I started a new sketchbook, another watercolour Moleskine, but this time in portrait mode rather than landscape format. That’s a change for me; I’ve used so many landscape format sketchbooks, indeed in the ‘official’ numbering, I’ve had 50 which I use as my main sketchbook. I’ve used other portrait sketchbooks outside of the numbering, oh it gets complicated. But I have decided that this book will officially be number ’51’ in the list as my main sketchbook, and I will use portrait formats from now on, at least until I get bored and go back to landscape. None of this is even slightly important to you. But I like to categorize my books, and if you want to see them all listed in one place, go to the Sketchbooks page. Anyway, I wanted to start this one in Davis rather than on my London trip, so I sketched this sculpture on the UC Davis campus, the one on Mrak Lawn called “Shamash” (Guy Dill, 1982). It was bloody hot out, but nothing compared to how hot it’s going to be here this week. Oh I’m back in Davis, here comes the very long and very very hot summer. I need to go somewhere else now. I’ve sketched this gateway before. I have never walked through it, I don’t think I have the courage. That’s the Arts building in the background. The library is nearby. This is a gateway into a new sketchbook; having already nearly finished the book (I sketch a lot when I’m travelling, and when I’m not), it’s a gateway to a new format that I’m enjoying. It’s good to do something a little bit different.
Month: June 2024
let’s draw davis at the farmer’s market, again
The weekend before our London trip, I held a small sketchcrawl in Central Park Davis. It was a hot morning already, and the Farmer’s Market was in full swing. I sketched the bustling scene above, with the accordionist standing on a box playing Studio Ghibli tunes and other songs to the shopping masses. Markets are good places to sketch.
I drew the four lads above all seated in the shade while another musician played her guitar nearby (below), four Dortmund fans waiting for the Champions League final against Real Madrid which was starting at midday, I would be dashing off at the end to catch it. Well, two of them had Dortmund shirts, the other two wore a Brazil shirt in yellow and an F1 Mercedes shirt in black, close enough. Spoiler alert, Dortmund lost, Real Madrid always win.
The last sketch I did was with the brown fountain pen stood in what shade I could find in the Central Park Gardens. We all met up at the end by the US Bicycling Hall of Fame, there were only about five of us, but we’d done some good sketching. I needed to get some done, I was a week away from my trip for which I felt woefully unprepared, and had a mountain of work to do before I left (and after too; I’ve barely scratched the catch-up yet, after going back in yesterday) so was feeling pretty stressed out, and needed some relaxing sketching time. Not sure when the next one will be scheduled but hopefully not too long. 
And finally, something different. I came back a couple of days later armed with a set of gouache paints, as I’ve never used those while out urban sketching before. I sat by the Central Park Gardens and sketched the bench, tree and flowers; bit of a struggle to be honest, not quite what I expected, but I’m determined to play with the gouache at some point, just try something else out for a change.
Now I am back from London, the massive scanning project of all those travel sketches begins…
up the fillmore, down to union square
I ended up going towards Fillmore. I was up that way last summer when I spent the weekend in the city with my family, but it’s always worth a trip. I fancied doing a sketch from on high, so I headed up the steep way to Alta Plaza Park. By this time of the day, it was really very windy. Alta Plaza Park had some nice views, not as dramatic as Dolores Park or Alamo Square, but worth the hike. I was still listening to all of Belle and Sebastian, though my back was still aching, and the wind was going right through me. I like a big observation piece when I come to the city, like the view from Coit Tower or the view from the downtown Hilton. I walked down and bought an expensive donut at a trendy donut shop, that I waved for the train ride home. I needn’t have bothered, the donut was bland and tasted of nothing, not an uncommon thing these days (as I was reminded when I went to France recently, when every pain au chocolat or escargot de raisins at the morning boulangerie tasted a million times better than anything over here). I spent a lot of time in Paper Source, a shop I used to be obsessed with when I had the idea of making my own notecards years ago (it wasn’t worth the effort), and then spent a good half hour in Browser Books, which I had drawn last year, and keep thinking is called Bowser Books. I like this little store, and really browsed a lot. I even looked through some magazines, including one which an old friend of mine works for; I haven’t seen him in many years, and there was a small picture of him in there that for some reason took me by surprise, the same guy but older and sharper. I don’t know why it surprised me so much. The years move fast, I wonder how I would look to someone who knew me only as a much younger face, thinner and less sun-blasted, and I found myself suddenly worrying about age and time. I went to the music section, and picked up a small book about Pulp, who were a band I loved in the 90s (so, not worrying about age or time any more then). I had recently bought tickets to go and see Pulp right here in San Francisco this coming September, having never been able to catch them back in the old days; I honestly can’t wait. The guy behind the counter, it turned out, was a fellow Pulp fan and asked if I was going to see them. He had seen them in SF last year when they were here. The book was about This Is Hardcore, and album I really loved, though it was the sound of a changing time for me, mid university years, a comedown from the fist-pumping mid-90s when I could stay up all night long and not even be tired the next day, and everything was possible. Were age and time were getting to me even then?
After spending some of my age and time in the shops and streets of Fillmore I took the bus down towards Union Square. My back was still hurting. When I got there, I still had a bit of time before my Amtrak bus was going to leave, but I did need to sit down. I decided to sketch Sam’s Cable Car Lounge, which I must have passed a bunch of times before and always thought was a liquor store. It looks old, and the thing about places like this is that they are disappearing, so in my mission as the recorder of places I stood opposite and drew it, as best my tired fingers could manage. I think the motivation for sketching this part of the city has waned over the years, and it shows. Many of the big shops around Union Square are closing, there were so many large empty spaces where once there had been big stores, and the number of shoppers looked a lot less than in recent years. I heard that the large Macy’s flagship store on Union Square, a place I visited on my first ever trip here (going up to the Cheesecake Factory on the top floor) was going to close, with nothing to replace it. It feels bleaker around there. I couldn’t get too far before I just had to go and sit down, so I popped in for a beer. It’s an interesting enough interior, with the front of a cable car sticking out of the wall behind the bar, and the staff kept offering me popcorn. I ordered a beer without popcorn and sat sketching. As I sketched I got the news that the Amtrak bus was cancelled, and I’d have to take the BART out to Richmond to catch my train. An annoyance but not a huge inconvenience. The bar got a little busier as I sketched, I think mostly with the pre-theatre crowd. Anyway I think the staff liked my drawing, because when I ordered a second beer they said it was on the house. I got my bill; sure the second drink was free, but the first one was pretty expensive, about $14 with tax for a beer? Even in London these days that’d be a lot. I didn’t even finish my second beer. I handed over my card to the waitress, and she came back with the bill to sign, but no card. I went up and asked where my card was, they said maybe I dropped it. I hadn’t, it was never returned. They said they would look for it; ten minutes later, still no card. I was having to go to the BART soon. Perhaps I need to call the police, has someone here pocketed it? I could see them with flashlights looking all over the bar area. Eventually, the waitress came back and handed me my card, which had ‘fallen on the floor’. Strange they had not found it more quickly. I was very suspicious of that and have been keeping an eye on the card transactions since, but I won’t be going there again, and not only because of the beer prices. Still, I’ve sketched it now. I made the long, long journey back to Davis, tired and not completely sure if the day out was worth it, but I added a few more drawings and walks to the experience box. And when I got back to Davis, I discovered my bike had a flat tyre, so I had to walk all the way back from the train station. I rested well next day. I still like San Francisco, but after so many years I’m not feeling quite the same about it as I do about, for example, London, which I always want to go to. But I’m still glad it is (sort of) nearby, and has some interesting neighbourhoods.
a morning up and down the castro
Last month I took a sketching day down in San Francisco, taking the long train ride down from Davis with the entire catalogue of Belle and Sebastian in my ears (two days after having seen them live in Oakland). It was one of those days when I just needed to get out alone with my sketchbook and my feet, I have always needed those days for my mental health, and though it feels like I need them more and more, more and more I have no particular aim for such a day, and more and more I decide to just stay at home and rest rather than expend a lot of energy in just wandering and filling my book. However I am usually glad when I do, especially if I explore a few more streets I’ve never seen. This day was aimless for sure. I got up very early, took the early train out of Davis, stepped off the connecting bus in San Francisco and went down to the BART station still with no idea where I was actually heading. North Beach? Mission? Inner Sunset? In the end, I jumped onto a MUNI metro which whisked me quickly up to the Castro. I always like sketching up there. As I got off the tram, a man seated nearby started yelling random homophobic slurs out of the door, not at me or anyone in particular, but at the platform in general because this is the Castro, and I’m sure it made him feel better about his life, even though it made everyone else remember the world is still full of homophobic wankers like him. It was a foggy day when I emerged onto Harvey Milk Plaza, so I got the sunscreen out and layered up. Yes, I’ve been burnt too many times in this city by not realizing that those rays come through that fog, even if it feels a bit chilly and a bit gloomy. The sky had a glare too, so I wore my sunglasses for a bit, which again looks a bit odd in the fog but I’m squinting otherwise. The Castro theatre was covered up, a shame as I sketched a panorama of it eleven years ago and wanted to do the ‘eleven years later’ sketch. Ten years? Where does all the time go. I also sketched it fifteen years ago on another sketchcrawl. So I looked over to where the streetcars stop outside the Twin Peaks cafe, which I have also drawn on my little wander up here two years ago, though from the other side.
I had no plan of action for exploring, so I walked a block down Castro and up 18th Street, not towards the Mission but uphill. I liked this building opposite, and the little shop ‘Five Star Truffles’, so that’s what I sketched. The old Victorian houses round here are so interesting. Further up I sketched this pink and blue house below. That’s a lot of steps to get into your door every day, after climbing a hill, a common feature on these old houses, people must be pretty fit round here. I like wandering about here though because the people and places you pass by, you do get a strong sense of local community. The area is most well known for its prominent gay community, though this does feel like an area whose residents take a lot of pride in their neighbourhood, and you see that a lot in San Francisco, even in the face of busy city streets and exorbitant pricing-out of communities. The idea of communities in large cities has always fascinated me, especially the idea of evolving communities. I’m just back from London, and you still see it there in some places, while others it feels like have no community any more. It all depends on perception I guess.
The house above was drawn quickly in pencil just because I liked the shape of it, the turret and the huge round window and the long curving stairway. I was already on my way to lunch when I drew it. The building below though was an amazing find, an enormous mansion on Douglass Street, which was a trek to walk up to, looming large over the treetops as the morning fog burned away. An impressive number of turrets and shapes, I bet this place is a world of stories. I sketched one of the little lions out front as well. To draw this I needed to be in the shade of a tree across the street, but for some reason I decided to sit and sketch, not on a stool (I pretty much never bring a stool out these days, as I always stand to sketch), but sat on the sidewalk like in the old days. Remember when I’d sit on these San Francisco streets cross legged with my paints next to me? Well this time when I got up I must have hurt my back, because it got increasingly bad throughout the rest of the day, noticeably so after I ate my lunch (which was a pasta dish at the old Spaghetti House on Castro, a place which looked interesting but I was the only customer, at lunchtime). My shoulder bag felt heavy the rest of the day and I felt like I was hobbling about. I’m sure it’s because I sat on the ground for 45 minutes, though all the urban hillwalking with my bag on my shoulder did not really help as much.
And here is a fire hydrant that was on the corner of Douglass and Caselli near that big mansion. I like these old SF hydrants with the round nobs on top. I wandered up hill and down admiring all the big old houses and little shops, and after my lunch (which was nice, albeit a little lonely) I walked (in some pain) towards Church Street, remembering there was a bookshop there that I visited once. It was gone now, and my back was hurting, I needed to sit down again, so I jumped on literally the first bus that came along, and wasn’t even sure where it was going. Wherever it was headed, that’s where I’d go next, I guess.
a walk around the watling (on the radio)

I just got back last night from our two and a half week trip back to London (which included four nights down in the south of France), which felt too short, and now I’m totally exhausted after another very long transatlantic journey. Still, I’m stocked with a whole load of sketches; I didn’t have a plan of ‘must sketch this, must sketch that’ but ended up getting a lot in along the way, including a few morning walks around my home area of Burnt Oak, to see how much that has changed. The phone box in the last post has indeed been ‘disappeared’ after all these years (but not turned into flats, unlike most of what used to be Colindale). There is a lovely big colourful new mural on the corner of Barnfield and the Watling though that says ‘Burnt Oak’, which I was sketching in the image above. It was very good to be home again, to see my family. As I get older, I know these won’t last forever, and it was a long year between this visit and the last, a very long year.
Anyway, one exciting moment on this particular trip was that I was asked by BBC London to provide a small section about Burnt Oak for the 30th anniversary show of the Robert Elms radio show. I used to watch Robert Elms on TV when I was a teenager, though I’ve never listened to his show (I live in America now, but didn’t listen to the radio much in London anyway) but I know of others who are fans of his show. Elms grew up in Burnt Oak on the Watling estate and went to the same school as my older siblings, though a few years before them. So the producers asked me if I could talk a little about my own experience of growing up in Burnt Oak. They actually asked while I was still in California, but when they got back to me I happened to be in Burnt Oak, so I met someone from the show for a quick 40 minute walk around the area, right before I had to rush to Stansted to fly to Marseille. We walked from the station and down Silkstream Parade to the library, over to Watling Park and then up to the Annunciation, before popping up to that big mural. We didn’t get up to the Broadway, to see where the Stag was or all the other things that have long gone. I noticed a sign outside the library announcing a couple of architectural walks coming up, one looking at three local parks, one at three local churches. It reminded me that I should really try to organize a Burnt Oak sketchcrawl some day, through USk London. Perhaps next year. Anyway, I didn’t know when the show itself would air, but while I was on vacation (I was actually walking around Monaco) my mum got in touch telling me that one of our family friends had heard it on the radio already, last Friday. It is available still on BBC Sounds, but will only be up for the next 24 days (so, until about July 21). The show is four hours long (bit long for me guv) but if you want to jump to the bit I’m in, it’s at about 36 minutes, not long after the Amy Winehouse song. It’s a nice little walk around my area, and only a few minutes long, but I hope you enjoy it.
Anyway, back to the jetlag and travel exhaustion, I’ll rejoin the real world tomorrow…
phone home
It won’t be long until I’m home again, back in my little corner of the northern reaches of London, Burnt Oak. When I was back a couple of years ago I was going to draw this phone box on Orange Hill Road, on the corner of Littlefield, but ended up taking a picture and running down to the tube station. I saw the photo recently and thought I’d like to draw this now, so I pulled out the grey paper book and drew in brown pen. A proper London phone box you say, why isn’t it red and full of little windows? With a little man in a bowler hat and umbrella stepping out to read the Times with a cup of Early Grey? And a puddle of piss and escort service calling cards? Well it surely has at least one of the last two. I like that there was a little mini bottle of Chardonnay in there, Burnt Oak has really gone upmarket, a bottle of wine with your phone call sir? And some caviar truffles? Or will you stick with the Tennents Extra Strong? I grew up in Norwich Walk, just off Orange Hill, my dad lived until recently in Littlefield Road. When I was a kid my Godmother lived on the corner of Colchester Road right opposite this, and my brother and sister’s dad lived in the flats on Colchester until he died a few years ago. I used to bump into him for a chat right next to this spot when I’d be on my way to school or college. These were the phone boxes I grew up with, literally this one in fact. A lot of of the metal and glass ones had doors, this one did not, you were open to the elements. In the days before cellphones were everywhere, this is where I’d spend many an evening, if I could not use the phone at home (or didn’t want to). If this was occupied I’d have to walk down to the one outside the Library, and face yells of abuse from the yoofs hanging around there, all for my crime of having ginger hair. Invisibility was not an option. This one was closer to my house though. I remember being in here on a really frosty-cold night talking to my then-girlfriend, and you’d still get someone waiting outside asking, “how long you gonna be mate?” like there wasn’t another phone box just down the hill. Yeah, you remember the days of waiting for the phone to be free. Needing coins (remember coins? Cash? Ok grandad) to keep going. I mostly used phonecards by this point. Remember them, the green Phonecards you’d buy and place into the little Phonecard slot, not all the phones had those did they. I don’t mean the phonecards you’d get at those little shops up the Watling, where you for a fiver you could call Ghana for two hours, though I definitely got a lot of those in later years when I first met my future American wife. It’s ironic, I actually hate using the phone and will do almost anything to avoid it. Some people cannot get enough of the phone, and will spend hours on the bloody thing, walking around yelling. Now, it seems people have stopped understanding even how mobile phones are used. You see them walking around don’t you, not holding the phone to their ear like a normal person, but holding it up horizontally like it’s a slice of cake, speaking into what is probably the plug socket. And people go one further don’t they, walking around with the phone on speaker, so everyone can hear the person on the other end too. That happened recently and I felt like asking them, does the person you are talking to know their voice is being broadcast to everyone nearby? I realize I am fast on the Grumpy Old Man track, but some on kids, learn how to use the dog and bone.
But look at this thing. It’s like a piece of Roman Britain, standing for years after it’s served its purpose, with later civilizations not understanding what it was possibly for, marveling at the advanced technologies of these people from long ago. I’ll be back home soon, Orange Hill Road, and it might even be gone by now. It might even still be there, but converted into luxury flats. Wouldn’t surprise me.
jungerman
I needed to sketch, it was lunchtime, so I drew the big building next to the one at work, Jungerman Hall, aka the Crocker Nuclear Lab, and its little Annex right next door. I like the shadows rolling down it. It was a bearable temperature then; it’s getting into the unreasonably hot temps now, with a high of about 102 or so today, and higher tomorrow. there are power outages in parts of Davis, so as I type it’s like we are on borrowed time. Those exploding transformers are out there overheating, as if to say, you’ve borrowed that time, guv, but it’s not yours, now you’ve got to give it back. A famous man once said Time Flies Like a Banana. In the meantime our new HVAC system, that replaced our old one from the 70s or 80s, is working its energy-efficient little socks off. I’m not looking forward to going out tomorrow, in this awful heat.
Belle and Sebastian! At the Fox, Oakland
A couple of weeks ago, we went to see Belle and Sebastian! They were on their US tour and playing at the Fox Theater in Oakland, which itself is an amazing venue. I have sketched the Fox before, on my one trip to downtown Oakland back in 2021. Belle and Sebastian are for sure my favourite band (outside the Beatles), and they always give a brilliant show with an unpredictable setlist. Unlike most other bands they mix it up every night so you never know what songs you will get. I had a wishlist and almost all of them were played, even some I honestly didn’t expect. Here’s the setlist. I went with my wife and my son; it was my son’s first ever big concert so a big deal. Even though we were sat quite high up and far back, those were the best seats I could get, and it was a full house. The frontman Stuart Murdoch was entertaining as ever, a friendly story teller, and the band really played well, the sound carried around wonderfully. There’s nothing like a live gig to really feel the realness of a musician playing their instrument, playing songs that I’ve been listening to for so many years, and there they are right in front of me. My son’s a big Belle and Sebastian fan too, we both got t-shirts and got super excited when songs we love would suddenly come to life. My wife likes them too, the only other time we got to see them was when they played in Davis at the Mondavi Center in 2015 (how amazing that they played in Davis! Playing songs that reminded me of that first hot summer in Davis, cycling around with their new album in my head). I do listen to then a lot. They played Lazy Line Painter Jane during the encore, one of those early songs that made me love the band, and finished off with Another Sunny day, from their 2006 album The Life Pursuit, which brought me right back to that first year over here so many many years ago now. It was a fantastic concert, one that we couldn’t stop thinking about afterwards. I just want to see them again now! I wish I could see them in Scotland. I did my sketch of the venue in the little Moleskine before the gig started, so I could still see the detailed scenery, though not that well and I just wanted to draw quickly. I sketched them when they played onstage and added the paint in afterwards, mostly I just wanted to clap and sing along. Thanks for the great show!















