the view from the fairmont

SF view from Fairmont Hotel - afternoon & evening For my birthday this year we went away to San Francisco for the weekend, the weather was sunny and super clear (if a bit cold), and we spent the day at the SFMOMA (Museum of Modern Art), which I have not visited for many years and is a great day looking at art (it’s huge). I miss going to huge museums, it is one of the things about London that I loved most. Well, the gift shops anyway. The shop at the SFMOMA is probably the best museum gift shop in the world. After we’d been in the gift shop for a while we drove up to the hotel, which is easily our favourite in the city, the Fairmont on Nob Hill. We’ve only stayed there once before, for our anniversary seven or eight years ago, so it’s a real special treat. The Fairmont is historic and very grand, in a classic sort of way rather than a Vegas sort of way. Presidents have stayed there (remember them?), and famously it is where Tony Bennett first sang about leaving his heart in San Francisco, presumably they didn’t have a lost-and-found back in those days. These days if he sang that, he’d have hundreds of comments online from Fox News viewers making up stories about people stealing your body parts here. Nob Hill is very steep, and it’s a big climb to get up here even in the car. We got to our room, thinking we’d drop our things off and go back out to wander about outside, but immediately we saw the view from the window and it was like BAM we ain’t leaving the room before dinner! See above and below. The view looked across a wide view from Russian Hill on the left to Telegraph Hill on the right, with Alcatraz right in front of us. Squeezing down each end of the window we could make out the Golden Gate Bridge and the Transamerica Pyramid, but I couldn’t squeeze those into my sketches. We relaxed in the room admiring the view and I sketched, as did my son (who’d forgotten his sketchbook but used my iPad). We were up on the twelfth floor, but being on Nob Hill our elevation was really high anyway. There was so much detail. I have dreamed of drawing this view, but there was so much detail there was no way I could do what I did with that sketch from the Hilton I did in 2021, which was a bit lower down (though included the building I was drawing from here). I did my best to keep up with the changing afternoon-evening light, and drew a few smaller sketches as well to show what the light was like. Here is Alcatraz. It always reminds me of the third X-Men movie.  alcatraz san francisco

I drew a couple of quick ones of Coit Tower as well, as the late afternoon turned into sunset, to show the magnificent colours as the light changed. It was last year I think (was it the year before?) that I went up to the top and did that long drawing. I’ve drawn a lot of this city now. I’m not done yet, but the plan was that we’d spend the night in the city, and then next day after my family drove back to Davis I’d go out and do a lot of drawing by myself and get the train home.

coit tower 020825 late afternoon sm coit tower 020825 early evening sm

Dinner was at the famous Tonga Room, downstairs at the Fairmont, and that was great fun. I love that place. The cocktails ain’t cheap, nor is the food, but they were strong and the food was super filling, I could barely eat half of mine before I was full. No dessert for me. The band floating on the pool played great music, and every half hour the showers came on imitating a thunderstorm. I love the Tonga Room, though I wish the bathroom was not such a walk. The next morning we got room service breakfast, and sat looking out of the window until it was time to leave. Well I sketched of course. The light was very different again in the morning, the shadows creeping in a different direction, getting shorter rather than longer, and it was another clear day. Imagine if it had been foggy. So I drew the view below, mostly of the tall towers of Russian Hill. I’m very lucky to be able to come to this city and to a hotel like this with a view like that and draw it. Ever since I was a kid I loved to look out of a window and draw. I like being down there on the streets among it all, but it’s always special to look at it all from above.  SF view from Fairmont Hotel - morning  sketching from the Fairmontsketching from the Fairmont

I never spent the day out drawing. I was already sketched out, and feeling pretty tired. It was cold out, and the thought of getting the train back to Davis later on a Sunday evening with work the next day, well I didn’t fancy it, so I rode back in the car. As we waited I popped across the street and did a quick outline of the hotel, drawing it in later with the statue of Tony Bennett singing about leaving internal organs in San Francisco. I started idly wondering why it was called Nob Hill, but it was time to go home. A nice weekend in the city, and a big thanks to my lovely wife for arranging it.

Fairmont Hotel and Tony Bennett

BTW, I realize from looking at the blog post that the small size of the panoramic drawings do absolutely no justice to them whatsoever, but if you click on them it takes you to my Flickr page where you can see them a little bigger.

that’s “coit” a view

SF view from Coit Tower

I climbed up Filbert Steps, which lead up from near the Embarcadero right up the steepest side of Telegraph Hill, San Francisco. I think the last time I came up these steps was in about 2007, and they are quite a climb. Partly a steep concrete stair, and partly old wooden steps, it feels like they lead through some time in the distant past, through overgrown foliage and past little private gardens perched accidentally on the edge of one of the world’s great views. It feels like this shouldn’t exist in this relentlessly modernizing cityscape, but here is a hidden community of people who, well they can’t get their cars up here, and they definitely don’t mind steps. I passed by a bright pink house covered in foliage, and remembered drawing that before a very long time ago, in my old WH Smith sketchbook. That was on a San Francisco sketching day when I brought two sketchbooks, the Smiths one I had gotten from England, and the new watercolour Moleskine I was trying out, to see if I liked it (it definitely caught on with me). Here is that pink house, drawn sixteen years ago.filbert flowers

But I was headed for the top. I wanted to draw from high up, and Telegraph Hill is the place to do that. When I reached the top, I stood at the base of the magnificent firehose-shaped Coit Tower and realized that I had never actually been up it. I bet the views were amazing. So I paid the ten bucks, and took the stairs (the elevators were not working), my feet excited by climbing more steps. It’s wider than the Monument in London, which I’d climbed weak-kneed a couple of months before, and you pass those lovely murals on the way up, The views from the top were more than incredible. I was finally doing something new in the city, climbing Coit Tower, and I can’t believe I never bothered before. Lots of tourists were taking photos of the amazing fog-free views, so I got my sketchbook out and started drawing the scene above (at the top of this post; click on it for a closer-up view). I was up there for almost an hour drawing that, doing a much better job than when I was up at the Monument, but still overwhelmed by all the details that I had to puzzle out. The TransAmerica Pyramid loomed large, with the bigger newer Salesforce Tower in the distance behind it. The green Sentinel Building on Columbus, a favourite subject of mine over the years (see if you can spot it in my sketch), looked like a small childrens’ toy next to the TransAmerica Pyramid. I left a whole part of the view unfinished, thinking I might just add it in later, but I decided not to in the end, and now when people ask I pretend it was fog. I was pretty happy with my work up there. I talked for a bit with the guide there, who it turned out was from Norfolk, and then headed back down the stairs. Achievement Unlocked: I drew from the top of Coit Tower.

SF view from Telegraph Hill

It was such a nice day and the views from Telegraph Hill were so stunning that I had to sketch another, looking out towards Golden Gate Bridge, which was in fact shrouded with fog. I’ve drawn this view before, this time I sketched in pencil. I had to stay in the shade was much as I could, not easy. The colours were so attractive to me. Still, I was getting hungry for some lunch now so I walked down the other side of the very steep hill towards North Beach. I stopped off at North Beach Pizza on Grant St, they do lovely pizzas. They also had bottles of Anchor Steam beer, and I remembered my mission. However it was a bit early for me. People in there were talking about the sudden demise of the city’s favourite local brew, and the woman behind the counter said they had gone and bought several hundred bottles the day they heard. Some of the other customers there decided they would go down to the Anchor Steam brewery that day, for one last time. I ate my big slice of pizza (a whole pizza looked a bit too big for me) down in Washington Square, where I also did a little sketching in my Fabriano book. That’s Coit Tower there on the left. It was built in 1933, and dedicated to the city’s firemen who had died in the big fires there, most notably the firestorm after the 1906 earthquake. I also sketched a couple of people who were Tango dancing (or maybe Salsa dancing, I don’t really know my flavours of dancing, could have been Fanta dancing for all I know). It may have been a dance lesson, I don’t know, but they ended up in my sketchbook. I remembered that I also gave a lesson on this very spot several years ago, when I taught a workshop on Perspective, standing outside the big church of St. Peter and St. Paul, making big shapes with my arms to define perspective lines, probably looking like a preacher.

SF Washington Square sketches

I love North Beach a lot. I went and got a big cream horn from Mara’s Italian Pastries (wasn’t cheap, was delicious) and sat on my little sketching stool to draw the view below. It was the first time I’d sat on my sketching stool that day, I had brought it with me and carried it around, but typically I stand to sketch these days. I’m glad I did though, I was able to rest my legs for a while. There were a lot of people about, sketchable people too, but I like this view down Columbus, towards that big TransAmerica Pyramid again. The SalesForce Tower is there too, poking about in the background like a new rich kid trying to be cool. I mean, look at this view, that sixty-odd bucks trip on the train down here is worth it for that, not to mention the view from Coit Tower. I do count myself lucky that I ended up in California. London’s great, it’s the best, but I get to come down here from time to time, to this neighbourhood, to see things that haven’t changed amid all the changes, and still find new things to love.

SF Columbus 071523

But I wanted that Anchor Steam beer. It was mid-afternoon by now, and I’d done a lot of work already, so time to literally drop anchor somewhere…

upstreet downstreet san francisco

SF filbert st
Here then are the final few sketches from last month’s San Francisco overnighter. These were drawn on the Sunday, after getting up and walking down to Mara’s Italian Pastries on Columbus for a delicious (but messy!) Cannoli and a huge pastry that looked like a chocolate croissant but was much denser, took me all day to finish. It was so good. So here I am in North Beach, and by the way on June 3rd I am holding a workshop in this very place all about perspective, called “Perspectives of San Francisco”. Check out the Urban Sketchers site for details of other workshops in the 10×10 series in the SF Bay Area. I wanted a bit of practice, because sketching cities with hills is not a simple task when it comes to perspective. I stood on Filbert Street next to Washington Square Park and sketched past the Church of Saints Peter and Paul, looking up Telegraph Hill to Coit Tower.
SF Columbus Cafe
Here were are now on Green Street, across the road from where I sketched in November. I like this set of signs leading up the hill, and I had intedned to colour them in but in the end could not muster the energy. I love this old Columbus Cafe sign. the greens and reds around the edges are mostly faded in the sun. Next door is a place called “Pete’s” which of course I just had to eat lunch in. I had lovely eggs benedict there, I definitely recommend.
SF salesforce tower
If you go down to San Francisco these days you are sure for a big surprise. The newest addition to the skyline is a massive skyscraper visible from what feels like everywhere being constructed down in the SoMa district, South of Market. It dwarfs the TransAmerica Pyramid. It will ultimately be crowned with thousands of LED lights to display images, created by artist Jim Campbell. This impressive (and thin) new building is called (wait for it) “Salesforce Tower”. Yes, “Salesforce”. Sales, force. Sales. Force. Not exactly “Empire State” or even “Transamerica Pyramid”. I get that buildings must be names after corporations but do the corporations have to have dull names? Salesforce Tower sounds like a grey block located on an industrial estate on the outskirts of Slough, not the leading light over one of the most iconic cities in the world. If this was London it would have a hilarious nickname by now too, like the Erotic Gherkin or the Cheesegrater or the Vampire’s Collar. I’m sure the fun-loving fellows of Frisco (I know, don’t use that name, but alliteration here trumps acceptable usage) will think up a more interesting name. I sketched this from Market Street looking up, the perspective of drawing tall buildings is one I’d like to work on a bit more. Hey there is a great chapter by Japanese artist Kumi Matsukawa in my book ‘Creative Sketching Workshops’ all about drawing tall buildings. I’d recommend that highly (all puns always intended on petescully.com).
SF hydrant

But let’s get back down to earth. I love a hydrant, well here are two. One is near, the other is far away. This is a good example of perspective. Near, far away. I love rusty hydrants. Gives them character. It makes it feel like a Used Universe. This little guy dates back to 1909 if the date on its side is to be believed. He is found in the heart of the financial district.

And then, I boarded a train back to Davis. It was a tiring couple of days hanging out in the City, and while I always enjoy the change of scenery, I’m really starting to get a “done-this-all-before” feeling. A new challenge is needed…

the view from telegraph hill

SF view of Golden Gate sm
Here are the last couple from my day in San Francisco, and these are the bridges. Above, the view of the Golden Gate Bridge as sketched from Telegraph Hill. There are always a lot of tourists around the base of Coit Tower, and on this day the clear views of the Bay were incredible. Isn’t San Francisco beautiful? It’s amazing. I love drawing cities, and as cityscapes go this is iconic.
SF Bay from Telegraph Hill

I went around to the other side of Telegraph Hill to a quiet spot on Vallejo that I have also sketched before, about eight and a half years ago. The view has not hanged much (though if you could see beyond Treasure Island to the Oakland side of the Bay Bridge, it is now completely different – the old bridge has been almost entirely removed, with the new spacious modern bridge taking its place. This view however shows the classic San Francisco side of the Bay Bridge. This hill is so steep that it’s quite a climb to get up here. I couldn’t imagine living up here (what a view if you did!). Below, the first time I sketched this. I stood a few steps down, closer to the tree. I’m told there are green parrots in Telegraph Hill, flying free and wild. Telegraph Hill was known by the Spanish as Loma Alta, and later called Goat Hill by residents. It became known as Telegraph Hill due to the large semaphore tower erected in 1849 that would act as a signal to the city about which types of ships were entering the Golden Gate.
view of the bay bridge from telegraph hill//embedr.flickr.com/assets/client-code.js

sanfranciscorama

San Francisco panoramic

The last one from last weekend’s trip to San Francisco, finally scanned and stitched together photoshopically. I don’t get to draw great vistas in Davis, not like this anyhow. All those panoramas from the Art of Urban Sketching and Sketching in Lisbon books have inspired me a little, so while up Telegraph Hill last weekend (where I saw none of the famous parrots but did see quite a few hummingbirds) I sat on my stool and drew what I could. I was there for almost an hour and a half before the sunshine got the better of me, but I didn’t fancy overdoing the details anyhow, I liked the skyline as it was. I mostly used a uniball vision micro.

sketching the city
sketching the city

i’m only a droid, and not very knowledgable about such things

hydrant at kearny & vallejo, san franciscohydrant at union st, north beach SF

Wow, you MUST think I’m obsessed with fire hydrants, right? Well I am alittle. I can spot differences and everything now though. But I’m no expert, I don’t even really know how they work (it’s basically a tap, right?), and I know the colours on the caps signify some sort of difference in water pressure or something, maybe, but I like to think they’re just fashion choices on the part of the hydrant itself, which is of course a little robot with thoughts of its own. The one on the top left, drawn on the sloping streets of Telegraph Hill in San Francisco, is related to R2-D2, but probably more of a ‘Moopet’ version, with a graffiti tattoo and chains. Perhaps those pentagonal bolts are really restraining bolts, like the ones fitted by Jawas. These larger, fat hydrants are common in SF. The green-capped one on the left was on Union Street. I actually sat a little bit off the sidewalk to sketch it from the preferred angle, shielded by a parked car. At one point though a girl came up and asked if she could photograph me sketching. I forget how odd I look when I sketch, all hunched over and tangled up.

opposite ends of the day

telegraph hill

Now this is an actual sunset. I love watching the Sun go down behind Telegraph Hill in San Francisco, as i often do when waiting for the Amtrak bus to take me back to Emeryville, and from there back to Davis. I say often, I really only go to SF three or four times a year, but I feel like I know it pretty well now. I like catching the early train to the Bay Area, when the Sun casts long shadows across the Delta and the grass is golden and the hills are brown. Actually I really like it when the Delta is covered in thick early morning fog, but it’s harder to draw things when it’s like that. Anyway, the sketch below (the now common sketch of the Pepsi Max can and train window) was done on the way there, the sketch above was done on the way back.

california train sketch

with never a whisper in the sea

fisherman's wharf

I got up early on Sunday morning, to see what San Francisco’s Fisherman’s Wharf looks like without all the slow-walking touristy people milling about. It looked better. I thought of how much more I like it, being near the sea. But it was very foggy, and then it started raining. It was ‘mizzly’. I went back to the hotel for a bit, and drew the view from the window, looking out towards Coit Tower (below). I went back out, when the sourdough-bread-and-sealion-photographing masses had emerged, and I drew a boat (above), while tucked away under some shelter. I like drawing boats these days; if it hadn’t been so rainy, and if I’d had more time, I’d have drawn boats all day long.

telegraph hill

Telegraph Hill reminds me of a Provençal hill town, such as Gordes or Lourmarin, in this drawing.

Incidentally, the Pier 39 sealions appear to have gone. I’d heard that they had moved on from their home, which they have occupied since the 1989 earthquake. A few remain, honking for the cameras, but the rest have swum away.

weekend in san francisco

Here’s the Moleskine spread, after drawing at Fisherman’s Wharf. I’m quite pleased with how these pages look.

how many roads must a man walk down

I ambled and jaywalked into North Beach. That view down Columbus of the TransAm Pyramid, my final destination, a big triangular monolith on the horizon, calling me like a dark lord’s tower, but i would not draw it, for i was on another quest, to be as relaxed as possible about wandering up and down hills and streets and slamming in as many sketches as possible.

 the view from lombard street 

I feel I put too much pressure on myself sometimes. After drawing ‘Bimbo’s’ below (mainly for the powerlines, and the name, not the building), and stopping by LaRocca’s across the street to add the wash, I just had to climb Russian Hill; it was just ‘there’. At the top of Lombard I stopped and drew the view out to Coit Tower (above), doing it little justice, but after the slog of the climb it didn’t really demand penance, just adoration. Oh ok, it wasn’t really a slog as such, I just felt it later on.
bimbo's north beach

The thing about Lombard Street is that they say it’s the crookedest street in the world, but surely Wall street is crookeder? The tourists didn’t care. Cable cars rattling by behind me. Weekenders standing out of their sunroofs camcording while zigzagging carefully downslopes. There’s me meanwhile, sat there using a micron 0.1 and a newly discovered micron 1, for things in the foreground. And occasionally a camera too, just to fit in with the crowd.
the dim light of day

see me walking around

Tomorrow morning, I will be off to San Francisco to do some more urban sketching. A couple of years back I videoed my sketching trip from the ferry building farmer’s market up Telegraph Hill. Here, at last, it is. Below are some of the drawings I did that day. Some are from early in my first Moleskine, others are from my as-yet-unfinished WH Smith spiral bound book, and this was also the first time I’d used Copic multiliners, funny enough.

ferry building farmer's marketon the corner of columbus, washington and montgomeryfilbert street flowersthe sentinel buildingcoit tower pen
view of the bay bridge from telegraph hill