Pacific Grove is lovely. We stayed in a beautiful little house not far from the beach, just a few houses up from the place we stayed back in 2010. This isn’t it; this is the view from the window, which I sketched early on the first morning, while my son played on the Wii. All of the buildings around there are so lovely, and I was going to do a panorama, but we had to go to the Aquarium. I could sketch Pacific Grove for ever. The house we rented really was lovely, but I never sketched it from the outside; next time. I did sketch the living room on the second morning, while we all sat around (my son’s on his Wii U again, my wife is on her iPad).
Here’s another beauty of an old building, around the corner on Lighthouse Avenue. I sketched it from across the street (right after sketching that fire hydrant; see last post). Imagine living in a building like this, old and full of places to explore. Maybe hidden passageways and secret doorways behind bookshelves, and paintings with eyes that follow you around the room. I was going to finish this off with some colour, but we had ordered pizza, so back home I went.
It’s been a couple of years since I last drew a fire hydrant, no kidding. That is, a sketch of a hydrant that is not a smaller detail of a bigger picture. Oh and not counting the underground one I drew in London last summer. So on our recent weekend away to Pacific Grove, on the Monterey Peninsula, I took the opportunity to sketch at least one that I’ve not captured before. Felt great to sketch a new one after all this time. I’ve not sketched any because I haven’t seen any I haven’t already sketched. Yeah, I’ve sketched ‘Jones’ ones this shape before I’m sure, but not this colour, this weird weather-worn slightly oxidized metal. It looks like an ancient junked-up Dalek. This one is up at Lighthouse Avenue, in Pacific Grove, and I giggled away listening to the Football Weekly podcast while sketching it. Oh fire hydrants, it is good to be back.
Hey, if you want to see the rest of them, why not go and my ‘hydrants and pipes‘ set on Flickr?
Another period of little sketching, but these are actually from a couple of weeks ago, though I never coloured them. The scene above, looking at Asmundsen Hall at UC Davis, now has a lot more bright pink blossom near it, which wasn’t there when I sketched it. It’s been warm and sunny lately, which is nice. Except we need rain because California is running out of water. A year’s worth left, say NASA. Ah. Yes, let’s have some big wet storms please. Below, Kerr Hall. I really wanted to colour this, but never did.
More construction on the UC Davis campus, but this one, ladies and gentlemen, is long awaited and very significant. This is the south side of the Vanderhoef Quad, a square on the side of campus I call “Trans-arboretum”, which includes the Buehler Alumni Centre, the Graduate School of Management, the UC Davis Welcome Center and Conference Center, and of course the massive Mondavi Center for the Performing Arts. Hey, I’m going there in April to see Belle and Sebastian. This is the gateway to campus and has been gradually sculpted since I first arrived in Davis. So what are they building, well this will soon be the Shrem Museum of Art. That is the Jan Shrem and Maria Manetti Shrem Museum of Art, to give it the full name. When the museum was announced it was very exciting news and the designs for the new building were modern and innovative. The final design, by Brooklyn-based architects “SO-IL” along with San Francisco based Bohlin Cywinski Jackson, was announced in 2013 and the ground-breaking ceremony took place last spring. You can read about the design here. I’m not joking – I am seriously excited about this museum. Davis is an artist’s city and UC Davis an artist’s campus (I should know eh, drawn it enough times) and this is going to be an amazing addition. I will be sketching its progress as the building goes up, but this is the first. I stood in the shade of the Mondavi Center (it is very sunny here in California right now, apologies to those buried in the snow everywhere else in America).
Visit their website at: http://shremmuseum.ucdavis.edu/index.html
“The beginning is the most important part of the work.” – Plato
Last Monday was Presidents Day here in the U.S. It is also the celebration of George Washington’s birthday, which is actually a week earlier than his actual birthday presumably because everywhere was booked on the 22nd so it was easier to have it on the three-day weekend before. Of course while we’re pondering over the first president’s birth certificate you’ll notice he was born in a different country. News pundits didn’t really care so much about that back then. But anyway it was Presidents Day which meant a day off, which meant an afternoon sketching. Well, a couple of hours anyway. My son was playing with his friend in the new playground in nearby central park and I stood in the shade and sketched a panorama of Davis Community Church, from the side. It’s only this time of year you can really see this view because those trees will soon be getting their leaves. I sketched in the Seawhite of Brighton book, and I coloured it in a few days later at home. The weather is gorgeous here in Davis right now, t-shirt weather, low 70s, sunny. In the rest of America however, the picture is very different, unbelievably cold, so I’m sending you a little bit of our Davis sunshine.
Now, I have sketched this scene before, but a long time ago. August 2006 to be precise, as shown below, sketched from a little further up the road with my first Davis bike in the foreground. In those days I preferred to sketch just with the paint, which I don’t do any more, but I like the effect. This is one of my earliest Davis sketches, sketched in a WH Smith cartridge paper sketchbook.
On the last day of January (this is how long it’s taking me to find a few minutes to scan sketches in these days…) I decided I needed to add to my bar panorama sketch series, and went down to De Vere’s Irish Pub in downtown Davis to practice from a different angle. I sat in that corner at the end of the bar, nicely tucked out of the way, and sketched the evening away. Andy Murray was on the TV above me, losing in the Australian Open final, and the place was pretty busy. I started on the left with the close angle of behind the bar itself, making sure I sketched the ‘Late Night Eats’ menu before it got moved. It’s good to have something like that if you are sketching a bar, as it places you in both time and space. There’s a little tip. For the budding bar-sketcher, here are some in-progress photos; I used a brown-black uni-ball signo um-151 pen size 0.38 (the best), in a Seawhite of Brighton sketchbook (not the best, but not bad).
Next I sketched the bar itself. I used a few pencil lines to try and figure out the perspective lines, but it’s not scientifically exact, more of an ‘as good as’. The thing about perspective is that your direct moves about a lot and so you usually have several perspectives going at once. I added a couple of the barstaff; whenever I sketch bars I often leave them out because, to be fair, they move around a lot. It helps to include them however, to break up the repetition of a long stretch. Plus it’s always good when sketching people working to show them hard at work. I sketched the behind-bar are and the taps next, and those little black straw things that appear in almost every bar sketch in the history of the world, for some reason. You can see how the bar angles towards me at the far right corner, but I didn’t have room to show my part of the bar.
And here’s the finished sketch. By this point I had had about four pints ($3 pints of Sudwerk Dry Hop Lager if you must know), and had included the throngs of people at the bar. People are generally generic, but look kinda like the real people that were there. There was a man wearing one of those triangular/conical hats, looking as though he worked in a paddy field (no jokes about paddy fields and Irish pubs please), so I drew him twice. Although I left drawing the people to last, this actually opens up into being the focus of the bar, with the elongated triangular space in which they are positioned becoming wider and more interesting as the eye is drawn rightwards. There, see if you can talk about panoramic composition after four pints of beer. To be fair if someone had asked me (and I think they may have done) my answers would have been nonsense; to be fair, they are nonsense even before four pints of beer. I’m happy with the results though, and I decided not to add paint, so you can feel it in all its hastily scratched-in glory. De Vere’s is a good pub to draw panoramas of. Cheers!
It’s been a long time since I last posted…I haven’t done a lot of sketching lately, and have had little time (excuses…), but I’ve done some (I was out today doing a panorama of the Community Church down on C Street) but have not scanned anything until now. So here are a couple that I did recently of a new building going up down on D Street, next to the Pence Gallery. I believe it is an extension of the Coldwell Banker building on 2nd. That’s the blue building seen below. The new building is just a shell right now, but is coming along quickly, another addition to the Davis skyline, well, not skyline exactly but you get the idea. Streetline. It’s closed off some of the view of the Pence unfortunately. I’ll sketch it again when it is finished.