Moe’s Books

Moe's Books Berkeley CA

There are certain themed subjects I like to fill my sketchbooks with if I can. The old urban sketchers rule that every sketchbook needs a dinosaur and a classic car, well I try my best there, even if the dinosaur is me. Fire hydrants, I try to sketch ’em all, like Pokemon Go. I never see people out playing that any more. Pubs, especially old pubs, I try to draw as many as I can especially in England, because they are all disappearing, like the Pokemon Go players. Tube stations, they might not be disappearing but some of the older ones are getting knocked down and expanded into bigger more modern stations, and I like those old historic buildings. Some of them. The other thing I always feel a great need to sketch are bookshops, independent bookshops preferably, as they play a major role in their local communities and are also constantly under peril. Before moving out here I worked for a small bookshop in Finchley in north London for a few years (not in the shop bit, but the office in the basement) and it was a good place to work (and I like Finchley as an area), but also a real insight into how hard it is for small businesses in the face of current market forces. They ended up closing less than two years after I moved out here and I wish I had at least sketched the store for posterity. Many other small bookshops were closing at the time, and replaced with what, more estate agents? So fast forward twenty and I’m pleased to see that, over here and over there too, there are still many small bookshops hanging on, and in many communities really finding their place again. The first place I worked when I came to California was a small independent bookshop, the Avid Reader, and they faced the challenge of Borders and Amazon until Borders went away and Amazon didn’t. They are still there (with new owners now) and always busy, I’d say one of the most important places in downtown Davis. However one of the first bookshops I went into when we first moved to America 20 years ago was this one, Moe’s on Telegraph Avenue, Berkeley. It’s a big store with new and used books over several floors, and feels like an old-school well-used bookshop. Anyway, Summer holidays had started and so one day I went down to Berkeley with my seventeen-year-old to get out of Davis and look around Berkeley, we spent our time walking about campus, visiting that big games shop, spending ages in record shops, and looking around Moe’s, among other shops. We were having those massive waffles at the place next door, and while waiting for them I dashed across the street to start a sketch of the bookshop. The big red and white awning is characteristic of this store. Inside I found a big old illustrated book about old myths and witches that I used to have when I was a kid, I would be obsessed not only with the stories but mostly with the drawings, which would inspire me to draw and write my own stories. I should have bought it, but instead I bought a copy of Snorri Sturluson’s Prose Edda for some reason. I had to stop myself buying this big illustrated book of Celtic legends (Celtic as in Irish and Scottish, not as in the football club from Glasgow, it wasn’t full of pictures of Henrik Larsson or Roy Aitken). I had to save some money to spend in Amoeba music. I’m glad to see Moe’s is still there and doing well, and now it’s another bookshop in my sketchbook. I see this though and it makes me hungry for those waffles.

amtrak to berkeley

Here are some sketches from the Amtrak train we took down to Berkeley from Davis. Above I am practicing my perspective as I always do on the train. There’s California outside the window, the view going over the Delta (the yellow bit on the right is higher than the eye-level yellow bit on the left, perspective fans, because of ‘hills’). It was a bit bumpy but I enjoyed sketching quickly in that brush pen. I sketched a couple of characters too, below, I mean passengers not characters, they are not in a story. Well maybe they are in a story, but who am I too judge. I’ve done a lot of quick people sketching this year, it’s good practice. I heard that they have recently ended the UC Berkeley-UC Davis shuttle connecting the two campuses, which is terrible news, especially as I never took it in twenty years of living here.

amtrak man amtrak man

across the country, by plane and by train

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During Spring Break, our family took a trip across the breadth of the country to Washington DC and New York. For a few years now we have been using our Spring Breaks to see more of the USA, alternating between national parks and big cities, and this year we decided to visit ‘Our Nation’s Capital’ (as they call it here) and the ‘Big Apple’ (I don’t know if you’ve heard of that but that’s what they call New York). Of course when we travel I must also sketch, what else am I going to do, watch a movie? I did that too, and read a book (Agatha Christie ‘And Then There Were None’, which I finished on the train to New York). Above, the Southwest flight we took to St. Louis. I’ve not ever been to St. Louis, but we flew right over the big Gateway Arch, which was exciting, and then stopped at the airport to listen to the very different accents while waiting for an overpriced lunch. I can’t pronounce St. Louis, I never know whether to add the ‘s’ sound at the end or not, despite hearing it and being told, when I actually come to say it, my brain forgets and I choose the wrong one. A bit like whenever I need to plug in a USB, *every*single*time* I will plug it in the wrong way round first. This is called the ‘USB Law’, or the ‘St. Louis Principle’. We flew from St. Louis to DC, but I didn’t bother drawing that short flight, and caught up on some Agatha Christie instead.

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After a couple of days exploring Washington’s museums and monuments, we caught the Amtrak train from Union Station, finding ourselves cramped into large seats with no legroom, looking out of a small window as the marshy landscape whizzed by. This is an America I have not seen, the East Coast where there are lots of little states and big cities around large estuaries, very far away from our dry sunny California. I love a train, watching the landscape change and wondering what will come next. I finished reading Agatha (the butler did it; only joking) and sketched. We passed through Baltimore, Philadelphia, New Jersey, and then the skyscrapers started to come into view as we approached New York, my favourite city after London.

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Well New York was fun, but it was time to fly back to California. Thanks to the magic of airline points wer were able to fly back in business class, which was luxury with those little compartments, massive screens, lie-flat seats (with no cushions) and metal cutlery. I sat in the compartment next to my 17 year old and watched Avengers Infinity War. I was going to watch Conclave but thought I should save that for when the Pope died, which unfortunately he did just a few days ago. A shame, I liked Pope Francis. The flight took us all the way to Phoenix, Arizona, and I was still excited by all of our wanderings about New York City. Lots of sketches to post soon.

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And finally the last leg, Phoenix to Sacramento, after a couple of hours in a lounge at PHX. We had the bigger seats for this leg as well, and while I did sketch a bit I relaxed and watched another old film, Withnail and I. I’ve not seen it in years. We made it back to Davis tired and in need of a cup of tea and a long sleep, more adventures around the country. I’ll post all my sketches soon.

back to nob hill

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I went down to the city for a couple of days, as my friends James and Lauren were visiting from England for their 10th anniversary, and we met up for a fun day and evening to celebrate. They married here back in 2015, which history books will tell us is a different historical period, and I came down from Davis to spend a really fun day with them which included a few drinks with locals at Rogue in Washington Square. Nowadays we have self-driving robo-taxis going around San Francisco, and Rogue is long gone, but we ate at Fog City Diner, went to look at the few remaining sealions and walk around the Musee Mecanique, before visiting the old historic bars of North Beach, ending up with a trip to the Tonga Room, classic SF history. The next day after they went to the airport for the next part of their trip I spent the Saturday sketching around the city, mostly around Nob Hill where we had stayed. I sketched the view above, which I have done a couple of times before (a very long time ago – this one in 2006, and //embedr.flickr.com/assets/client-code.js” data-wplink-url-error=”true”>this one in 2011 – I’ve been here a long time now). Cable cars rumbled by, tourists took photos and waited on the corner for their robo-taxis (the Waymos; I took my first Waymo ride the day before and it is very strange sitting next to an empty seat watching a steering wheel turn by itself). It was quite sunny. When I came down the day before the morning started off pouring with rain, but it cleared up by lunchtime, I had good luck with the weather. We had just had a really nice filling breakfast and a walk back up the very steep hill.

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When we were up here in Nob Hill for my birthday the month before we had such a great view from our hotel room (see that blog post to have a look, it was incredible) that I didn’t want to go out sketching the area during our rest time, so I caught up on that this time. The scene above is in the square in front of Grace Cathedral. I stood in the shade of a tree to draw this fountain. There are lots of little dogs off leash around here, people come and let them scamper about, meeting other dogs, they have a great time. Mostly small dogs with well-off Nob Hill owners. I took a little while drawing this; it had been a very fun evening before and I was feeling a little hungover, but full of sketching energy. Not as much energy as those little dogs though. I sat on a bench to add the watercolour, so I could put my paint set next to me, and after a while soon found that the dogs and their people were gravitating towards the fountain to chatter and smell each others bums (I’ll not explain who was doing what). Which was fine but the dogs were getting very excitable, and some would come over to me to see what I was doing and see whether my paints were lickable. One larger dog put his snout right into my Winsor and Newtons (that’s the brand of paint I use, not some Cockney euphemism) and I had to be like, whoah there. Its human owner came over and I assume apologized (I was listening to an audiobook at the time) but then decided to shield me from further canine interruption by standing right in front of me, which you do when someone is obviously drawing don’t you. More dogs and owners joined the dog and owner party, running around yapping and sniffing bums (again my memory is fuzzy as to who was doing what), and then put of nowhere an excitable Cavalier King Charles Spaniel jumped onto the bench and landed on my paintbox, knocking over my little jar of water. I had a dog like that growing up, ‘Soppy Dog’ (her real name was Lady) so I have a soft spot for them, and didn’t really make much of a fuss other than a Marge Simpson style “hmmmmm” and frown. The embarrassed dog owner quickly got them away and probably apologized (I was listening to an audiobook), and the crowd of dogs and humans started moving somewhere else. None of this affected my painting of course but I thought, this will be a funny thing to write about when I post this, instead of ‘it was a nice day and my tummy was feeling yesterday’s beers’.

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I had the day to myself, it was Saturday and I wasn’t in a hurry, so I found another spot in the shade and drew the panorama above looking up at the Cathedral. I had intended to draw the whole lot in, maybe even do the rest later, but I did get a bit bored so just drew as much as I could and coloured in the bits that stood out the most. I wondered what it would be like to live on Nob Hill – you need to have a dog, apparently – and deal with these hills every day. I like a hill but even I’d feel a bit exhausted at the thought of going up and down them every day, so I probably wouldn’t leave the area much. It’d feel like some village, I don’t think I’d enjoy it. I didn’t go into Grace Cathedral this time (not now you have to pay a lot to enter – sod that, it’s nice but not exactly Westminster Abbey), but remember years ago when I illustrated their Christmas Concert official program, two years in a row? That was fun, I got to go to that concert both times, once with my wife and once with my mum. Well over a decade ago now, time flies.

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I walked further down the Hill along Bush Street, and could hear people drinking and partying. Lots of people in green, it was St Patrick’s Day weekend, and there was a parade going on, and not far from here some big street party with live music echoing up the hill.  I wasn’t in green (I was in blue, St.Patrick’s actual colour as I boringly point out to uninterested people every year, even though St.Patrick probably didn’t wear navy blue polyester with a big ‘AIA’ and a little cockerel on it). I stood in the shade and drew the Eglise Notre Dame des Victoires, deciding to sketch in pencil to be quick. I’ve meant to draw this church for years. I think there is an Institut Français around here, because this little quarter has a lot of French stuff, I remember my wife telling me about this when we first came over here, she came here while learning French (we met in France, see).

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Which brings us to the next sketch (above) which is the Cafe De La Presse, on the corner of Grant and Bush, a French style cafe I’ve enjoyed for years. When I say enjoyed I mean I have eaten there probably two or three times in the past 20 years, but I don’t live locally so that is quite regular. Last time I had some lovely eggs benedict with smoked salmon, which I also ate that same morning somewhere else (and looking at this makes me think of that taste, big fan of the smoked salmon eggs benedict) (and yes, when I see the word eggs benedict I do think of Dirk Benedict, ‘Face’ from the A-Team who drove the best Corvette). More and more people in bright green with big silly hats, just what St. Patrick would have wanted (actually he did like a big silly hat, he ‘mitre’ worn some himself). I couldn’t draw this all there and then because the day was pressing on (get it), so I did all that brickwork and colouring in later on the train.

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Speaking of the train, I did this sketch here on the Amtrak coming down to the city the day before, I guess I should show my work. I have to keep that pen moving.

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While this one above was a very quick sketch I made at the Saloon in North Beach on Friday afternoon while watching this band play with my friends James and Lauren, before we went to Specs for some good chat. There’s no more Anchor Steam on tap, more’s the pity, but it’s a great city for a beer and a catch-up.

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As I walked back I passed where a lot of the music and partying was happening, a block party just off Grant. It was a paid event behind security so I didn’t go in but I stood by the edge and did some people sketching. I was looking out for interesting football kits, there were some, plus a couple of rugby kits. Back in Irish north west London we used to have some fun St.Patrick’s Day parties as a kid, I grew up on the Irish music back in the 80s and most of what I learned on guitar was from a book of Irish folk songs we picked up in Willesden or Southport or somewhere. If my grown-up self didn’t feel so much of this was a bit cheesy I would probably have really enjoyed getting my Irish shirts on and getting all festive, my Mum would certainly have loved it. So I stood and sketched like a good urban sketcher, or maybe like a plain-clothed officer at a party in 1980s Cricklewood, and laughed that the band went right into ‘Come Out Ye Black And Tans’, which now makes me think of that episode of This Time with Alan Partridge. “Double-O Feckin’ Bollocks!”. I had the old Irish music of my youth in my head now, and felt like getting home and spending the next day singing the Wolfe Tones and Brendan Shine. Time to get back on the Amtrak bus and train to Davis, another good weekend in the city.

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green apple and schubert

Capitol Corridor sketches 092824

I needed a day in the city, and wanted to explore another part of town. Davis was getting too hot, and it’s about 30 to 40 degrees cooler down there. I’ve been spending too much time under trees lately. I took the early Capitol Corridor, the familiar journey across the Valley and past the Delta and along the Bay, and I can’t help myself sketching those colours, it will never be enough. I have sketches of this trip going back a long time now. It’s all a learning process. I listened to, what did I listen to this time? Pulp I think, still in the excitement of having finally seen them play live after thirty years of waiting. I listened to another podcast interview with Jarvis Cocker where he talked about some of his favourite records, and how he never lost the love of vinyl as a format for listening to music, the side of a record being just long enough to experience it, before doing something else like reading a book. I see that. It’s how I felt growing up, when CDs finally came along I missed that ‘two-sided’ construction, but could see that bands in the mid-90s still tried to think of their albums in that way. I was thinking about records and books as part of my destination, though I didn’t think I’d buy any, because I only brought a small bag, and anyway I have too many and not a lot of space at home. It’s good to buy tickets to places where you can look at them and then draw things. I always worry that by spending so much time looking at and drawing things I forget to experience them as well, so I decided that I’d draw what I can, but not be too worried about it. So I arrived at the Transbay Terminal, the fancy bus station in downtown San Francisco, and found the bus that would take me straight out to the Richmond area, and up to Clement Street.

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Although I’ve heard about this place for years, I had never been to Green Apple Books, not this one anyway. I drew the smaller one over in the Inner Sunset about three years ago, another September day exploring the city. Clement Street and that whole area on the north side of Golden Gate Park was somewhere that in all these years I had never explored, it felt just a bit far away. The 38R bus got there pretty quickly. I passed by buildings I thought would make good drawings, and old pubs I thought I should take note of and check out some day. I got out somewhere up on Geary near 6th, and walked over to Clement to find Green Apple Books. Fellow sketcher Suhita Shirodkar had sketched the bookshop recently, which gave me the idea to finally come over this way, and it was a good place to explore. A day like this is a big effort, getting up early and catching a not-inexpensive train at 7am, not making it to my destination until about 10am, just to wander about until it was time to make the long journey back. It was foggy, and there were people around having breakfast or brunch depending on how organized they were. I ate a pastry and stood opposite Green Apple to sketch it. I was on a sort of elevated wooden platform where people can sit and drink their coffee, and could see over the parked car. It’s funny, when you stand near a parking spot, there is always the chance that a large car might park in the way to block your view, but I find that sometimes people think about parking there, but do not when they see me sketching. Those people are usually in cars that would not block my view anyway. Then there are those, usually in larger SUV-type cars, that don’t mind blocking my view if they park, even if they notice me. I don’t worry at all, these are occupational hazards of the urban sketcher and I just move down slightly (I am not standing there with an easel), it’s what I expect when I pick a spot to draw. It’s just an observation, I’m not making any judgements about the type of people who drive bigger cars being less thoughtful, and actually I would like to tell those who choose not to park where I am sketching that it really doesn’t block me at all if they park, I’d rather they got the good spot (and save it from a minivan or something). But really I think they just assume I am a traffic warden. Anyway, here I had a good view of the shop. I decided to do all my sketching before going in to browse.

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This impish fellow stands in front of the shop, holding a red book and a green apple. The bookshop is much bigger inside than I realized, and going up and down its stairs was like an adventure book in itself. My son would love this place, I thought. My teenage self would too, and after all when I was a teenager what would I do on a Saturday other than get on a train or bus and go exploring for interesting bookshops, usually finding myself in the foreign languages section. There were things I wanted, but I exercised restraint, and just bought a postcard with a painting of the shop on it, and a canvas tote bag for my son. Despite having worked in bookshops, I sometimes get overwhelmed by it all.

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Before I went into Green Apple, I decided to sketch the bakery outside of which I was standing. Schubert’s Bakery has been making cakes since 1911 and having eaten one myself I can confirm they are delicious. I got one in a little box, covered in all sorts of fancy chocolate, and had to go back in for a fork because it was bigger than expected, and filled me up so much I never ended up eating lunch. I could not get a certain song out of my head as I sketched, “Blue Suede Schubert” by the Rutles. A good bakery is an essential part of a good neighbourhood, I have always thought that. Somewhere for amazing cakes. Places that do not have this are very much worse off for it. If people end up getting the generic bland cakes from your Targets or Safeways or whatever, the world becomes a much more boring place. Show your local bakeries love! And eat lovely cakes. When I was done sketching and looking around this part of Clement, I walked down a bit further, where there was a local Chinese festival happening, with little stalls lining the street and music, and people canvassing for local elections. I found the bus that would take me further down Geary again and explored a different part of the area.

late July, downtown Davis

accordion 2024 Davis

The Seawhite accordion sketchbook that I filled in the second half of July was very much a double A-side. The campus side, well that was We Can Work It Out, and the downtown side is Day Tripper. Or the other way round. The campus side is Strawberry Fields Forever, the downtown side is Penny Lane. Or maybe the downtown side is the B-side, the I Am The Walrus to the campus Hello Goodbye. No, it’s a double A-side, and this is side B of the double A-side. It starts off on 1st street with that big white Dutch gabled building I have drawn before. I realize now, this ain’t a double A-side, it’s an album, and clearly a greatest hits filled with old favourites (but surprisingly not the Bike Barn or the Silo). This is like the Red and Blue Albums condensed, all the greatest bits but for some reason no sign of I Saw Her Standing There.

accordion 2024 Davis - 1st st House

Now I drew this out of order, not starting at the left and going right, but starting in the middle. In fact apart from that first one (which I drew last) I drew this all over the course of one weekend while my wife and son were out of town visiting family. The weather was suddenly a bit cooler after a really awful heatwave, so I took advantage. I went downtown on the Saturday afternoon and drew the Amtrak station below. I’ve never enjoyed drawing the train station, because those curves and arches always seem to get the better of me, but I had some shade and a big electrical box to lean on. You can see some haze in the sky, that was smoke from the Park Fire that was burning further up north. It didn’t end up drifting down this way thankfully, but it was a terrible fire. I drew this, and then went for dinner at Froggie’s.

accordion 2024 Davis - Amtrak Station

You can’t have a series of downtown sketches without the Varsity Theatre slap bang in the middle of them. I spent the whole of the Sunday out there drawing, finishing off at home with the colour and hatching, and was quite tired by the end of it. You can see the poster for Deadpool and Wolverine in this picture in a couple of places, I had been to see that on the Saturday; fun, very silly, very violent. As you can see I’m using street signs and trees as dividers between the pictures. That’s something I did in the original 2010 accordion book. I think I’ve drawn the Varsity about 21 times now. I need to do an itemized list of which places in Davis I have drawn the most, and keep it like a league table.

accordion 2024 Davis - Varsity Theater

Next up, the old City Hall, we’ve heard this song a few times too. It’s part of the restaurant / deli Mamma’s now, which I’ve still not been to.

accordion 2024 Davis - old city hall

And below, the old house on D Street in between the Pence and the Mustard seed, which I have drawn many times. It looks like it is called Mabel’s Market now, and I’ve not been in there yet. Ten years ago when it was an art studio and gallery space called Art-Is-Davis I took part in a small joint exhibition in there called Scene In Davis. That was a fun evening. I think the first time I sketched this place (in that 2010 accordion book) it was an Antiques shop.

accordion 2024 Davis - D St House

And that’s your lot, I hope you liked this little tour through downtown. I did buy a second one of these sketchbooks which I will fill, not sure when.

carriage best

060621 amtrak train to oakland

After a very long time, I finally went on a train. On public transportation, first time since the start of the Strange Times. It was a big step. California is Opening Up, I’m all vaccinated, and I needed to get out of Davis for the day. So, I took the train down to Oakland, a city that I’ve never actually been to. Amazing isn’t it, I have lived here for sixteen years and yet never been to Oakland. Well I say I’ve never been, I’ve been through it on the BART many times, and I’ve been to the airport once. On the very first trip I took to the US in 2002 I even went to watch the Oaland A’s. I have never been to Oakland proper though; I will post the sketches another day. For now here is the sketch I did in red pen on the Amtrak train to Richmond (I got the BART after that to Oakland). This was the very last page of the Moleskine sketchbook (Sketchbook #39). I liked it do much that a week later I went back on the train, this time heading for San Francisco, where I spent an overnighter exploring and sketching. Another post for that. I opened a brand new Moleskine sketchbook (Sketchbook #40) and on the first page I drew the purple pen train sketch below. People wore their masks except when drinking or eating; the group in front of me here were all cyclists. The trains are never particularly busy when I get on them so it felt quite normal really, and I was I admit delighted to be on the train again. It’s been two years since I had my last sketching day out in San Francisco, amazingly. Every time I travel I think, I’m not going to draw the train again am I, but then I’m there and I think, yes I am actually. Here’s the album of most of my in-voyage sketches (planes, trains and…other trains): https://www.flickr.com/photos/petescully/albums/72157671776646978

061121 Amtrak train to Emeryville

midtown, downtown, train back to my town

Ok…this one goes back a while. Back to March, in fact. In my defense, I only got the sketchbook back recently, so I could not write a post about it at the time. Well I could have, but stories without pictures? I was invited by Prof David Del La Peña of UC Davis to take part in a special sketchcrawl, which was to be part of the annual conference of CELA (the Council of Educators in Landscape Architecture) in Sacramento. The sketchcrawl would move from midtown Sac and end up in Davis, linking up by train between the two. I joined them after lunch in Sacramento, and we were given accordion Moleskines to draw a series of fast sketches in, on location, at various spots about downtown. Also in attendance was Chip Sullivan, who I was not familiar with but he is very well known as a sketcher and educator and knows James Richards well. So I started off by drawing him and David near the conference center in midtown.

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Sac sketchbook p2

“Where Are We Going” it said on the sculpture near K Street. Well it turns out we were going down to the Cathedral, and I sat behind the large open angel wings of a statue. I remember drawing this Cathedral (Our Lady of the Blessed Sacrament) years ago, 2006 or 2007, back when Pyramid Brewing was right behind, and California was so new to me. I remember trying to draw the Crest back then as well, the classic movie theatre a little way down the street. As we stopped for a moment to mention something about sketching I drew the sign, taking just a few minutes, before we moved on.

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And then we moved to the newest part of downtown, the area around the Golden One Center, the massive basketball arena. We saw Paul McCartney there a couple of years ago, an amazing show, one of the first performances held at the stadium. Macca sang for three hours and was incredible. I remember when this was part of the downtown mall, I would come here occasionally, but it is long gone now. You’ll notice I decided to deraw in pencil that day. I find that in those accordion moleskines I find drawing in my usual pen to be frustratingly difficult. The paper, the size of the page, the fact that it’s flopping all over the place, plus the extremely limited time in each spot – so I just went with pencil, which moves so fast across the page, and splashed on watercolour when I could. It was a sunny day with great clouds.interesting shadows, but cool enough for scarves. My favourite weather. We walked from there over to the Crocker Art Museum, not with much time to do a larger sketch (such a tight schedule, and distances to cover!) but enough time to pop into the gift shop. Oh but I did get a sketch, of another sketcher in a red coat. And then we went to old downtown…

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Sac sketchbook p6

Old Downtown has lots to sketch, I really should go sketchign there more often. This time I decided to draw some of the fire hydrants, one with a yellow cap, one with a green cap. This was followed by fast sketch of the Pony Express statue, before we walked to the Amtrak station.

Sac sketchbook p8Sac sketchbook p7

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I sat with a couple of the people attending the conference, Penelope and Tatyana (I think one came from Texas, another from California, but this was in March and my memory has faded). It doesn’t take long to get from Sac to Davis, but there was a table and a defined amount of time to sketch. You can see from the window that the Causeway was still full of water, after all the rain we got last spring. I have sketched the inside of Amtrak trains a few times before.
Sac sketchbook p10

And then we got to Davis, with just enough time to draw that iconic and sketchable Davis building, the Varsity Theatre on 2nd Street. And then we relinquished our sketchbooks, and walked back to the UCD campus.

Sac sketchbook p11 (davis)

The books were shown at an evening event during the conference, I was unable to go to it, but it would have been fun to see how everyone else interpreted the afternoon. Everyone sketches at different speeds and with different amounts of detail; I consider myself a fairly quick sketcher but it was hard to keep up! My feet were pretty tired afterwards, and I needed a good rest that weekend.

sketch the day away

Amtrak to Bay Area
But before we get to the European trip, I still have some other sketches to post, other stories to tell. Galaxy’s Edge in June, San Francisco in July, and a whole bunch of sketches at an Indigo Girls concert that I probably won’t post for some time yet. I sometimes think that the blur of life is not a story worth telling, or maybe one not worth listening to, but I suppose that the reason I like to sketch is because everything is worth taking an interest in. Sometimes I’m not sure this makes a lot of sense. I like to draw to keep my habit of drawing sharp, to push myself further in my sketching, but mostly because I just like to draw things that I see. It is ok not to draw. It is ok not to feel the need to sketch experiences, just because we have the ability to do so. But drawing illustrates the world I live in. It gives me a chance to spend time looking, really looking, observing and understanding, even with my poor eyesight and distracted mind. I look at other people’s work and I get inspired to keep going, to do more, to expand my skill set and keep sketching, but it’s hard not to compare, to feel like I need to ‘catch up’, to get frustrated at my own deficiencies and inefficiencies, and forget what actually makes my own sketching unique to me. I go through phases where I’m highly uninspired by my own work, maybe it’s the paper, maybe it’s the materials, maybe I need to mix it all up again, maybe I am drawing myself into a corner. Other times I feel like I knock it out of the park inning after inning while blowing bubble gum. A few times I am so pleased with a sketch that I hear Hermione Granger’s voice in my head saying, “you’re a great wizard Harry.” Other times I get so frustrated with a sketch that I hear Severus Snape saying “ten points from Gryffindor”. Sometimes I just get bored drawing Davis; sorry Davis. If it makes you feel better I am sure I would get bored drawing London too, even London, if I lived back there. Sometimes I get bored of drawing, for about five minutes or so. What’s it for, all this sketching? Because I like sketching, that is always the answer. It’s not for a book, it’s not for a workshop or a demo, it’s not in the hope of selling it, it’s not for anyone else. I show it here because I think it’s important to share our sketches and inspire each other, as I always learned from seeing the sketches of others online, and seeing their progressions too, seeing how they learned. That is how Urban Sketchers started, and why one of the core tenets was sharing your work for others to see. We learn from each other. That’s why I like to run sketchcrawls as non-judgemental spaces, places to come and draw and encourage each other, just enjoy the art of location drawing. We pick up all sorts of things from seeing others work. My love of slightly shaky lines for example comes from something I saw Martha McEvoy doing on a sketchcrawl in Berkeley in like, 2007, and I just liked the style. Of course in the above sketch it’s partly because the train is moving but that then seeps into the sketch, as opposed to taking something away. The experiences you feel are part of the result. So anyway where am I going with all of this? Yes, why we sketch, or why I sketch. We humans are complicated beings and for me, sketching is mostly about finding my calm place. Sometimes I beat myself up about going somewhere and worrying about sketching too much, like I need a certain number of sketches before I can feel satisfied. Like as if I need to show people afterwards that look, I got five good sketches so it was worth expending the day, whereas actually I could have just spent a bit less time sketching and more time looking through the corners of that old bookstore. It’s good to find a balance. Often when I travel with my family I find the balance by getting up early and sketching before they wake up, or sketching when they are resting, or even after they have gone to bed I will go out and night-time sketch. Anyway, there are days, like on the 6th of July this year, when I get up super early and feel the need to catch a 6:25 train out of Davis and down to San Francisco for a day of exploring and sketching. So that’s what I did. Am I bored of sketching on the Amtrak train yet? Evidently not, so there’s the sketch, with a little bit of story to go with it. It’s not story in which anything happens, there’s no great anecdote or a hilarious yarn about a ticket inspector’s wig falling off and being stolen by a chihuahua, but nevertheless it’s words on a page. I have more sketches from the day to come, and I covered a lot of ground that day, but I’ll save all that for another post.

in between the storms

amtrak sketch feb2019

This is a bit different. I drew this from the window of the Amtrak and didn’t use pen, just paint and a bit of pencil, speeding away from Davis across the delta to Richmond. I haven’t got my scanner so I took a photo, hence the ‘no-scanner’ look to this. We had huge storms in California, really heavy downpours and strong winds, causing flooding in a lot of areas. The lands around the Delta were pretty bepuddled, and the dramatic skies in between the two rounds of the storm were something to paint. It was a stress-reliever to to this, it always is.

panoramtrakstation

Amtrak Station Pano Sept 2018 sm

Saturday afternoon and I needed to sketch more. Yes yes I have drawn everything in town and want a new perspective on the same things, I am not feeling super creative right now though, and finding little comfort in the usual sketching, i suppose I am just in need of another long journey somewhere far away with lots of interesting streets and angles, somewhere like Porto for example (but maybe without the tired legs). There are still views to discover here though. I have drawn the Amtrak station before, of course I have but never while stood behind that circular fountain feature outside of Tres Hermanas on 2nd St. So that is what I stood and drew, while listening to a History podcast (two guys talking about the extraordinary history of ordinary things, such as the ‘history of the lean’, or the ‘history of clouds’, a really fresh perspective not only on history but on observing the world and universe itself – the sort of thing I should really be thinking about more, in fact you might say it has inspired me to think more  like that, or rather, it’s inspired me to do that tomorrow. Next week). I needed a panorama. I must say I am using the softcover Stillman and Birn ‘Alpha’ landscape sketchbook and, while I do love the paper, I can’t wait to be done with this book. The softcover is starting to bug me. I need the hardback again. My next cued-up book is another Seawhite of Brighton book, then I’ll likely use the hardcover Alpha again. The softcover is fine if I’m sat at a table, and its slightly smaller scale means I can draw a panorama more quickly than in the slightly bigger hardcover. The way I stand though, it becomes awkward keeping it open, especially as I get further into the book. So, I’m looking forward to finishing it, which means I need to draw a lot more.

I’d really like to publish a book of Davis panoramas, that’s my intention. I’ve not worked that out yet, but I do have quite a few already. To see this one more closely, either move your face really close to the screen, or click on it and a larger version will pop up.