decks appeal

Wyatt DeckAnd so, finally back to posting some sketches, if I can even vaguely remember what that feels like. The World Cup is over! Gone for another four years, what will we do? It’s not like there is any other football to watch in that entire time. Haha. I enjoyed going over the kits so much I may even torture you all with more, from the clubs, as many as I can possibly do. Mwahahaha. And football-puns? You ain’t, as they say, seen nothing yet. Oh, alright I’ll lay off the puns for a while, it is pre-season after all. I need to train for a few weeks to get my football-punning back up to match fitness for the new Premier League season starting in August. Expect to see me jogging around the green belts of Davis trying to make punchlines out of Pocchetino and find an angle on Van Gaal (you see? Much training needed). But in this time of world-cup-football-ness, amid all the dodgy haircuts and the acrobatic goalkeeping and the constant non-stop biting (it was only the one bite, wasn’t it?), I did manage to do some sketching. This was a panorama I did over two lunchtimes at the Wyatt Deck in the UC Davis Arboretum. Technically it was three lunchtimes but on one of them I didn’t do any sketching as I forgot my pen (doh!). I had intended to add paint to it as well but I decided I preferred it like this. I listened to a History podcast while sketching and it was a man who was a South American football historian talking (among other things) about the great Uruguay team of the 20s and 30s, the River Plate team of the 50s, and what football meant/means in terms of national identity among the nations in South America, how historically it was able to strengthen their differences while also presenting them with an opportunity to announce themselves globally (at the Olympics and later the World Cup). Very interesting. It’s funny how what you listen to when you sketch gets so involved with how you see the sketch from thereon – none of you will see any reference to Paraguay’s style of play or the founding of great Brazilian clubs by British immigrant workers in this drawing of some wooden buildings at the Arboretum, but I see those great south American football names in every line drawn. Except in the middle, which will always be about Batman, because I was listening to another podcast by that point which talked a lot about the Tim Burton Batman movie. Again, you can’t see that, but I do. Now I always wonder what was really going through artist’s minds when they were creating their work. I look at one of Mondrian’s compositions and I think, I wonder if he was thinking about getting a cat and in between colouring in those squares whether he went down to the pet shop to look at kittens, I don’t know. You don’t know. Or when Van Gogh painted that portrait of himself with no ear, maybe in fact he was listening to his annoying unemployed next door neighbour practicing their singing really badly day in, day out, and he just subconsciously painted himself with no ear without even thinking about it, you just don’t know do you. Or when Damien Hurst was putting that sheep into the formaldehyde, maybe at the same time he was listening to his favourite gardening show on the radio? And now every time he sees that sheep he keeps thinking, ooh I’d better water the petunias when I get home. You just don’t know.

By the way, click on the image above and you’ll see a bigger version. What you won’t see is any reference to Boca Juniors or Bruce Wayne.

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