
My dream as a sketcher is always to go high above a city and sketch everything below – not too high above, I still want to see things. (Click on the sketches and you will see it all in bigger detail). New York City is easily the most exciting place for this. Our hotel was located on 6th and 28th in Chelsea, in sight of the One World Trade Center, the Chrysler, and the Empire State Building which loomed outside our bedroom window. It was too big to include in the view above but would be just to the left of that view. The above panorama was drawn while sitting on my bed. The light and colour of this view changed enormously throughout the day, and I did this in a couple of sittings, about a couple of hours total at most, but I drew much of it in the late afternoon/early evening while the sky was all purples, pinks and blues. Below, cars moving slowly in lines, the famous yellow cabs weaving in and out, and people the size of ants, all looking for the jam. What excited me most is not all the windows or the depth or the movement, or the feeling that I am in the Spider-Man video game, but the water-towers.

The distinctive New York water-towers really are everywhere you look., especially in the view above which was drawn from the roof of our hotel, just a few floors above our room, about 30 stories or more above the street. I was looking south towards the One World Trade Center on the left, and across Chelsea on the right. I was a little overwhelmed by how many water-towers there were, and on another day I might look at the pictures I took and draw a big detailed one, all coloured in. On this day I stood up on the roof of the hotel, which was open to the elements with just an elbow-high glass fence keeping me safe. It was thankfully not too windy. It was late afternoon/early evening, the sky was an interesting collage of shades, and the tall towers in the distance were just blue-grey silhouettes. I drew fast (this took less than an hour and a half) but could not quite finish it, and left a gap which I never had time to fill, and felt that my mind’s eye would fill in the gaps. My eyesight is not that great anyway, and while I sketched one of my lenses actually fell out of my glasses, thankfully falling on my side of the barrier and not hundreds of feet to the sidewalk of 28th Street. I popped it back in. There were taller buildings to my right, and my eyesight was not so bad that I could miss the sight that greeted me there, a man at the window completely, well, ‘stark bollock naked’ as we say and possibly oblivious to the fact anyone could see him at all. I tried not to stare, and thankfully he was not very long. By the window I mean. I think I understand that song about being ‘caught between the moon and New York City’ differently now. I kept drawing (not that obviously) until I could draw no more, and we went for dinner. I was so glad to have the opportunity though to draw New York from above, which is always a dream, and to stay in a hotel where I have the time to actually do it and not feel rushed to leave, even though I still drew faster than usual. New York, all those movies, all those photos, all those paintings and songs and stories, all that culture that has played with our imagination, all right there below me. I want to draw more of it!



















