-to-do neighbourhood, on the corner of Irving and E 18th. On the first day while the family rested at the hotel I walked down as far as Pete’s, and stood across the street to start the sketch above. I didn’t get that far, because I was eager to go inside and have a beer after the walk through the city, so I drew the outlines and did the rest later on. I came in and ordered a Pete’s Ale, and spoke to a guy at the bar who was waiting for his friend to arrive (when they did he said “this is Pete” and I said “welcome to my Tavern!” because I am cheesy). Pete’s has been going since 1864, same as my jokes, and is a great place to sketch. I remember first finding it on our trip to New York in 2008, but I spent a fun day here celebrating my 40th birthday with two of my best friends from London back in 2016. Here’s my post from 2016. On that day I sketched a similar view to the one below, but in the afternoon, and on the way through several more beers than I could have now.

On the last evening in New York, after dinner and a walk in the rain, I decided to get on the Subway and go down to Pete’s for a last time to sketch the inside. It was a busy evening, but I found that same spot at the bar, got a Pete’s 1864 Ale and sketched fast before jumping on the Subway back. I enjoyed this one, plus I got a couple of beermats that say ‘Pete’s Tavern’. Until next time, Pete’s!

Pete's Tavern NYC

advance to mayfair

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Mayfair is one of those parts of London I’ve frankly ignored for too long. Last year we nearly walked around there, to find the Mercato that we’d heard was cool, but after looking walking over to Savile Row to see where the Beatles played in 1969 on the roof, we ended up catching a tube to St. Paul’s for a walking tour of the City (those Blue Badge guides know their stuff). So I had it on my list to explore this area finally, for the first time in I don’t know how long. It’s that big area full of big super expensive buildings and flash cars, embassies and posh hotels, more Rolls Royces than you can dream of, all bounded by Park Lane, Oxford Street, Piccadilly and Regent Street. That’s a big area and it’s not all the same (I am not even sure all of it is ‘Mayfair’, except in the geography of my mind, but we call it that). So on this trip, I decided to make an effort to explore Mayfair again. I actually used to come through here almost every day, twenty-five years ago, on an open-top tour bus, telling the same old stories, waving at the barber, humming the Nightingale song in Berkeley Square song because I didn’t know the words (or the tune) (or the title, evidently), pointing out where the Queen was born (not the original building) and where Jimi Hendrix used to live before he died. Those well-rehearsed yarns have faded in the memory but not as much as the streets themselves; walking around it was like reading a book I had not read since I was a kid, knowing the lines and the characters but still being completely surprised by the story. I was certainly surprised by the little red Mini parked outside a fancy hotel, covered in a Christmas tree, people were stopping to take photos and so I had to grab a sketch. All along the street were expensive cars, this was Grosvenor Street. The Grosvenors are the big cheeses in this part of central London, and many other parts too, they are the Dukes of Westminster. The Grosvenors built this whole area, as well as Belgravia. This street leads up to Grosvenor Square, formerly the location of the massive U.S. Embassy, and the last time I was there, and in this part of town, was in 2005 when I completed my application for Permanent Residency, and had to go to the Embassy, hand in all my paperwork, have a little interview, pledge allegiance with my hand up (that was odd, did that happen?) and then it was all good, I can go ahead and live in America, and I’ve been doing that ever since.

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I found the Mercato Mayfair, an incredible food court inside an old church. There are lots of different options from around the world as well as a bar over where the altar would have been. It was done up all festive for Christmas, and I grabbed some south-east Asian food and a fruity soda and had a late lunch/early supper. I still had a lot of drawing I wanted to do in Mayfair, and the daylight was already getting short. I walked over to Duke Street, near the magnificent Ukrainian church (how had I never seen this building before?) to the unusual Brown Hart Gardens. I’ve seen these on walking tour videos (tall tales about elephants being kept here) and one of the Urban Sketchers London events was around here a year or so ago, and I had really enjoyed all their sketches of these domes. I stood among the rich people in nice clothes and sketched. Behind me three suited men talked loudly about work, all business and deals and masculinity. I would have found it hard being a Man of Business, not the life for me guv. The sunset was causing all sorts of colours to appear in the sky, and made the buildings look as if they were made of gold, which they probably are.

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A lot of the buildings nearby do look pretty golden. I found myself walking down past the Connaught Hotel, which is a five star hotel that looks like it needs a few more stars added to that description. I didn’t draw it this time, but I did stand outside the Pasticceria Marchesi across the road on Mount Street to sketch the beautiful window display. Their cakes were more like crowns or ornate cushions, and there was a line out of the door. This terracotta building was designed by William Henry Powell and I seem to remember having to say something about Queen Victoria’s Diamond Jubilee when talking about it on the tour, back in the days when Queen Vic was the only one who’d ever had one.

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The next stop was Berkeley Square, of the aforementioned song about a nightingale. I had forgotten how big this square is, and even though it was already dark I was amazed at how beautiful it was. I’d honestly not been there since swinging past on a Big Bus pointing out all the Ferraris. The one story I always had to mention were the London Plane trees, as there are a lot of them here, trees that were strong and particularly resilient to the infamous London pollution. I had to sketch one of course, in pencil this time, another tree for the collection. I imagined walking through here on a smoggy evening in Victoria times with horse drawn carriages and top hats and gas-lamps. Now it’s Bentleys and Maseratis, and I did notice that many of the map-posts have been converted into special chargers for electric cars, they just plug them into the lamp-post. We live in the future now my friends. I pressed my nose against the Ferrari showroom checking out a car that costs a quarter of a million quid.

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Finally, a famous old pub on the corner of Bruton Street, near where the Queen was born (I suppose these days I should say ‘Queen Elizabeth II’ rather than just ‘The Queen’ in case you think I mean Camilla, or Taylor Swift), at Number 17. The Coach and Horses is the oldest pub in Mayfair, and history pours off of it. I didn’t go in this time, but I’ve been inside many years ago with my mate Tel. I have wanted to sketch this pub for years, another in the mock Tudor style (see my sketches from earlier that day for more of that) so it was always going to be my final destination, but as I stood on the other side of the street drawing the outline, and red buses and taxis passed between us, I ended up just drawing the outlines and scribbling the rest in later, as I had to catch a tube and a bus to Highgate Village. It was a nice stroll around Mayfair, well worth the 400 quid in Monopoly money. I mean, pound for pound, square foot for square foot, it’s the cheapest place on the board.

liberty’s before lunchtime

While in London last month I took a day to sketch and explore Mayfair, and area I have not really walked around in a long, long time. It’s good to not stick to the same places each time I go back. However I wanted to start my day somewhere more familiar, draw a lot of old timbered beams, and maybe do a bit of Christmas shopping along the way. I have sketched Liberty’s of London before, but it was a long, long time ago, when I drew smaller snippets of buildings, and in that case not very well. It’s such a big old building, a massive department store in mock-Tudor behind Oxford Circus station, that you want to spend the time to really catch all the details. I chose a spot on Great Marlborough Street that looked down Kingly Street on the right, a street well worth a day of detailed sketching in itself (but which I always associate with fancy bars and cozy pubs, having spent a few evenings down there with friends back in the old days either drinking cool cocktails among media types or room-temperature beer among tourists). It’s an intriguing little corner of the sketch that, like a window that you open on an advent calendar. There’s a fun idea for an advent calendar, one that for each window, you are taken to a new place full of other windows. I’m not sure how it would work but I can imagine quite a bit. The sun was blue and the sky was shining, there were clouds dotted about to make it more interesting for me when I drew the little triangle of colour on the top left. I wasn’t sure how much colour I would add to this drawing, it being an essentially black and white building, so I just added spots here and there, such as the golden parts (with my gold gel pen) and flags. Unfortunately I did not colour all the trees in, just putting in some green, the uncoloured ones were purple. I should have added that, I’m not averse to colouring-in later after all (I’m the king of colouring-in later, saves so much time on those days of exploration), but I never got around to it and the moment’s passed. Purple is very much the corporate colour for Liberty’s, though at this time they were also very invested in green as they were promoting the movie ‘Wicked’, and had large displays about it in their windows and interior. The whole sketch took me about an hour and fifty minutes (yes not quite two hours, I was determined to finish by midday and press a hard stop, though I spent some time faffing about taking pictures of it). I did go inside and look around, bought some Christmas ornaments and stocking stuffers in their amazing festive department on the top floor. I don’t remember ever walking around here before, it’s very wooden and unusual inside, well worth a look. Some of the things they have for sale are a bit expensive mind, the designer goods. I’d like to make a point of sketching more of the big old department stores of London, I drew Fortnum’s already, now Liberty’s. I tried to draw Harrod’s last year but it was covered over with scaffolding (to hide their shame presumably, given news reports about their former owner) and then there’s Selfridges on Oxford Street. I always took that for granted, but when I passed by it later on this day I remembered how absolutely immense it is, so I’ll leave that for another time. 

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I could have spent the day sketching just around this little corner, looking across Regent Street with this winter sunlight hitting things just right. Carnaby street is nearby, but I don’t like it there much any more, it’s too bland, and there are just not any football shirt shops any more. The best was SoccerScene, a shop that did more than anything to enflame my lifelong obsession with interesting foreign football teams and their shirts (and their metal pin badges, they had a huge array of those). I remember further down Great Marlborough Street there used to be a fantastic foreign language bookshop, the best one in London, and when I was in college I spent a lot of time there looking at all sorts of interesting books in French, German, Italian, Danish, whatever was tickling my linguistics at the time. It’s gone now. Grant and Cutler, that was it. It seems they have merged with Foyles and have a section of that massive bookshop on Charing Cross Road, but I miss the feel of that other place. Anyway I was wasting time reminiscing in nostalgia again, I had to go to Mayfair.

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I’ll put the Mayfair sketches in another post, it’s only fair, but this is another timbered building that I drew next, the Mason’s Arms on Maddox Street. It’s opposite a really interesting church which I’ll draw another time called St. George’s Church Hanover Square. This is across Regent Street, and I came across here rarely, probably feeling that this part of town was not for oiks like me from Burnt Oak. People get progressively richer with each passing square foot. I think I only had about a square foot of pavement to sketch on, the streets were a little tight, probably why they’re so rich eh. All the old tour guide jokes coming out now. I remember going down Regent Street on the bus once talking about Soho when an American tourist asked me why it was called Soho and is it named after the SoHo in New York. I said no it isn’t, that area is a contraction of ‘South of Houston’, whereas the one in London is ‘South of Hoxford Street’.  After finishing my sketch of the Mason’s I popped in to sit down and grab a drink. I ended up not eating, saving my appetite for the Mercado in Mayfair which was my destination, but it was a nice little pub, historic (1721, though rebuilt as it looks now in 1934 in that Mock Tudor style; a new Lego set has just come out which reminds me of this, I might have to get it). The Rolling Stones had offices on Maddox Street and used to record at Chappell Studios a few doors down, as did the Beatles occasionally. It’s good to read the signs on the pub wall.