I don’t think I’ve ever drawn at the Marketplace in north Davis. That’s because it’s not very interesting, just a strip mall and a load of parked cars right in direct sunlight, though there being a couple of unusual sculptures. One of those is just outside Noah’s Bakery and Mountain Mike’s Pizza, which is of three large pink pigs dancing around. No sign of the Big Bad Wolf. Maybe I the Urban Sketcher am a Big Bad Wolf, but I just draw your house rather than blow it down. I had walked over there (not cycled, my bike as I mentioned has a flat tyre and I’ve been too lazy to do anything about it, but at least I am getting my steps in) to buy a card from CVS, probably my least favourite shop, and some chocolates from Sees, probably my most favourite chocolate shop. It was our twentieth wedding anniversary a couple of days later; we had been supposed to go away that week but ended up postponing the trip, so we went for a nice dinner instead. The trip away will be nice though. I sat in one of the very few spots of shade to draw this before going to See’s. The chocolate at see’s is available at every airport in California, but it really is great and I always bring some home to England whenever we go home, and always for anniversaries. My dad loves them; twenty years ago, just before our wedding in Vegas, my wife had given my dad his first box of See’s and he had, typically, devoured them before even looking at the label. But he really loved them, so I’ve usually brought some over for him ever since. I sat outside Jamba Juice, I had one of their smoothies, but didn’t really like being in the shop as it smelled funny. There were a couple of families sat at a table next to me outside talking about schools, reminding me of my old maxim that that overheard conversations are almost always not interesting at all. As I drew I wondered what I was drawing this for, was it to check off the Marketplace in my list of Places In Davis I Have Sketched, I’ve done that now. I knew I wanted to sketch these three pigs at some point. Apart from the tree, I pretty much lost interest in the sketch early on, and knew I would not end up colouring it in, except for the piggies, and the pizza sign. I don’t eat pork anyway, I just don’t dig on swine.
Tag: sculpture
“galliformia dreaming”
I got up early the day I was flying to London, and went for a walk on the north Davis green belt. I had my sketchbook with me, so I drew this sculpture I have always liked, a dog laughing at a small turkey standing on a rock. It’s called “Galliformia Dreaming” by Jean Van Keuren, 2005, same year we moved to Davis. As I sketched, someone said to me, “you’re that sketching guy”, which I am. I should have been running on the green belt really, but I have been lazy with my running. I like living close on the north Davis green belt though. I went home and did some housework, repacking, and relaxed a bit before panicking about travelling, before flying down to LA and then on to London. I’m still scanning my sketches but I enjoyed working in this new format, rather than the usual panoramic.
through the gateway
I started a new sketchbook, another watercolour Moleskine, but this time in portrait mode rather than landscape format. That’s a change for me; I’ve used so many landscape format sketchbooks, indeed in the ‘official’ numbering, I’ve had 50 which I use as my main sketchbook. I’ve used other portrait sketchbooks outside of the numbering, oh it gets complicated. But I have decided that this book will officially be number ’51’ in the list as my main sketchbook, and I will use portrait formats from now on, at least until I get bored and go back to landscape. None of this is even slightly important to you. But I like to categorize my books, and if you want to see them all listed in one place, go to the Sketchbooks page. Anyway, I wanted to start this one in Davis rather than on my London trip, so I sketched this sculpture on the UC Davis campus, the one on Mrak Lawn called “Shamash” (Guy Dill, 1982). It was bloody hot out, but nothing compared to how hot it’s going to be here this week. Oh I’m back in Davis, here comes the very long and very very hot summer. I need to go somewhere else now. I’ve sketched this gateway before. I have never walked through it, I don’t think I have the courage. That’s the Arts building in the background. The library is nearby. This is a gateway into a new sketchbook; having already nearly finished the book (I sketch a lot when I’m travelling, and when I’m not), it’s a gateway to a new format that I’m enjoying. It’s good to do something a little bit different.
as sure as eggs is eggs
Before I show you all my Utah sketches, I’m fast forwarding to this month, which was the 30th anniversary of the installation of the Eggheads by UC Davis professor and renowned sculptor, Robert Arneson, who dies in 1992. The campus has been having special celebrations in honor of Arneson and his beloved Eggheads, which are a series of egg-shaped sculptures all over campus. I’ve drawn the Eggheads before of course, but over the past few weeks I decided to draw all of them again, starting with “Yin and Yang” (above) which is outside Turner Wright Hall, a pair of eggs having a bit of an argument. One of the big parts of the Egghead celebration was a special event at the Manetti Shrem to which I was invited, where Robert Arneson’s widow Sandy Shannonhouse (a renowned artist herself) gave a short talk, and Robert Arneson’s son was there, and the Chancellor Gary May, the L&S Dean Estella Atekwana, and above I sketched the Manetti Shrem’s director Rachel Teagle talking about Arenson’s legacy and his famous Eggheads.
Above, this Egghead is called ‘Stargazer‘. It’s over behind North Hall near Dutton, staring up at the sky. It was installed in May 1994.
Back to the Manetti Shrem event, I sketched people talking, including an MFA Creative Writing candidate Trevor Bashaw who had written a poem dedicated to the Eggheads, I tried to write some down while I sketched. I was sketching in the fountain pen that I had used while sketching people talking in Riverside; for some reason it wasn’t quite coming out so easily, perhaps it was because I was standing (I hold my book in a funny way when I stand) as opposed to sitting at a desk, usually I would use a different type of pen for this sort of thing. Still it was fun enough and I still love that brown ink. The food at the the event was quite nice, I had a nice bowl of ice cream and a glass of wine. I did speak to a few people, some I knew, and the folks who invited me gave me a nice bag of Egghead related goodies. I also bought some big stickers at the little pop-up Egghead shop.
Above is “Bookhead“, I think the earliest installed Egghead, which is located outside of Shields Library. It’s a slightly different colour, being ever so slightly blue around the edges, and the tradition is that students rub or kiss Bookhead for good luck when taking their exams. I haven’t looked at those particular statistics but I am going to guess it has made marginally less difference than actually going into the library to study. This is a fun one though. I think if Arneson had lived he may well have created a new Egghead just staring at a phone.
This one is another fan favourite Egghead, an upside down laughing face with an ominous eye on the back, staring upwards at Mrak Hall. It’s called “Eye on Mrak/Fatal Laff“, an older sketch I did of it recently appeared in Sactown Magazine. In fact I think I even did a sketch of this back in 2005 on that very first sketchcrawl.
Here’s the last sketch from the event at the Manetti Shrem. There was an interesting video being played on loop so I sketched people watching it and mingling. There were media people there and a photographer going round. I was not feeling too well due to those seasonal allergies so I was starting to flag a little, but I had a look around the Deborah Butterfield exhibit “PS These Are Not Horses” which was pretty amazing. I had planned to walk over to the public events celebrating the Eggheads over at shields Library and the MU, which would culminate in the ‘Lighting of the Eggheads’, but my tiredness totally beat me and so I just went home to bed. It was a fun event though and I’m glad I went. You can see the video they played on UC Davis YouTube channel: https://youtu.be/aPmQf-oqnFU?si=UYA2uudwhmbDmzWT. It’s really interesting, and you’ll probably recognize some of the places from my sketches.
The last ones I did were a couple of days ago, on the other side of Mrak Hall outside King Hall. They are two Eggheads called “See No Evil/Hear No Evil“. I do remember they were in a slightly different spot when I first came, outside King Hall, but they were moved into the current spot when King Hall’s new wing was built. I drew all that from the Arboretum years ago, I’ve been here for ages. Anyway, I wanted to draw a few angles of this, so I stood behind one and drew looking out at the other (above), before sitting down right in front of it to capture its bizarre expression. I liked that one, but the sun was shining down on me, and suddenly a big group of schoolkids on an outing arrived and started rolling down the little hillocks the Eggheads are located on, so I got up and went over to the shade, where I grabbed a quick pic of the other Egghead before going back to the office (I actually added the paint while I was in a Zoom presentation, while also taking notes about summer courses). It’s fun drawing small quick sketches.
And so these are Arneson’s Eggheads, happy thirty (or so) years. You can find a tour of the Eggheads at https://www.ucdavis.edu/campus-life/arts-culture/eggheads-tour, and read “The lasting legacy of Arneson’s Eggheads” to find out more about them and about Arneson. Big characters on our campus these, and look! I managed to get through a whole blog post without making a single egg-based pun.
eighteen years later
Yesterday, November 5th, marked eighteen years since we moved to Davis. I had never even heard of Davis until a few weeks before. I knew quite a few people with last name of Davis (actually mostly Davies), but when our plane landed from London in the fall of 2005 I was unaware of the college town in the central valley of California that would come to define this latter part of my life. I didn’t really have an idea in mind of what life over here would look like when we emigrated, find a place to live, find a place to work, turn thirty and get busy living in America until we got bored and moved somewhere else. I remember the first visit to Davis; my wife had a job interview here at the university, so I tagged along and waited downtown while she did that. I liked the downtown; there were several bookstores, including the Avid Reader (where I eventually got my first job in the US) and the now-gone Bogey’s Books, which was where Bizarro World Comics is now located (they used to be on 5th Street), and they had a good language section. There was also the Soccer and Lifestyle football shirt shop, which to me was a massive bonus, and the guy who still runs it was the first person in Davis I ever spoke to. I remember asking if they got the Spurs shirts in, but he said that Kappa are really bad at distributing in the States. (Spurs are made by Nike now and they always have our new shirts in stock). I wasn’t sure about the landscape around Davis, this huge hot, flat valley that reminded me of Tatooine, and it was a fair ride from Santa Rosa where we had been staying with my wife’s family, the idea of moving to America being that we’d be closer to them. When she accepted the job, we came back one more time to look around at apartments, using the DavisWiki site to look for apartment complexes, and we ate at Sudwerk back when they still had genuinely decent German style food (we ate there again a few weeks ago in the newly reopened restaurant part; their food is pretty bland now, though the beer is still nice). And then on November 5th, remember remember, we moved into our new apartment in south Davis. I just recall walking down to Nugget and getting a bottle of London Pride beer, which was a nice find, to celebrate our new home and also celebrate Guy Fawkes Night, which is (obviously) not a thing over here, but was always one of the big days/nights when I was growing up. Bonfire Night. It sounds strange explaining it to people over here. I remember hearing on the news here back in that first year that November 5th was ‘Britain’s Fourth of July’, which made me laugh. I would tell people, no it’s America’s May the 11th, which took some explaining. Those first few months were an adjustment, living in Davis. Those first few eighteen years have been an adjustment.
So on this day, eighteen years later, I cycled downtown just to get out of the house for a bit (being stuck in the ‘I am bored but don’t want to actually go anywhere’ rut, and the ‘there’s nothing to do in Davis’ rut), and stopped in Central Park to draw that caterpillar sculpture I think I’ve never sketched. It’s very autumnal right now, and we had a little bit of light rain, Fall is here. I was listening to something about the Beatles. ‘Now and Then’ has been stuck in my head since Thursday, growing on me more and more. I can’t stop playing it on my guitar.
And I go back to thinking myself about Now and Then. 2005 was a different world, the last year of my twenties, the last year of my life in London, in Europe, with my ever-expanding family back home. When I think about how that was eighteen years ago I can’t help but think about where I was eighteen years before that. The answer was the first year at Edgware Secondary School, I was a lot smaller, everyone else was a lot taller. I had left my primary school Goldbeaters a few months before, and Edgware was a big new world, school uniforms, bigger playgrounds, getting the tube from Burnt Oak and walking up Green Lane, all those different teachers, some nice, some scary, some bored. It was not long after Tottenham had lost to Coventry in the FA Cup Final, the only one I ever went to, I’m still not really over that. Most of my friends from Goldbeaters went to Mill Hill County High, but I made friends at Edgware, including one who I knew from Goldbeaters but we didn’t hang out together until Edgware, that’s my friend Terry who I’m still friends with but haven’t seen in years, because he moved to Asia at the end of 2006 (he’s now in Japan). We both moved out thousands of miles from Burnt Oak, never to return. So eighteen years before my move to America I was 11; you can’t compare the difference between 11 and 29 with the difference between 29 and 47, but there’s a lot of life in between. I was obsessed with drawing and Tottenham when I was 11, and I still am now. Next year it will be nineteen years, and so I’ll be comparing nineteen years before that, when I was 10; in 2025 it will be twenty years, and so on. Eventually it will be fully half my life. You might say in reality it already has been. Well I’m still here now, and now and then I think of the old world.
Everybody Loves Tardigrades
They do, don’t they. Everybody loves tardigrades. This is a sculpture of a tardigrade, also known as a ‘water bear’, outside the Academic Surge Building on campus, next to where I work, home to the Bohart Musuem of Entomology. I took me three attempts to spell ‘Entomology’ by the way, going through ‘Entemology’ and ‘Entimology’ before finding the right spelling. I knew it probably wasn’t ‘Entamology’, and ‘Entumology’ looks very wrong, and ‘Entermology’ is right out, but looking at it, it should really be a word for something and it’s a shame it isn’t. When I first came to campus I actually interviewed with the Viticulture and Enology department, and they actually offered me the position despite my response to “what is Enology” being “it’s insects, innit.” No, Enology isn’t insects (it’s actually wine science), but Entomology is. So, they have a big tardigrade sculpture outside, because yes, everybody loves tardigrades. Except students awaiting exam results, they don’t like tardy grades. Here’s one, “what is the difference between an Aquarius and a Tardigrade? One is a water bearer, and the other is a water bear.” Ok that joke needs a bit of work (actually I think that joke needs a different job), but it’s true, everybody loves tardigrades. They are tiny little super beings that can live in any temperature and in any environment, although even they probably avoid parts of south London after dark. They are miniscule, and have been found in every part of the Earth, from volcanoes to the deep oceans, from the Antarctic to the Amazon, from Tesco to Asda, they are everywhere and can survive any conditions, although even they probably couldn’t sit through half an hour of watching Mrs Brown’s Boys. Thanks to humans feeling the need to pop off into space, tardigrades are probably already colonizing the moon, and are watching down on us wondering why it’s taking us so long to come back and get them. They are sometimes called ‘Moss Piglets’ but that might just be their band name. They have survived all five mass extinctions, though I still don’t fancy their chances under the Tories. They don’t actually live for very long, about 3 or 4 months, but that’s still longer than most Tottenham managers’ careers. Everybody loves tardigrades.
a whisker away
I popped downtown for lunch one Friday, and it was sunny, and people were out and about, and I decided to stand on the corner of 1st and E Streets and draw the outside if the John Natsoulas Center for the Arts, where they have the big cat over the doorway, and the big colourful dog made out of vinyl records. There was some sort of art event going on, people were coming and going in groups. I remember when they were building the big cat, as I was drawing a panorama of 1st St at the time, about five years ago or so. You’ve gotta love a big cat. It’s called the Cat Patio, by ‘The Mosaic Boys’ according to the Natsoulas website which calls it the ‘largest mosaic in northern California’. By a whisker, I suppose.
I’ve always been fascinated by the dog with all the vinyl records on it though. Young me would have probably been horrified at the waste of coloured vinyl which to me was the height of rarity, like picture discs or 12″ singles, until I discovered they aren’t that rare at all. I remember once actually going to Loppylugs Records in Edgware as a teenager getting into music and buying a red vinyl single from some band thinking wow, you don’t see many of these, if this band’s any good this will be a great addition to my Record Collection. Record Collection, hah. I gave up on an actual Record Collection at a young age. It seemed so important once didn’t it, to have a Record Collection, but in the end it turned out to be a bit pointless. I did enjoy going from second hand store to car boot sale looking for old original press Beatles records though, when I was 13, and I still have those along with the ones that my uncle Billy gave me. Those few important ones I got as a teenager, those were all I really needed. Anyway I got this one red vinyl single, by some duo with long hair whose name I can’t remember, and well, it was total pants. Utter pony. I was embarrassed even listening to it. I couldn’t even look at the photo of the duo on the back sleeve. The best thing to do with this red vinyl would have been to add it to another pile of shite coloured vinyl records and turn it into a massive sculpture of a dog that lights up at night, and evidently that’s what’s happened here. I have no doubt that the records on that dog were just as unlistenable as that one I got, so bad the only thing you can do is turn them into art. I really like the big colourful dog, even though you can only see a bit of it.
another world, another time
I’ve drawn this before. I’ve always thought it looked like a magic portal. Where would it go? This sculpture is actually called “Shamash” by Guy Dill, and was made in 1982. I’ve always wondered. 1982…I always say that my memory pretty much goes that far back, although I know I have memories from earlier, flashes really. In 1982 I was six, and I remember some things from that year clearly. The FA Cup Final replay, Spurs v QPR. I remember my older brother Johnny, who was at the game, came back from Wembley shortly before our neighbours, who were also at the game. We are spurs fans, they were QPR fans. My brother went to every home game at White Hart Lane in the 1980-81 and 1981-82 seasons. So my brother got the Chas’n’Dave songs on his record player, “Tottenham Tottenham, No One Can Stop Them” and “Spurs Are On Their Way To Wembley”, turned up the volume full blast, hung the speakers out of the bedroom window, and waited for the neighbours to get home. Everyone in the street came out, not to complain, but also to watch the QPR neighbours get back from Wembley. It was all good fun, we were a pretty close street. I do remember the Royal Wedding, Princes Charles and Lady Di, and that was 1981. We had a street party. Us little kids running around waving flags and everyone’s dinner tables lined up in the middle of the street with sandwiches and fizzy drink. There were games, and I distinctly remember my dad winning the “dad’s piggy-back race” with me on his back. I do have vague memories of the 1981 FA Cup Final win, the great Ricky Villa winning goal. I certainly have even earlier memories, I remember my Grandad, and he died in 1980. All I remember is him at his house on Blundell Road in Burnt Oak with my Nan and my uncle Billy, and I remember when he was ill, before he died. He was from Belfast. I have an old photo of him with me sat on his knee when I was about two, I’ve had that photo all my life. I have other memories from 1980. I had a small part in a BBC TV serial called “A Little Silver Trumpet”, and I remember going to the big round BBC TV Centre every day, I remember the sets, having greasy make-up put in my hair, I remember going to film in Brighton, I remember them just letting me draw and they just filmed me drawing, holding my pen in the same funny way. I have even older memories than that, I definitely remember visiting my Dad in “the Big House” which was where he lived until I was 4, and he’d always get a milk and a Yorkie bar. I remember walking around Burnt Oak with my big sister Jacqui and going through fields behind the houses with stingy nettles. I remember my uncle Billy taking me to see a film at the pictures that might have been Spider-Man. Memory is a funny thing, there are so many photos in albums and stories from others of events I have not really any memory of, but these things I always remember, things that belong to me. I’d say that from about 1982 though, when I was six, memories become a little clearer. I remember getting stuck in the snow with my mum down in Hendon, and it took a long time to get home, and we had oxtail soup when we did, and to this day I think of that when I taste oxtail soup. I remember that was the year we got central heating in our house. I remember getting chickenpox that year. I remember cutting up my pyjamas and pretending to be the Hulk, and getting into trouble because “my days of being the Hulk are long gone”, whatever that meant. I remember seeing pictures of the Falklands War on TV. I remember reading all of my brother’s Beano and Roy of the Rovers comics. I remember in 1982 going to meet The Tweets (the ones who wore bizarre bird heads and did “The Birdy Song”) with my friend Daniel, and I remember they wore big leathery gloves and did not talk. I even have a photo of that meeting. I remember my uncle Billy singing Come On Eileen in our kitchen. I remember playing in the sandpits at Welwyn Garden City. I distinctly remember going to see the Dark Crystal with my Dad and my next door neighbour Barry, and dropping all of my popcorn when Fizzgig appeared. At school the next week my friends all played Dark Crystal. “Another world, another time.” I am still obsessed with the Dark Crystal (I loved the recent Netflix series so much). 1982 was the last year when I was the youngest in the family, my little sister Lauren being born a year later. In my life 1982 was a really long time ago, and this sculpture has been around since that year. I’ve drawn it before. I’ve always thought it looked like a magic portal. Where would it go? Back to 1982? I mean, at least Spurs won a trophy that year. I always forget not to write posts like this, those “I remember when I was a kid” posts, but I suppose it’s part of getting older isn’t it, trying to keep remembering. Another world, another time.
dominoes are fallin’
They are, aren’t they. I drew this one warm autumnal lunchtime last week during the Endless Agonizing Election (the Endless and Agonizing bit is still nowhere near over, the rest of 2020 is not going away with dignity is it). Even as I drew we were not yet close to an outcome but the dominoes were falling alright. Like Domino Rally, remember that game? I always wanted that as a kid, those adverts for it looked so brilliant, little plastic rectangles racing against each other falling over. I never had it, but I finally got one for my son for Christmas several years ago, I think we played it once on Christmas morning and was like, right that’s not as much fun as I thought it might be. It’s sat in the hall cupboard ever since, I think it will be heading to the Goodwill at some point, if future archaeologists can ever excavate our hall cupboard. This domino sculpture is actually on the North Davis Greenbelt, it was something that eluded me for years, I managed never to come across it. This year since I have been walking and running so much, exploring all the pathways on this side of town, I’ve gone past it many times and now finally gone to draw it. It was installed in 1994, the work of artist Eddy Martinez Hood, and it is called Domino Effect II. I assume there was a Domino Effect I, but if this is a sequel it’s a superb sequel. Like Street Fighter II, I don’t know the original at all. Or maybe Domino Effect I was done afterwards like a prequel? I don’t know, if only there were some form of global information network where I could look this up, but as with lyrics that you can’t completely make sense of, the not-knowing is more fun. We live in an age when being able to know things is so immediate that I think maybe this is why so many have turned to the world of not-knowing, of alternative facts, of disbelieving the evidence in favour of the made-up, and let’s face it that’s why we are where we are. Wow that took a turn didn’t it.
I really enjoyed drawing this. It was a break from the endless red and blue TV maps and breaking news from Gondor and the fall colours were really exciting my senses. We have a lot of public art in Davis, it’s an artists town. (Speaking of which, we have a sketchcrawl this Saturday afternoon, 1:00pm starting at the Amtrak Station. Let’s Draw Davis!) I like how this sketch turned out, I was pleased with the colours and the dark values, and right now I feel like I am enjoying my sketching again. My number of sketches this year is way, way down on previous years, but I feel like I’m pushing myself out to draw a lot again, like I was when the pandemic first started.
living in a movie, but it doesn’t move me

Remember before social distancing? I would go out, staying away from everyone, sketching places without any people in them, and that was just normal. Now social distancing is the norm, along with a whole load of other words that we now know. Social Distancing will be the Time Word(s) of the Year 2020, I suspect (and we thought it would be Impeachment) (but that particular horse has a fair few furlongs to run yet), but there’s also “Zoombombing”, which I think is a genuinely new coinage, the practice where unwanted miscreants get into your Zoom meetings and perform perfidious profanities; “Shelter-In-Place”, which I’ve only ever had to do when there was an active shooter in town (America, folks! They love a gun); “Self-Isolation”, and its related verb, to self-isolate, which is like Luke Skywalker on that island that sounds like a sneeze, or Obi-Wan on Tatooine, or Yoda on Dagobah – basically you do it and pretend you are an old Jedi; I have also seen the word “immunocompromised” become more widely used, I had never thought of that word before, it could take up almost two Countdown Conundrums. And then in France you have the “Attestation de déplacement dérogatoire“, which is a form you must complete (France!, folks! They love a form) every time you want to go outside your house, and you can’t for example go more than a kilometer from your home if you are out exercising or walking the dog. The Attestation is just a part of life in France now, and will probably be their Mot de l’Année 2020. We all gotta do what we can to stop this thing. Stay at home when you can folks.

But here are a few more sketches from late 2019, a golden age for going out and (in my case) avoiding people, as I catch up on posting the sketches that backed up. It turns out that was probably a good thing, as it gives me something new to post that isn’t a sketch of my living room. Although I will say, that living room is going to be my St Victoire (also I do have a poster of St Victoire on the wall of my dining room). The sketch at the top is a sculpture outside the local library, near where I live. This was in Fall, when the leaves were red, outside the library where the leaves were read. JOKE OF THE YEAR 2020? Maybe not. Besides it references something from 2019 so it cannot count. Also it’s just not very good.
Incidentally do you want to hear my personal joke of the year funniest thing I said in 2019? Ok here goes. Don’t laugh ok, I thought it was funny. My wife and I were watching TV and on this one advert there was a young horse who needed rescuing from a road. She said, “I feel sorry for that baby horse”. So I said “I pity the foal.” Cue laughter, at which point I stood up and waved at the living room and left the room, you’ve been great folks. It’s right up there with “Missouri loves company” and “some day my prints will come” in waiting years for the perfect situation to come up to use those lines.
But in the sketch above, at the cross-section of 2nd Street and B Street, I was really hoping for some kind of road-rage incident involving an annoyed (not angry exactly, just irritated, unhappy, let’s say cross) motorist not stopping and causing some sort of, well not an accident for sure, I don’t want that, but something where they cause more annoyance, like they have to go around someone and everyone gets in a huff, and then I can say well the sign does say, cross traffic does not stop, so your mood at that moment determines whether or not you need to be the one that stops, just as the sign says. But that didn’t happen, and it’s just as well because it wasn’t very well thought through. It’s no “I pity the foal” is it.

Further down 2nd Street on a completely different day two days before, I sat with a cold beer outside Uncle Vito’s, on the corner of E Street. Our AYSO team the Blue Guys had won an exciting 10-5 game against an excellently named team called the Black Goats that day, and I had the afternoon to go cycling and sketching. I miss the Saturday-afternoon-after-the-game feeling. Now our Select soccer season has been cancelled, it’s left a big gap. I’m still watching videos and reading about tactics and training plans. By the way the big blue sign with a “P” on it is I presume pointing people to where the toilets are.

A month before, I drew this restaurant on the corner of 3rd Street and University Avenue, called Pho King. I know, I know. Don’t tell De Niro, he’ll make a ‘comedy’ movie out of it. They have a big sign on the restaurant (I don’t know if you can make it out) that says “$10 IPA Pitcher Go Vegan!!!” Again my mind was trying to put this into some sort of joke, where there is a baseball game and the pitcher’s name is Vegan and he plays for a team with the initials I.P.A. (Industrialists of Pennsylvania? Icelandic Philologist Academy?), but again, it’s no “Missouri loves company”. I’m still not stooping down to making Pho King jokes though, unless a shop called Tories opens next door. Incidentally I’ve never eaten here but I really like Pho so I will try it out. And if it’s not as good as expected, I might say “I pity the…”

No, I won’t. I tell you what though, I really like Thai food, and my favourite is Sophia’s on E Street. We get food from there all the time. I do like their bar as well, a really nice place to have a cocktail, to sketch and, yes, talk to actual other people. I’m not always a complete social-distancer, sometimes I will converse and speak and stuff. This was back in August (!) and I was still trying to use those brush marker pens more. This is a great place for those because the lighting in Sophia’s means there are much darker areas to fill in, making the values really stand out. I just really like it there. Oh man, I miss going out to the pub to sketch. This was a nice evening, I did speak to quite a few people and sketched several others too, but I’ll only post this one, which I sketched across the bar, a couple of people talking to each other in front of the big blue fishtank, I caught snippets of what they were saying. I just automatically assume they were making pun-like jokes about something, but I don’t really overhear conversations well, I’d have made a terrible Stasi spy.

So, here we are in April 2020, staying at home (except for those numpties protesting on the streets in Michigan), and it would have been Picnic Day here in Davis when the kids get out and party it up, but not this year. And now, back to sketching the living room and watching old World Cup games. I watched England v Argentina from 1986 a couple of days ago. I think tonight I’ll watch Italy v Nigeria from 1994. Stay home and stay safe everyone.














