Evening Strolls in Paris

shakespeare and co paris sm I like my early morning wandering and sketching when we have family trips away, out by myself when the others are still sleeping. But I also enjoy the evening stroll as well, a good way to work off a long day’s walking and sightseeing. I’m just so keen to explore and to look, and of course to sketch. So much life was within walking distance of our apartment. I ambled over to Shakespeare and Company, the famous English bookstore by the Seine that everyone has heard of. We came by earlier, but didn’t go in because the line to enter was ridiculous. I’ve seen long lines to get into bookstores before; the Livraria Lello in Porto, for example, where you actually had to buy a ticket to go in, it’s that famous; bookstores everywhere on the night the last Harry Potter book came out; and of course, Faculty Books on the Middlesex University campus, where I used to work twenty years ago, there was always a line on the first day of term so people could get their massively overpriced Pearsons textbooks for their Econometrics class. the line for Shakespeare and Company, while moving, was too long for us to consider. It’s not like Shakespeare himself was in there signing copies of Much Ado About Nothing. No, it’s just a really famous bookshop. Loads of famous writers have been involved with this place. Loads of them. Loads. It’s not the same Shakespeare and Company that Hemingway and Joyce are associated with, but it’s named after it, and it’s really famous in its own right. I went back in the evening, knowing it would still be open, which it was, but there was still a long line outside. Well, I thought, perfect time for a sketch. I drew the panorama pretty quickly, and drew people even more quickly. The great thing about sketching people in line is that they will be there for a while, but because they don’t want to lose their spot you never get them coming up to you to see why you are sketching. Not that anyone would, this is Paris, it’s full of artists. I never got to go inside the store, as it closed up while I was finishing up the drawing, but I’ve been in before. I think it was in about 1999, one evening down by the river, came across this shop, there was no line outside in those days. It was interesting, in an old bookshop kind of way. I’m glad I got my sketch this time. I am a sucker for old bookshops, and for new bookshops too. I like the smell of certain French bookshops, very clean and tidy, with so many of those particular books with the white spines, and always with a huge BD (bande dessinee) section.

Paris St Severin sm

We were located very close to the church of Saint Séverin, and having passed by earlier in the day I earmarked that one for a sketch on my evening walk. I drew the rear (the apse) from the busy intersection where Rue Saint-Jacques joins up with the Rue du Petit Pont. The setting sky was cinematic. Restaurants buzzed with life. Nearby at a cafe a lady was belting out Edith Piaf tunes. One of those motorcycle delivery drivers nearly knocked someone over shortcutting up the pavement. It was like being in a movie, and just like being at a movie, I really needed the toilet so I went back to the apartment.

I loved our apartment for hanging out in. My son and I had our ukuleles on this trip, so I would sit by the window strumming to all the noise of the traffic. It was just like being in a Netflix show. Just like when I’m watching a Netflix show, eventually I left the room and did something else. I walked a bit further afield on this night, crossing the Seine twice and heading for the wonderful Hotel de Ville. I’m drawing the Hotel de Ville alright, I said to myself. I love the Hotel de Ville. I’ve always been impressed with it, but I especially love how the summer evening light hits it and appears to turn it different colours as the sun sets. Or at least I did before I tried to sketch it. Conscious of time, I decided to zoom my poor ageing eyes in to some details on part of the roof (it’s a really big building), and draw backwards as it were. I always add the colour last, this time I was like no, I am laying down this golden colour now. A lot of sketchers work this way and they love it, they say it’s the best and you should do it, but here’s the thing – no it’s not. At least not for me. I suppose the technique just doesn’t fit how I draw, or maybe my paints are often a bit dry so don’t always produce the most vibrant colours (I usually prefer the more toned down colours), or maybe I just tried to get the colour I saw and then it bloody changed into something else. The sunlight was slowly slowly oh wait now quickly fading, so I had to draw quickly. I still like it though, it’s a story in itself. It was nice out, people passed by and said “très jolie!” and “bellissimo!” and “das ist so cool!” and “hmm yeah that’s quite nice”.

Paris Hotel de Ville

The Hotel de Ville holds one of my favourite memories of Paris though. In 1998, on the first night of my five-week twelve-country train-trip, after a day walking about Paris I went to the Place de l’Hotel de Ville to watch the World Cup Semi-Final on a big screen in a penned-off area with thousands of dancing Brazilians and chanting Dutch. Ronaldo’s Brazil up against Bergkamp’s Netherlands, being beamed up from the Velodrome in Marseille. I camped in with the Brazilians, of course they would be the most fun to spend this warm evening with. And the the game kicked off, and they were all very quiet, a bit nervous, none of the singing and samba I’d expected. I looked across to the Dutch fans, as you would expect it was a sea of orange, and they would not stop singing. They were having a great old time. The game was a bit tense, not a lot happening, so at half time I decided to switch sides and join the Dutch. The grass is always more orange I guess; a minute into the second half, Ronaldo scored for Brazil. Yet the Dutch kept on singing and having a great time, so I stuck with them. It was a long old second half too. It looked like a Brazil win; ok so, I had a night train to catch anyway from Gare de L’Est, heading to Strasbourg, I didn’t want to miss it. And then, shortly before full-time, Kluivert equalized for the Netherlands. The Place de l’Hotel de Ville erupted in a volcano or orange facepaint. We were going to extra time; I still had time to catch my train, yeah? The Dutch camp was the place to be, momentum was with them, and maybe this would not be Ronaldo’s World Cup after all? Looking anxiously at my watch, it went to penalties. For the Netherlands, it was not to be, as the Brazilian goalie Taffarel pulled off a couple of great saves. As soon as Brazil won, I immediately switched sides again and went back to the dancing samba party, a carnival of yellow wigs and plastic whistles. Everyone was hugging and dancing and cheering (well, not the Dutch I guess) but I didn’t have long to party, I dashed to the nearest Metro and just about made it to that last train to Alsace. This was 1998, Brazil were in the Final, this really was Ronaldo’s World Cup. (Narrator’s voice: it wasn’t). The next day I watched France beat Croatia, at my friend Roland’s house in Strasbourg, and Zidane and Company went on to beat Brazil 3-0 at the Stade de France.

Anyway with those memories in mind, I walked back to the apartment. A couple of nights before on the TV we had watched England women beat Sweden 4-0 in the semi-final of the Euros (they went on to win it of course!) and the night after, France were beaten by Germany. On this evening though we were just packing for our flight back to the US the next morning. this isn’t all my Paris sketching though, there’s one more post to come…

At the Corner of St. Germain, Paris

Paris Le Corner St Germain cafe

We took the train from Normandy to Paris, where we would spend a few days of Parisian touristing, museums, walking, people watching, and dodging people zipping along the road in the wrong direction on those hoverboard platform things. I like Paris, I really like Paris; I don’t know if I love Paris, but I really enjoy spending time there and it’s a place I love to wander about in. Actually I think I do love Paris. I don’t know; these days if say you don’t love a place it means you hate it, and wow no, I definitely don’t. Give me a chance to spend time in Paris, I’m there man, especially with my sketchbooks. So yeah, I love Paris. It’s just I still feel I don’t know it well enough. I’ve been quite a few times now, but most of my time in France has usually been in other places. Maybe it’s because I’m a Londoner; Paris is our sister city. It’s pretty great though. We stayed in an apartment just off the Boulevard St.Germain in the Quartier Latin, on the corner of a pedestrianized street and next to a pretty nice brasserie called Le Corner. That is where I would stop off of an evening and sit outside with a nice big cold beer, with the sketchbook, looking out at the Parisians, and if my wife or son were up in the apartment they could just call down out of the window. The apartment was nice, and more often than not we’d get food out and bring it back there, or cook up what we got from the supermarché. As always I would get up early to wander and sketch, and bring back pastries (I think my wife was getting a bit sick of all the pastries). I drew Le Corner, stood outside on the busy street after a day of exploring with the family, while they rested upstairs. That’s the Paris I love, busy not not too busy, vibrant and close by to stuff, and with a little table and a cold beer (or a wine, or an Orangina) always very close by. The sketch below was done on the first evening here, just sat down and drawing the world going by.

Paris Blvd St Germain people sm

We last visited Paris altogether back in 2012, when my son was only four, and we also stayed in the Latin Quarter, though a bit further south, near Rue Mouffetard. We loved that short trip. I was last in Paris in 2019 when I flew in for the day before heading to Brussels, and wandered about Montmartre; we all went to Disneyland Paris at the end of that trip, but not into the big city itself. I went a couple of times in the 90s on short trips, plus of course I went at the start and end of my 1998 European rail journey, and saw some of the World Cup there. I guess I have been quite a few times now, but perhaps because there is always more, I’m always left feeling like I barely saw it. Well, on this trip we checked off quite a few boxes and really saw a lot of the city, so it was a good trip. I’m glad we had this spot to come back to and relax though. While it was a family touristy trip, I still did a lot of sketching, in those moments when we needed a rest.

Paris people rue boutebrie

A Day at the D-Day Beaches

Utah Beach, Normandy

One of the other main reasons for wanting to visit Normandy was to see and explore Les Plages de Débarquement, the Normandy Landing Beaches. My son had been learning about D-Day at school since a couple of years before and had been fascinated by this period of history, and had been reading lots of of books and watching the films and footage. Early in the pandemic we all watched Band of Brothers (which was amazing, but very graphic) so we all started learning a bit more. Of course we all grew up knowing the story, and D-Day was celebrated in the UK every year on June 6th almost more than VE Day. In 1066 the Normans sailed across the Channel (no mean feat by the way, it’s a treacherous body of water) to subjugate England; in 1944 their descendants made the return trip to liberate not only Normandy, or France, but Europe and the free world from the Nazis. One of the great moments in world history, bought with a great many lives. It was an on-off rainy day when we went, and we started out at Utah Beach, one of the more prominent of the landing sites, and one of the most successful. This was led by the Americans, and along with Omaha Beach this will always be a little piece of America in northern France. We arrived and walked out to the wide expanse of the beach itself, and it’s good that it was a more overcast day than we’d had. There was a statue of some soldiers disembarking from a Higgins Boat landing craft (I sketched above, with the Museum in the background. The Museum at Utah Beach itself (https://utah-beach.com/en/) was really fascinating and well worth a visit. I sketched the large warbird “Dinah Might”, a B-26 Marauder, in the expansive hangar. I do love those old war planes.

Utah Beach Plane 072522

Outside, I drew the Sherman Tank guarding the entrance. I didn’t have long to draw this so I did mostly just the outline and a few details and drew the rest on the plan coming home. So many details in those treads, they really were mighty little machines. I didn’t do any more sketching on our tour of the sites, due to time, but we still packed in a few more places on our way back to Bayeux.

Utah Beach Tank

We drove through towns we knew from the history documentaries, Sainte-Marie-du-Mont, Carentan, Grandcamp-Maisy, imagining what it was like during that horrifying time. We can’t imagine it. We went on to La Pointe du Hoc, a high point jutting into the sea on the other side of the river mouth to Utah Beach, full of German bunkers and artillery that saw a famous battle on D-Day, a victory for the Allies led by the US Army Rangers. We went on to Omaha Beach, a name that brings a bit of a chill. The other main US landing point, Omaha looks like a beautiful place today, but saw some of the most terrifying fighting of the landings with thousands of soldiers killed. Nearby was our next destination, the American Cemetery, at Colville-sur-Mer. This was incredibly moving, I knew it would be but to be there among all those pristine graves, all those names of all those young soldiers, stretching out for what feels like miles, it was overwhelming. 9,388 people are buried there, of which 307 are unknown. The bugle from a memorial service echoed over the stones, and the rain switched on and off. We moved on to Gold Beach, at Arromanches-les-Bains, which was the main landing point of the British forces, spent a bit of time around Arromanches itself, and went up onto the cliffs to see some of the memorial spots. You could still see the artifical harbour installed by the British troops on D-Day to faciliate the landings. We had an ice cream and looked out over the channel.

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We started toward Juno Beach, the main Canadian forces landing point, but the day was getting late so we headed back to Bayeux, which was very close by. That was a day of seeing some of our most important history spots, for sure. We left Normandy the next day for Paris, but we left wanting more, there is a lot more to see and learn about in this part of the world, and it feels like it’s all our history.

Mont St Michel

mont st michel, france

A couple of years ago at the beginning of 2021 I started another Virtual Tour sketchbook, this time around France, a much bigger prospect than my tour of Britain. I only got as far as Le Mans before I stalled, probably because I have now been to France in real life twice since I started it. Still, I’ll get back to it. I didn’t even get around to posting half the drawings on here yet. One of the ones I drew was Mont St. Michel, a place I’d never been to but always wanted to see, and now I have. We drove from Bayeux down to the very edge of Normandy, to the place where it meets Brittany, one of the most beautiful spots in France. Mont St. Michel is a rocky outcrop in the sands of the English Channel (the French don’t call it the English Channel, they just call it La Manche), and a shiver runs down the spine when you first see it out there in the sea, rising like a fantasy island. The tides rise and recede around it, and the long beaches are known for quicksand, but much of the area is made up of salt marsh meadows upon which sheep graze (and get very salty wool). We parked by the visitor’s center, and then there is a shuttle bus ride out there for about a kilometre or so, dropping us off on the long elevated causeway that leads to the Mont. Great place for the photos, and also where I sketched the above (though I actually stood slightly underneath the bridge on the sands, to stay in the shade). It was a pretty hot day, and there is a lot of climbing once you get into the Mont itself. We walked about the narrow winding streets with all the usual kitschy touristy souvenir shops, and made our way up to the Abbey, which was quite a hike. It’s pretty labyrinthine inside, but the views once you get to the windy top are amazing, out over the bay. We couldn’t see England, but I thought I could see the Channel Islands, though my eyesight is so bad it was probably a smudge on my glasses. I did attempt a sketch looking up to the abbey’s spire, with the golden Archangel Gabriel looking back towards France, but it was a difficult angle so that’s as much as I could do. There were many seagulls. Mont St. Michel appeared in the Bayeux Tapestry actually, in a scene where a bunch of people got stuck on the sands. There is an equivalent place in England, in Cornwall actually, called St. Michael’s Mount, which is smaller but still pretty impressive. This place reminded me of Minas Tirith from the Lord of the Rings, partly because I have no imagination, partly because the film-makers were inspired by the Mont when designing it. Picturesque place though, well worth the trip.

mont st michel (top)

We had a nice day out at the Mont, and the drive through the Norman countryside was a big bonus. My phone’s navigator was having fun trying to say all the French names. “Street L-O-Circumflex” was an interesting one it kept repeating for St-Lô. We passed through little villages and down hedgerowed lanes, and near one farm we stopped as there was a little cat in the road that was not in any hurry to move along, so my son got out and gently led it it the side, where it sprawled out expecting a belly rub. We looked out for the cat on the way home, and sure enough there it was again, so this time we parked up and my son got out to say hello again. A little moment we’ll always remember from this trip.

Bonjour Bayeux

Bayeux Cathedral, France
We spent a few nights staying in the little city of Bayeux, a good base to explore Normandy. There are a lot of places in Normandy we didn’t get to that we’d like to have seen – Rouen, Honfleur, Giverny, I mean it’s a big place – but for what we were going to see Bayeux was perfect, especially being so very close to the D-Day Beaches. For me though Bayeux was the place for the thing I’ve wanted to see forever, the Bayeux Tapestry. It did not disappoint! It has its own museum, and while we went when it was early and not yet too crowded, the line has to keep moving along it. It’s long – about 70 metres – and while I’ve learned about it for many years there’s nothing like the experience of seeing it all in one go, and constantly moving along, with the commentary in the headphones explaining it, made it feel like watching a long comic strip, a cartoon about the Norman Invasion of England. And it was funny, too. There were a lot of willies. The inventiveness and use of colours is incredible, and the sense of movement you get in the horses and the battle scenes is something a few modern movie directors could learn from. The Bayeux Tapestry was made sometime in the 1070s with the Conquest still fresh, is of course, neither a tapestry (it’s an embroidery) nor from Bayeux (Made In England, by Nuns in Barking and Canterbury, likely under the instruction of Odo, the Bishop of Bayeux and Earl of Kent) but so what, as Macca would say, it’s the bloody Bayeux Tapestry, it sold, shut up. It wasn’t about Peace and Love though. A brilliant piece of Norman propaganda, perhaps, but as I said to my wife, for me this is like going to see the US Declaration if Independence or something (but in reverse, I guess), 1066 being such a crucial moment in British history and in the history of the English language. If it wasn’t for William the Bastard getting all Conqueror on our medieval asses, we’d probably be speaking a language much closer to Dutch and German than the way it looks today. Either way, the gist of the story is that the Normans totally stitched up the Anglo-Saxons.

The Bayeux Tapestry used to be kept in the cathedral but isn’t any more. The Cathédrale Notre-Dame de Bayeux (above) is pretty massive and as in many French towns you can orient yourself by looking up and seeing where the spire is, and it’s visible for miles around. While we didn’t get a chance to go inside, I did sketch it on one of my morning walks, though it started to rain so I finished it off inside. It was consecrated in 1077 with William the Conqueror there, so it fits into the timeline of the Tapestry. It was supposed to be here that William got his promise from Harold that he would support him to be King after Edward the Confessor died, starting that whole thing. The little courtyard in front of the cathedral’s main entrance is very pretty, I stood at the rear a little way down the hill where the view was pretty magnificent. Even when looking at this, I keep thinking, I must go and get a pain aux amandes for breakfast.
Bayeux rue st Martin and rue Franche

The narrow street we stayed on, Rue Saint-Patrice, was full of little shops (many closed on both Sunday and Monday, when we were there) and many very old looking buildings. I don’t recall what this building was called, on the corner of Rue Franche, but I drew it on my evening walk after we had eaten dinner and had a busy day touristing somewhere else. There are flags lining the streets in Bayeux. I love a timber-frame building, it’s like a puzzle when drawing to make sure you get all the bits in the right place, but a little personality goes a long way and you don’t want too many straight lines. The weather was nice, the sky had dappled clouds and of course the sun set so much later, so after this I went further into town and drew another scene, below. This pretty postcard view is across the little river Aure, that trickles through Bayeux with the Cathedral in the background. Every evening we would take a walk down this way, and around the corner we ate some nice Norman food at a restaurant, though on one evening I walked up to a little store about a mile up the road (the supermarket in the centre-ville being already closed) to buy some dinner supplies, and was brought back to living in France years ago, standing in line in a small shop for about 20 minutes and then carrying heavy bags up and down streets and up a narrow staircase, it was like going back 20 years. I really liked Bayeux, and my family loved it, we had no ‘Bayeux remorse’. Bit quiet, but a good base to explore.

Bayeux river view

And of course, I drew a hydrant! More Normandy sketches to come…

Bayeux hydrant

Norman Style

Normandy map

In July 2022, we finally visited Normandy! My wife had actually been talking about visiting Normandy since we first met twenty years ago, to see Mont St Michel and the D-Day Beaches among other places, but France became so much further away after we moved to America. I’ve wanted to go to Normandy for many years, mostly to see the Bayeux Tapestry, but also those other places. I’ve always liked the idea of the Normandy cuisine as well, hearty and full of apples. We loved it there, a land of green rolling hills and white cliffs, not unlike the south of England but everything was in French, and the towns were more charming. We stayed in Bayeux itself, taking the train out there from Paris, and we rented a car and explored for a few days. Normandy is big, and we could have spent a lot longer there, trying all the cheeses, and we got our fair taste of history. I also did a good bit of sketching, especially around Bayeux. I would wake up early and leave our little apartment in the centre of Bayeux to wander about with my sketchbook before my family woke up, bringing back the pains au chocolat and other pastries for breakfast when I’d return.

SNCF train to Bayeux

Our SNCF train ride to Normandy was pretty pleasant. We had taken the Eurostar down from London, easy enough from St.Pancras. We had to take the Metro to connect to a different station for the train to Normandy, and there was a bit of a wait, so we went out and had a nice lunch outside, got a bit of the busy Parisian urban ambience before our quieter time in Normandy. I did have a run-in with a weirdo in Paris Nord station while my son and I were waiting for my wife who was in the bathroom, just one of those odd people who come up and start acting weird that you get in stations. Initially ignoring him, I asked him in French to please leave us be. I don’t think he was French because he said something in Dutch, maybe he thought we were Dutch. Then he started growling aggressive swear words in English at me and getting in a bit close, so I stepped forward and in my best Burnt Oak told him to F off out of it, and F off out of it he did. “Welcome to Paris,” I said to my son. “Not my first time here.” We didn’t meet any other train station characters, though we kept awake for them, and there were a lot of police around prowling for pickpockets and occasionally grabbing people in the act. I remember my first trip to Paris as a kid with my school, and we first saw a Paris policeman outside a Metro station, carrying a gun. We kids from London had of course never seen such a thing before, except on the A-Team (where of course nobody actually got shot). I remember a few years in the 90s later seeing some French armed soldiers with machine guns on the Metro, just patrolling in case of terror threats, and being a bit gobsmacked having never seen a machine gun in my life, let alone one being carried by soldiers on the underground, except at the start of the A-Team, when the only thing that gets shot is the title card. Of course now I live in America. anyway, I knew that Paris stations might have their train station troublemakers, but were pretty well defended. That first school day trip to Paris though back in 1989 or 1990 was pretty brief, but the other thing I remember that stood out to me the most was the very particular smell of the Metro itself. Not a bad smell, more a particular flavour of industrial that you don’t get on the London Underground, and was specifically Paris. Every time I’ve been back and been on the Metro that smell has always brought me back. It’s funny, I don’t remember smelling it as much on this trip. Many of the trains are so modern now, and the stations pretty well kept, and the occasional whiff of it here and there was maybe all in my head.

Speaking of the A-Team, did you know that in the French dub of the show, they added words to the theme tune? No word of a lie, they gave the A-Team tune lyrics. They call it “L’Agence Tous Risques” and you can see it here. Magnifique.

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So after our late lunch we caught our train from Gare St Lazare, a beautiful historic station that I may draw one day if I’m back, and was basically a luxury shopping mall inside. The train zipped through the city centre, the suburbs, and the green French countryside with occasional glimpses of the Seine as it accompanied us on our way. Our neighbour across the table on the train was carrying a very very small rabbit in a plastic case, which was sat on the table and we just adored. I sketched the scene on the train, while my wife and son watched France whizz by, and my son listened out at all the French language, absorbing it all since he is learning it at school, before we reached the small station in Bayeux. I’ll add my sketches from Normandy over the next few posts. Bon Voyage!

the lamb and flag and the brown bear

Lamb and Flag London 2022

Here are a couple more drawings I did last summer, not on location but from photos I took while in London. I always want to draw as many old London pubs as I can, so I drew these two on big pieces of paper, and in fact the top one sold at the Pence Gallery’s Art Auction in September. It’s the Lamb and Flag, a popular old pub near Covent Garden off Garrick Street. I’ve been there a few times myself, though more often I pass it by when slipping through that alleyway on the right (Lazenby Court) to get up to Long Acre (via Floral St and another alley) when I’m on my way to Stanford’s map shop (which has now moved around the corner). There’s been a pub on this site since at least the 1770s, and it took the name Lamb and Flag in 1833, although the brickwork is from the 1950s, replacing an older building from 1638. This is what their website says, although the sign outside says ‘Circa 1628’ so who knows. Actually to confuse things further the sign actually says ‘Circa 1623’ but my eyesight is circa 1976 and therefore prone to get things wrong from time to time. The 3 looks like an 8. See also, whatever the hell is going on with those window panes. Whichever date is correct, doesn’t really matter, it’s a nice pub to stop into for a quick pint while out walking about London. The one below, the Brown Bear in the East End of the City, on Leman Street. It is one I’ve never actually been to, but I passed by it while walking from Aldwych to St. Katharine’s Dock back in the summertime, and I thought, I’d like to draw this, but I’m on my way somewhere else right now, and it looks like it might rain. So I filed it under ‘draw larger when I get home’. I definitely prefer drawing on site though, for some reason my eyesight works better outside in normal (preferably overcast) light than it does sat at my desk with the artificial desk-lamp light. This east-end drinker dates back to Victorian times and even from across the street it kind of looks like what my dad would call a ‘villain’s pub’. It’s probably nothing of the sort, but it does have a bit of local villainy in its history, allegedly being where George Cornell had a punch-up with Ronnie Kray. This is also Jack the Ripper land, and those murders were investigated by the cops at the nearby police station on Leman St. There was another pub a little further down the street I would like to draw sometime, the Sir Sydney Smith. London has been losing so many of its great historic pubs in recent years, especially lately, for one reason or other, mostly because property is so expensive in London that many old places can’t afford to stay in existence, and with beer being so expensive these days and the cost of living being so high, people can’t afford the pubs like they used to. I always try to make sure I spend some good time in old pubs whenever I’m back home; use them or lose them. Many are historically so important to the local area. I heard recently that The Tipperary on Fleet Street was closed for good; that was the first place in London to sell Guinness (first place outside Ireland I think) and the pub dates from 1700. History rapidly vanishing, being replaced with vapid gourmet burger joints and chain coffee shops and expensive apartments.

Brown Bear London 2022

the eggleston home on third street

3rd St Davis 010623

The next stage of our summer trip was a vacation in northern France, taking in Normandy and Paris. I’ll put posting those on hold for a bit though and come back to the present day. Or at least last week. This circus of dangerous storms is still sweeping through California on the back of this Atmospheric River, bringing heavy rain and flooding in many areas, as well as evacuations, and strong winds that are still knocking down some really old trees. Every couple of days though we get an off-day when it doesn’t rain as much and maybe even some sun peaks through. On one of those off-days I walked downtown for lunch, and came back via 3rd Street, where I stopped outside the old building now occupied by Davis Copy Max, historically known as the Eggleston Home and one of the oldest buildings in Davis. It was built in 1870 at 232 3rd St, and was the home of  Lucy Eggleston, who was an important member of the Women’s Christian Temperance Union in the Davis. Back in the early years of the twentieth century they campaigned to have alcohol banned in Davis (or Davisville as it was), finally succeeding and getting a one-mile ban from campus put in place, which eventually became a three-mile ban, a rule that lasted until 1979 (it’s from this that Three Mile Brewing took inspiration when choosing a name). I’ve drawn this building before. I’ve also drawn Davis Copy Max when it was located in the building directly opposite, which was behind me as I sketched and is now home to ‘Guads’, a restaurant. I wonder how Lucy would feel about people drinking beer right opposite her old house, maybe some swooning and some stern letters to the Mayor.

Thames Time

London panorama (pool of London)

Now this is an atmospheric river. Back in July, the day before we left for France, the family and I took a walk down the Thames. A few days before we had been dealing with unbelievable record temperatures in London, making it nigh on impossible to do much other than hide inside listening to the news of how this was the Hottest Day Of All Time. My wife flew into London on that Hottest Day Ever (having stayed behind in California a few more days to look after our sick cat), transport was down all over the place as the English train tracks could not handle the heat. They famously can’t handle any slight change in weather, for those of us who remember leaves on the line, etc. Now the average temperature back in Davis is much higher at this time of year as a matter of course, but it feels a lot worse in London where the humidity is much higher, nobody has air conditioning, and well we just love a moan about the weather. A few days later, it had cooled off considerably, and was now a nice, humid, overcast London summers day. There was even a touch of rain to freshen us up. Still slightly sensitive from the previous night out in Camden, I braved the nice weather and took the tube down to the river, and we walked down past Tower Bridge towards Bermondsey along Shad Thames. I’d never actually walked very far down that way before, it was pretty interesting. A week before my son and I had taken a boat trip down the river all the way to Greenwich and listened to the stories of the riverman, that was a fun little history trip. Although our guide insisted telling us that the word ‘wharf’ is an acronym for ‘warehouse at river front’, which sounds nice but isn’t true. It comes from the Old English hwearf, which stands for ‘house where even alligators read French’. Shad London is an interesting street flanked by old warehouses at the river front and criss-crossed several storeys above by old metal walkways from the Victorian era, definitely a street I would go back and sketch another time. Instead, we turned back towards Tower Bridge and walked down the South Bank. I did stop to draw the panorama above, the view from the Tower of London on the right westwards toward the City with its expanding bouquet of steel and glass towers, all different shapes and funny names. This is where London has changed the most for me since I left, seventeen years ago. Seventeen years! Back in those days the small group of towers in the Square Mile were dominated by the Nat West Tower (I mean, ‘Tower 42’) and the Gherkin (I mean the Swiss Re) (sorry no it’s called 30 St Mary Axe) (look it’s the bloody Erotic Gherkin, that’s what we called it when it was being built in the 2000s). Neither of those can even be made out in the cluster above now. I don’t even know all the names of the funny looking skyscrapers now. There’s the Cheesegrater and the Walkie-Talkie, the Heron, maybe the Dark Crystal, the Skeksis Finger, the Great Conjunction and the Gelfling’s Flute. Those cranes tell me that they are not done building just yet. I drew them again from a different angle when we had sat down to eat. The shapes are fascinating to draw.

London skyscrapers 072222

You’ll notice that there is a red Urban Sketchers stamp on that last sketch. While we were walking down the Thames, we started seeing other sketchers dotted around the riverbank. Then I remembered that Urban Sketchers London were having a three-day celebration to mark ten years of USk London, and that there would be some sketching going on down the Thames. Due to our trip to France I wasn’t able to take part in this so I never signed up for the workshops and talks, and had forgotten that there would be loads of fellow sketchers around. Just as my wife said “maybe you’ll bump into someone you know!” I spotted someone I definitely knew – Gabi Campanario! Urban Sketchers founder and my sketching friend since about 2007/8. I think he was as surprised to see me as I was him. My wife had never met him though she knew who he was from all those years back. I first met Gabi in person back at the first symposium in Portland, and several others since, and his daughter was there in London with him. On top of this nice surprise, I bumped into another of the original London urban sketchers, James Hobbs, who I’ve known since USk London started in 2012. I have a nice photo of the three of us from Amsterdam in 2019, and now a nice one of us in London 2022. As one of the leaders of USk London James was very busy and showed me the new book that came out to mark the tenth anniversary of USk London, “London By Urban Sketchers” (an excellent book by the way and I recommend you get it, if you love London, follow that link to buy it). I have two drawings in there, plus a shout-out in the intro to that first sketchcrawl in 2012 that kicked off USk London, called it “Let’s Draw London“. Urban Sketchers London is a really strong chapter of USk and have some great sketchcrawls all over the city each month. So, excited by all the sketch chat and activity all around, I had to do some more drawing. My wife and son took a rest on a bench while I went and drew the view of the city which includes St. Paul’s, as well as a mudlarker down on the sands. I bumped into another old sketching friend Joe Bean, who I’ve met at a few of the symposia since Manchester, as well as some in London, and who has been doing some great sketching up in Leeds. The sky was grey and that’s the way I liked it.

Thames shore

I always want to be down by the Thames. Even looking at these sketches I just want to jump on a plane and get back there, explore and draw, see it as it keeps on changing. Some day I’ll put together a post of all my Thames-side sketches. Actually a lot of them are here: https://petescully.com/tag/thames/

 

take me down to the river

Here’s one for you. An old one, from around fifteen years before the one above, from almost the same spot. 2007…

at the black heart

Black Heart, Camden Town

One evening in London, after a busy day helping my brother move my dad into a new place, I met up with a couple of my old London mates down in our old haunt of Camden Town. We met at the excellent rock pub The Black Heart; I got there a little early so I could attempt a sketch, though I didn’t get very far, but I enjoyed adding the paint in like that. I do miss these types of pubs, good music and good vibes, and great company. We went for dinner at the Italian place on Parkway, and on to spend the rest of the night at the Dublin Castle, where else. That place has not changed since I first started going there in the 90s. Camden has changed, quite a lot, but in some ways not at all. The streets are still in the same place, which helps, even if some of the places aren’t. Beer costs more nowadays though (didn’t let that stop us though).

I did draw a quick and shaky sketch on the tube down to Camden from Burnt Oak, the Northern Line (I didn’t sketch on the way home, I was too busy eating my greasy bag of chips I always get from the chip shop next to Camden tube, on the last train back). I do miss London…

Northern Line 072122 sm