like a setting sun

SF outer sunset
The Sunset. It’s a long way from downtown. The glare of the sun sinking toward the sea basks everything in a yellowy pastel-themed wash, the salty air gnawing away at the corners, the pale shadows drooping lazily across wooden boards. They call this area the Sunset not because the Sun sets here, but because, well, no actually that is the only reason. The Sun goes up on one side, yeah, and then goes down over this side of town. I mean it makes total sense, if you think about it, this is the west side of San Francisco, the sun generally sets in the west, the ocean is there so it can only set near here, so this place is called the Sunset. Oh sure other places have a sun and that also sets but not like here, here it really means it, with its pastel salty gnawed shadows and its glare and stuff. It is miles away.

I took the N-Judah from the part of the city where the sun neither sets no rises but arrives exactly when it means to, counting the stops and watching my Lego watch for the time; I was coming here for an Event. This was no random trip out to the Sunset, which by the way, isn’t a huge destination. My wife lived out here years ago and hated it – she is a Californian used to the Sun, and while they call it the Sunset they should really call it the BloodyFogHidesTheSun, because it is generally agreed to be the foggiest part of an already foggy city. It’s quieter, more residential, and interesting in its out-of-the-way way. I came here, on the N-Judah as I said, which for the uninitiated is a streetcar line of the Muni Metro, to go to a small gallery for a Book Signing Event.

The Book was “On to the Next Dream”, the Signing author was Paul Madonna, the artist and writer famous for his All Over Coffee strip. A decade ago I first discovered his work in a bookshop in Berkeley while I was out on a sketchcrawl and loved his sepia-washed linework scenes from around San Francisco, sketching people free and largely vehicle free scenes of streets and buildings just as I was trying to do; for a little while I sketched monochromatically myself (before I realized how much I like colour). Nevertheless he was a big influence back then as I aspired to improve my own drawn lines. I actually met him a few months ago, with his wife, at the Manetti Shrem opening event (you remember that, surely), which was a surprise. This latest book of his is a smaller book than his previous ones and features a lot more of his writing, detailing in often absurd situations the reaction to his being evicted in an increasingly unaffordable and alienating version of San Francisco that is exactly the real one. It’s a touching book, with his ever-evocative illustration intertwining his equally illustrative text. I definitely recommend. Oh, and Paul signed it too. I mentioned we had met a few months before and he said, “oh yes, you’re the sketching guy,” which is a pretty accurate description. I got my book which I couldn’t wait to read, and looked at the art on display, ate some of those rolled up sandwiches and other fancy food. There were a lot of people there all lining up to get a signed copy, also looking at pictures and eating rolled up sandwiches, talking about San Francisco, some dressed pretty fancily, arriving in Ubers and Lyfts and other chauffeured vehicles, and if I were the sort of person to mingle and talk to people I would probably have met lots of very interesting people, but my sketching fingers were itchy and I decided to go across the street and draw The Last Straw, which was some sort of shop (my inquisitive mind wasn’t inquisitive enough to inquire what they sold). I saw it from the window, and looking at drawings of buildings makes me want to go and draw buildings. Like Father Dougal, who cannot resist pressing a big red button on a plane if people are talking about big red buttons on planes. So I drew The Last Straw, as more Ubers and Lyfts pulled up behind me and more well dressed city folk went to the gallery. It was nice, but I am shy so I sought out the N-Judah, said goodbye to the ocean, and headed away from the Sunset and into the Moonrise, I guess.

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