to honolulu and back

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Earlier this month we took a short vacation to Hawaii, to the island of O’ahu, where we first stayed in 2017. It was great to get away, but also my first flights since the start of the pandemic, so a little nervous. It’s a fairly long flight to Honolulu (over five hours) but you know, nearer than London. Of course, I have to draw on the plane, it helps me relax. Everyone was masked up, thankfully. I filled the page with some colours – these were actually the colours of the lighting on the plane, as it changed about, it was a bit freaky. It was a newer airplane. I did watch an interesting documentary about Ossie Ardiles, my childhood hero. We spent five nights in Waikiki, and just as all the reports had said, Hawaii was packed with tourists, especially our hotel, especially the elevators. Nonetheless it was great to have a break, great to be in the ocean, and be around all the colourful scenery. And cool down – it was very warm, but cooler weather than Davis which was in the 100-110 degree range around when we left. I drew a map of the island when we left, showing the spots we visited on this trip. I did a fair bit of sketching too, I’ll post those separately. 

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And on the way back, I drew the plane again, this time with even brighter colours, like a huge shave ice. Always good to get away. The way things are going again, might be the last time in a while…

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a thousand stories in san francisco

SF Skyline Panorama

In June I spent an overnighter in the city, San Francisco, staying at the Hilton on a really high up floor, as you’ll recall, I drew from the window next to the elevator while news about Christian Eriksen was still fresh, and I drew the Nob Hill view in great detail. I have always wanted to do a longer panoramic of this view, but rather than go back down there I decided to get a big piece of paper and draw that view once again but this time with the area to the right included, from various pictures I took that morning. So one Sunday evening and late Monday afternoon I drew this, and this will be my piece for the Pence Gallery’s 2021 Art Auction. I decided to leave it uncoloured, unlike the original, and I think that would look good on any wall. Well maybe not any wall, it might look out of place on the Great Wall of China, for example, or on Bob Wall from Enter the Dragon, or on Wall’s Ice Cream, or maybe I’m wrong and it would look great on all those things. Part of this view shows San Francisco’s famous Chinatown, as it leads up towards Nob Hill, and looking out to the left at Sutro Tower, and to the right beyond the wide road of Broadway is Russian Hill. Every block in San Francisco is worth exploring. Every window, a story. Ok, “every window tells a story”, that is a great thing to say when looking out over a cityscape, you should say it to someone next time you are looking over a city, particularly at night, I dunno, it sounds like it’s quite a deep thoughtful thing to say. “Every window tells a story, every story, a universe,” etc. But then you say, “not a very good story,” so you don’t sound like you’re being a nob. “I mean, most stories aren’t very interesting,” you say next. “Most stories are actually not worth telling. We should mind our own business about most stories. Actually stop looking through all those windows, nosy bugger.” That’s what you should say next. It’s true though, about stories. Some are brilliant, most are kind of “ok, skip to the end”. I recently got a subscription to a well-known audiobook provider, and frankly, the past couple of books I’m struggling to finish. I love a good story. The one I’m listening to right now would probably be better if I had just looked at the book, although the storytelling is a bit blah. The narrator however is terrible. When reading the story itself he is ok, reading in a precise actorly tone, but when he does the voices of the characters it’s like he thinks he’s in a 1970s production of “Oliver!”, being completely unable to read any female voice without going into a strange high-pitched fake cockney flower girl voice, “eeeer woss yorr gime?” type thing. I’m deliberately not telling you the name of the book or the narrator. So maybe I will skip audiobooks for a bit and go back to reading paper. My eyes are going a bit though, those mid-forties have caught up with me. As my glasses get stronger for seeing far away, I find I can’t read or see up close as well, so I need to take my specs off and bring the book nearer to me. Same with the sketchbook, or in this case, the big piece of paper. When drawing from life I relied on what I could see with my eyes, and it was a bit easier; drawing from a photo on my ipad screen and then leaning into the paper with my glasses off to see the detail, bit trickier. Yet I completed this all in one evening and an afternoon. The scale is actually the same as in my sketchbook, it just looks a lot bigger because it’s twice as long, and inside a 10×20 inch frame. I really like it, it would look good on any wall. Well, most walls. 

sunday morning drawing davis

Craft Fair at Central Park, Davis

Last Sunday morning, on the first day of August, we held our first Let’s Draw Davis sketchcrawl of the year. It has been a while; I paused organizing them due to the pandemic and I’ve been busy on weekends this year, but one of my fellow Davis sketchers Marlene Lee suggested holding one at Central Park that day during the craft Fair that was going on. It was a good idea. There were lots of vendors selling interesting art items, and there was a band called ‘New Harmony Jazz Band’ playing old numbers. It was nice to see other sketchers again, I’ve been hiding away for a long time and seeing others out and about doing their stuff is always good to see. Plus one guy (Alex) was wearing a Wolverhampton Wanderers shirt! I was delighted, I love football shirts but I’d never seen someone in Davis wear a Wolves shirt before. I’m showing you the sketches I did in reverse, so I can put my final drawing – this big panorama of the Craft Fair in the Farmer’s Market area – first. There were quite a few people around but it wasn’t crowded. Many people were masked up but most weren’t. Many of the sketchers were (including me for about half the time, usually when I might be interacting with people). It makes me feel more like a ninja, plus the mask I was wearing has my drawings on it (you can get masks with my drawings on here! https://society6.com/petescully/masks). I drew the scene above in about 1.5 hours, including about two thirds of the colour, but I coloured in the background when I got home. It was already getting hot, and I stopped for a shaved ice (which needed a few more flavours). Below is the band, they played nice music to sketch to. I drew that, and my other people sketches, with the Zebra brush pen that I was using a couple of years ago. It’s nice to use something like that again, it makes for rapid sketching. 

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And below are most of the sketchers, as you see I drew Alex in his Wolves shirt twice. If I had drawn more detailed sketches I would have done all of the shirt detailing on the front of that particular shirt. I myself was wearing my France football shirt that day, a favourite of mine, but mostly in honor of Esteban Ocon, who had won his first Grand Prix that morning at the Hungaroring in Budapest, a crazy race that saw a lot of carnage at the first corner. Ocon was also the first French driver to win a Grand Prix in a French car (Alpine, formerly Renault) since Alain Prost in the Renault in 1983. To see the podium with just one anthem played and for it to be the Marseillaise, well I’d never seen that before so I wore my French shirt in Ocon’s honor. I am about as obsessed with Formula 1 as I am with football shirts, as you can tell! I get up very early to watch it.  080221 LDD C IG

Below are Ann Privateer and William Lum, also drawn in the Zebra pen…

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…and here are Ann Filmer and Marlene Lee, sketching in the shade. We’re hoping to have the Davis sketchcrawls go monthly again; I just got my soccer coaching schedule (so many Saturdays to the end of the year, and beyond) so others will organize but since campus is all coming back in-person this Fall it will be good for people to get outside and draw with each other again.   

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The Let’s Draw Davis FB Page (where events will be posted) is here: https://www.facebook.com/LetsDrawDavis

There’s also a Let’s Draw Davis FB group, where people who attended can post their sketches and photos afterwards: https://www.facebook.com/groups/LetsDrawDavis/

good afternoon ladies

Alamo Square park San Francisco 

After waiting on Market Street for a long time for a bus that was never going to come – it seems some services were reduced or cut during the pandemic, but the bus stop obviously didn’t like to say – I jumped on an N-Judah Muni metro up to Duboce, on the way to my next destination that day, Alamo Square. I realized that I had not been to Alamo Square in about a decade, when my mum had visited from England and we went to see the ‘Painted Ladies’, that row of Victorian houses sloping down the eastern side of the park, with the backdrop of San Francisco behind them. I had not actually been there to draw in even longer – July 2008, if you can believe it. The drawing I did that day is below. I remember that I came down for an overnight sketching trip while my wife had gone up to Oregon, and covered a lot of ground, wandering and taking the bus and really connecting the city together in ways I’d not done before.

painted ladies

The big Victorian houses around here are impressive, many that pre-date the 1906 earthquake and firestorm, as they were saved from the flames. Alamo Square park sits on high ground overlooking the city from a distance, and that backdrop has changed a lot since 2008. The massive Salesforce tower for one, that wasn’t even a twinkle in the architect’s eye. The Painted Ladies – unpainted in this case, and you can click on the above image for a more close-up view – might be the most photographed, painted, drawn view in the city, maybe even more than the Golden Gate Bridge itself. It’s a romantic view alright; while I was sketching a wedding took place nearby, and there were lots of couples out enjoying the view. It was a sunny day, but breezy, easy to sunburn, lovely to look at. Most of the groups of people in the park were young, enjoying the day, making memories I guess. I drew and drew and drew, two hours I sat there on the grass, really working those eye muscles to try and see all the details in the distance. By the time I was done my body said “no painting, leave it, time to move along”. If I had been staying overnight, I might have sat there longer and added in the colours, but I think this way you can imagine them yourself. The Painted Ladies aren’t painted very brightly – they are different colours, but are quite muted. I should have drawn them arranged like a Zoom screen, very 2020-2021. Alamo Square park was busy, but not as crowded as Dolores Park was when I sketched a panorama there in June. There was a lot of space around me still. It’s quite an uphill walk to reach here though, I walked from Duboce Park, where I last sketched a few years ago, up Pierce and past the corner with Haight that I also sketched a few years ago, stopping off for a cold soda and of all things an Aero bar (this one corner shop had a lot of British chocolate for some reason), before climbing the steep hill to get here. 

SF Fulton & Scott (Alamo Square)

On the other side of the square, over the hill where they let the dogs run free, I stopped to draw this big imposing mansion on the corner of Fulton and Scott. It had a very ghost story, whodunnit, creepy mystery hotel look about it, and if I’d had the time I would love to have drawn the whole things in more details. The day was moving along though, so I kept it quick. I had more wandering to do before zipping back across town to get the Amtrak bus. Besides as I drew, I noticed that, hey man, I’m kinda stinky. I didn’t think I’d been particularly sweaty, after all I hadn’t walked as much as usual by this point, and surely I would have noticed when I was sat drawing in the park. It could only be me though, there were no other people around. It was a strong stench too, to the point where I moved right away when people passed me in the street, it was embarrassing. I imagined the train home, people getting on and sitting down nearby then moving further away. I would really need a long shower when I got in. I stood next to some purple flowers to draw this thinking maybe they will mask the B.O. smell. When I was done with the sketch I walked back through the park, and noticed that the smell was gone, and I wasn’t stinky any more. That was weird, it definitely smelled like sweaty sketcher smell. Oh well, maybe it’s not as bad as all that. Then I passed by a flowerbed containing more of those purple flowers and whoosh, that smell was back. It wasn’t me, it was the flowers! Flowers genetically evolved to smell like sweaty human. They were pretty gross. I walked away and yep, smell was gone. Relieved that I wasn’t a stinky sod, I walked about the Fillmore neighbourhood, where I hadn’t walked since my 2008 walkabout. You can see where the zone of big Victorian houses abruptly ends in the Western Addition. I passed through the Fillmore (a street worth another sketching day to itself, with its history of Jazz music and of the African-American community) on my way to Japantown. I didn’t get a lot of time to spend here but I went into one second-hand bookshop, and nosed around the little plaza of Japanese stores and restaurants before sketching the big Peace Pagoda building at the Japantown Peace Plaza. The San Francisco Japanese community was torn apart during World War II with the awful legacy of internment camps, a part of US history not talked about often enough. There’s a graphic novel by George Takei “They Called Us Enemy” that I am going to read, about his experiences during that time. It wasn’t busy around here that late afternoon, but still there was a good atmosphere, summer in the city.  I walked off to catch a bus after sketching this, and head back home.

SF Japantown

To catch a bus – yeah, I’d not really been on a bus in a city since the pandemic began, not even in Davis. Let alone San Francisco, where the buses are typically full of people quite close together. Sure, we’re all masked up but I was a bit anxious still about being in close proximity to people, and it was a long ride. I had decided not to walk down to the N-Judah metro, the bus was closer and would take me all the way to the Amtrak bus. Well as people got on and off and shuffled past I decided to bail out at the Tenderloin, getting a bit more space on the streets. I headed off to the big mall on Market to grab some food, getting slightly sidetracked by the discovery of the Lego store (I can’t help myself), before finally heading home. It was a long day in the city, tiring, productive and I’d done a bit of exploring, a it of learning, and now I have a bit of reading to do too. All worth the $62 round trip fare I guess. It was still about forty degrees cooler than it was in Davis, and that’s always worth it.  

good morning san francisco

san francisco ferry building

It was too hot in Davis (stop the press!) so I took a 7am train down to somewhere much cooler, San Francisco, where I got sunburnt. It always happens. I put on lots of sunscreen, but those rays still get through that fog. It was breezy too, and it’s easy to forget. In Davis that never happens because it’s so hot I am never out of the shade. still, it was a nice day to be out and about. I arrived early, so I could spend a bit of time around the Farmers Market at the Ferry Building. I’d not been there since before the pandemic; there were a lot of people around, but it wasn’t too crowded. I even got my favourite food in this city, these little ‘bombolini’, small doughnut things filled with lemon or custard or nutella. Absolutely delicious, and worth the $62 round trip Amtrak ticket to get down here. Yeah, it’s not cheap getting down to the city these days. But a break from the oppressive heat Davis, it’s always a good idea. I stood on a long wooden log and drew the Ferry Building, as that morning fog drifted in and burned out. A bit like myself; I drifted into the city in the morning, and then by the end of the day I burned out. I got a lot of sketching and wandering done in the meantime though.

People at SF Ferry Building

I drew some of the people who were in the market that morning. That guy in red was wearing a 2006 Spain shirt. I always think of Robin Williams when I come here. I remember spending a weekend here with my wife in the late 2000s and we came down to the Ferry Building Farmers Market and there he was, Robin Williams, buying some food. Always makes me feel a bit sad. He lived locally, until his passing in 2014; they eventually named the tunnel you pass through after the Golden Gate Bridge after him.

San Francisco skyline from Embarcadero

I turned around after drawing the Ferry Building and the people and drew the view looking the other way. The sun was out a bit more now, but I needed to draw this SoMa skyline as it has changed so much in the decade and a half since I moved out here. Even this scene here, that building behind Gate B is where I used to pick up the Amtrak bus after a day in San Francisco, but that’s all been redeveloped into a nice plaza now. Many of those tall buildings weren’t here a few years ago; it’s like London and San Francisco are competing for new skylines every time I’m away. Still I enjoy drawing all these details. I had to wait until later to add the colour though, because the day was moving along and so was I. Lunch was a couple of tasty Argentinian empanadas from inside the Ferry Building, and then I wandered over to Market to decide where I would wander next. As before I didn’t really have a plan, I just wanted to sketch somewhere I didn’t sketch in June, but somewhere with a good view and somewhere I could just sit for ages looking at it. Find out next time where I ended up…