a peek at the Peveril

August 16, 20161 Comment

“It is these little passages of secret history, which leave a tinge of romance in every bosom, scarce permitting us, even in the most busy or advanced period of life, to listen with total indifference to a tale of true love.”
That was from Sir Walter Scott’s classic novel, Peveril of the Peak, which up until visiting this pub in Manchester, I had of course never heard of. I thought Sir Walter Scotts were something you drank beer out of. It turns out that is kind of right. Peveril of the Peak was the colourful and yet old-fashioned pub was the nightly location of the Drink and Draw, set upon by scores of sketchers inside and out during the few days of Symposium. I sketched it outside (see above) alongside many other sketchers, several seated, others lined up across the street. Take a look at 13 other takes on the pub, collected by Suhita Shirodkar on the Urban Sketchers blog. I’ve seen many more online, each as outstanding as the next. I do love to sketch a pub, as you might have noticed if you have followed my blog at all. I think it’s the classic air of social interaction. I just can’t get that in a restaurant, and hardly ever in cafes either (most cafes I ever go into these days, people are just buried in their laptops). I sketched people as well; at an urban sketching symposium I am much more inclined to do that than at other times, and so I practiced as much as I could. Below, two of my long-time sketchblogging heroes, back from the early days of Flickr, before Urban Sketchers: Andrea Joseph and Jason Das. Now Jason I have known since meeting him in Portland in 2010, and he is an especially cool bloke and an inspirational artist; check out his site jasondas.com. Andrea Joseph I had never until now actually ever met in person – I have her zines and have followed her amazing drawings for years on her blog, so it was wicked to finally meet her in person. Here they are chatting away about music outside the Peveril…

Now I did sketch other people, not all on the same night. Here are a bunch of people who were actually non-sketchers (I know, I was surprised to meet non-sketchers as well, after hanging around five hundred people tooled-up with Micron pens and Leuchturms I had forgotten that other people could even be non-sketchers). I did chat with them and gave the statutory “would you mind if…?” before sketching, and I think they really liked them. For all they knew they were probably drawn about 50 times by others in the pub that evening.

Actually I think the bottom right lady was either a sketcher or with a sketcher; I forget now. California, I believe. The others were locals. On that evening in the Pev, as people would call it, two Portuguese sketchers Vicente Sardinha and Nelson Paciencia, hosted a special Drink and Draw in which they actually made very cool handouts, which gave tips on sketching in a pub (“Sketching while Sober” I think it was called). Then those that took part in the activity all gathered and did a show-and-tell, it was pretty nice. My personal tip for sketching in bars is this – if you draw the bar-staff, draw them busy!

This group of sketchers from around the world was sat in a little ante-room inside the Peveril. They are Tine Klein from Switzerland, Suma CM and (sorry, I forgot to write down your name!) from California, and Mark Leibowitz from New York; unseen is Daniel Nies from Germany, sat to my right, but that is his hat. I sketched them and chatted; I had met Mark in Barcelona in 2013, a lovely guy; I unfortunately missed his presentation on the final day due to getting lost in a sketch (that happens), but I hope to sketch with him again in NYC some day. Suma lives in san Jose so hopefully we’ll sketch together in SF some day; she did come along to the London sketchcrawl as well. After this, I moved into the main bar, and had barely an hour to try and sketch an interior panoramic – as you know, that ain’t long enough, but I dashed through it!

Click on the image to see it in more details.There is Arno Hartmann in the middle there, excellent architect from Germany who was at the Symposium teaching a workshop on 360 degree sketching, really nice to meet him. At the end of the bar, two fellows who were drinking and dancing along to the music on the jukebox – here I must say that I was singing along too, for the music was pretty wicked. I live in America now, I don’t hear the Small Faces, the Jam, the Pistols, Pulp, all those being played at the pub. This was like going back to the great Soho pubs back in the 90s, just all my faves being pumped out all night. I got conversing to the people sat around me; a couple attending the symposium from Austin, Texas (well one sketcher and her non-sketcher hubby, who also loved his music, but was more a fan of Death Metal than David Bowie), plus another couple who were up from Luton. There were local art students there telling us about Simone Ridyard’s books, and the beer was tasty (and a lot cheaper than London). And all around people still sketched away, every single night. On the Saturday evening we ended up there again. I gifted a man we sat next to a quick sketch of his building’s front door (he lived in an apartment opposite the pub), while I unashamedly wore my Captain America hoody with the hood up (just for photos though…), because much of Manchester was dressed up in costumes for that weekend was the city’s Comic Con. I saw an absolutely perfect Squirrel Girl earlier that day and really wish I had sketched her, but I was busy drawing a building. I was one of many Caps. Here I am below with Jason; dear oh dear. Months ago, I had pledged to Simone on the USk Manchester Facebook group page that if I somehow managed to get tickets and time off to attend, I would come dressed as Captain America. Well, I kept my word…

And on that silly note we conclude our trip to the Peveril of the Peak. Stay tuned for more Manchester sketches and stories…

Capturing the Crowd (with James Richards)

August 16, 2016August 16, 20164 Comments

The second workshop I attended at the 7th Urban Sketching Sympo – er,”USKManchester2016″, let’s just call it (that’s the official hashtag by the way, #uskmanchester2016, if you happen to be on Twitter, Facebook, Instagram, MySpace, well maybe not MySpace, anyway all those so-called media sites (that is the term right?), just use that hashtag and you will find everyone else’s Symposium stuff. It’s pretty damn wicked.) Sorry, just interrupted a sentence to shorten it with a longer sentence. Ok. The second workshop I took in Manchester was called “Capturing the Crowd“, taught by James Richards, assisted by his wife Patti, and held up at Albert Square (no, not that Albert Square, a real and much better one).

Jim is an excellent teacher who went through everything step by step, how to construct a scene with a crowd of people in it, tips on detail and colour, tricks for poses and perspective. I’d not met him in person before so it was a real treat to learn from this master, especially as I have been trying more and more to add crowds of people into my location drawings. The only thing we didn’t really have was a crowd – that afternoon was pretty rainy (hello Manchester!) – but that wasn’t a problem. People were always walking past, and if you draw enough of them, then voila – you have a crowd!

There is Jim on the right there, I managed a very quick sketch while he was going over the mechanics, as it were. He was extremely well prepared. Now I won’t go over every aspect of what he taught us, but if you pop over to Jim’s website, he has put together a thorough step-by-step demo.

Here are the first quick sketches I did in the workshop, just rapid sketches of people as they passed by, working on poses and using people to create perspective. The final drawing I did is at the top – I stuck around the finish it after the workshop had ended. The rain didn’t last all afternoon, though I stood beneath an arch. I did bump into former USk London sketcher and animator Nathan Brenville, who was visiting family in the north (he now lives in Madrid). He has a colouring-in book coming out soon which is all about Maggie Thatcher!

Capturing the crowd sketches sm

Key points I took away:

Go with the basic eye-level as the point to draw the heads in your crowd – the bodies will shorten as they get further away
Only the front ‘row’ of people need to have details – beyond that, simple people shapes – and bring some people right up close in your sketch, to add to the depth
Legs overlap a lot so many figures walking towards or away from you will appear to have one long ‘upside-down-triangular’ leg
Add a few different colours to peoples’ clothes – even if all the ‘real’ people seem to be wearing shades of grey, a few bolder colours will make all the difference
Yeah Manchester really does like to rain
I should look at a map and not just use the force*

Cheers Jim! Check out more of his lovely work at www.jamesrichardssketchbook.com/

*Ahem. After this I was supposed to meet up with other sketchers at the Peveril of the Peak pub, but I totally got lost TWICE. Even after being given directions. I made it eventually…

Cars in the City (with Lapin and Gerard Michel)

August 15, 2016August 15, 20166 Comments

The 7th International Urban Sketching Symposium kicked off on the Wednesday evening with a big gathering at Manchester Town Hall in a huge, wonderful room that was not unlike the Great Hall at Hogwarts, but more ornate and elaborate. I didn’t however take any photos or do any sketching, busy as I was meeting with old friends and chatting away. I did got for dinner afterwards and sketched there but I will post all the ‘dinnertime’ sketches separately I think. I’d like now to dive into the Symposium itself – above is a quick sketch I did of the first morning introduction session, with Simone Ridyard, Elizabeth Alley and Omar Jaramillo there. It was time to go and sketch, and my first workshop was one I was really looking forward to: “Cars in the City“, with Lapin and Gerard Michel.

Yes indeed. I’ve known Lapin and Gerard since the first Symposium (though have followed their work since the start of Urban Sketchers), both have very different approaches but have a big love of drawing cars, especially classic vehicles. This workshop of course was originally to be co-taught with Florian Afflerbach, the great sketcher of cars who sadly passed away earlier this year. I took a workshop Gerard and Florian co-taught in Lisbon, teaching me a lot about perspective. While this workshop was not necessarily about large scenes and mastering vanishing points, the workshop did focus very much on how the eye perceives the world based on our distance from what we are sketching, and Lapin and Gerard did a good job of showing us what they mean.

Our first assignment was to sketch a car from a distance of about a metre or so, maybe a little more. The view of the car would be more typical, and they gave us an example of how to work out the shape using simple boxes. My first car happened to be a Mercedes, and I drew in pencil (thinking again of Florian), keeping a little way back from the car, crouched, as it looked very much like it might rain. Oh and by the way it certainly did rain.

So we found a car-park not too far away which was sheltered beneath an overpass, and sketched in there. Lapin asked us to sit very close to the car we wanted to sketch – the closer you sit, the more warped the perspective would start to look. This is a good rule for perspective – you position matters enormously, and even slight changes to your position can alter the perspective of what you are drawing immensely. I found a blue Ford Focus – hardly a beautiful car but still attractive for the sketch’s purpose. I drew my reflection in it and also changed the number plate to something more fitting the Symposium. Lapin came and said, sit even closer! I was pretty close, but still two feet or so out – he suggested going right up to the car, and seeing what happened. His suggestion to the class was that we don’t think about perspective rules, rather, just see what is in front of you as a series of shapes, and draw the shapes, letting the picture unfold itself. For my next car then I chose a Rover 400 (below), a more classic British brand, and sat right up to the headlight.

Well I think you can see the difference! Immediately everything bends that bit more, yet the sketch really starts to pop out. This is something I would like to try a bit more. We ran out of time before I could add colour, and we had a little gathering to discuss what we had learned, but the parking attendant in charge of the car-park came along and booted us out; I guess the car park is private property, but it was good shelter from the rain. We moved along to a spot around the corner for the final part of the workshop, drawing cars with the city around them. This was very much Gerard’s part of the class and he showed us some examples; including the cars in the foreground of the sketches helped to add depth but also some foreground anchor to help understand the perspective of the scene. there was a nice spot away from the rain next to an office block, showing a clear view of Manchester’s skyline (thanks to a building having been demolished, I believe it was something to do with the BBC). We did go into the building and ask permission to sit beneath it and sketch, and they were fine with it. It was a very interesting view, with the Palace Hotel there, but oh so rainy.

Key points I took away:

Your perspective of an object curves dramatically as you get closer to it
Use box shapes often helps figure out the car’s overall shape
Draw the scene as the shapes you see and the perspective often figures itself out
Manchester really is quite rainy

Many thanks to Lapin and to Gerard! Awesome instructors!

de vere’s from left to right

August 13, 2016August 13, 20161 Comment

Actually, before we get back to Manchester, here is a sketch I did last weekend right here in Davis. Click on it for a closer view. This is De Vere’s Irish Pub on E Street, which eagle eyed observers will have noticed I have sketched before. I did some thinking about the old curvilinear perspective recently, and how I need to really get it into the sketches more. I do anyway, of course, but I haven’t been doing many where I get both the left and right vanishing point into the picture, so that’s what I did here. I needed to practice it again somewhere familiar, so it was back to the very middle of the bar, similar to the first time, back in 2011. I coloured the page first in a red and orange wash, for some reason, meaning I ended up with a peach coloured background. This took about two and a half hours, or three pints of Smithwicks. It was strange not to be sketching at a bar where every single other person was also sketching (like the Peveril of the Peak!). I had just been to see Suicide Squad, which was, well it was better than Batman v Superman, for sure. A terrible plotline with a lot of problems, but overall not an unwatchable movie, and both Will Smith as Deadshot and Margot Robbie as Harley Quinn were good. Jay Leno as the Joker was very different from the other Jokers, not awful but the jury is out for many, though I am well impressed at how different Jay Leno looks from his cuddly talk show persona. I do like the post-movie pub-sketch, with all the sketching ideas bubbling around my head from Manchester sometimes you just need to unwind and get them out. The first few days back my sketching was a bit of a choke but with this and others since I have kicked back into gear, and now I’m heading towards my sketchbook show at UC Davis this Fall, “Conversations with the City”. Details to come soon!

shirts, shorts, socks…

August 13, 20164 Comments

In a few hours, finally, the football is back. I know you are thinking that only five minutes ago we had Euro 2016 and yes, sure, and of course the Olympics is going on, and right, ok if you can get past all the swimming and gymnastics, sure there is technically some football going on, but tomorrow the Premier League starts a new seson, Spurs will be back, and all will be well again. Last season was so fun. Leicester winning the league, Spurs having a blast, Mourinho getting sacked, Villa finally going down, it was a Rollercoaster within a Helter Skelter within a, er, Ghost Train? Waltzers? This season the Big Boys are hoping to be back – United have Mourinho (didn’t he, last season, er..), City have Guardiola, Chelsea have Conte, there’s Zlatan, Pogba, and of course Arsenal have bought…er… This whole silly soap opera of the Premier League is back and I love it. I’m so cynical about everything else in the world (seriously, how many swimming events are there at the Olympics, does Phelps get extra gold medals just for taking a shower afterwards?) but for this I am as excited as I was when I was ten, and of course what I love the most are all the new kits. And so as is now becoming tradition here is the first of three posts going over the new outfits for the season, along with, I dunno, a prediction based on nothing whatsoever. For those of you who enjoy reading about football kits / soccer uniforms, read on! For those who don’t… I’ll be back posting my sketches from Manchester tomorrow. All of these kits were drawn by me in old-school MS Paint, and are presented in the order they came in last year’s Premier League. I’ll try to keep it brief.

PREMIER LEAGUE PART ONE: THE TRULY MAGNIFICENT SEVEN

LEICESTER CITY: Leicester 1617 Last season I predicted that Leicester would be champions. No, no I didn’t. I said they’d either go down (sad Lineker face) or stay up (happy Lineker face). Lineker himself promised to present Match of the Day in his underpants if the Foxes won the League. They only went and did it. Everyone loves Ranieri. Vardy couldn’t stop scoring. Mahrez tore teams apart. They surely can’t do it again, can they, but…you can’t rule out Vardy and the Foxes. Their kits this year are in Leicester’s typically straightforward, nothing silly fashion. The subtle pattern on the shirt is similar to Slovakia’s in the Euros, but otherwise is smart and classy. They ARE the champions.

ARSENAL: Arsenal 1617 In case you were not aware, Arsenal came second last year. Nobody is quite sure how that happened, but it did, and Spurs came third. I was annoyed because Spurs haven’t come above Arsenal for about twenty years, and it came at the end of a season when Spurs were generally mercurial and Arsenal were generally stale, but the table doesn’t lie. I think the impression I got from the players is, 2nd and 3rd, who cares – it’s not 1st, and both go straight into the Champions League, so it’s practically the same – let’s get ready for the Euros. Anyway Arsenal’s kit – the home kit’s collar is a throwback to the team of 92-93, remember Tony Adams dropping Steve Morrow? They won a couple of cups that season, and looking at the table that year, oh, they came two places below Spurs. Away kits are pretty nice. Prediction: Wenger’s final year, but they won’t win it. Maybe.

TOTTENHAM HOTSPUR: Tottenham 1617 If you have ever followed me on Twitter, you will be well aware this is my team. Last season was epic, albeit ending on a down note, but a year ago if anyone said “Spurs will come third” I would have bitten their hand off and thrown away the key. Kane, Alli, Lloris, Alderweireld, Dier, we were so much fun to watch. Spurs will be in the Champions League this year but playing at Wembley, as part of White Hart Lane is already gone, with the rest being demolished at the end of the season. We move into the new ground, being built over part of the current one, in 18-19. This year’s prediction…third would be a very big achievement again, to be fair – we have enough to go all the way, we have a pretty sharp and solid team, bolstered with new boy Jansson, but those billionaire Big Boys want their cake back. Our kits are absolutely lovely. I have so enjoyed the Under Armour years. The home kit is superb, but the away kits are classics. I have the third kit, my son has the second kit. We kick off tomorrow away at Everton. Come on you Spurs!

MANCHESTER CITY: Man City 1617 City have a new manager in Pep Guardiola, who has long been coveted by England and finally graces us with his tiki-taka. Being at a club funded by billionaires should make the transition from the biggest club in Germany and one of the two biggest in Spain that bit easier for him, though England is slightly more competitive, and he won’t necessarily walk it. City have a very strong squad though, which probably just needs a bit of managerial know-how. So their kit is ok, the shirt is stylish in that Vapor template Nike really loves, but there go Nike with those different colour socks gimmick they are beating the hell out of this year. The away kit takes that catchphrase even further with unusually wild yellow socks. Verdict? They will get better than fourth, but might not win it.

MANCHESTER UNITED: U Man Utd 1617 nited sacked Van Gaal, and brought in Jose Mourinho. Not content with one massive ego they bought Zlatan Ibrahimovic, who makes sure he is at a club that will win titles every year (I’m surprised Zlatan didn’t sign for Michael Phelps). Then they spent just under a hundred million quid on Paul Pogba, who they let go a few years before. They really really want to win the league again, and sure, they might be in a position to now…but do you remember Chelsea sacking Jose last year? So their kits. The home shirt is bizarre, having two halves of different reds, with a honeycomb border down the middle (I now know that this is because the bee is the symbol of Manchester, hence the honeycombs). The pattern comes up again on the sleeves of their third kit. The second kit is nice; my image doesn’t do the blue pattern much justice, but it’s a nice shade, and I like a United away kit in that sort of blue. Will they win the league? Probably, or maybe not – they have the Europa League to worry about first…

SOUTHAMPTON: Southampton 1617 Ronald Koeman has left, but the Saints have been a decent team the past few years so I expect that to continue. Actually I don’t know. I do know that I love their kit. Under Armour have taken over and this home kit is an unusual design, but it feels like the sort of thing Southampton would do. Even the sponsor works well. Their away kit of grey and dark grey is a little less inspired but looks alright. I bet you anything they get a third kit before the year is out. Where will they finish up this year? Top ten, I reckon. I don’t know. I think when you get to this part of the table you kind of stop caring. They might make Europa League, or they might not. I’m not making for a good pundit, am I.

WEST HAM UNITED: The Hammers left the Boleyn Ground last season as you probably heard, and have moved into the Olympic Stadium in Stratford. That will be an interesting change for them. Their kit is standard claret top with blue arms stuff, nothing fancy. The special commemorative third kit, which is not an all black kit but very very very dark blue, refers to their founding as Thames Ironworks FC (TIWFC), who wore dark blue and one time had a British flag on their chest. West Ham have simplified their badge to just show the crossed hammers once more. Also they have added the word “London” to the badge in case people don’t know which city West Ham is in. Other London clubs have yet to catch on to this, causing massive confusion among the tourists. I doubt it will be a classic first season at Stratford, but a healthy mid-table should do it.

Okay then! If you got this far and found it vaguely interesting then you are in luck, part two will come in the next couple of weeks with part three following after that. In the meantime, back to the urban sketches…

Mancunian Street Sketchers

August 11, 20161 Comment

Two weeks ago, I attended the 7th Urban Sketching Symposium in Manchester, in the north of England. I went as a “Workshop Pass Holder”, which is the full access pass, though of course there are so many workshops and activities there is really only time to do a few, but I certainly packed a lot in. I had never been to Manchester before, and had no idea what to expect. It was pretty awesome actually, lots of sketchable buildings, lots of old pubs, and yes, it rained almost every day. Well you’re not doing Manchester properly if you don’t get rained on a bit.

When I first arrived, I checked into my apartment at the Atrium on Princess Street, did a bit of shopping at Sainsburys Local,and then sketched the magnificent Palace Hotel, above. I had intended on colouring it in but when I was finally done, I preferred it like this. Also, I needed to go and check in at the Symposium venue, the Manchester School of Art. I enjoyed sketching this; I stood beside a group of Jehovah’s Witnesses and I chatted to one of them, a nice chap who told me about his passion for photography, but that he hadn’t done any drawing in quite a while. I told him that Manchester was about to be flooded with hundreds of people out drawing the streets, sketchers from all over the world. As yet I had not seen a single one, but as I thought about that, I bumped into Vincent Desplanche, a prolific French sketcher who I met last year in Strasbourg. I stood with him and sketched the Oxford Road station and this curving picture house on the corner of the street. I was moved by the words on the sign which read, “Thanks for 30 years…see you at home.” To see old cinemas closing down like this, beloved old buildings falling into disuse by the swift steely march of modern times, and with that big crane in the background, and the touching, sad sentiment of “see you at home” obviously being some reference to the fact people don’t go and watch films any more, they stream them all nowadays, sitting on their armchairs and microwaving popcorn, where is the community, where is the shared cultural experience, oh then someone pointed out to me that “home” meant “HOME”, not “home”. “HOME” is a big new arts, theatre and film complex just down the street, and I guess the cinema was just moving there. Well. Now I know. So much for my poignant image, people streaming by on their way “home”.

Here is a map I added to my sketchbook. I will be documenting my time at the Symposium in a less ‘chronological’ and more ‘themed’ type of way, with a post for each of the workshops I attended, including what I learnt and a bit about the instructor, as well as the social gatherings, sketches of pubs, and other miscellany. I will probably post these all over the next week or so, but will also be posting current sketches as well. Oh, and the football season is about to begin so expect some new football kit posts too. I’ll also do a couple of posts about the exciting upcoming projects coming from me this Fall. I will also ramble on about some nonsense you don’t care about, make a few terrible puns, and explain why proper north-of-England chips in gravy is the best food ever.

round our way the sun shines for ya

August 10, 2016August 10, 20162 Comments

Before I dive into the Manchester posting I thought I would jump back to the present day (Manchester was like less than two weeks ago) and show you some of what I’ve been doing since I got back. Here is Davis Community Church, on 4th Street, sketched while squeezing the curving perspective lines to fit the image in. In truth I wasn’t actually squeezing them – this is how they looked from where I was standing. As you get closer to a building those parallel perspective lines to curve more. I have wanted to redraw this building for a long time so this was a fun way to do so; after taking Paul Heaston’s workshop in Manchester I realized I need to squeeze in those perspectives even more, to get the bigger picture. I had just gotten my hair cut (finally! it was too long while I was in Manchester, too long for me) and the weather was hot but not bad. My body was aching and tired still after my trip back, my back being still a bit stuff from the cramped journey across the Atlantic. Although I complain there’s nothing left for me to draw in Davis, it’s still nice getting back to the old familiar streets.

Dinosaurs at Knebworth

August 10, 2016August 10, 2016Leave a comment

While in England, I went with my Mum, my sister Lauren and my nephew Sonny to the grounds of Knebworth House, in Hertfordshire. I had never been before. It’s very nice. There is a maze, and some incredible wooden goblins and fairies and things carved into tree stumps. You would like it. We never went into the house itself though.

What I liked most though were the dinosaurs. The Dinosaur Trail winds through some of the woodland area, and those dinosaurs and prehistoric beasts are in some cases enormous. There are 70 of them in total, and so my nephew and I started to draw them. Here he is below, sketching a Scolosaurus. He did a lot more drawings than me – the speed of youth, eh! – but I sketched a few of my old favourites. On the left there is a Corythosaurus, which I didn’t colour in. I used to have a model of a Corythosaurus when I was a kid, I remember gluing it all together, and I loved it. I really loved dinosaurs. My son for example thinks they’re ok, but whenever we go to the Natural History Museum he is usually more interested in rocks and geology, that is his passion. When I was little, it was all about those dinos, man. I still have some of my old dinosaur books, with their out-of-date depictions and dramatic paintings. One of them was an Elasmosaurus, which they did have a model of at Knebworth, but I sadly did not draw. Those things were terrifying. Below though, probably my favourite dinosaur, the Styracosaurus. Any animal that can have that many spikes on its head is a friend to me. It looks like Keith from the Prodigy. It’s a total fantasy creature.

Below, the old lovable Triceratops. The original king of the Ceratopsians. My horns face forward, laughing boy, so don’t get cocky or you’ll find yourself turned into a Tyrannosaurus Kebab! They both have those big parrot-like beaks. Hey I tell you who does know a lot (and I mean a lot) about dinosaurs is the fellow who made an appearance in my last post, Paul Heaston. He once even made an amazing model of a feathered Deinonychus (another of my favourite dinosaurs). Here is an interview with him from 2012 on the fantastically-named website “Love in the Time of Chasmosaurs“. Up in Manchester, another dinosaur-loving artist Lapin mentioned to his “Cars in the City” workshop (images posted soon) that all sketchbooks should contain a car…and at least one dinosaur. I agree. DINOSAURS RULE!

Incidentally, today happens to be 20 years to the day that Oasis played their massive enormous gig at Knebworth. I never went to that myself (I never did see Oasis live, though a massive fan – I saw the Sex Pistols at Finsbury Park in ’96 and it was great but totally did me in for big music crowds). Lots of old rock bands played Knebworth over the years, the Rolling Stones, Led Zep, Genesis, and above are some drawings of some other old dinosaurs.

down the grafton with james and paul

August 9, 2016Leave a comment

On the Monday I was back in London, I took my Mum to afternoon tea at Fortnum and Mason’s (always fun), and in the evening I went down to the Camden area to meet up with my good friend James, and my fellow urban sketcher Paul Heaston. It was actually the first time I had ever met Paul in person, having followed him for the best part of a decade online since the early days on Flickr and Urban Sketchers, always been one of my sketching heroes (and a fellow ginger sketcher). So it was great to finally meet him, and he is a super nice dude as well. It turns out he loves the Beatles as much as James and I do, so there was a lot of music talk. We went down to the Grafton Arms in Kentish Town and sketched in there, silly jokes ahoy, and Paul showed us his remarkable sketchbook, full of extremely accurate curving perspectives and highly detailed interiors. Blown away and inspired in equal measure. I sketched the above scene, and also drew my companions (below). A fun evening out in north London.

And here are a couple of action photos, the first sowing Paul’s great skills of fitting everything in, the second showing me with that thing I apparently do when I am drawing, poking my tongue out. My son does that when he plays soccer so it must be a Scully thing.

Oh, and James and I did our Panini football sticker swapping for Euro 2016. Business sorted!

Sketching Wren’s London – 2016

August 7, 2016August 7, 20167 Comments

On Sunday July 24, a lot of us gathered outside St.Paul’s, and then dispersed and sketched Christopher Wren’s London. It’s the second time I have run a Wren-themed sketchcrawl, and the fourth themed ‘crawl I have hosted in London since 2012. I’m already thinking of themes for next year! As in the past, I created special handouts which included a hand-drawn map showing all of the Wren churches (and other buildings) within the City boundaries. There are a couple of Wren’s City churches not showing, only because I didn’t stretch the map far enough north, and of course it shows none that are outside the Square Mile; perhaps we’ll sketch all of those next time! Here is the map:

Sketching Wren's London Booklet MAP

We started at 10:30am outside St. Paul’s, and I gave a little historical introduction (see this photo by James Hobbs!) talking about London leading up to 1666, starting with the beheading of Charles I, which many English people believed had brought a curse upon them, manifesting in the year of the beast, 1666. That was the year of the Great Fire of London; I won’t tell the whole story here, you had to be there. We were joined by a good number of people from around the world who were in England for the Symposium, including my Portland sketcher friend Kalina Wilson (Geminica). I met a lot of great new people that day too, as well as old friends. It was very international – in addition to the UK and the US, we had sketchers from Singapore, Hong Kong, Italy, France, Pakistan, Luxembourg, China, This was day two of London’s Urban Sketching pre-Symposium, and it was a little cooler, and a lot calmer than the previous day in Trafalgar Square. I do like the City on a weekend.

In 2014, I sketched seven Wren buildings in one day, and my ambition was to sketch more. However, you sketch what you can sketch, and I’m pleased to say I at least matched my previous haul. I did use more pencil while sketching than usual, something I am doing more. First off though I sketched the Temple Bar gateway in pen. This was originally down at Fleet Street at the entrance to the City but removed many decades ago, only to sit languishing in Theobolds Park near Cheshunt. It was restored and placed next to St. Paul’s just over a decade ago, forming the entrance to Paternoster Square. It was from that still-shining-new plaza that I sketched St. Paul’s itself. I have always struggled with the great domed cathedral from this angle but that’s ok, you have to draw St. Paul’s.

Next up, a couple of neighbours to St. Paul’s. First of all, St. Augustine’s Watling Street, largely destroyed in the Blitz. I sketched this in pencil from the gardens of St. Paul’s churchyard while talking to my old friend from high school, Joan Uloth (check out her Instagram) and Beliza Mendes from Luxembourg. I really want to sketch Luxembourg, I met more Luxembourg sketchers in Manchester.

Then I sketched St. Nicholas Cole Abbey, which is visible across the street (now that the building that was in the way has been demolished, that is).

This one was sketched across a busy street, St. Benet’s Paul’s Wharf, the church where they hold the sermons in Welsh.

Ok this next one was sketched from an angle and with the very loud and quite chaotic bells ringing. St. James Garlickhythe (haunted by “Jimmy Garlick” who sounds like an old washed up musician from the early 70s). I did the old paint splatter thing because the great Tia Boon Sim from Singapore was on the sketchcrawl and I’ve always been inspired by her paint-splatter styles. It seemed appropriate given the noise of the bells!

My final sketch was of the neighbour to St. James, which is St. Michael Paternoster Royal. What I loved about this crawl was that wherever I went there would always be at least one or two other sketchers there busy plugging away. This by the way is the church where legendary (but historically very real) Mayor Dick Whittington (he of the cat and the pantomime) was buried. Nobody knows where his grave is now though, but while Wren’s tomb says “Look Around You” I presume Whittington’s tomb says “Look Behind You”.

And then we met up at The Monument, to look at each other’s sketchbooks. Of all the people that made it to the finish (and quite a few did not; I checked the number of maps given out and I think we had around 80 participants total), we got together and I read out the names of each Wren building, asking sketchers to raise hands if they had sketched it.

You’ll never guess – we sketched ALL OF THEM. Every single one! Great job, London sketchers!!!

Here are a few photos from the end. You can see more at Urban Sketchers London (JAmes Hobbs has posted a nice set “In Wren’s Footsteps“) and on this Flickr set “Sketching Wren’s London“.

Afterwards several of us went to a pub near Borough Market for a post-sketchcrawl-pint. I sketched two sketchers, Rachel and Jimmy…

And here is the final group photo at the base of Wren’s Monument to the Great Fire! Can’t wait to sketch with Urban Sketchers London again in the near future. So nice to meet so many new sketching friends.