that’s “coit” a view

SF view from Coit Tower

I climbed up Filbert Steps, which lead up from near the Embarcadero right up the steepest side of Telegraph Hill, San Francisco. I think the last time I came up these steps was in about 2007, and they are quite a climb. Partly a steep concrete stair, and partly old wooden steps, it feels like they lead through some time in the distant past, through overgrown foliage and past little private gardens perched accidentally on the edge of one of the world’s great views. It feels like this shouldn’t exist in this relentlessly modernizing cityscape, but here is a hidden community of people who, well they can’t get their cars up here, and they definitely don’t mind steps. I passed by a bright pink house covered in foliage, and remembered drawing that before a very long time ago, in my old WH Smith sketchbook. That was on a San Francisco sketching day when I brought two sketchbooks, the Smiths one I had gotten from England, and the new watercolour Moleskine I was trying out, to see if I liked it (it definitely caught on with me). Here is that pink house, drawn sixteen years ago.filbert flowers

But I was headed for the top. I wanted to draw from high up, and Telegraph Hill is the place to do that. When I reached the top, I stood at the base of the magnificent firehose-shaped Coit Tower and realized that I had never actually been up it. I bet the views were amazing. So I paid the ten bucks, and took the stairs (the elevators were not working), my feet excited by climbing more steps. It’s wider than the Monument in London, which I’d climbed weak-kneed a couple of months before, and you pass those lovely murals on the way up, The views from the top were more than incredible. I was finally doing something new in the city, climbing Coit Tower, and I can’t believe I never bothered before. Lots of tourists were taking photos of the amazing fog-free views, so I got my sketchbook out and started drawing the scene above (at the top of this post; click on it for a closer-up view). I was up there for almost an hour drawing that, doing a much better job than when I was up at the Monument, but still overwhelmed by all the details that I had to puzzle out. The TransAmerica Pyramid loomed large, with the bigger newer Salesforce Tower in the distance behind it. The green Sentinel Building on Columbus, a favourite subject of mine over the years (see if you can spot it in my sketch), looked like a small childrens’ toy next to the TransAmerica Pyramid. I left a whole part of the view unfinished, thinking I might just add it in later, but I decided not to in the end, and now when people ask I pretend it was fog. I was pretty happy with my work up there. I talked for a bit with the guide there, who it turned out was from Norfolk, and then headed back down the stairs. Achievement Unlocked: I drew from the top of Coit Tower.

SF view from Telegraph Hill

It was such a nice day and the views from Telegraph Hill were so stunning that I had to sketch another, looking out towards Golden Gate Bridge, which was in fact shrouded with fog. I’ve drawn this view before, this time I sketched in pencil. I had to stay in the shade was much as I could, not easy. The colours were so attractive to me. Still, I was getting hungry for some lunch now so I walked down the other side of the very steep hill towards North Beach. I stopped off at North Beach Pizza on Grant St, they do lovely pizzas. They also had bottles of Anchor Steam beer, and I remembered my mission. However it was a bit early for me. People in there were talking about the sudden demise of the city’s favourite local brew, and the woman behind the counter said they had gone and bought several hundred bottles the day they heard. Some of the other customers there decided they would go down to the Anchor Steam brewery that day, for one last time. I ate my big slice of pizza (a whole pizza looked a bit too big for me) down in Washington Square, where I also did a little sketching in my Fabriano book. That’s Coit Tower there on the left. It was built in 1933, and dedicated to the city’s firemen who had died in the big fires there, most notably the firestorm after the 1906 earthquake. I also sketched a couple of people who were Tango dancing (or maybe Salsa dancing, I don’t really know my flavours of dancing, could have been Fanta dancing for all I know). It may have been a dance lesson, I don’t know, but they ended up in my sketchbook. I remembered that I also gave a lesson on this very spot several years ago, when I taught a workshop on Perspective, standing outside the big church of St. Peter and St. Paul, making big shapes with my arms to define perspective lines, probably looking like a preacher.

SF Washington Square sketches

I love North Beach a lot. I went and got a big cream horn from Mara’s Italian Pastries (wasn’t cheap, was delicious) and sat on my little sketching stool to draw the view below. It was the first time I’d sat on my sketching stool that day, I had brought it with me and carried it around, but typically I stand to sketch these days. I’m glad I did though, I was able to rest my legs for a while. There were a lot of people about, sketchable people too, but I like this view down Columbus, towards that big TransAmerica Pyramid again. The SalesForce Tower is there too, poking about in the background like a new rich kid trying to be cool. I mean, look at this view, that sixty-odd bucks trip on the train down here is worth it for that, not to mention the view from Coit Tower. I do count myself lucky that I ended up in California. London’s great, it’s the best, but I get to come down here from time to time, to this neighbourhood, to see things that haven’t changed amid all the changes, and still find new things to love.

SF Columbus 071523

But I wanted that Anchor Steam beer. It was mid-afternoon by now, and I’d done a lot of work already, so time to literally drop anchor somewhere…

escaping the heat

Capitol Corridor views 071523 sm

Once I was over that post-vacation bout of Covid (it finally got me!) which kept me indoors again for a while (it was like 2020 nostalgia all over again), I was bursting to get out and explore places again. Nothing like a busy vacation to make you want to come home and not do much; nothing like being at home not doing much to make you want to get right back out there again. San Francisco is the most interesting place that’s nearby, and it’s always good for some sketching and exploring. Besides, it was going to be about 107 degrees in Davis, so I thought bugger that, it’s like 70 in the city. The Capitol Corridor Amtrak train is certainly a lot more expensive than when I first started coming down here, but the views are still totally worth it. I like to get the very early morning train, and look out the north side of the train (out of the direct morning sun). I love that journey across the Valley, through the Delta, past the Bay. So I painted some of the scenes in my little Fabriano book.

SF Pier 23 restaurant 071523 sm

I arrived in the city, early, did my usual thing of go straight to the Ferry Building to eat a couple of bombolini and figure out my next moves. I didn’t have a plan; I often don’t have a plan, even though I love to tell everyone “I always have a plan”, but on my sketching-exploration days, I follow my nose. Draw from something high up. Go somewhere I haven’t been, while also going places familiar and drawing different stuff. Maybe somewhere I haven’t been in so many years. I’ve been down coming to San Francisco to sketch since 2006, a few times a year. It was very sunny, none of the cooling fog, but still nearly forty degrees better off than in the Davis pizza oven. I had a quick look in the Hyatt, thinking I might sneak up to the top floor as I’d done before (I recall sketching from the top-floor restaurant on one SF sketchcrawl a long time ago with some other bold urban sketchers, we asked nicely and they said sure). No such luck, so I jumped on a streetcar and went down the Embarcadero, getting off at Greenwich. There I sketched the Pier 23 restaurant, as it was opening up for the day. I remember coming here about eight years ago when my friends James and Lauren got married, and afterwards we wandered the city having beers, and this was one of those places we stopped at, looking out over the waters with some tasty Anchor Steam, the taste of San Francisco. Actually, one of the other reasons I was in San Francisco was that a few days before, it was announced that Anchor Steam would be halting production, after well over a century of producing lovely local beer. It’s the only beer I like to drink when I’m in the city, it reminds me of stopping off after a long day of sketching and relaxing with a pint or two before the long journey home. I would be looking for that later on though. I finished this sketch, and drew these metal pipes sticking out of the ground next to me, before going on a bit of a climb…

SF Embarcadero pipes

another san francisco day – part 2

Caffe Trieste SF 021823 sm

It was a busy afternoon in North Beach, San Francisco. I had already sketched a lot, but was still going. I sat outside Caffe Trieste, a historic old cafe once frequented by famous beat poets, musicians, actors, artists. Coppola wrote a lot of The Godfather while drinking coffee in here. I’ve sketched outside here before. I have never actually spent any time inside; I don’t drink coffee, and the line was always a bit long for me to figure out what else I might want; another time. I hear they make pastries. The cafe was opened in 1958 by Trieste native Giovanni “Papa” Giotta, who died in 2016; he was known as the “Espresso Pioneer of the West Coast”. I went to the city of Trieste in north-eastern Italy back in 2001, an interesting place, very close to the Slovenian border.

City Lights SF 021823

I stood on the corner of Columbus and Broadway, outside the Condor, and looked across to City Lights Books. Behind it to the left, Vesuvio. I’ve sketched this spot a number of times over the years, it never gets old. This area right here might be one of my favourite places on earth. City Lights is pretty famous, though not actually very big, and again has a long history with the beat poets. I must admit I’ve not really read any beat poetry. I’ve heard of all the names and nod knowingly whenever anyone reels them off, but I’ve not actually read any. Maybe I should, perhaps it will mean something, but I always imagined it as someone reading poems while someone else does beatboxing with their hand over their mouth, imagining something like a rap version of Wordsworth, “I wondered lonely as a cloud, yeah”, but it’s probably not that at all. I like poetry, I did well studying it at college, though I’m not sure I could do it myself, and I don’t like poetry enough to actually spend any time with it. I’m like Facebook friends with poetry, I’ll ‘like’ it but pretend to be busy if it wants to meet up for a coffee. Still, I had a look around the poetry room upstairs and nodded thoughtfully at all the titles. There were people sat reading as you’d expect; I thought one of them was Maggie Gyllenhaal sat reading a book by the window, but I never recognize famous people so it probably wasn’t. Although I did see Robin Williams once at the Farmers Market a long time ago (come to think of it, it was my wife who saw him, and I just went “oh yeah! wow.”). I thought I’d better actually look for that Paul Madonna book that was mentioned in the previous post. His first volumes were published by City Lights after all, but I couldn’t find it in here (I think they didn’t publish this one, but likely it was just sold out). I did pick up another book though, “Spirits of San Francisco” written by Gary Kamya, and illustrated by Paul Madonna, and took it across the street to read at one of my favourite bars, Specs. Read about San Francisco stories while sat in a place full of San Francisco stories.

Specs SF 021823 sm

It was however too dark in Specs to read anything. I love Specs. After a day on my feet, this is the place to stop and rest them, with a pint or two of delicious Anchor Steam, the proper San Francisco taste. It’s full name is Specs 12 Adler Museum Cafe, and it was founded by Richard Simmons, nicknamed ‘Specs’ due to the big glasses he wore. I took the seat closest to the window, underneath the orange lamp-shade. Still too dark for my weak eyes to read, it was barely light enough for me to draw (once upon a time, maybe wouldn’t have been an issue) but I was going to draw anyway. I had sketched a lot that day, this was a tired end of the day sketch, and one where I couldn’t really see colours on my page too well so I bathed it in a wash made up of the colours I could see. There is so much to draw in here, and I have done it before. I listened to the conversations of some people sat nearby, one older fellow was a music photographer or journalist telling stories about musicians from over the years, it was interesting. There are always interesting local people in this bar, I remember coming here once and sketching a panorama on one busy evening about a decade ago; the elderly barman that evening (who may have been Specs himself? Probably wasn’t) passed me a free Anchor Steam and told me that this was a place full of artists; away to my right a guy was oil painting on a canvas, behind me at the tables there was an older woman busy scribbling drawings in charcoal and pencil; I was definitely not alone. You never run out of things to look at, and sketch, in Specs. One of my most fun evenings in the city was spent here about thirteen years ago with my friend Simon, visiting from England, where we played a drunken game of chess in there and told silly stories. It’s still my favourite bar in the city, and this was the first time I’d been in since before the pandemic; so glad it’s still there.

Speaking of artists, back to Paul Madonna: I ordered that third All Over Coffee volume (“You Know Exactly”) online and have been enjoying going through all three volumes a lot. Here is a book review of it on KQED. I learned shortly afterwards that he had been in a really bad accident towards the end of 2022, when a driver going the wrong way collided with his vehicle in San Francisco and left the scene, leaving him severely hospitalized and lucky to be alive. I met Paul and his wife Joen in 2016 at the grand opening of the Manetti Shrem gallery in Davis, but I’ve been inspired by his work ever since seeing that first volume in a shop window in Berkeley in 2007 while on a sketchcrawl (when I was drawing a lot with purple pen, if I recall), and immediately getting excited about the linework and detail, as well as the subject, which was every corner of San Francisco (but erasing the people and cars, as I’d been doing). I still love his work, as it has developed over the years, and it reminds me to keep trying to look at the same places again in different ways. So it was a shock to hear of his awful accident which has prevented him from working, though there was an update in the past couple of weeks that he has finally been able to go back to the studio. There is a Gofundme fundraising page set up by the San Francisco Public Library to help Paul during his recovery. I really hope that he has a full recovery soon, and can continue to share his inspiring art with the world.

another san francisco day

Book Passage SF 021823 sm

It was another one of those days when I needed a day sketching in the city. I took the early train down to San Francisco, heading first to the Ferry Building of course, where I get my usual Saturday morning bomboloni from the lady that has a little stall there. It’s my old tradition. I ate them outside Book Passage, a little bookshop I always come into, and thought well I may as well draw this shop, I’ve been coming here for years. I would usually get a book that I could read at the end of my sketching day, either during my post-sketching beer or on the long train home. The book I saw today though was too big to want to carry around, it was Paul Madonna’s third and final All Over Coffee collection, I’ve loved those since first seeing the original book in a shop window in Berkeley in 2007. However the book was a bit too big and bulky to carry around all day so I left it; I’ll probably get it at City Lights later. So, on to the sketching and exploring. I wasn’t planning to go anywhere new on this day, but retread an old favourite area, North Beach, a good place to spend a Saturday. I always prefer exploring on Saturdays than Sundays; I’ve never liked Sundays much for doing things. Even as a teenager when I would get out on the bus or on the tube, Saturday was always the better day to explore. Sunday I like to stay at home. I found a seat in the shade of the Ferry Building and looked out at Telegraph Hill, with the colourful throngs of people milling about the Embarcadero in front of me, and Coit Tower poking up in the distance. And a blue cone, placed on the fence, important to include. I enjoyed drawing this scene. I was listening to an audiobook (about the Beatles probably), and my iPod slipped out of my pocket onto the ground. I only realized about 20 yards away when the voice in my ears abruptly stopped telling me about Ringo, and so I went over and there it was still on the ground where I’d been sitting. Must be more careful (and not put things in hoodie pockets). I like to have something to listen to while exploring.

Embarcadero view 021823 sm

So I walked towards North Beach, through Walton Square stopping off at the Safeway for a sandwich, up Pacific where I found the (currently closed) Old Ship Saloon I’ve heard of but never been to, and round to the steep climb of Broadway. I had wanted to draw the old signage on the big old clubs that line that street as it meets Columbus. I’ve drawn them before from the other side, back in 2014 which was, checks calendar, nine years ago now. How did that happen? I first drew this neighbourhood back in 2006. That was eight years before 2014. Well, let’s not look down, just keep on sketching. I may have had it in mind to do a panorama but I wasn’t quite up for that, so I drew these three big signs, and just like in 2014 I didn’t add much colour. I also had forgotten my red pen so used pink to substitute.

Broadway SF 021823 sm

It is fun to wander the streets and see how much they have changed since I first encountered them. North Beach being the italian part of town there were always the green white and red tricolores on lamp-posts and buildings, and I stood on Green Street and drew the scene looking down towards Columbus. The pandemic times forced restaurants and bars to move a lot of their seating outside, making the already tight sidewalks feel very cramped, and while people have moved back inside now, a lot of the outdoor areas remain, making it feel like you are walking through the middle of a busy restaurant by just walking down the road. I stood very near to where there used to be a little music store which I have sketched a couple of times (//embedr.flickr.com/assets/client-code.js” data-wplink-url-error=”true”>2007 and 2016) but is now a gallery; I think the record store may still exist just around the corner, I popped into a little one that reminded me very much of the old one, but maybe it was different. The local business owners were out and about in the street chatting to each other, I felt there was a bit of a community round here, and there was some sort of Mardi Gras event happening near here, people were starting to appear dressed in all sorts of colourful clothes. I wanted to show the lively neighbourhood in my sketch, hopefully it comes across. I couldn’t draw all the windows, by that point it was time to move along. I wandered into some shops, walked up Grant Street a bit, and then headed back downhill. I had no actual plan for the day, except to wander about with my sketchbook, which is the best plan anyway.

Green St SF 021823 sm

Part 2 coming next…

A Hot Afternoon in the Mission

SF Mission St 090322 sm

Part two of my day exploring San Francisco last September. I’m writing early in the morning in February, realizing that there were still sketches from 2023 that I had not scanned, including the one above. I was hoping to go on a sketching day down in the City today, but it was pretty rainy when I woke up, so I thought sod it, stay home and watch Spurs (we are currently losing 2-1 to Leicester, and I’m rethinking my decision). It was very hot on that day in September though. I don’t remember the temperature in Davis but probably about 110, it was during that horrible wave of extreme heat we had. San Francisco is usually about 30-40 degrees cooler at those times, the bay area having its natural cooling system off the ocean, but on this day it still felt very hot, and the Mission district is usually the warmest part of the city. A day of walking around, but a day of stopping and getting something cold to drink. I did want to draw this old theatre building on Mission though, I may have drawn it before but I wanted to get all the colour from the street. There were some characters around, music was playing, it was a classic hot day in the City. Mission is very much the main Latin American part of San Francisco and I always look forward to a delicious burrito here, and I love all the little shops and the colourful murals. I wandered about a bit down parts I’d either not been to or hadn’t seen in a number of years. there are changes along Mission, some older buildings gone, but it still feels like Mission. Something about Mission Street, I can’t explain it, but it feels a bit like some streets in London I know, feels familiar while also being completely different. We don’t have palm trees in London, and it’s usually cloudier. It was really hot though, and my foot was already hurting, so I went down 24th and found that old Irish pub I had been to once before (in 2008?), the Napper Tandy.

SF Napper Tandy 090322sm

Spurs are losing 3-1 now, at half-time. Maybe I should go to San Francisco today, but I want to see how we get out of this in the second half. Let’s go back to September. I found the Napper Tandy, nice and shady inside, and got a cold beer (probably an Anchor Steam) and started sketching the bar. there were quite a few people in there, mostly regulars, a lot of people knew each other sat around the horseshoe bar. I remember that from when I went all those years ago, it was a pretty friendly atmosphere. There was live music from a band playing just outside the adjoining bar area, which was a little loud but provided a nice backdrop. I was in no hurry, and was too exhausted to explore more streets for a bit. I stayed for a couple and sketched, making it look greener than it is because of all the Irish stuff, but didn’t got for full colouring in. The music was getting a bit loud and I was starting to feel a bit antsy to explore more of this neighbourhood before the long trip back to Davis.

SF Shotwells Mission 090322 sm

Well as I write, Spurs are now losing 4-1 to Leicester; they’ve gone down to City, while should have gone down to the City. The rain has stopped and it’s sunny out now, though I guess it’s still planning to be rainy down in the Bay Area, so I’ll stay at home. I just tidied the kitchen and ate breakfast while watching that Spurs ‘game’ on my iPad. I think the rest of the day will involve playing the bass a lot, and getting further into Horizon: Forbidden West. Anyway, this last sketch from that day in September was another old Mission bar, a historic saloon I had read about called Shotwell’s, at the corner of 20th and Shotwell. I’d never been to this part of the Mission before so it took a little exploring, and by the time I got there I was very in need of a cold drink. I loved this place, it was perfect on a hot sunny day. This saloon has a long history, going back to 1891, starting out as a bar at the back of a grocery shop run by a couple of German immigrants; after the 1906 Earthquake it just became a regular saloon and the lovely wooden bar that is still there was brought all the way from New England. The saloon had many iterations in the following decades, but became ‘Shotwell’s’ in 2006. You can read all about it on their website: https://www.shotwellsbar.com/history.html. I just had the one beer, while some people played pool and darts nearby, while some good music came out of the speakers. Alas, the BART, the Emeryville bus and the Amtrak train were calling, so I slogged through the hot streets for that burrito I’d been thinking about, and made the long trip back to heatwave-stricken Davis. I was planning to run a 5k the next day (some preparation huh), but I knocked that on the head due to a bad foot, the silly heat even at 8am, and just generally being knackered. Can’t wait to go down to San Francisco on a sketching exploration again. Maybe tomorrow.

San Francisco – Noe Valley

SF Farmers MArket pano 090322 sm

Occasionally I like to have a day sketching down in San Francisco. I don’t go very often; it’s a long (and not cheap) train journey, with a connecting bus from Emeryville, I spend a lot of time wandering about (and I get tired), and then I have to get the Amtrak bus and train home (which takes ages), and because I like to eek out as much possible sketching time as I can, I leave super early and come back super late. Every few years I might stay overnight, which makes me feel a bit more relaxed while marching about the city, not having to worry about getting back to the Amtrak bus stop near the Salesforce Tower, and then I might go to an interesting pub in the evening for a bar sketch. But then next day I am always a bit tired and always thinking, get the earlier train back, still a very long way, get home and have a Sunday rest, maybe colour in some of the sketches I’d done. Another thing about going to the City, I like to try and explore somewhere I’ve never been, or maybe have not been in a long time (places have change rapidly since I moved out here). On this occasion, a very hot day in the very hot early September of 2022, I started at the usual spot of the Ferry Building Farmer’s Market – been getting these delicious bombolini there for years, a sugary way to start the day – and drew the panorama above. It was a good spot to draw the latest iteration of this skyline (click on it to see it larger, on my Flickr site). Lot of people out and about; I remember once years ago seeing Robin Williams here, just about a year or so before he died. I don’t usually recognize famous people, but I recognized him. Actually, no my wife pointed him out. I am terrible at recognizing famous people. If ever I became famous, I would instantly forget what my own face looked like.

SF Folio Books 090322 sm

When I was done with hanging out at the Ferry Building, I hopped onto the BART towards the Mission district, and got out at 24th Street for a long-ish walk uphill towards the Noe Valley neighbourhood. This was a place I had never been, but had heard was quite nice, and full of trendy types. Well maybe not trendy types, more middle-class professional types, young families with expensive strollers and small dogs, that sort of thing. I don’t know, yuppies. People with mobile phones and fil-o-faxes who go skiing and have pagers. I don’t know, I’m not very good at categorizing places, or remembering what decade it is. “That’s a cute neighbourhood,” is the sort of thing I think people would say when they come here. There are nice shops and little restaurants, but it’s not too much, or too few, it’s not full of every Starbucks or Peet’s that you can imagine, nor is it wall-to-wall hippies and grubby smoke-shops (it’s not the Haight, a street I almost never enjoy), and it’s not as edgy and colourful as somewhere like Mission (a street I almost always enjoy) but it’s a pretty nice place to spend a Saturday lunchtime. Sutro Tower rose above the nearby hills like an insectoid alien overlord, but I walked up to see if I could find a shop I wanted to sketch. I found Folio Books, which was a lovely little bookshop that I spent an unexpectedly long amount of time in. I love to visit these little bookshops in the City, they are my favourite places. I always want to buy loads of things, but I think I just got one book (can’t even remember what now! Probably a travel writing book) because carrying too many books around in my little bag all day gets heavy. I sat outside and sketched though, and that is always time well spent.

SF Noe Valley 090322 sm

I had lunch further down the street at a little burger place, getting a nice chicken burger and about a million garlic fries, that would be me set for the day. As I ate I spotted a guy wearing a Spurs badge on a t-shirt, always love to see it. It had the signs of Haight Ashbury on it, so I asked him what that was. He said that it was for the fan group ‘Haight Spurs’, which meets regularly at a pub in the Haight to watch Tottenham matches (with those early kick-off times too), they had been up watching Spurs huff against Fulham that morning, a game I’d watched on my iPad on the train. I said ‘Haight Spurs’ sounds more like an Arsenal fan group than a Tottenham one, but I don’t think he got it. There are a few Tottenham fan groups in the Bay Area and beyond from what I understand, I know there’s one in Sacramento that I have never met up with (7am at a pub in midtown vs 7am on my sofa with a cuppa, not really a contest; I’m sure people would get sick of me shouting “Shuttup Lee Dixon, you dunno what you’re talkin’ about!” at the screen every three minutes like I do when watching on NBC at home). I remember Ossie Ardiles met with fans in San Francisco ahead of our game against the San Jose Earthquakes in 2010, I was at the game but not at the Ossie meeting; if he did another, I’m there. Anyway this Haight Spurs fellow seemed a bit reluctant to tell me too much more (I think it was more he wanted to go and eat now, please) but maybe one of these days I should look up where people are watching games in San Francisco and do that, but we all know I would actually just stay in my hotel and watch it in bed, where I can berate Lee Dixon and Graeme Le Saux’s co-commentary in peace. Anyway, suitably well-fed and ready to draw the whole world, I sketched the scene outside the burger place on 24th Street at the corner of Vicksburg, watched all the people go by, all those the middle-class professional dot-com yuppies and yummy-mummies with their Pagers and their Barbour jackets and Swatch watches, copies of the Financial Times tucked under their arms and poodles in their handbags (I’m such an observant people-watching urban sketcher), and then walked up and down a few more hills back towards the Mission district. I’ll post those sketches next.

three bay area hydrants

hydrant san ramon 102222

Continuing with posting the sketches from the second half of 2022, while in the meantime 2023 steamrolls on, and I’m playing catch-up on my sketching. At least there are always fire hydrants. I’ve sketched them all before I know, and I do prefer to look out for new models I have not sketched, but sometimes there’s just one I have to draw. Here are three from different places. The one above, which I drew before a 15U soccer game in San Ramon on my iPad, was hard to resist. I love a bit of rust.

SF Mission Hydrant sm

The next one (above) was drawn in the Mission district of San Francisco last September, when I took a day down in the city to sketch and explore. I’ll post those sketches next probably. That was a super hot day. It’s possible I have sketched this very one before, it was next to a burrito shop on Mission Street.

This last one (below) was drawn in San Mateo (all three of these were drawn in places starting with ‘San’), after another of those soccer tournaments. Downtown San Mateo looked pretty interesting, and the main plaza with the big domed city hall was quite grand. There was live music in the square, and a bustling streetlife. The team all ate at a Chipotle while waiting for the results of other games that would determine whether we would advance; we didn’t. So I drew this bright green hydrant. It was the brightest green hydrant I’d ever seen, and I’ve seen quite a few.

hydrant san mateo aug2022 sm

B.A. Ruckus

SFO waiting in line for over two hours

I’m still in not-scanning-my-drawings-quickly-enough hell, but it’s time to catch up with this past summer’s travel fun. I went to England, France and Belgium earlier in summer, to attend my brother’s wedding, spend time with my family, take my dad out for his birthday, ‘experience’ the (now-dead) Queen’s 70th Jubilee, then escape the (now-dead) Queen’s 70th Jubilee and get some quality sketching time in Lille and all over Belgium in rain and sun and cloud. One trip back over to the home countries is not enough for this sketcher, so in July we took England and France trip #2, this time with my wife and my son. Or rather, just my son at first, as my wife stayed back for a few more days to care for our sick cat. So, my son and I went to San Francisco airport to catch our plane to London. We got there well early, had a nice dinner, played some MarioKart on our 3DS devices, iPads well stocked with Ghibli films to watch on the journey, and sat and waited to board our BA flight. Right as the boarding time came up, we were still waiting. A few whispers, I don’t think we’re getting on this plane. Then as we were preparing to board, it was announced the flight was cancelled because, get this, the tyre had been damaged upon landing, and they did not have a spare anywhere at the airport that fit that plane. It was a particularly big plane, double-decker. So, they said, they have to have a new tyre sent up from LA on a big truck. We ain’t flying tonight. Lots of confused people. We waited to get our bags, we waited in line for information as to whether we could board another flight, but no can do, they had already cancelled a flight earlier in the day because Heathrow wanted fewer incoming international flights that week due to staffing issues. Now I am usually travel lucky, as you know. Things usually work out. So to have my flight cancelled when travelling with my son was not ideal, but we made the best of it. My wife was able to find us a hotel quickly nearby to the airport (too late to go back to Davis), while we waited to see if BA could fly us the next day. It wasn’t cheap, but thankfully BA covered the cost. And there we stayed, me and my son sitting in the room playing our ukuleles, racing each other on MarioKart, watching Disney Plus shows. We went back to SFO the next day for many more hours of waiting. They were able to finally get our flight scheduled, although we still had to wait in a very long line of about 2.5 hours to check in. I recognized many of the faces from the previous evening’s lines. Some people from Ireland who had long missed their connecting flight, a few English people, and loads of people from Scotland, specifically Aberdeen, so I spent a lot of time listening to the Aberdonian accent which is a pretty nice accent. It seemed like spending one more night in San Francisco was not necessarily the worst thing in the world, although drab hotels near the airport aren’t exactly Mai-Tais at the Fairmont. That line was long, slow and exhausting. My son went and sat on a bench and read his book, played his 3DS, watched his iPad. I sketched a bit  using a blue brush pen from Belgium, see above. Had to document the experience. I also played my 3DS, read a book, listened to a podcast, anything to pass the time. Eventually, we checked back in. We went to security. We had another dinner at the terminal. And finally, we made it onto the plane. It took another couple of hours to take off, but it took off. Our section was not crowded; I think several people may have found another flight. Our seats were nice, and it was exciting to land back in London, finally, very very tired, and see my mum. My son was happy to be back in London again after over three years since the last visit, and we got a travel story to tell. It all worked out in the end.

corona heights

corona heights SF

There’s a lot to explore in San Francisco, and I like a bit of urban hiking. The problem is that whenever I go to the city I usually only have a limited amount of time, most of which is spent stood on a pavement clutching a sketchbook in an awkward-looking but comfortable manner, drawing some building, and that takes up time. If I wander too far, I might miss the Amtrak bus back to Emeryville. A bit of urban hiking is fun though, although in this city it’s more like urban mountaineering, the hills are so steep. I had seen a few interesting city-scape views online that I’d not seen before, ones that would make good sketches, so I looked up the path to Corona Heights, a large hill between the Castro and the Haight, and filled with energy from a little sugary bag of Turkish Delight I’d bought at the Ferry Building I scaled the steep streets and found my way to the orange rocky promontory at the top, with a near 360 degree panoramic view of San Francisco. There were a few people up there, people with their little dogs, people just sat chilling and taking in the view, and the sun had come right out and was giving it all that. I always love to draw this city from above, so I found a spot in the shade of a rock and drew furiously. It was a lot of observation, although didn’t take too long. Drawing a scene like this you have to match things up like a puzzle, but also be careful not to put too much detail, and this pretty much reflects how my eyes were able to see things. Having the big rock formation in the foreground helped give it some perspective but also helped to make the job of drawing the landscape much easier, breaking it up so the view is more manageable. I remember drawing a similarly-sized panorama overlooking the city from Telegraph Hill years ago and it took ages, but was way less detailed, and I think it was because it overwhelmed me a bit. I take any opportunity I can to draw a cityscape but some are easier than others. This one for me represents a nice day, more than anything, exploring an area I’d not been to before. I got a text from my son while I was at the top, my new Casio keyboard had arrived, so I could play some tunes when I got home. I bought myself a keyboard to mess around with, not an expensive one, just one so that if I feel the need I can start playing a little music. I haven’t played a keyboard since I was at school, when I learned a bunch of chords from a teach-yourself-easy-keyboard book I got with my Christmas present keyboard in 1988. It’s nice having one again, and I’m already figuring out a few tunes. Anyway I think of that now when I look at this sketch.

masonic ave SF

Afterwards I headed towards the Haight, so it was downhill, uphill, downhill, repeat. The streets curved and I might have gotten very lost were it not for that smartphone that keeps us all where we are meant to be, doesn’t it. I have been lost in some great cities. Paris, Porto, Portland. Even London, where those late night buses would take me to parts of the world I’d only heard rumours of, after I’d fallen asleep and the driver said it was the last stop. One time in Edinburgh back in the late 90s, I was leading my group of festival-flatmates back to our shared digs from the theatre, and we were so lost that they decided to go their own way, while I continued on my route. After about 30 minutes of being even more lost, I actually bumped into them again, coming in the opposite direction. They laughed at me for being even more lost, but they were lost too weren’t they? Still they ended up following me and we found the house, but I never heard the end of it. Thing of the past now, with our modern world. So I didn’t get lost, but I wandered about and saw some amazing houses. One of them I saw from below as I climbed Masonic Avenue, the rear looking like something from a Ghibli film, and I thought about drawing it then. However when I reached the top of the hill, I was blown away by the front, a picturesque brick house adorned with hearts for Valentines Day, with pink blossoms lined the street. The garden was very pretty and there was a sign calling it ‘le Petit Chateau des Cavaliers’ above a picture of two dogs. It wasn’t ‘petit’, but there were cavaliers; a man came out walking two cavalier King Charles spaniels, who I’m assuming are the masters of the house. I used to have a dog like that when I was a kid, she was called ‘Lady’ but I just knew her as ‘Soppydog’. I told him that this house was really beautiful and had brightened up my day hugely, as I was juts wandering around the city. He said it was a hundred years old. I stood on the corner opposite and did a very cursory outline sketch, but didn’t want to stand here too long and decided it was a ‘do later’. So I ‘did later’, drawing it on the train and back at home around the outline I had started. I went down to the Haight, and didn’t do any more drawing there because, well, I always forget I don’t like the Haight that much. So I went for a bit more urban hiking, and climbed Buena Vista Park, before making my way down again to catch the N-Judah down at Duboce. Day in the city, done. Though I did stop into the Lego store on the way home.

castro-nomy

the castro, san francisco

A few weeks ago I took the train down to San Francisco for a day of wandering and sketching. It was just before my birthday, and I needed a day out with the sketchbook. You can only draw so much Davis. I didn’t have a plan as to where I would go, but I thought I would like to try climbing one of the big hills for a big vantagepoint view over the city. I knew the weather was supposed to be nice, though it started off foggy as you’d expect with the city. I took the super early train down from Davis, walked over to the Ferry Building to get the little bombolini from the lady that sells them there, I have my habits. This is what I do, I don’t mind being predictable. When I am long gone what will be remembered is that I would get the early train into the city for a sketching day and start off eating little bombolini, one filled with nutella, the other with lemon cream. In the book of my life that will be one of the scenes they film, over a soundtrack of a nice song I like, something by Belle and Sebastian. I decided to go sketching up in the Castro. It’s been quite a few years since I was sketching up there, and I wanted to draw something colourful. The last panorama I did in the Castro, back in 2013 before a sketchcrawl, I’d left uncoloured apart from the red sign of the Castro Theatre. The panorama above, which I sketched in the shade on the corner of 18th and Castro, was a lot of detail. So, I drew as much as possible in the almost-hour I stood there, added in a few spots of red and a few rainbows, and coloured in the rest later, which itself took ages.

Castro and Market, SF

I actually drew this one first, while the morning fog still lingered, on the corner of 17th and Castro looking up towards Sutro Tower. I added in the watercolor while standing there, the sky had a strange pearlescence, and people lined up at the cafe across the little street form where the F car stops to get their brunch (it may have been a late breakfast / brunch, which is sometimes shortened to ‘lunch’). There was a guy camped at the bus stop, and there was a fair bit of odor wafting up, so I just remember a farty smell now when remembering sketching this, so I wanted to be done and run. I had decided I would go exploring up Corona Heights, but would draw around the Castro first, maybe eat lunch myself down there. I had a burrito at a place near 18th, and it was not very good. I didn’t even finish it. I had some Turkish Delight that I had bought at the Ferry building though, and that gave me some energy when climbing up the steep hills later that day.

Market St, SF

Above, this is a very quick sketch of the Ferry Building I did while waiting for the F streetcar to arrive on Market. I splashed a bit of watercolour on there for effect. I did the same on the other half of the page when I got on the F, and as it dried I added some lines in while we trundled uphill towards the Castro. This is a fun way to draw while on public transport. I haven’t spent a lot of time on any public transport for quite a while, save for the Amtrak occasionally, so i was glad that it wasn’t too busy and that they have a number of single seats still. These old streetcars are well known – they aren’t the famous San Francisco cable cars, but these historic vehicles originate form all over the world and have found a new home here in the city. You can learn more about them at: https://www.streetcar.org/streetcars/. The one I was on was a classic San Francisco original from the 1950s, but many others come from Milan, Philadelphia, Zurich, Kansas City, Melbourne, even Japan. I do love the streetcars. When I spent a year in Belgium, some Saturdays I would go wandering in Brussels and would get on the streetcars there until the end of the line, and just read my book while the streets of Ixelles, Etterbeek, Laeken passed by outside.

on the F streetcar, SF

Below are a couple more sketches I attempted on the Castro before climbing big hills. The first, two big old houses where I just drew the outline and the alley, and ended up juts not bothering with the rest. The page is a bit dirty because as you can see from the sketches below, I decided to use coloured pencil to do some brass rubbing (well, masonry really), I saw the word ‘Castro’ on a stone plaque on the street and thought ‘that would look good in my sketchbook’, having seen someone else do that a couple of days before. Maybe it would have worked better not on the fairly thick Moleskine paper, because you can barely read it. So i drew some people instead with pencil. I didn’t get any interesting characters (such as the naked guy who I’d usually see passing by every other time I come here) but sketched a few passers-by and went off up the hill. I’ll post that next time.

castro st houses

castro people