a day hanging around brussels midi

Brussels Midi People 2 sm

I got to Brussels Midi station early, I wanted to make sure I got my Thalys (the high speed train that runs between France, Belgium and the Netherlands) in good time, with a bit of extra time to wait in line at the infamously slow ‘Quick’ restaurant. It was still so hot, and as I sketched I heard of trains getting delayed. I had been telling people that I am ‘travel lucky’ – it always seems to work out for me, somehow. Well today my travel luck might be running out. The heatwave cancelled trains all over this part of Europe, especially in northern France, from where my Thalys was arriving. The Eurostar too was being cancelled, as well as many flights – several people I know coming from the UK were not able to make it to the Urban Sketching Symposium.
Brussels Midi People 1 sm
It was travel chaos, and there were many hundreds of confused or angry people lining the platforms, but not at the time when I made this sketch. In fact the sole woman on the platform at this time, she spoke to me a little while later and she too was going to the Symposium from France, in fact she ended up being in my first workshop. But this was before all the delays had really kicked in. After many hours being stuck in the station not sure of what to do, the train was officially cancelled, as were many others, so I tried to find a route to Amsterdam by slower means. I have never enjoyed being stuck at Brussels Midi (or ‘Zuid’ as the Flemish call it) but well, what can you do.
Brussels Midi Platform sm
Eventually I was in line to get a ticket for a slow train, and right at the moment my number was called I noticed on the screen that my Thalys, by some miracle, was not cancelled but on the platform. I dashed upstairs and got on board, not believing my luck, and while the journey was slow, I sketched and had some free beer provided by the train staff. So in the end I was travel lucky. Off to the Symposium! Where the weather would get even hotter and more unbearable…
Thalys to Amsterdam sm

It was so hot that my Big Nuts melted. Big Nuts is one of my favourite Belgian chocolate bars and when I bought one, I did know it would probably melt but I bought it for the silly punchline. I still ate it though (well, drank it).

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Here was the weather at the time. (By comparison Davis was up in the 108s, but we don’t notice it as much in Davis because we have good air conditioning and dry heat, in the low countries of Europe these temperatures are totally unbearable)

il fait chaud à charleroi

Charleroi Eglise St Christophe
After my late night frites from Robert La Frite, Charleroi’s finest friterie, I had a much needed lie-in. I spent much of the morning in the large new comic shop near the hotel; Belgian (and French) BD stores are really incredible. They love their hardback comic books, and I get very inspired by the artwork. It made want to get drawing. I have daydreamed about returning to Charleroi and drawing as much as possible. I spent a year there with hardly any drawings, so I always felt I needed to return to catch up. I did want to walk through the fancy new Rive Gauche mall though. Now I know where all the shopping has gone since the stores all closed down in Rue de la Montagne. Despite the novelty, it didn’t feel like I was in Charleroi at all, so I left and headed out with the sketchbook. I went straight up to Place Charles II, and drew the Église St. Christophe, the large rusting-green domed church dominating the round plaza. But wow, it was already really hot.
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Any football fans among you may remember the Euro 2000 tournament. Incredibly that was twenty years ago now. In that tournament, which was held in Belgium and Holland, there was a famous game in which England played Germany right here in Charleroi. This plaza saw the English hooligans running wild before the game, throwing chairs and giving all that old little-Englander nonsense about St George and yelling obscenities at anyone foreign, and in one case I witnessed a drunk Englishman hilariously kicked one of those concrete balls (which had been dressed up to look like footballs at the time) hurting his foot in the process and spilling his beer, but Charleroi is a place that did not care for that sort of thing at all, and they just pulled out the water cannons and sprayed them all over the place. I’ll never forget, some of the local bars decided not to open up that day, but they still sold beer from lemonade stands outside, because Belgians don’t give up on beer. Once all of the losers had been washed away, the evening following England’s victory was one of the best nights in town, and I met some great English lads staying up all night to catch the morning train and ferry, and showed them to all the places the locals love. I though back to all of that while drawing the church, glad that it was two decades in the past.

Charleroi Town Hall
Charleroi is not a place awash with tourists (even though the town was literally awash with cannon-sprayed football hooligans once), but there is a tourist office right here on the Place. I went in to look around, picking up some badges and a few postcards. I was suffering from the heat and so came in to cool off. I got talking to the guy working in there, talking about all the changes in Charleroi, he told me about all the new cool stuff in town, new breweries, while we also reflected sadly on the state of some of the old shopping streets. I said that I was intending on sketching the city and that I had always wanted to promote its image, being that big overlooked city in Belgium, and we talked about how the city always was and still is a place of art; Magritte of course lived round here, and then there are the comics, the famous Marcinelle School. I also said that I have been following a photographer online whose work actually inspired me to come back here, ‘Charleroi Zoom‘, they really show the best of the city. The guy was a bit shocked – it turns out that Charleroi Zoom is him! He shook my hand and couldn’t believe I had been inspired by his photos to come from California back to Charleroi, but it’s true. I was just as gobsmacked. Always nice to meet someone who loves the place. I went back out into the Place Charles II and drew, in what shade I could still stand in, the Hotel de Ville (above).

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The heat was unbearable, and moving about the city was slow and ponderous. I wandered down to Parc Reine Astrid, looking a little shabbier than twenty years ago but this was where I used to come to relax and read books. On the edge of the park is a statue of the cowboy Lucky Luke, another BD hero who originated here. I thought I’d draw in pencil for a bit, it was a bit quicker in this heat. The more animated style of sketching it gave is probably appropriate for the Marcinelle School (also called the Charleroi School), which was the house style of Spirou back in the 1940s or so. This style, also called ‘comic-dynamic’ was said to be in opposition to the very precise ‘ligne claire’ style of other Belgian books books like Tintin.
Charleroi Lucky Luke
I was saddened to see that Lucky Luke has really weathered a lot over the years. He used to be so shiny, but hasn’t seen a lick of paint in years. Here he is below, in 2019 (left) and 2000 (right).

Further up the road near the stadium is Boule et Bill. I didn’t sketch Spirou, also nearby, but I had to draw these two. Boule is wearing the black and white stripes of Sporting Charleroi, the local team. Of course, I ahd to visit the stadium. The last time I went there was for a game at the end of the 1999-2000 season when Charleroi drew with Anderlecht to just about stay in D1. They were never a very good team, although this season 2019-20 they have been playing brilliantly. I bought the new season’s shirt, I love my football shirts, and then walked back up to Square Hiernaux.
Charleroi Boule et Bill

Square Jules Hiernaux is where I lived twenty years ago; I could see into the Charleroi stadium from my window. It’s not a square but a large roundabout – the ‘vicious circle’ I used to call it, when I would watch the Belgian drivers aggressively battle their way around it – but in the middle is yet another local BD hero, the long-tailed leopard-like creature Marsupilami. My little neighbour friend was looking good.
Charleroi Marsupilami
And here is La Vigie, the student living quarters for the Université de Travail (UT), the tower that was my home from 1999-2000. I worked as a teacher at the UT, in the attached building, during my year abroad from my French degree. It was an interesting experience living there; I remember that for months the showers were freezing cold, and we had no hot water even in the sinks. There was nowhere for me to refrigerate food or drinks so I didn’t eat a lot of dairy that year (outside of chocolate or the mayo on my frites), but I would cook pasta and noodles in the small kitchen in the basement. My neighbours were mostly from central Africa, friendly guys who would often cook spicy-smelling dinners on a little electric stove-top in the corridor, while playing Congolais music. The neighbour right next door to me however was more into Celine Dion, and would play “My Heart Will Go On” at full blast on repeat EVERY SINGLE MORNING. For MONTHS. I remember how glad I was to bring my guitar over to Charleroi to counter this musical monstrosity. I wrote a lot of songs there that year, that’s what I used to do instead of drawing. That’s what you do when you’re 23 and don’t know many people. It was an entire lifetime ago, but it looks like the building has not changed a bit, except for the new white neon sign on the roof.

Charleroi La Vigie

I took the photo below the evening before, looking up to my old bedroom on the thirteenth floor. I really wanted to go inside, and go up to the rooftop to look out across the Caroloregion, with the giant ‘terrils’ (old slap-heaps now turned into grassy hills) dotting the landscape. I perhaps should call ahead some day and arrange this. This time though I thought I would just pop in and ask the custodian if it was ok. The door opened as someone was leaving, so I went in to ask.

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But nobody was there, and it didn’t look like the custodians were working that day. It was the summertime, so they probably have a limited schedule there, while most of the students are gone. Ok, well maybe next time. I went to leave, but the door would not open. I remembered that to get in years ago you needed a little electronic badge, but you also needed it to leave the building, inexplicably. They have not changed their system in two decades, so for now I was stuck in there. The doors would not budge; I knew that from experience. Twenty years before I was stuck outside in the snow one night after returning from a work visit to Brussels, when the doors were locked while the custodians went wherever they would go. I tried everything to prise the doors open with my frozen hands, to no avail, and got into an argument with the custodians when they finally returned an hour and a half later. I wasn’t going through that again, so I just waited. Nobody was coming, it was the middle of summer. What was I going to do, stay there in the lobby all night? I couldn’t get further into the building without an electronic key so I was stuck in this small lobby. There wasn’t even anything to draw. After half an hour or so I thought I would try the door to the canteen, which I was certain would be locked like all the other doors, as it led into the main university building. To my surprise it was unlocked! I wandered into the canteen area, where years ago they would give me free dinners (of grated carrots or weak soup; I could not eat anything meaty as I was ‘le vegeterien!’). Amazingly the door from the canteen into the main university was also unlocked. I was wandering through an empty building I had not stepped foot into since my early twenties. You know when places from your past like this show up in the dream space when you sleep, morphing into those buildings you have to try and somehow get out of, well this was where I was in real life. It was surreal. I remembered my way to the main entrance, which of course was locked. I found another entrance, and that too was locked. I was still stuck, and really wanted to get on with the rest of my day. And then I remembered that years ago there was this one door in a stairwell that led outside which for some reason was often left unlocked, if I could just find it. Since nothing else here had changed over the years, maybe I had a chance? And I found it, and of course it was unlocked, and I was finally outside. Typical Charleroi, still messing me about years later. I had one more sketch to make, the Waterloo Metro entrance right outside the front door. I think I was just about done with La Vigie.
Charleroi Waterloo Metro Station

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I headed back to the hotel (picking up a delicious “mitraillete de dinde” on the way from Robert La Frite) before coming back up this way to sketch La Cuve. However, La Cuve was closing early due to nobody being there, so I wandered the town a bit more, taking some pictures of the dramatic summertime sky.

There was one place I used to go that I wanted to check in on – the Irish Times Pub. I remember when this place opened in early 2000, a new pub in town that the locals made sure kept very busy. Again, it has not changed in the slightest. I had many late nights here back in 2000, so it was fun to spend time working on a bar interior after all that time sketching out in the heat. Naturally I had to give in a drink a Westmalle Triple, the beer I first tried in this very bar which I always knew was trouble, one that you definitely can’t have many of.

Charleroi Irish Times
Westmalle Triple

And that was my brief visit back to Charleroi. Definitely some mixed feelings about the old place, but it was nice to finally be back. The next morning I was to be up and away to catch the train to Amsterdam; little did I know that the intense heatwave was going to make that journey very difficult…

“you’ve come from california…to charleroi?”

Charleroi Librairie Moliere
Checking into the Ibis hotel in Charleroi, the desk clerk looked at my California ID and widened his eyes. “You’ve come from California…to Charleroi?” he asked in French. He was genuinely surprised. Charleroi is not exactly a tourist destination. People come to Belgium to visit Bruges, or Antwerp, they don’t come to visit Charleroi. People from Belgium don’t even come to visit Charleroi. In fact most of the day before catching my train to Charleroi had been spent in Liege, where my companions would say to each other, “Hey do you know where he is going later? Charleroi!” “Vraiment? Ho ho ho!” they chuckled. My French-speaking Belgian friends told me they even had difficulty understanding anything in the Charleroi accent, which probably explains why my own French is hard to understand, because I learned it there (also I’m not very good at it. That said, people in Charleroi did complement me on my good French this time, so they understood me fine). Someone else told me, “Charleroi is the worst city in Belgium,” with a finality that said these truths were self-evident. I had spent a year there between 1999 and 2000 and I knew this was how Charleroi was often seen by some other Belgians, but I think I had forgotten, or assumed that was a thing of the past; maybe not. I was coming to spend a couple of nights here, to explore and draw, to see what has changed in two decades.

The shiny statue of Spirou outside the station was new. Oh, I should point out that Charleroi, as the ‘BD’ capital of Belgium (BD = ‘bande dessinee’, comic books), has many statues of its great characters all over town, like real-life local heroes. Charleroi is all about the comics. Worst city in Belgium? More like best city in Belgium. After checking in, there was still a bit of time before the sun went down to explore. The city has really changed – the whole are around the ville-basse has been completely renovated. Whole buildings pulled down, shiny new ones gone up. The small cinema on the Place Emile Buisset, ‘Cinema Paradiso’, where I remember watching the Blair Witch Project on a quiet Sunday night back in 1999, is gone, replaced with newer buildings, including a large BD comics shop. I walked past the old seedy part of town, still a little seedy but the ‘madames dans les vitrines’ are gone. Ladies in windows were quite common twenty years ago, but I didn’t see any this time. The big old casino was there but closed, and there used to be a shabby looking building on a corner that I recall was a very scary looking nightclub, I never went into – now gone. There’s still an air of seediness here, and while much has been scrubbed up, many places are just boarded up and empty. There are a few of the old cafes, with the same aging people just sat around, the places that never seemed to close. Just not as many as before.

And then there is the new mall, and the massively upgraded plaza at Boulevard Tirou. I did sketch the shiny new open space looking out towards the beautiful tower of the Librairie Moliere (though I sketched it on the next day), which is at the top of this post. When I lived here there was another building in front of this, which had a few shops in it, and was a kind of market place. The rest of the square was a car park. It really is much nicer now. I knew it would be different – last year I was looking at Charleroi on Google Maps, thinking ahead to my visit, but some of the pictures were showing the new look, while a few others had not yet been updated. So here are a couple of screenshots I took:

Charleroi downtown snip NEW 1Charleroi downtown snip OLD 1

Well done Charleroi, well done. The massive shiny new mall, which I didn’t go into on that first evening (it closes promptly at 7pm), has really helped make this formerly tired part of town into somewhere far more attractive. But this isn’t the part of town I used to live, I lived way uphill in the ville-haute. I wanted to go there, I wanted to go home. The walk up there depressed me. Rue de la Montagne, which was full of shops twenty years ago, is now full of empty closed down shops. Obviously the mall has moved the shopping away from here, but it was saddening – I liked walking down this street years ago, going into Blokker, and the little music shop, and the sports shop where of course I met the one and only Kevin Keegan, who was England manager at the time. I’ll never forget, I just walked in to take a look at the football shirts, and there was King Kev, doing keepy-uppies while a camera crew looked on. “Wow you’re Kevin Keegan!” I said, and we had a little chat. This was in the run up to Euro 2000. He was nice, and signed my diary. He asked me about Charleroi, I might have given an honest assessment, but told him that the people are warm, coal miners who like their football team in black and white stripes. A month or so later in England my neighbours told me they had seen me on TV talking to Keegan, which was a surprise. I thought of that, as I walked up this sad street. My old bank was closed, the old laundromat too,  the place where I would get my tuna paninis was gone, the night-shop where I would get my 1am fix of Fanta Citron was also gone. I went all the way up to La Vigie, the enormous tower I lived in, at Square Hiernaux. Little had changed up there, but the area felt more worn down than even when I was there. It might have been the time of evening, but the Place Charles II, which felt very much like the beating heart of town in 1999, was looking rough, with grass starting to poke through some of the tiles where the fountains used to spray. A drunk woman approached me, telling me that the grass was good Walloon grass that must be protected. I wasn’t going to pull any up. I wandered into the neon mess of Place du Manege, which was slightly less neon but still a bit of a mess. And I have no idea what this three-legged frite lady was supposed to be, but Dopey the Dwarf was well impressed. Something about this just says ‘Charleroi’ to me.

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Chez Raoul, the old friterie and kebab shop I used to eat at so often that the Turkish staff there took a photo with me when I left, is now no longer a friterie but a shisha cafe. Some old places were still there, such as El Gringo, as uninviting as ever, but I was looking for my favourite bar in the whole world, La Cuve A Biere. Apart from the fact there was hardly anyone there, I am pleased to report that it hasn’t changed one bit in twenty years. Years ago I would go there when it was cold outside, as it was my local, and my glasses would steam up. I would take them off to wipe them clean, and by the time I got to the bar and put them back on, my beer was already waiting for me. I loved that place. I would go there most nights, to sit and write, or read, or chat with locals, or watch football. I wasn’t sketching bars back then, and I have always wanted to come back to draw here. Unfortunately, that will need to wait for another trip, because they closed early. I was the only one in there. However I did order my favourite Belgian beer, the epic Charles Quint, served in a special ceramic mug and introduced to me in that very bar by a huge sailor from Antwerp twenty years before, and they still serve it with a little bowl of cheese. The best.
Charleroi Charles Quint sm

While I didn’t get to draw the interior this time (perhaps I should come back on a cold Saturday evening in winter time), I did come back next day to draw the outside from the corner opposite:

Charleroi La Cuve a Biere
I left, and walked through this less salubrious part of town in the same shoulders-up suspicious-of-every-shadow way I did way back when. It felt more dangerous now, with people lurking in doorways and outside seedy looking tavernes, but that might be the doubling of my age, and my Californian years making me feel less invincible than when I had arrived from Burnt Oak at the end of the 90s. I walked past the corner where the phone-box used to be, which was once my only way to call England, the spot where I learned the news my nephew Leo was born; he is now taller than me. I walked past a square which I remember as a car park but is now some sort of city-centre beach. I walked down a street where I remember tripping over a huge rat one night; it was dark, the streetlights weren’t working, but the rat didn’t care about me and just plodded slowly off. Beyond where the bare outlines of factories that circle Charleroi, and I remembered the smell of sulphur as they would pump fumes into the night sky, but I guess they have closed down now. There was one place left on this evening of rediscovery. I was hungry, and there is only one place to go when it is midnight when you are hungry (or at 3am, as was the case when I was 23), and that is Robert La Frite. Robert is a little hut a little away from most of the action (action?!) but it’s worth it, these are the best frites around. There is always a line, and even on a Monday night after 12am the place was very busy, and not with the usual late night drinker types, people were out with their kids, pickin’ up their frites. Even writing about this I get hungry for them. I did not eat healthily when I was in Belgium, living off frites, battered turkey kebabs, beer and chocolate, but as I said when I was 23 I was invincible. You don’t go to Belgium for healthy food, you go there for great food. And like most Belgians, I like my frites drowned in sauce. My personal favourite is Sauce Andalouse, a little spicy, utterly delicious.

robert la frite

And then back to the hotel. I was looking forward to my big day of sketching and exploration, little did I know the heatwave was about to hit big time. I had come from California to Charleroi to escape the heat, but ended up in one of the hottest weeks Europe had seen in many years…

looking over liège

Liege hydrants
I took the train across the linguistic divide that cuts Belgium in two and landed in Liège, a city I had last visited in the final months of the twentieth century. I was going there for exactly 24 hours, to visit my long-time urban sketching friend and art hero, Gerard Michel, and also sketch with some other Belgian sketching friends. Liège is a fairly big city, larger than I remember, and the architecture is very Walloon, lots of brick houses and steep hills. Gerard and I went for a morning walk around his neighbourhood, up steep paths and down long stairs, overlooking rooftops and spires and trees and the great river Meuse. Liège is a lively city, with a lot of atmosphere, a university city, and a very sketchable one, but in a different way to Ghent. We met up with Fabien Denoel, who I’ve known and followed since Barcelona 2013, and Chris Damaskis, as well as Danni Hoedamkers whom I had sketched with in Ghent, and Martine Kervagoret, visiting from Paris on the way to the Symposium, whom I first met back in Lisbon 2011 I think. We sketched up at the Terrasses des Minimes, overlooking the city, and it was very peaceful. I have seen many of gerard’s skethces from up there, as well as Fabiens, but also Lapin’s Florian Afflerbach’s, Nina Johansson’s, all the great sketchers who have visited there before, so I knew this scene well already, and I’m glad to have sketched it myself.
Liege rooftops des Minimes
I liked this picture of an apple that I took too.

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We walked into town for lunch, going to an old Liègeois cafe called Chez Stockis / Cafe Lequet, near the banks of the Meuse. We sat and chatted in French (I am very rusty), looked through sketchbooks, had cold beer and ate very local food. Most people had these things called ‘boulots’, which are these large meatballs (I don’t eat the meat so I didn’t have those), but I had Tomates Crevettes, which were these little shrimp sat on a big tomato, with frites. The cafe is old and a local favourite, but I heard that it would be closing. In fact I think by now, M. Stockis has closed up for the last time, though the cafe may still be going on (there’s a FB page). The patron, Guillaume Stockis, is there in the background of the sketch below (which is of Fabien Denoel). On the ceiling is hanging the marionette of Tchantchès, a local Walloons character dating back to the 19th century, dressed in his traditional miners’ clothes. You can learn about him here, if you can speak Walloons. This here is the heart of Liège.

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After lunch we walked across the Meuse to the Outremeuse neighbourhood and sketched at the roundabout of the Rue Pont St Nicolas. It was getting hot, the heatwave was coming in, and regular cold drinks were necessary. I sat next to a Friterie – the Friterie Tchantches of course – and drew as best I could. I also wandered about a little, as I had learned (from one of Gerard’s sketches) that the best waffles in Liège were at a place just across the street. Sadly it was closed, so I had one from a chain nearby, which was not as good. The waffles of Liège are a bit different from the waffles of Brussels, usually smaller and rounder, and they remind me of that Belgian film Rosetta, which I saw back in 1999 when I was in Charleroi, a story about a young woman in Liège who at one point works in a waffle truck.

Liege Outremeuse

Going back a few hours, the sketch below was the view from the guest room at Gerard’s house, I had woken up early (jetlag), and needed to practice the sketching. The bells at the local church were playing Bob Dylan, Blowin’ in the Wind, which always reminds me of when I lived in Belgium, when I listened to Bob Dylan a lot, and that was the first song on the CD I had bought. I would listen to that when looking out over the rooftops from my 13th floor room, so perhaps this was the universe welcoming me back to Wallonia.
Liege view from window
And as you know, I like to draw fire hydrants, so I drew three of them in Liège. And here also is Gerard, on the steep Montagne de Beuren, showing me the spot where he had once drawn a spectacular 360 degree picture of the whole scene – he gave me a print of it a decade ago, I do love it. It was funny seeing the real place in real life.
Liege Hydrant OutremeuseIMG_3719

Here is Gerard’s sketchbook, and as you can see I show up in it twice! A huge honour. I’m wearing my 1984 classic Belgium shirt, crouching over my book as always.

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After sketching the roundabout, I walked down to the shade beneath the bridges crossing the Meuse. There was a smell of wee. The footbridge is the Passarelle Saucy, and I think I remember this bridge from that one time I came here twenty years ago, but I don’t remember it being called Saucy. What a brilliant name for a bridge. And no, I won’t be doing any sauce or saucy based jokes here.
Liege Passarelle Saucy
We crossed back over the river, walked about the city-centre a bit, before stopping off at the Place St Denis to draw the side of the church there. The weather was really getting hot by now. Gerard’s son Antoine joined us, I’ve met him a number of times. It was nice having dinner with Gerard’s family at his home the evening before, he made a really delicious chicken meal. I was delighted to take a look at his sketchbook room, his inventions, and we looked through a large map book of 17th or 18th century Belgium with Fabien, scouring it for every village; a small country with a big and detailed history. Belgium has only been the country of Belgium since 1830, but every area has a long hisroty, often of being ruled by some foreign power like the Habsburgs, or the French, or the Dutch, or the Spanish; Liège for many years was ruled by the Prince-Bishops of Liège, the princes-évêques, and the next time I am here I will draw the magnificent palace that still dominates the skyline. This is also, possibly, the city of Charlemagne’s birth, though nobody knows for sure. It might be Aachen, which isn’t far away, and was his capital. The city I was in the day before, Ghent, was the birthplace of another great Holy Roman Emperor called Charles, whose name lives on in one of my favourite beers, Charles Quint (Kaizer Karel).
Liege Sketchers
The Church of St.Denis dates back to the late 900s AD, founded by someone called Notker of Liège. I added the colour later on the train out of town. I spent exactly 24 hours in Liège. We all went for a cold beer in the city square, before Gerard took me to the station, the phenonemally futuristic cathedral of Guillemins, and I just made it onto a train to go back in time to Charleroi. A la prochaine fois, Liège!
Liege St Denis

gandering around ghent

Ghent Train Station
Despite living in Belgium for a year twenty years ago, I had never been to Ghent before. Well, I did go there once, on the morning train from Charleroi, but I had not really slept the night before and was so ridiculously tired that I decided to call it quits and head back home to bed, so I don’t remember a great deal. I think part of that is that Ghent is quite big, and the city centre is a good long walk from the train station, and in the year 2000 I may not have been as good at reading maps as I always believed (“flight of the navigator” my friends used to call me). I’m a lot better at that now. I have an Apple Watch that tells me where to go, making little vibrations to tell me to turn left. This time however I did one better, and met up with a local (well, local to Flanders), fellow urban sketcher and USk-symposium-goer Danni, who showed me around, and we met with another local Ghent sketcher. I took the train from Brussels Central up to Ghent (known as Gent in the Flemish), locked my stuff away in the luggage lockers, and sketched the station Gent Sint Pieters, which is a pretty nice building. The weather was nice, it was warm but not yet hot – it was going to get ridiculous in the next couple of days. It was also, I learned, the Belgian National Day, which seemed like a big surprise to most Belgians I met. I was wearing my Belgian national team football shirt, but I was the only one wearing it. I learned a bit more about Flanders from Danni, and listened out for the Flemish language – it’s Dutch, of course, but it definitely has a softer sound to it than Dutch. I can only speak a very little and I can read more than I can listen to, but I like the accent. When I was in Belgium I only really encountered Flemish when visiting Brussels, or on the labels of drink cans, so my attempts to learn it fell a bit flat. Everyone I met who spoke Flemish spoke English, unlike in solidly Francophone Wallonia. I had been to Bruges, Antwerp, Ostend, Leuven, but Ghent eluded me, and after visiting it I realized what I had been missing. Ghent is amazing, and so sketchable. Now as I say, it was the Belgian National Day, because the calendar said it was, but Ghent was bustling for another reason – it was the week of the annual Gentse Feesten, a huge city-wide festival with music and food and drink, and of course loads of people. I was sketching in the earlier part of the day so was likely to miss the big crowds, but as it turned out it was not so bad, and pretty fun. I knew where I wanted to sketch first – the view from the St.Michielsbrug, which probably needed to be a two-page panorama, but I would perhaps have needed a seat for that, and a couple more hours.
Ghent St Michielsbrug

I mean, have a look at that, what a spectacular view to draw. You should see left and right of this view, it continues to be dramatic. Another one to eventually go back and draw even more of when I have, you know, all the time in the world, and the money to pay for that time. I’m happy for what I have. To be right there, in my favourite little country, in a part of it I had never explored (except when sleepwalking twenty years ago), with a sketchbook in my hand, pretty much the meaning of life. Knowing that good food and drink is nearby, and people to meet, stories to learn, it’s a good feeling. I think people – British people certainly – have always shrugged at Belgium as some boring country of bureaucrats with nothing there but grey skies and trenches, and that’s fine, keep thinking that, I know there’s a country of endless character and history, always something to explore, in a very small area. If I had the time I would just go town to town with a sketchbook and document the whole country. If I did I would be so full of frites and chocolate and beer that I’d need to spend a month in the gym afterwards. Alternatively, I could cycle – that is Belgium’s national sport after all. Oh they love the sport of cycling here. Then again, I remember what the drivers were like in Charleroi, so I would need quite a lot of health insurance.
Ghent Building

Ghent Sketchers Ghent Sketchers

Here are my fellow sketchers, sketching away outside the Gravensteen castle, a little further down the riverbank. That’s the castle below. Very much a castle. the ‘Castle of the Counts’. As per usual with sketching days, I didn’t go inside the historic building, but sketched the exterior from across the street. Count Philip of Alsace built it back in the twelfth century. According to the Ghent tourist website he ‘wanted everyone to know that he was the boss’. Ok Count. More and more people were coming into Ghent at that point for the Gentse Feesten. I was going to catch a train to Liege that evening, so I could not stick around to party like it was 2019 with the locals.
Ghent Gravensteen

I did go and try the local specialty though – Waterzooi. Again, something I had never eaten in the whole year in Belgium. Look when I lived in Charleroi I had no money so I ate cheaply, which meant frites in sauce and brochettes de dinde. Lots of them. I didn’t do anything fancy, I only had mussels a couple of times. So I was looking forward to proper Gentse Waterzooi. It’s a kind of stew, and I had it with chicken. It was very nice, but it was nothing fancy, and that’s how I like it. Belgium is all about nothing fancy. Belgium can do ‘fancy’ – look at the chocolate! – but really they are quite a down to earth bunch, and Waterzooi felt like that, a big stew to warm you up when it gets cold.

waterzooi

It wasn’t cold though, and there was one more old place I wanted to visit before hopping back on the train. The Cafe den Turk is Ghent’s oldest brown cafe, dating back to 1228 (AD not PM), so we popped in here and did a quick sketch over a nice cold Gruut Blond, a local beer. ‘Brown Cafe’, that is what they call these old pubs in the Dutch-speaking world. If I had a couple of hours, I’d have probably made a much browner and more detailed drawing, but I settled for this, and the experience. I listened out to the Flemish, tried to pick up a few words, but I have since forgotten them. And that was Ghent, a pretty nice city. Next stop, across the country to the east of Belgium, and the big French-speaking city of Liège…

Ghent Cafe Den Turk

midsummer indigo girls

Mondavi 2019 A1 sm
This will be another long post. I really did do a lot of sketching in 2019 and this is all from the same day. Apart from the sketch below, which was done at lunchtime (and coloured in afterwards) it’s all the same evening, midsummer night, June 21. I definitely haven’t already posted these, have I? I had been asked by the Mondavi Center at UC Davis to produce some sketches for their annual magazine, which is called “Gateway“. To do so, they invited me to come to the Indigo Girls show in an official sketcher capacity, to draw some of the outside, the lobby, and of the show itself (the last part being done in near total darkness). It was a fun night. The above was sketched outside the main entrance as people started to arrive.
Mondavi 2019 A2 sm
I drew some people outside the Mondavi Center arriving for the show. I got there early, picking people who stopped in one place, but I did some quick sketches of people walking past. I don’t think these people were together, and they didn’t all have flowery clothing, I added that in for fun. I sketched the ticket warden (or whatever they call them) because I loved how they stood out in their smart black and white, and they were all friendly, they usually are at the Mondavi.
Mondavi 2019 B3 sm
Mondavi 2019 B2 sm
Mondavi 2019 B1 sm
I was asked to sketch people in the lobby area, so I grabbed a wine and a place to stand. As it turned out I knew quite a few people who were attending the show, it was a popular one.
Mondavi 2019 B6 sm
Mondavi 2019 B4 sm
Mondavi 2019 B5 sm
Mondavi 2019 C1 Chastity Brown sm
And then it was time for the show. I was actually given a special seat, though it was in near-complete darkness. The opening act, Chastity Brown, was really good, I loved her voice, and she talked to the audience, as you can see above. Then below, the main event started. I was able to sketch some of the audience in between the shows, and also when lights were down. There was a lot of purple and blue light, and I struggled to see my pasge, but the music was great, and sketching to music makes the pen move so easily.
Mondavi 2019 C3 Indigo Girls sm
Mondavi 2019 C2 sm
I used the zoom function in my eyes* in to get a better look at the performers (*I squinted real hard), the two main guitar-playing singers (Amy Ray and Emily Saliers) and the very performative violin player in between them (I don’t recall their name). For some reason I needed to write down the chords.
Mondavi 2019 C6 Indigo Girls sm
Mondavi 2019 C8 sm
Mondavi 2019 C4 sm
Mondavi 2019 C5 Indigo Girls sm

Anyway, a fun evening was had, it was a good show. So eventually the magazine came out in the Fall, using the outside sketch on the cover. Here it is!

IMG_5989

 

 

Let’s Draw Old East Davis! Oct 12 2019

Let's Draw Davis, Oct 12 2019

I’ve been on a break from posting for a while (writing in general), but in the meantime I have finally finished scanning all of my summer break sketches. Now I have to write the stories that go with them. It shouldn’t be hard, I’m just saying things that happened, that’s easy enough. Just like I’m drawing the things in front of my face, easy. Anyway, I’ve also not been organizing any sketchcrawls during the summer, but now as the Boo Radleys sang, summer’s gone. Fall is here, a new academic year, and so Let’s draw Davis comes back on Saturday October 12, this time exploring the interesting Old East Davis area. This is an interesting little neighbourhood with some historic houses (like the Schmeiser House), the Trackside area which is likely to be under much-debated redevelopment soon, and of course the historic Davis Amtrak Station. In fact we will start and end at the Amtrak.

START: 1:00pm

FINISH: 3:30pm

As always, the sketchcrawl is FREE and OPEN to anyone who likes sketching, any age. It’s good to get out and draw and see how other people do it. Sketchers can sketch individually or in groups, and sketch for as long as you like. We will meet up at the end to look at our sketchbooks, and of course, I’ll have stickers.

Information: https://www.facebook.com/events/542367752972885/ 

Hope to see you there!

Now to start writing up my vacation posts…

galaxy’s edge

Galaxys Edge at Disneyland!
In June, we went to Galaxy’s Edge, the brand new Star Wars land at Disneyland California. It was fun – expensive – but they have a huge life-size Millennium Falcon, and since it’s the fastest hunk o’ junk in the galaxy well, you have to sketch it. It was busy, for sure, though at that time Galaxy’s Edge were still only letting in limited numbers, I think it’s more open now. It’s very hard to get a reservation for a drink in the Cantina, that took some queuing up, but that was fun as well. Could have used more people dressed as aliens. The Millennium Falcon ride was good, flying in the cockpit, people saying “punch it” like that phrase is the new “may the force be with you”. Oh, the whole place is called Baku, and is named after the the city far, far away where they held this year’s Europa League final, forcing two teams and a few fans all the way from London, through asteroid fields and pursued by bounty hunters. Sorry not Baku, it’s called ‘Batuu’, which sounds very similar. As I sketched this I stood on a box that I had been sitting on, and a space-uniformed Batuu lady came up and said that climbing is not permitted in Batuu. They really sell this place as a real place (and people really buy it, with real non-Batuu currency). It’s pretty big too, and they are going to expand. The level of detail is epic even for Disney, and I tried a quick sketch in the restaurant (below) but there was so much to draw.
Galaxys Edge at Disneyland!

All in all, it was fun. My bubbling drink at the Cantina was crazy. I know Star Wars has been part of Disneyland for a long, long time (Star Tours is still one of my favourite things) but now Disney owns it and decides on its direction, well I do miss George Lucas, and when I asked my young nephew recently who his favourite Disney character was and he said “Darth Vader” well, a little part of me sank. But they did a pretty good job on this park. It’ll be expanded with a new ride soon, so I’m sure we’ll be back.


Up next…sketches from the summer trip…

 

long walks, conversations and cocktails

SF Palace of Fine Arts
I usually sketch standing up, except when I sit down. On this occasion, I had just walked two and a half miles from Fort Point along Crissy Field and over to the Palace of Fine Arts. I needed a rest. I sat on the grass in the shade. The last time I sketched this building was in about 2007 I think. Yes, a quick look through Flickr and here they are. It’s a nice spot that I evidently only go to every twelve years. See you in 2031.
palace of fine artson a bench

I walked down Chestnut and had a delicious lunch at Squat and Gobble, before jumping onto a bus and heading to my favourite part of the city, North Beach. I usually sketch standing up, but on this occasion I brought my little lightweight fold-up stool with me. At least two people stopped while I was sketching just to take a photo of this little stool, and enquire as to where this mystical object could be purchased on the wild realm of the internet. It was about $15 on amazon, a no-name brand, it is super light and fits into my small bag and I haven’t yet fallen off of it. I have lost weight recently which helps. Anyway I found a little nook beside a church on Columbus and drew the Italian deli Molinari, another favoured sketching subject of mine.

SF Molinari

Yes, there it is below, as sketched back in 2014 from an entirely different angle. On that occasion I pretended to be a traffic warden for an older lady who wanted to park her car there while she popped in to get some cheese or something, she said that if I looked like a warden then other wardens wouldn’t give her a ticket. I’m just there with my sketchbook so I’m like, yeah fine, but no other wardens came up and ticketed her.

SF: Molinari

On this occasion though, on the other side of Columbus, I had several non-stool based and non-traffic warden based conversations. One was with an old student from our department who happened to be walking by with her son and her sister, that was a nice surprise. There was another couple who were late for early dinner, and I used the power of the internet to help them find their restaurant, like a street wizard. There was an older fellow who I thought was homeless, who came and sat next to me for a bit with his big bin-liner, and it turned out he too was an artist, and showed me his incredible location drawings of North Beach (this is what was in his big bag), including Molinari sketched from the same spot (but in greater detail). I was very inspired. We talked about drawing out in the street, I told him about my attitudes toward urban sketching, it was a very nice meeting. And then after that I chatted with a monk, in full monk’s robes, who worked at the church next to where I was sketching, and he showed me a sketch of the church someone else had done for their newsletter, and we talked about San Francisco’s trees being different from the ones in Davis. Sometimes it is nice to talk to people in the street in a city like this.

SF Jackson St

I moved along, and down into Chinatown. I wanted to draw one specific row of buildings in Jackson Street. I didn’t have time to draw it all so I captured the essentials. I got enough. When I say I didn’t have time, it’s because I wanted to factor in time in the rest of my day to hang out at an old North Beach drinking establishment that I have never before been into, the Comstock Saloon.

SF Comstock Saloon

This old bar is beautiful, and they are very good at mixing their drinks here. For this reason I wanted to have a couple of cocktails. Now I usually stand when I sketch, but here I wanted to sit. I sat the bar, wrong angle to draw. I sat at a seat by the window, with a barrel for a table, again not super comfy. So I sat at a taller table, excellent angle. However I felt very conscious that people coming in might want to sit at that table, which is better for two or three than for one. I don’t know why I felt so conscious of that here. It felt like a nicer place. Also, I noticed that occasionally some of the tables would have a little ‘reserved’ sign on them, which I think was to deter single patrons from using spaces that a pair or trio might use. So, I drew very fast, and then just relocated myself to the bar. The staff were well dressed and clearly professional barmixologisters or whatever the phrase for them is. When it comes to mixed drinks I am clueless and need a list. I had an absolutely amazing daiquiri, totally beautiful after a day of sketching. The second drink I had was a Mint Julep I think, it was less to my taste but nice nonetheless. You can taste quality. The best mixed drink I ever had was in Hawaii, the Monkeypod Mai Tai, and it was amazingly fresh. I feel a bit posh drinking anything that isn’t beer, or Pepsi Max, or a cup of tea. Libations libated and sketches sketched, I walked back to the Amtrak bus and took the long journey back to Davis. I felt a bit more creatively refreshed, San Francisco is good for that.

skyscrapers and the golden gate bridge

Embarcadero and Mission SF
Perspective, detail. I like those things. I arrived early in San Francisco, and found a spot on the Embarcadero looking up Mission Street. I remember wanting to sketch this view years ago when I used to wait for the Amtrak bus here, the only that no longer stops there, but I am glad I waited a few years as there are way more buildings to sketch in the background now. I went to the Ferry Building, but the place which sells the nice bomboneri and cannoli I like so much was no longer there, sadly. So I got a travel book to read on the train at Book Passage. Reading doesn’t make me fat, though it weighs down my bag a bit. Actually the book I got that day, a collection of travel stories, I also took to Europe with me and read some while on the rails, but I left it on a bookshelf in a hotel in Brussels for someone else to enjoy. I was being weighed down, so had to get rid of some unneeded items. The stories I kept in my head, however I don’t really remember that many of them now, except for one, about a couple staying at a hotel in Tierra del Fuego or somewhere, and the electricity all went out, so they took that opportunity to engage in a little bit of what used to be called ‘how’s your father’ back in the 50s, only to be embarrassingly interrupted by another family coming into the wrong room. That’s all I remember. There was another story about a music writer travelling to Prague who got taken for a ride by a local who had an automatic gun, but let’s get back to my own less-interesting stories of travel shall we. I stood at this spot in San Francisco and drew this picture, and then went somewhere else. There, that’s the whole story.

SF Golden Gate Bridge

I ended up at Golden Gate Bridge. I haven’t been there in ages, not to sketch anyway. It was a nice day, a bit windy, much cooler than Davis. There is something about standing somewhere so iconic and impressive, you feel really lucky to have this within reach. I remember when Magneto used it to get his villainous brotherhood from the north bay over to Alcatraz, all because his friend Juggernaut said he couldn’t swim. I mean a boat would probably have been easier but the Master of Magnetism does like grand gestures. Shame he lost his powers before he could help rebuild. I do like X-Men: The Last Stand, despite the clumsy script. But “Charles always wanted to build bridges!” is a classic cheesy line, even for him. He just couldn’t think of a suitable line for a boat. “Charles would be ferry impressed!” Enough X-Men chat. Actually I am reminded of when, in the comics, Magneto (him again) used his powers to prevent an earthquake in the city, and also when he sat up on Mt Tamalpais nearby and went deep into his powers to project them into space and rescue Kitty Pryde from the big planet-bullet thing, oh comics. Anyway, the Golden Gate Bridge. I included Fort Point down below because that is where I was headed. I have never been to Fort Point before, a building that predates the bridge itself. It was built at the height of the Gold Rush, to protect the Bay and as a formidable naval defense for the young United States. I enjoyed it in there, I didn’t sketch any of the cannons but I liked wandering about and peering through the small windows in the thick brick walls, and catching glimpses of the bridge. It was a lovely day, lots of sunshine, but super windy. I sketched up on the roof there, before climbing down the steep narrow staircase that made me feel a bit nervous. I got down, and then took a nice long walk along Crissy Field. More to come…

SF GG Bridge from Fort Point