another san francisco day – part 2

Caffe Trieste SF 021823 sm

It was a busy afternoon in North Beach, San Francisco. I had already sketched a lot, but was still going. I sat outside Caffe Trieste, a historic old cafe once frequented by famous beat poets, musicians, actors, artists. Coppola wrote a lot of The Godfather while drinking coffee in here. I’ve sketched outside here before. I have never actually spent any time inside; I don’t drink coffee, and the line was always a bit long for me to figure out what else I might want; another time. I hear they make pastries. The cafe was opened in 1958 by Trieste native Giovanni “Papa” Giotta, who died in 2016; he was known as the “Espresso Pioneer of the West Coast”. I went to the city of Trieste in north-eastern Italy back in 2001, an interesting place, very close to the Slovenian border.

City Lights SF 021823

I stood on the corner of Columbus and Broadway, outside the Condor, and looked across to City Lights Books. Behind it to the left, Vesuvio. I’ve sketched this spot a number of times over the years, it never gets old. This area right here might be one of my favourite places on earth. City Lights is pretty famous, though not actually very big, and again has a long history with the beat poets. I must admit I’ve not really read any beat poetry. I’ve heard of all the names and nod knowingly whenever anyone reels them off, but I’ve not actually read any. Maybe I should, perhaps it will mean something, but I always imagined it as someone reading poems while someone else does beatboxing with their hand over their mouth, imagining something like a rap version of Wordsworth, “I wondered lonely as a cloud, yeah”, but it’s probably not that at all. I like poetry, I did well studying it at college, though I’m not sure I could do it myself, and I don’t like poetry enough to actually spend any time with it. I’m like Facebook friends with poetry, I’ll ‘like’ it but pretend to be busy if it wants to meet up for a coffee. Still, I had a look around the poetry room upstairs and nodded thoughtfully at all the titles. There were people sat reading as you’d expect; I thought one of them was Maggie Gyllenhaal sat reading a book by the window, but I never recognize famous people so it probably wasn’t. Although I did see Robin Williams once at the Farmers Market a long time ago (come to think of it, it was my wife who saw him, and I just went “oh yeah! wow.”). I thought I’d better actually look for that Paul Madonna book that was mentioned in the previous post. His first volumes were published by City Lights after all, but I couldn’t find it in here (I think they didn’t publish this one, but likely it was just sold out). I did pick up another book though, “Spirits of San Francisco” written by Gary Kamya, and illustrated by Paul Madonna, and took it across the street to read at one of my favourite bars, Specs. Read about San Francisco stories while sat in a place full of San Francisco stories.

Specs SF 021823 sm

It was however too dark in Specs to read anything. I love Specs. After a day on my feet, this is the place to stop and rest them, with a pint or two of delicious Anchor Steam, the proper San Francisco taste. It’s full name is Specs 12 Adler Museum Cafe, and it was founded by Richard Simmons, nicknamed ‘Specs’ due to the big glasses he wore. I took the seat closest to the window, underneath the orange lamp-shade. Still too dark for my weak eyes to read, it was barely light enough for me to draw (once upon a time, maybe wouldn’t have been an issue) but I was going to draw anyway. I had sketched a lot that day, this was a tired end of the day sketch, and one where I couldn’t really see colours on my page too well so I bathed it in a wash made up of the colours I could see. There is so much to draw in here, and I have done it before. I listened to the conversations of some people sat nearby, one older fellow was a music photographer or journalist telling stories about musicians from over the years, it was interesting. There are always interesting local people in this bar, I remember coming here once and sketching a panorama on one busy evening about a decade ago; the elderly barman that evening (who may have been Specs himself? Probably wasn’t) passed me a free Anchor Steam and told me that this was a place full of artists; away to my right a guy was oil painting on a canvas, behind me at the tables there was an older woman busy scribbling drawings in charcoal and pencil; I was definitely not alone. You never run out of things to look at, and sketch, in Specs. One of my most fun evenings in the city was spent here about thirteen years ago with my friend Simon, visiting from England, where we played a drunken game of chess in there and told silly stories. It’s still my favourite bar in the city, and this was the first time I’d been in since before the pandemic; so glad it’s still there.

Speaking of artists, back to Paul Madonna: I ordered that third All Over Coffee volume (“You Know Exactly”) online and have been enjoying going through all three volumes a lot. Here is a book review of it on KQED. I learned shortly afterwards that he had been in a really bad accident towards the end of 2022, when a driver going the wrong way collided with his vehicle in San Francisco and left the scene, leaving him severely hospitalized and lucky to be alive. I met Paul and his wife Joen in 2016 at the grand opening of the Manetti Shrem gallery in Davis, but I’ve been inspired by his work ever since seeing that first volume in a shop window in Berkeley in 2007 while on a sketchcrawl (when I was drawing a lot with purple pen, if I recall), and immediately getting excited about the linework and detail, as well as the subject, which was every corner of San Francisco (but erasing the people and cars, as I’d been doing). I still love his work, as it has developed over the years, and it reminds me to keep trying to look at the same places again in different ways. So it was a shock to hear of his awful accident which has prevented him from working, though there was an update in the past couple of weeks that he has finally been able to go back to the studio. There is a Gofundme fundraising page set up by the San Francisco Public Library to help Paul during his recovery. I really hope that he has a full recovery soon, and can continue to share his inspiring art with the world.

kearny to columbus and a pint of anchor steam

SF Kearny & Sacramento
I usually head towards Columbus. It’s my favourite street in San Francisco, cutting a diagonal slice across the grid, leading from the Financial District to the Italian flavoured North Beach. I haven’t sketched a lot of Chinatown recently, but my tired feet didn’t feel like climbing up to Grant or Stockton, so I strolled along the flatter Kearny, and stopped a couple of times to draw the scenes above and below. I was on the corner of Kearny and Sacramento, the long slope of the latter blowing dust downhill and into my eyes. Standing a few feet back shielded me from the wind, and gave me a cheeky view of Coit Tower, waving at me like a prize. I had no intention of going that far this time.
SF Kearny St shop
I could not resist sketching the store above. Something about this view just said it all to me. These are the types of scenes I like to sketch the most. I didn’t go into David’s Food store, perhaps David is Beckham, or who knows even Bowie, reborn. Or maybe Cameron, perhaps they have a lot of pork products. But maybe it’s more David as in Goliath, with Goliath being modern expensive San Francisco, and this little food store is holding out against them as the David figure, with long hair that gives him strength, until Goliath finds his weakness in his tendon, I might be mixing up my old stories here. I also didn’t go to Rainbow Cleaners, but I assume that is where Geoffrey would get Zippy, George and Bungle dry-cleaned. This is the silly thing I think about when I sketch. I should be thinking about meaningful pearls, writing travel articles in my head, stories of the smells and sounds of the city, but in reality I’m just daydreaming about Rod Jane and Freddy. At least I wasn’t humming any of their songs! Oh no maybe I was.
SF Sentinel Building

I got myself back on track.This is not the end of Kearny, but it is where it meets Columbus and where it starts getting significantly more mountainous. I have drawn this view before, many times, in fact one of the earliest San Francisco sketches I did was of this building. It’s the Sentinel Building, which has Francis Ford Coppola’s Cafe Zoetrope at the bottom. I’ve not been in there but next time I will. I like Coppola’s films. The Godfather, the Godfather II, all his films.
SF Specs

And finally, time to rest. I left the bright late afternoon and walked into Specs, one of my favourite spots in the city. At first I though it was closed, all the lights were off, but it was just much darker than outside and it took a while for my eyes to acclimatize to the dim lights in there. It’s full of stuff, and a few characters. I ordered a pint of Anchor Steam, took a seat with a view and started scribbling in my book. I read for a little (amazingly I could see really well after my eyes got used to it), reading some of those travel stories, and then drew these two fellows at the bar in pork pie hats. Or bowler hats, I don’t know, I’m not a hatologist. I enjoyed drawing this. It’s very different, much more of a reaction to the low light than a line-for-line interpretation; I’ve done that already. I’ve sat on this seat before, years ago at the end of a night out with my friend Simon, we played chess (drunkenly, he drank whiskey and I drank beer). Seven o’clock approached, the long journey back to Davis beckoned. I really love coming to the city, especially this area. I have plans to do a historical sketchcrawl down here sometime in the next couple of months, I have thought about it for a couple of years now. There is a lot to discover. Just around the corner, for example, on the very next day, March 24, City Lights Books was celebrating the 100th birthday of Lawrence Ferlinghetti, famous local Beat poet and co-founder of City Lights. A hundred years old, can you Beat that!

the drinking spots of north beach

Mr Bings SF
Last year at around this time I Amtrakked it down to San Francisco to sketch North Beach, and as I mentioned in my last post that’s what I did again a couple of weeks ago. Now last year I spent some time sketching the bars and cafes of the area, so that’s exactly what I did again this time. Above is Mr. Bing’s, a little cocktail dive that I’ve always wanted to go and have a drink in but have never plucked up the courage. Well, I’m not here very often. I have always wanted to sketch it though, so it was the first thing I sketched that day, while eating an early-lunch panini at the cafe across the street. North Beach has those little green white and red bands on the lamp-posts to signify that this is the Italian neighbourhood, but just on that corner there you can catch a glimpse of a Chinese-themed lamp-post, as that is the border with Chinatown.
Caffe Trieste SF
This is Caffe Trieste, a little further uphill and around the corner from here. Caffe Trieste is an old San Francisco favourite, in business since the 1950s and popular with the artists, musicians SF tourguideand poets of the area. As a passing Big-Bus tour-guide (not on the bus with walking with a group) mentioned, this was a regular haunt for the famous Beat poets, such as Kerouac, Ginsberg, all the Beat poets. The tour guide (who I sketchd quickly, right) felt obliged to read some Beat poetry outside, I couldn’t understand what it was about though. It’s not just the Beat poets who sipped espresso here, apparently Francis Ford Coppola wrote much of the screenplay of The Godfather here. I never went into the Caffe (I don’t drink coffee, nor write poetry) but I would love to sketch the interior some day, soak in the beat-lit atmos. Did you know, Caffe Trieste was probably the first Espresso house on the West Coast? Its founder, Giovanni Giotta (Papa Gianni) came from Istria (near the city of Trieste; I’ve been there, nice place) in the 50s bringing a little piece of home with him.

Specs, San Francisco

I was feeling pretty Beat myself after all this sketching (do you see what I did there? Did you see that? Read it again) so as the Sun was quickly dashing westwards I chose to do my next sketch from the comfort of a pub table. One of my favourite haunts in the City is just around the corner from here, Specs, an interesting North Beach bar with walls and ceilings full of memorabilia and stuff to look at. I do love this place. Last time I was here I sketched a panorama of the busy bar area and was one of several artists dotted around the pub, unconnected but just doing what we do. I sketched over a couple of pints, listening to conversation, people watching, dreaming of anything. That might have been a Beat poet in front of me, perhaps a young Beat poet, I wasn’t sure. A young lady shared a laugh with a silver-haired man at the bar (I sketched them too, below), while a group of British fellows unseen to the left enjoyed a weekend pint while reminiscing about San Francisco in decades gone by. Or they might have been talking about something else, rugby or something, but I hear what my ears choose to hear. I like Specs. Years ago I came here with my friend from England and played chess and got drunk and laughed and did impressions of Brick Top. I like Specs.

Specs drinkers

I have another post of sketches from that day – stay tuned. So, do you remember when I posted my North Beach sketches last year, over two posts? One of the posts (“Leave the Pen, Take the Cannoli“) got a ridiculous number of comments, 223, possibly my record. The second post (“A Bright Centre to the Universe“) got a very respectable 11 comments, which is pretty good, but clearly not quite as good as the first. I actually prefer the drawings in the second, but according to everyone else the first post is more than 20 times better, but that’s fine. Anyway on that note I will leave you with the chronologically-out-of-place first sketch of the day, which I did on the Amtrak at around 9 in the morning. The train from Davis was crossing the Delta, with the golden brown landscape dashing by in the chilly morning sunlight. It was even colder when I got back to Davis, cycling my bike home in the near-freezing dark. It’s a long day out, sketching in the City.

Amtrak from Davis to SF

specs and the city

Specs SF smClick on the image for a larger view. One of the reasons I came to sketch San Francisco’s North Beach last March is because I wanted to sketch this old bar – Specs, just off Columbus. I’ve been here before and it’s a sketchers’ delight – memorabilia covering the walls and ceiling, a small narrow bar area full of friendly atmosphere, and a healthy smattering of artists. That evening I wasn’t feeling too well, and went back to my hotel for a rest, but I forced myself out because I was going to get this sketch, goddammit! When I arrived, the place was pretty full, but there was a space in the middle of the bar area, so I parked up there and got the sketchbook out. I had no stool, so I had to stand, but I didn’t care. Behind me, an older fellow was sketching bar patrons in a big sketchbook, while further inside another man was painting oil on a large canvas. Definitely an artist-friendly bar. The last time I was here was back in 2010 with my friend Simon, visiting from England, and we played chess and traded Brick Top impressions and had beer and whiskey into the wee hours (well, he had the whiskey, I had the beer). This time around, I drank my Anchor Steam slowly and sketched quickly, getting as much of the two spread panorama as I could. I wasn’t feeling much better to be honest but was pleased when a stool became available. This took me all of two beers, my second coming courtesy of the house (cheers Specs!), in a time of around an hour and a half. I really sketched fast. Upon finishing up, I stopped off for a freshly made doughnut on Columbus to eat back at the hotel, which actually made me feel a lot better. After a long day of sketching, I was happy for the rest.