a change of zinery

sf zinefest 2010

After missing it for the past couple of years, I went on Sunday to the San Francisco Zine Fest. I like zines – I came across some a few years ago in a comic shop in Berkeley and was hooked, but I don’t find them very often. It was at the SF County Hall building, by Golden Gate Park. I arrived early (taking the longtrain journey down from Davis) and did some sketching around the Inner Sunset area, which I’d never explored before. I’ll post those sketches later. In the ZineFest, I took to some people sketching.

sf zinefest mohican sf zinefest woman sketching

This mohican/mohawked zinester just needed sketching. I don’t see mnay of those haircuts these days. There used to be loads in London years ago, now they are just restricted to postcards of Piccadilly Circus. It must take ages to do each morning. What if part of it flops down to one side at some point during the day, do you need to keep checking it in the mirror? These things would be on my mind, that’s why I could never have one (that and the curly hair). I didn’t ask, but thought it would make a great zine. Well, maybe not that great.

As I sketched, another woman starting sketching (she wasn’t sketching the mohican though), so I sketched her. Sketching is contagious.

sf zinefest folksI spent a lot of time flicking through zines, talking to the zinesters who created them, and eventually avoiding this after I realised I just kept buying zines and my bag was getting heavy. I liked a lot of the stuff which was personal and drawing-based, and funny. Not all of the zine world my cup of tea, of course. Overly wordy zines put me off a little, and some of the anarchist stuff wasn’t really my thing. Some which I thought might be good turned out to be not quite so good, while many others were real gems and revealed some everyday creativity, which inspires me so much. 

I have a phrase which I wrote out on a post-it note once and kept on my desk, “Every story is worth telling. But not every story is worth listening to.” and I thought of this often while flicking through the racks of zines. Actually, I prefer to transpose that sentence by saying, “Not every story is worth listening to, but every story is worth telling.” To me that makes more sense, and I like the attitude that even if there are those who aren’t all that interested in your story or picture or what you do, it is your story and if it matters to you then it’s worth it. Make what you like. Maybe someone else will relate to it. That’s why I appreciate zines, as little tangible hold-in-your-hand (and importantly, independent) pieces of someone’s personal story, mode of expression. (Yes, even the anarchist ones where they are describing kicking some BNP guy in the head at the train station.) One of the zines I bought that day was called ’31’ and described 31 things the author (Marissa Falco) liked (in drawing and photocollage), to celebrate her 31st birthday. I think I bought it simply because I related to the idea (and also because one of the ‘likes’ was a uniball vision pen). 

sf zinefest zines on toastsf zinefest continuedsf zinefest tom parker

I went to a couple of the workshops, one very interesting one on zine-style bookbinding (I am getting more interested in the idea of binding zines, and sketchbooks, as many of my fellow sketchers already do so nicely). Another of the workshops was a presentation by some fellow Brits, a group of zinesters who are touring the US zine events with their work under the title ‘Zines on Toast’. They are involved in the organizing of the London Zine Symposium, which looks great, and were recently in Portland (snap!) which as I discovered is like a mecca of zinery (Reading Frenzy being a highlight).

One zinester I was particularly hoping to come across was Joey Sayers, whose zine/comic “I’m Gonna Rip Yer Face Off” is what got me interested in zines in the first place, picked up at Comic Relief in Berkeley several years ago. Unfortunately I gave it away to my nephew and then forgot who wrote it. I was pleased to come across Joey selling her latest work, and I could only buy one (her latest collection of ‘Thingpart’ called “I wish you were dead”) as I’d spent most of my money on other zines. Her comics are ridiculously funny, after skimming one page I was cracking up where I stood. Without a doubt the best thing I got that day and I’ll be getting more; you should check out her site.

Will I finally come out with zines of my own? Yes it’s in the pipeline, I’ve long been thinking about converting my already-made little drawn serials into zines, and also writing others, zine-format specific. I’ve had a few ideas. Post-Portland I’m more serious about getting this done and out there. If I do, next year I might bring them with me.

dig it

machines

Construction Machines are an eye-turner for me these days. That’s because I tend to like drawing things I know my son will like. I was speaking to other parent-artists at the Sketching Symposium and they said even though their kids are grown up they still do the same. These machines have been outside my work doing some sort of building work for some time now, so I perched beneath the shade one lunchtime last week and sketched them, from the best angle I could find.

primary colors

outside the UCD bookstore

Did this almost a month ago (#catchingupwithallmyscanningtakesforever). I sat in the warmth (and it was warmth not heat, there is a big difference, and I hate that living in Davis means you think 90 degrees isn’t that hot) outside the UCD bookstore, which is where I buy most of my art materials, interestingly enough. Seemed a good place to sit and paint in primary colours. As I did, a summer student came and asked me lots of questions about wine for some survey he was doing. He was from Japan. I told him I was British, and he said, ah yes, Britain is a famous wine producer! No, not really, I said (I doubted he was very far into his enology course to think so). We make good trifle though. Completely unrelated but thought I should point it out. He even wrote it down.

and the mechanical wonder

3rd st gas/water pipes

I’m a little obsessed with these pipes I see outside buildings. I think they’re for water, or perhaps gas, or perhaps both. I’m not a plumber, nor a gas-man. They could be filled with Dr.Pepper for all I know. I like how they look, so I sat in the shade outside Ace Houseware and drew them.

It reminds me a little bit of the game ‘Mouse-Trap’. There’s probably a little cage and a tiny man diving into a bathtub right above this. I wonder if the people that put these together chuckled to themselves with the same thought.

mountain high

mountain road near roseburg, oregon

roseburg from the mountainsIt seems like there’s no staying away from Oregon this summer. We drove the long, long drive north, my third trip to the state in a little over six weeks.

We were in Roseburg this time. It’s quite mountainous there, and we were visiting a house at the top of a mountain. Beautiful countryside for sure, probably got bears and porcupines and mountain lions and all sorts of wild animals, oh my.

I took advantage of the incredible views to do some very un-urban sketching. Living in Davis, I don’t normally see inclines, let alone sketch from mountainsides.

This is historical logging country. We saw so many big trucks packed up with huge tree trunks. And there are a lot of trees.  Douglas County where we were was named after Scottish botanist David Douglas, after whom the Douglas fir is named. He brought back a load of North American tree species to Britain. Look at me learnin’ ’bout trees.

roseburgroseburg things

‘cos we only know that there’s gonna be a show

Earthquakes ticket

I forgot to post this when I drew it. Back in July, I went to see MLS outfit San Jose Earthquakes play my team from London, Tottenham Hotspur. It was fun, though a long way. Anyway, I got a phonecall from San Jose Earthquakes this week, which was a surprise. They were just following up on my recent visit to Buck Shaw stadium and wanted to see how my experience could have been improved. Welcome to America folks, seriously, can you imagine English clubs calling up everyone who went to their matches – including away fans – and asking about customer service? (Maybe they do these days?) Incredible, I was really impressed. I had actually enjoyed the day immensely and told the guy so (even mentioned that I cycled which helped me beat the post-game traffic). As for suggestions, I told him to ban Arsenal shirts (that got a laugh). I was going to say they should have gotten rid of their cheerleaders and had Ossie Ardiles sing a few half-time numbers (Ossie had been meeting fans in San Francisco the night before – how I wish I’d been there! As you know he was my childhood hero). Football football football.

the medicine chest of the soul

shields library, uc davis

I like symmetrical pages in my sketchbooks, and this one is opposite the G Street pub (not geographically, don’t go looking it up on Street View, it’s in the moleskine). Appropriately, it’s the UC Davis Shields Library, possibly the opposite of the aforementioned pub. Here you borrow books; there you buy beer. There you can listen to, well, not very good experimental bands, here you can read Ibsen. But, you can’t drink your beer in the library (not that I’ve ever wanted to), while you can read library books in the pub (now that I have done), but only if you sit near a neon lamp.  

ibsen on the shelf

I love libraries, especially academic ones. When we first moved to Davis I spent a lot of time in here, browsing the medieval language section. It’s very peaceful.

“A great library contains the diary of the human race.” – George Mercer Dawson

“A truly great library contains something in it to offend everyone.”  – Jo Godwin

where streams of whiskey are flowing

g st pub, davis

While I certainly prefer the beers over here on the American West Coast, the pubs just don’t quite match up to the ones we have back home. Sure there are some interesting bars here and there, but give me a London pub any day (but with Anchor Steam and Fat Tire on tap). This is the imaginitively named G Street pub in Davis. I can’t say I’m particularly a fan of this place (where the guy at the door comes and stamps your hand after scrutinising your ID, though you may be halfway through your first pint), I much prefer Little Prague further up the road. It does attempt to bring a little piece of north London verite to the mean streets of Davis however: the toilets are as bad if not worse than any you’d find in Camden or King’s Cross. Nonetheless, it’s a good place to come and do some drawing, bar staff are friendly and pour a good pint, and there is a lot to sketch.  Plus they have pool tables.

g st pub: drinkers

I wanted to practise drawing people, sure, but also bottles – I always have a bit of an issue with them, I rush the shape and scotch the symmetry. In fact, I have the same issue with people. Guitars too, funny enough, hence my hesitation at drawing musicians. I remember years ago studying art at school how often (especially in cubist painting) I’d come across still-lives of bottles, guitars and female figures, as though they were all aesthetically connected, which I think in a way they are. Practise is the only way. I’m pleased with how I represented the bottles in the image below though, it says exactly what I wanted it to. Not that I’d drink any of the contents; the shots here a big and potent. I’m a beer man myself. That tap on the right there is Anchor Steam, the San Francisco beer, very nice too. Mine’s a pint, if you’re asking.

g st pub :drinks

down the market

davis farmers market
musicians at the farmers marketI don’t go very often to the Davis Farmer’s Market. It’s not very big – not compared with the sort of markets I used to go to in London, Belgium, France – but it can be pretty busy, with lots of things going on. Because it takes place in Central Park, Davis, between two playground, there are always lots of kids and parents about, it’s very much a family place. There is a carousel, and people making balloon swords and dogs, and organic chocolate, and so on.  

There is usually music too, and so I sat and tried to sketch the musicians, very quickly.

Then I sketched the market itself, and look at me drawing loads of people! I am inspired by the symposium, you see. It’s hard to believe it was a month ago already! That means it’s only eleven months until the next one (in Lisbon).

I must confess, when I was a kid I hated markets. I hated being dragged around them, that slow walking, looking at stuff I was just never that interested in. Car boot sales were one thing, regular markets another, but I didn’t like any of them. The Saturday Market in my native Burnt Oak I hated, accessible via an old alley and piss-slippery steps. I remember going to Chapel Street or Church Street or one of them as a kid, pretty young I was, and stopping at a Pie and Mash shop afterwards and throwing up (I hate pie and mash too; some cockney I am). Then there was Wembley market, a gargantuan affair clustered in the shadow of the stadium, my enduring memory of it being so packed all I could see were people’s behinds, all those people at Wembley without the excitement of seeing an actual football match. I got tall, and still avoided markets (and Camden Town station on a Sunday), but I did learn to appreciate them when I lived on the continent: the one in Charleroi which covered the entire town on Sundays, the near-daily ones in Aix which were always better places to buy food than the stores, that amazing one in central Munich with beer and wurst and music everywhere. These helped me enjoy the markets back in London more: Borough, Portobello, Spitalfields. Next time I’m back, I’ll probably sketch them. I still don’t like crowds, but (since sketching the market in Portland) I’m getting more excited about sketching markets as important places of human existence. (Well, I say that now…) 

trainspotting

train engine in davis

I sketched at the Davis Farmer’s Market today (I’ll post that later; all my sketches are being posted in nonlinear fashion these days while I catch up with my backlog). I missed my bus home by mere seconds, so had to wait an hour for the next one. The bus stop is by the railroad, and I noticed a cool looking engine parked about a block away, near 6th Street. I sat by the lumber yard and sketched away. It’s from the California Northern Co; if I’d had more time I would have sketched the whole thing, from side view. If it’s there again I will do so. I was pretty pleased with this drawing, so I couldn’t wait to post it.