50p down the market

Portobello Market, London

Saturday morning, London, I didn’t have any concrete plans for the day but was meeting old friends in the evening. I had the whole day to explore and sketch, but wasn’t completely sure where I’d go yet. I had a list of places I wanted to sketch on this trip, places in London that I had not been to in a very long time. I decided to head for Notting Hill Gate, and walk down to Portobello Road Market. I honestly cannot remember the last time I went there, maybe once when my wife first moved to England 21 years ago? I know I went there with my mate Terry once in about 2001. In the mid-90s I used to come to Notting Hill a lot as I had a friend who lived here, though even then I didn’t really go to the Market very often, usually because it was always so busy, and I didn’t really like crowds. Also I worked on Saturdays, didn’t I, back then? Memory fades. Still it had been a really long time since I was even last in Notting Hill, so it was an interesting experience to be back, and there is lots to sketch. First of all, the Central Line was jam packed, and everyone was getting out at Notting Hill Gate tube. Portobello Market is a really popular tourist destination, and it seemed like most of the voices I heard were Italian or American. After a little wandering about I walked down to the Market, past all the little vintage clothes stores and antique stalls and colourful shopfronts. I ate an early lunch at a place that does eggs called ‘Eggslut’ and paid like thirteen quid for a salmon and egg sandwich. Thirteen quid. Prices in England are through the roof right now. When I was a kid, my friend Terry used to help out his Grandad at Portobello Market on Saturdays, his grandad Charlie Bonello (who was Maltese and a great laugh, he used to tell us silly jokes) had a market stall down here, and there was one phrase he would always say whenever Terry would buy something his grandad thought was overpriced, he’d say “50p down the market!” So that became out catchphrase (one of them) for years since. I thought of him when I was paying thirteen quid for a salmon and egg sandwich, I could hear him telling me “Thirteen quid?! 50p down the market!” Except this was that same market. Times have changed since the late 80s, I guess.

I found a spot next to a big fruit and veg stall, overlooking the crossroads with Colville Terrace and Elgin Crescent, next to this trendy looking tea shop, and stood for a long while drawing the scene as it snaked towards me. There were a lot of people around, so I drew passers-by in that usual way, not really drawing anyone in particular but mixing and matching bits of different people as they went by. Any resemblance to any person living or dead is entirely coincidental, although someone did pass by with that exact mohawk and beard combination, so he had to go in the book (he probably wasn’t wearing a massive white shirt but I was tired and lazy with my observations. First drawing of the day, and I was tired already? Well I’d been out late the night before, but I was standing here for quite a while and my legs were hurting. My legs hurt even looking at this drawing. I didn’t want to sit, you need a better view. I coloured most of it in later (except for a few parts I’d started), but there was a lot of ink drawing to do on site, and that Fabriano watercolour sketchbook really makes your pen work on that paper. I had ‘pre-prepared’ the paper a little bit this time, adding a thin wash of paint over the pages the day before, and that helped the pen move a little bit faster but still not as smooth as in the Moleskine. Still I love to sketch a market, and now I’ve finally sketched Portobello. If you want a print of this, well it will be more than 50p down the market, I need to offset the cost of that sandwich somehow…

Sun In Splendour Notting Hill, London

At the entrance of Portobello Road itself, where it curves into Pembridge Road, there’s this big yellow pub called the Sun in Splendour. I’ve never been in there actually, and didn’t on this day either, but I wanted to draw this colourful corner so I stood over by the e-bike stand on the other side of the road. The first thing I drew was the pile of orange rubbish bags on the pavement. They were soon taken by the garbage trucks. Why keep those in you ask? Well I have my reasons. Look at all the people making their way to or from Portobello Market, I didn’t colour those in as I went along, and you can see there are four people in red, almost entirely evenly spaced out, which is weird. Anyway one thing I wanted to do was try out my gold gel pen for the pub name. I did this a few times in sketches on this trip, and sometimes it didn’t really stand out as much, but in this case it did. I had to remember not to spell ‘Splendour’ in the American way. It did remind me of the sugar substitute they use in the US.

Around here, I saw a lot of references to the 1999 film Notting Hill, the one with Hugh Grant and Julia Roberts which should be considered very cheesy and a bit naff, but in fact I love that film, I’m a fan of lots of the people in it, and sure it’s definitely cheese, but who cares. I remember one night at university when I was doing drama, I wasn’t feeling that well and had worked late on drama projects, I forget exactly what we were working on, but it went on really late and I was pretty exhausted. In those days I had a very long tube journey home back from Mile End to Burnt Oak, and was not massively looking forward to it. Sometimes I would stop halfway and get out at Camden Town, and go and see a film at the Odeon on Parkway before heading back to bed. On this one night I didn’t even get to Camden, I popped into a cinema in Stepney Green (which is probably long gone) and watched Notting Hill, and I have to say it totally cheered me up. Sure that silly Elvis Costello rendition of “She” was crooning all over the place, but the soundtrack was pretty great, and I dunno, it just put me in a good mood, and I was ready and up for things again the next day. Doing a drama degree was pretty exhausting, London was pretty exhausting. In fact I went back to Mile End on this trip, visited my old university, did some sketching; more on that in a later post.

Notting Hill shops

Further up Pembridge Road, the little shops lining the street up towards Notting Hill Gate are colourful and worth sketching. That fish and chip shop across the street was busy, next to a vintage clothes shop. There have always been those little shops around here. I’m not really into old clothes or fashion, with the obvious exception of football shirts, of which I’m a football fashion afficionado. I did notice that many of the people in the street were wearing light puffer jackets, it wasn’t cold but it wasn’t that warm either. I stood against an iron railing and drew them, while people sat on steps next to me eating their lunch and smoking. There seem to be a lot more smokers about, and loads more of those bloody vapers, with their little plastic vapes and huge clouds of sticky sickly vapor. At least with smokers you can see the puff of smoke coming when walking behind them, with vapers it just appears as you’re walking by and fogs up the narrow sidewalk, gross. Definitely worse than it was a few years ago. Anyway I moved down a little bit towards cleaner air and sat on some steps to add some paint. As I did, someone came up and said “this is going to be an odd question but can I film you while you draw? Just for a few seconds.” I was like, sure why not. At least you asked, which is nice, I wouldn’t really have cared. Then about five minutes later, I swear, a girl came up and said, “Do you mind if I ask you something?” I said, to her surprise, “You want to film me sketching?” “Yes!” she said, “Is that ok?”  She did have her phone in her hand as if ready to shoot so it was a good guess, but I said “Sure no problem, it’s just funny ‘cos you’re the second person in five minutes to ask me!” I suppose people like to see people sketching the world. I love being a tourist.

Prince Albert Notting Hill

The last thing I drew that day was an old pub I have been in before, the Prince Albert, but not since about 1997 or 1998 I think. It’s changed a lot since then, but it’s still there round the corner from Notting Hill Gate tube station. It’s pretty swanky inside with its fancy food; I popped in to use the toilet after sketching outside for a while, my legs getting very tired by this point, and ended up staying in for a pint and to add some of the colour. That red car outside, it was stopped in traffic for a little bit and I drew it very quickly, probably not very accurately but it seemed appropriate for the area. Yeah I got a pint, it was £7.10, and not that nice (I didn’t even finish it). “£7.10” I said, “50p down the Market”. Turns out £7.10 is a pretty average price for a pint in London these days, it’s gone up a lot since even last year. Everything has, food, transport, energy. It’s a good job the Buck is still strong against the Quid. There was a big screen on in the pub playing one of the play-off games, I think it was one with Notts County playing Chesterfield at Wembley for a chance to return to the Football League (wait, neither Notts County nor Chesterfield were in the Football League? I didn’t realize). I didn’t stay for the whole thing but there was a group of Aussies (in a London pub, you are never very far from a group of Aussies) watching the game and discussing their careers in the music industry, from what I could gather, I wasn’t really listening, could have been Jason Donovan for all I know. It was nice to get off my feet for a bit though. I love wandering and sketching, but you need to stop and rest. After this, I wandered Notting Hill for a bit more, walking down to the Churchill arms on Kensington Church Street, which was a pub I used to really enjoy evenings out in years ago, and is on my bucket list to draw, but I didn’t have time to sketch on this occasion. I took a quick snap (for a from-photo pub-drawing to be done later) and headed to Leicester Square where I’d be meeting up with some very old friends for an evening of dinner and drinks and laughs. It was fun to wander around this old haunt for a bit though.

Chicago high and low

Chicago Skyline from Hancock

I know what you’re thinking. This isn’t finished. And you’re right, this was all I could sketch at the time. I might have finished it later, but I didn’t. It’s the sort of view I might do a drawing of, on a bigger piece of paper, to test my drawing patience, but this one was drawn pretty quickly from the 94th floor of the John Hancock Building (sorry, it’s not called that any more), which might not be the tallest of Chicago’s big skyscrapers, but it was still pretty damn high up. The view made my knees go all trembly. That slightly wobbly line, that be the horizon, that be the eye level. So you can see that the two taller buildings in this view are the Sears Tower (sorry, the Willis Tower) and the Trump tower (yep, still called that). Our hotel room on the 16th floor was low down and quaintly street level by comparison. It was down there somewhere, we could see it. On the same observation deck there was this ‘ride’ where the windows would move outward from the building so that you appear to be hanging suspended over the city. Needless to say, I didn’t do that. The view didn’t look quite real. Buildings that had towered so far above us at street level as to be hard to grasp, were now some way below us. It was a bit like when I’d play Spider-Man on the PS4, except nothing like it. That is a great game by the way, as is the Miles Morales follow-up. When I’d sketched just about enough, we got the elevator down.

Chicago Kinzie St Bridge

We did spend some time up at Lincoln Park, going to the Zoo, eating the most incredible corn dogs, wandering about a bit looking for a record store my guide book had told me was amazing (only to discover it had closed a while ago; well of course it had, a record store, in 2023? Why it’s next to the penny farthing store, just past the monocle repair shop). So we got the ‘L’ (the Elevated train) back downtown, feeling very much like we were in the Chicago from the films. One of our favourite films set in Chicago is High Fidelity, the one with John Cusack from about 2000. For me and my wife, that film may well be responsible for our whole relationship (to paraphrase the film). Well sort of; we both talked about it a lot when we first met, so I lent her the Nick Hornby book (set in north London of course) which was one of my favourites, and then we started going out. So it kinda is, actually. We were therefore excited to see sights we had seen in the film, such as the Kinzie Street Bridge, sketched above. It was about a 15 minute walk or so from our hotel, and I remember it in the film when Cusack’s character Rob was giving some monologue to the camera, although I think there were fewer big glassy buildings behind it then. When my wife and son went back to the hotel, I stayed to draw the bridge. I was listening to a fascinating Chicago history podcast, several episodes about how things in Chicago have often changed their names, and despite said things only being named something for a relatively short time, locals would refuse to call it by its new name for many decades longer than it had the original name. A bit like people who keep saying ‘Baby Yoda’ instead of ‘Grogu’. I did learn a lot about Chicago’s history and places though, and wished I had a lot more time to explore, but I would probably get tired, and like that record store, the places I’d be looking for might already be gone. Story of my life. Still I was very happy to have some mild weather for a moment to spend time drawing a bridge.

Chicago Theatre sign sm

These next few are from the afternoon of the next day. I have some others from the morning of the next day, but those involve dinosaurs and I’ll post those next time. We found the big Chicago Theater with its bright red sign, and I stuck around to sketch it. Eventually it started raining, so I stood under some shelter and sketched Chicago people in my little book, using a brush pen. As I sketdched, one lad came up to me and asked if I had a disability. I laughed, strange question, no I just like to draw in the street. It turns out he was asking about the way I hold my pen. Ah. No, always done that, but thanks for asking, I guess. I mostly drew people coming out of the Metra station (yes that’s ‘Metra’, not ‘Metro’, that’s basically the Subway).

Chicago people 1 sm Chicago people 4 sm Chicago People 3 sm Chicago people 2 sm

I also drew this fire hydrant, a few blocks away beneath the L. Standing under the ironwork of the L, with the train rumbling above me and the traffic rushing by beneath, I really felt like I was in Chicago like you’d imagine it. Not far from here there are those busy roads that are just underground, beneath the other roads, that make me think of the Fugitive, which we had watched not long before our trip.

Chicago Hydrant 3 sm

Before heading home, and to get out of the rain for a bit, I found a very cool pub with a bit of a Belgian beer theme. Monk’s Pub was the perfect stopping off point, and good to sketch. I had one pint, and drew fast. I listened to a couple of older lads next to me talking with some passion about baseball. Monk’s was warm and welcoming, but I had to get back to the hotel to rest before dinner, so I waited for the rain to ease off and walked back.

Chicago Monks Pub sm

Lá Fhéile Pádraig sona duit

Brazen Head, Dublin Today is St. Patrick’s Day, so I thought I’d just say Happy St.Patrick’s Day with an old drawing I did in Dublin in 2014. I was looking through my sketches from around then – boy I did a lot of drawing back in 2014 and a lot that are still my favourites – but on our three day family trip to Dublin I actually didn’t draw hardly anything, except this. My son was six, we brought my Mum with us, and we did a lot of walking around and looking at Dublin, and how much had changed over the years, how busy it was. It was my first time there since about 1997, and even longer for my Mum, though our family were Dubliners for generations on my Mum’s and Dad’s sides (though my Mum’s dad was from Belfast), and the city is still full of family most of whom we don’t really know. On the final evening when they were all too tired and full of fish and chips I took a walk down to the Brazen Head, purportedly Ireland’s oldest pub, and drew the inside, so this to date is my only sketch made in Ireland.

I did draw a series of Dublin pictures from Google Street View a couple of years ago though.

Dublin GPO smDublin Lilliput Press smDublin Christchurch smDublin Aviva Stadium smDublin Four Courts smDublin O Connell Street sm

Dublin virtual sketch tour//embedr.flickr.com/assets/client-code.js

I drew it all in one notebook (with thin paper) that my friend Simon got for me in Dublin; when he actually moved to Dublin, I decided to fill that same sketchbook with drawings of Dublin, and sent it to him as a going-away gift. I have all these Irish songs from my childhood going through my head when I look at the pictures, and I really should get over there again some day, and wander about with my real sketchbook.

Here are the blog posts that go with it, I liked to add a bit of writing:

In the meantime, Happy St. Patrick’s Day. I have my 2014 Ireland football shirt on today.

take a seat on G Street

G St Davis 101522 sm

The catch-up on my 2022 sketches goes into October; this panorama of G Street was drawn on a Saturday afternoon in mid-October on a hot Fall day, sat on the kerb (that’s ‘curb’ to Americans) until my body hurt. I used to be ok sitting on the kerb, but these days I’m so used to standing while sketching that I don’t like sitting right on the street as much, so I ‘curb’ that activity. I don’t even bring along the little fold-up stool like I used to, though I still have one that’s nice and light to carry. I have this idea, not so much in Davis but in other places (London for example) where you might get hassled by a busy-body who thinks you shouldn’t be there on the street near their place, their office or their shop, and try to move you along. It’s rarely happened, though I’ve heard of it and it did happen once in London to my friends who were sketching in the city of London with me on a Sunday, they sat down to draw a church, and a security guy inside the office building next to us came right out and tried to move them along for, I’m not sure what, blocking the view from the window? It was as far as they were concerned their sidewalk (not actually true, they were on the public right of way), and it didn’t matter that they were obviously just drawing the church, this guy wanted them to move. I was standing; he didn’t talk to me. I have heard of other sketchers and artists being moved about by busybody street security guards who like to overreach, even when standing. So maybe that’s one reason I don’t like to sit when sketching? Not really; I usually know my rights. The main reason is I get a better view when standing, and usually if I sit, the worst thing that will happen is a car will park in the way and block my view. Well on this occasion, I did feel like sitting down on the kerb. This section of G Street has been informally pedestrianized since the pandemic, when the restaurants along here were forced to take their businesses out onto the streets – go to the kerbs, or curb your business, I guess. It’s pretty much stayed that way, so on these balmy summery afternoons (in October) it’s usually full of people, drinking outside the University of Beer or eating outside Woodstocks. On this day it was not super busy, but still pretty vibrant. I sat on the kerb (with some subconscious trepidation, obviously) and drew the view of the Kathmandu Kitchen, the G Street Wunderbar, and the sushi place in between whose name I forget. I went to that sushi place once, back in (wow) 2006, when my friend Terry visited (he likes Japanese food; he lives in Yokohama now). My only memories are that you had to go into the G Street Pub (as it was called then) to use the toilet, and also Terry asking if I’d heard of ‘Teriyaki’ before and me pretending I hadn’t so he could explain it. I think I’ve only been to Kathmandu Kitchen once too, maybe in 2006 or 2007? I remember we weren’t that impressed, comparing with the similar foods we would get back home in London, and so we never ate there again, though I keep thinking we’ll try it again some time. Finally, the G Street Wunderbar. I’ve not been there in years; I always associate it more with live music, or loud music, and young people, or loud people, just a different vibe from the regular pub feel of De Vere’s (may gawd rest its soul). I’ve sketched it a few times, first when it was the old G Street Pub, and one time about ten years ago, during a particularly busy Spring Break week, when I really needed to draw a complicated curvilinear panorama, I came here and sat in the middle of the bar and drew all those bottles, while the bar light around me changed colours and people filed in taking shots of whatever and talking. That sketch is below. I really loved a bit of curvilinear then; I need to do more of those, I enjoyed looking at rooms in that style. That’s why I’d sit in the middle of the bar, to get as central a view as I could. You have to be a little bold to do that, when your instinct is to hide away and be unnoticed. Perhaps I could have approached the sketch above in this way; if I had, I might have to have sat right in the middle of the road, to get a more close-up view, and let my vision of the buildings curve naturally. Which is a thing I can do, since G Street is closed up. Actually I always let things curve, even if only slightly, although in the above panorama my awkward seating contributed to the curviness having a little bit of wonkiness (more ‘curbilinear’ than ‘curvilinear’) (or ‘kerbilinear’). Right, new new year’s resolution (my birthday was last week so it’s a new year for me anyway), draw more curvilinear interiors and exteriors again, like I used to a decade ago.

g street wunderbar

A Hot Afternoon in the Mission

SF Mission St 090322 sm

Part two of my day exploring San Francisco last September. I’m writing early in the morning in February, realizing that there were still sketches from 2023 that I had not scanned, including the one above. I was hoping to go on a sketching day down in the City today, but it was pretty rainy when I woke up, so I thought sod it, stay home and watch Spurs (we are currently losing 2-1 to Leicester, and I’m rethinking my decision). It was very hot on that day in September though. I don’t remember the temperature in Davis but probably about 110, it was during that horrible wave of extreme heat we had. San Francisco is usually about 30-40 degrees cooler at those times, the bay area having its natural cooling system off the ocean, but on this day it still felt very hot, and the Mission district is usually the warmest part of the city. A day of walking around, but a day of stopping and getting something cold to drink. I did want to draw this old theatre building on Mission though, I may have drawn it before but I wanted to get all the colour from the street. There were some characters around, music was playing, it was a classic hot day in the City. Mission is very much the main Latin American part of San Francisco and I always look forward to a delicious burrito here, and I love all the little shops and the colourful murals. I wandered about a bit down parts I’d either not been to or hadn’t seen in a number of years. there are changes along Mission, some older buildings gone, but it still feels like Mission. Something about Mission Street, I can’t explain it, but it feels a bit like some streets in London I know, feels familiar while also being completely different. We don’t have palm trees in London, and it’s usually cloudier. It was really hot though, and my foot was already hurting, so I went down 24th and found that old Irish pub I had been to once before (in 2008?), the Napper Tandy.

SF Napper Tandy 090322sm

Spurs are losing 3-1 now, at half-time. Maybe I should go to San Francisco today, but I want to see how we get out of this in the second half. Let’s go back to September. I found the Napper Tandy, nice and shady inside, and got a cold beer (probably an Anchor Steam) and started sketching the bar. there were quite a few people in there, mostly regulars, a lot of people knew each other sat around the horseshoe bar. I remember that from when I went all those years ago, it was a pretty friendly atmosphere. There was live music from a band playing just outside the adjoining bar area, which was a little loud but provided a nice backdrop. I was in no hurry, and was too exhausted to explore more streets for a bit. I stayed for a couple and sketched, making it look greener than it is because of all the Irish stuff, but didn’t got for full colouring in. The music was getting a bit loud and I was starting to feel a bit antsy to explore more of this neighbourhood before the long trip back to Davis.

SF Shotwells Mission 090322 sm

Well as I write, Spurs are now losing 4-1 to Leicester; they’ve gone down to City, while should have gone down to the City. The rain has stopped and it’s sunny out now, though I guess it’s still planning to be rainy down in the Bay Area, so I’ll stay at home. I just tidied the kitchen and ate breakfast while watching that Spurs ‘game’ on my iPad. I think the rest of the day will involve playing the bass a lot, and getting further into Horizon: Forbidden West. Anyway, this last sketch from that day in September was another old Mission bar, a historic saloon I had read about called Shotwell’s, at the corner of 20th and Shotwell. I’d never been to this part of the Mission before so it took a little exploring, and by the time I got there I was very in need of a cold drink. I loved this place, it was perfect on a hot sunny day. This saloon has a long history, going back to 1891, starting out as a bar at the back of a grocery shop run by a couple of German immigrants; after the 1906 Earthquake it just became a regular saloon and the lovely wooden bar that is still there was brought all the way from New England. The saloon had many iterations in the following decades, but became ‘Shotwell’s’ in 2006. You can read all about it on their website: https://www.shotwellsbar.com/history.html. I just had the one beer, while some people played pool and darts nearby, while some good music came out of the speakers. Alas, the BART, the Emeryville bus and the Amtrak train were calling, so I slogged through the hot streets for that burrito I’d been thinking about, and made the long trip back to heatwave-stricken Davis. I was planning to run a 5k the next day (some preparation huh), but I knocked that on the head due to a bad foot, the silly heat even at 8am, and just generally being knackered. Can’t wait to go down to San Francisco on a sketching exploration again. Maybe tomorrow.

painting the room in a colourful way

UoB Davis pano Aug2022 sm

Here’s something you don’t see much from me any more – a sketch from a Davis bar. Back before the pandemic I enjoyed going to an interesting bar in Davis and sketching a complicated scene with a slow beer, and I have a good backlog of those. In the past few years, much less so. One of my favourite places to go to randomly sketch with a beer, De Vere’s, closed down last year. University of Beer, which I have drawn numerous times since it opened in, what 2014? The year before? They focused a lot on its outdoor seating during the pandemic times, as did many places. I did go there one evening last summer though, not long after we got back from our summer trip. I was thinking of this thing where I draw a scene and then splash lots of colourful watercolor over the top, a bit like with that sketch of the Black Heart in Camden, maybe with some areas masked over with the paint masking pen, and I wanted to try it out on an interior. University of Beer is usually interesting to sketch so I went there. It was pretty quiet in there. Those few people at the bar were not there too long, there were some other people at one point, but mostly it was empty, with the few people there staying in the outside seating. There were more staff than customers, but the staff were friendly and said they liked the sketch. It had been a while since I drew a bar interior in Davis, and I don’t think I’ve drawn one since (although I did sketch a couple in San Francisco one day in September when it was really hot). I went with using a rainbow of colours, although it really was pretty colourful, though still reasonably dark for a bar. You never want it too bright, a bit atmospheric but able to see the page. Still with so few people it felt a bit cold, despite being very hot outside.

4th and F Davis pano Aug2022 sm

Earlier that evening in fact I did do a sketch outside, stood on the corner of 4th and F, looking out at that Chinese restaurant (Silver Dragon? I’ve only been there once and can’t remember if that is still the name, but it’s usually quite busy) and the Wells Fargo bank. This one I left uncoloured, it felt better like that. My foot was hurting a bit as I stood and sketched, so I was looking forward to stopping off somewhere and sitting down with a cold drink and my sketchbook. I think I was most excited though about doing that paint thing, and this wasn’t the right drawing for that.

the lamb and flag and the brown bear

Lamb and Flag London 2022

Here are a couple more drawings I did last summer, not on location but from photos I took while in London. I always want to draw as many old London pubs as I can, so I drew these two on big pieces of paper, and in fact the top one sold at the Pence Gallery’s Art Auction in September. It’s the Lamb and Flag, a popular old pub near Covent Garden off Garrick Street. I’ve been there a few times myself, though more often I pass it by when slipping through that alleyway on the right (Lazenby Court) to get up to Long Acre (via Floral St and another alley) when I’m on my way to Stanford’s map shop (which has now moved around the corner). There’s been a pub on this site since at least the 1770s, and it took the name Lamb and Flag in 1833, although the brickwork is from the 1950s, replacing an older building from 1638. This is what their website says, although the sign outside says ‘Circa 1628’ so who knows. Actually to confuse things further the sign actually says ‘Circa 1623’ but my eyesight is circa 1976 and therefore prone to get things wrong from time to time. The 3 looks like an 8. See also, whatever the hell is going on with those window panes. Whichever date is correct, doesn’t really matter, it’s a nice pub to stop into for a quick pint while out walking about London. The one below, the Brown Bear in the East End of the City, on Leman Street. It is one I’ve never actually been to, but I passed by it while walking from Aldwych to St. Katharine’s Dock back in the summertime, and I thought, I’d like to draw this, but I’m on my way somewhere else right now, and it looks like it might rain. So I filed it under ‘draw larger when I get home’. I definitely prefer drawing on site though, for some reason my eyesight works better outside in normal (preferably overcast) light than it does sat at my desk with the artificial desk-lamp light. This east-end drinker dates back to Victorian times and even from across the street it kind of looks like what my dad would call a ‘villain’s pub’. It’s probably nothing of the sort, but it does have a bit of local villainy in its history, allegedly being where George Cornell had a punch-up with Ronnie Kray. This is also Jack the Ripper land, and those murders were investigated by the cops at the nearby police station on Leman St. There was another pub a little further down the street I would like to draw sometime, the Sir Sydney Smith. London has been losing so many of its great historic pubs in recent years, especially lately, for one reason or other, mostly because property is so expensive in London that many old places can’t afford to stay in existence, and with beer being so expensive these days and the cost of living being so high, people can’t afford the pubs like they used to. I always try to make sure I spend some good time in old pubs whenever I’m back home; use them or lose them. Many are historically so important to the local area. I heard recently that The Tipperary on Fleet Street was closed for good; that was the first place in London to sell Guinness (first place outside Ireland I think) and the pub dates from 1700. History rapidly vanishing, being replaced with vapid gourmet burger joints and chain coffee shops and expensive apartments.

Brown Bear London 2022

at the black heart

Black Heart, Camden Town

One evening in London, after a busy day helping my brother move my dad into a new place, I met up with a couple of my old London mates down in our old haunt of Camden Town. We met at the excellent rock pub The Black Heart; I got there a little early so I could attempt a sketch, though I didn’t get very far, but I enjoyed adding the paint in like that. I do miss these types of pubs, good music and good vibes, and great company. We went for dinner at the Italian place on Parkway, and on to spend the rest of the night at the Dublin Castle, where else. That place has not changed since I first started going there in the 90s. Camden has changed, quite a lot, but in some ways not at all. The streets are still in the same place, which helps, even if some of the places aren’t. Beer costs more nowadays though (didn’t let that stop us though).

I did draw a quick and shaky sketch on the tube down to Camden from Burnt Oak, the Northern Line (I didn’t sketch on the way home, I was too busy eating my greasy bag of chips I always get from the chip shop next to Camden tube, on the last train back). I do miss London…

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afternoon at the arms

London Southampton Arms 2022 sm

The last sketches from my first trip back to Europe this summer. I’d be back in a month and a bit, with the family, for more London and France. On the Friday, following a Thursday of staying in Burnt Oak and then working remotely in the evening (I say evening, I didn’t actually stop until almost 4am…that’s late even on California time, but there was a deadline), I went to Hampstead and met up with my friend Roshan. We walked about the village and over the Heath, it was a nice day and the views across London were amazing. I really miss London, and this is what I miss. We stopped off at a couple of places to have a cold drink and a sit down, these forty-something-year-old legs need resting more often, and ended up at a pub we’d never been to before, the Southampton Arms, down Parliament Hill / Tufnell Park. It’s a small place, with great music and a good choice of beers. This is the sort of place to spend a warm afternoon. I had to draw it, to catch a bit of the light and the mood. I used to live not too far from this part of London, up in the Highgate area, before moving to America. I often daydream of whether we would still live around there had we stayed in London; it’s so expensive to live there, and we could never earn enough with the sort of jobs we were doing, but you never know. I’ll always be a Londoner, but we will probably never live there again; I guess I’m Californian now. Still it’s nice to visit and see friends and family, while we can. I went back home for dinner with my mum, and that evening also met up with another friend James down in the Angel for an overdue catch-up (and lots of Beatles chat).

I flew back on the 12th, on the day when the COVID testing requirement to re-enter the States was officially dropped (I still had to do a proctored video test the day before, but by the time I had to enter my results into the system there was no need). We had a small family gathering the evening before at my mum’s, which ended in a lot of singing and dancing in the back yard, many Irish songs. I found it hard to sleep through the night though, as there was a big punch-up in the street between some of my mum’s Romanian neighbours, and I mean it was a proper fist fight between three blokes, you could hear the ‘thwack!’ and ‘pow!’ noises as the blows landed, even over the loud exclamations of a woman right below my window. It went on for quite some time, I wanted to tell them to take it down the park please, but given how loud we were playing the Wolfe Tones just a few hours before I couldn’t really tell them to pipe down. So I just kept my window closed and thought well, at least this will be a story. Usually I’m kept awake in Burnt Oak by the sound of foxes fighting in the bins and bushes, those things are loud. I made my plane in good time though, and I had an odd seat, in that there was no seat in front of me, giving me loads of lovely legroom. Also no screen to watch, but then I was going to be watching that Sex Pistols show on my iPad anyway, and listening to more Beatles podcasts. The guy next to me was a bit jealous of my legroom I think. He was chatty and kept trying to have a conversation with me at first, but beyond a few pleasantries I wasn’t really interested in listening to this guy for ten hours so put the headphones on and started drawing, because I just can’t stop drawing can I.

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A L’Imaige Nostre Dame

Brussels GP Sunset sm After the rainclouds of Antwerp drifted away to wherever they go, I was back in Brussels for the evening. I ate a ‘Quick’ (a fast food they have in Belgium and France that I used to quite like, but tastes awful now) at the hotel, and then headed back over to the Grand Place before it got too dark. there wasn’t time to draw the whole thing yet again, but I wanted to capture that evening sky above the rooftops. Also that big crane. It was nice. I stood on some steps outside the massive Maison des Ducs de Brabant, others were taking selfies. There was a young tourist sat on the cobbles below me, I could see he was trying to open a bottle of Belgian beer he’d just bought, trying in vain. I went and asked a nearby cafe for a bottle opener, they kindly lent me one and I helped the tourist get his bottle open, he looked happy; good dead of the day done. We’ve all been there, when travelling! I remember trying to open a bottle of Fanta on a really hot day in a small town in Denmark with no bottle opener, I was trying to pry it open on metal street signs to no avail. After another long day of sketching I also needed to relax with a nice beer in another centuries-old tavern, so I went back down the little alley where I’d found Au Bon Vieux Temps the night before, but this time went into the lively A L’Imaige Nostre Dame.  Brussels Nostre Dame sm

This old tavern is one of the oldest in Brussels, dating back several centuries, and pretty colourful. There was no way I wasn’t sketching this. I had to find a place to sit with a decent sketchable view, and my table was a little small, but I got a ‘Malheur’ beer (which was alright) and tried to catch the spirit of the place. There was word on the mirror behind the bar that read ‘RastaTrolls’, whatever that means, it reminded me of the kids show ‘RastaMouse’, which was very funny. I could hear there were Americans at the bar who clearly loved this place, from what they were telling the bar staff. Who wouldn’t? It was a friendly place to hang out. I’ve been to some older pubs in Brussels and sometimes they can feel a little sleepy (thinking of A La Becasse), when there are pretty popular places elsewhere (thinking of Celtica, opposite end of the spectrum). I would recommend it here. I drew really fast, and then walked back to the hotel, my last night in Brussels. Next day I was planning to go to Charleroi to draw factories, but it rained a lot, so instead I slept in a bit and went in the opposite direction to Leuven.