the grand opening of the all new G Street…

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Last week when we were still in the grips of the very dry January I went downtown at lunchtime to attend the opening ceremony of the newly refurbished and redeveloped G Street, or at least the block of G Street between 2nd and 3rd. It’s pedestrianized with new seating areas (well, big blocks of coloured wood and some metal round picnic tables, I didn’t really notice a lot more than that), more accessible sidewalks, albeit with metal fencing dividing areas off for some reason. People were gathered and there was music being played, food being passed around by Woodstock’s pizza, and the midday January sun was bright. It is always exciting to see some new work, some new ideas in place in the city. If you go by comments on that paragon of local opinion, Nextdoor, you will see opinion very split, mostly between “waste of money” and “now I can’t park right outside the place I’m going” to “hate it” and “it will be full of homeless hassling people”. Oh, Nextdoor, what are you like. Most of that website seems to be “what was that bang?” or people posting actual videos of kids who rang their doorbell (and people replying that you should have a ‘pew-pew’ for the next time a kid rings your doorbell – seriously?). My reaction is usually to go against the general moaning, and give the new ideas a chance, so I watched the ceremony and sketched with a reasonably positive outlook. I have enjoyed that, since the pandemic when all the restaurants were forced outside (remember that, folks!) G Street has become a popular little hub on a weekend. Not that I go there much myself. However I couldn’t entirely disagree with the comments of disappointment. Looking around at the changes, I was less than whelmed, I’m not much into sitting at uncomfortable looking boxes in the direct Davis sunlight. It is a project in progress, that is what they said, “This is not the Final Version”, and no doubt it will progress as the needs of the local businesses and restaurants and their customers dictate, we will see. Things don’t always work out as intended. More pedestrianized public space is good in my opinion, but only if people use it. I drew the mayor and other local civic leaders talking with their backs to the sun while photographers and media folk pointed their cameras towards the sun. I went across to stand in the shade and draw the musicians, a woman playing a keyboard and a man with a hand-drum. It was very nice. There was also a middle-aged man in a black jacket wearing what looked like boxer shorts and a jester hat dancing about and being ‘zany’. I liked drawing people in quick pencil, this was a nice break from all the pen drawings of houses and streets that have been getting me through this awful January as we slip into the worst version of the timeline. If G Street provides a place of gathering where I can go and sketch people then that’s good I suppose, though I have to want to get up and be around loads of people, which isn’t much the case these days.

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I was about to sketch the scene from the other side of the road when a young man in a tall hat came up and asked if I was ‘Mr Scully’, which I am. He was another local artist Evan Lilley, and was setting up his home-made easel/art box to do some drawing of people at the event. In his tall hat, I knew I would need to sketch him. I have actually seen his work before, as he had an exhibition recently (which I did not get to see) with highly detailed and realistic paintings of the interiors of local bars, such as the Davis Beer Shoppe. As you know I’ve drawn so many of the local bars over the years so was very excited to see that and meet the artist in person. Apparently he does a Drawing Club at one of the local places Dunloe Brewing, I should go to some time. I asked if I could draw him sketching at his easel, I only had five minutes or so before needing to head back to the office, so I drew him in that bright sunshine.

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I will go over to G Street from time to time to check it out a bit more and see if the space works for me, but we will see. I don’t really go out much anyway these days except to wander about looking for something to fill my sketchbook with, and I mostly like to draw the changes in the city, though preferably in a bit more shade. Once the leaves come back on the trees I’m sure it will feel a bit cooler. Maybe I should finally do another sketchcrawl down here, it’s been a while since I organized one, I’ve been shy.

sketching our annual stats conference, 2024

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Last month our department held its annual conference, this year title ‘Statistics in the Age of AI’. The conference is held in the memory of Peter Hall, one of the great professors of Statistics who passed away almost nine years ago now. This year we had many interesting speakers from around the country, plus several of our alumni came back to talk about the topic and about their own experiences working in Stats/Data Science in modern industry. We are of course in the Age of AI, and a lot of what was presented went way over my head. Despite all the years of being exposed to top-level statisticians, none of it has rubbed off on me, I’m none the wiser about any of it. I stopped learning maths at school at the age of 16, when I worked hard to get a ‘C’ at GCSE, which was the top grade available to those in my level two class. Yes it was  a bit strange thinking back that a C was the highest grade available to me but I made my choice. I was in the top class for maths, but I was not very strong at it, I found the work confusing and frankly pointless, and I really didn’t like my teacher who scared me witless. So rather than go into my GCSE years struggling in the top set with the risk of being moved down, I requested to be moved into the second set, which would not only be a lot more manageable in terms of workload but the teacher was so much nicer, and I really learned a lot. The tradeoff was that I would not be able to get an A or B in the final grade. Since I was worried I’d get a D anyway, this didn’t bother me. I was usually top or among the top in that class (I was a bit like Burnley or Southampton or Sheffield United when they are in the Championship) and still remember working really hard at it, going to Edgware Library to study after school. When I got my C, which was a pass, I was well pleased and I put my calculator down and said, this is good enough. We don’t have to study maths beyond that age in England if we don’t want to, so I never did, let alone statistics. None of this really has anything to do with this conference other than I didn’t understand much of what was being said, but my job was to make sure the whole thing ran smoothly, so I was there all day from open to very late close, often by myself but I relied very much on the hard work of other staff too, lots of great teamwork, and keeping busy kept my mind off the world. I even got to present my poster of the faculty family tree I put together in the summer. It was nice to meet and greet people and make sure they were well fed. I wasn’t going to sketch as well but in those quieter moments I can’t help myself. So here are a few sketches of people enjoying what turned out to be a really nice event.

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UC AMP 2024

UC-AMP 2024 reception

I recently attended the UC-AMP conference in Riverside, a meeting for administrative management professionals in the University of California. I had been to the same conference last year in Berkeley, and for my own professional development it was an eye opener, and I came away with lots of new ideas and energy for my day to day job. It was around the same time as the Urban Sketching Symposium in New Zealand which I was missing (because it was in New Zealand), so I was feeling extra itch to sketch everything, but I have that anyway. In the end, I actually won the conference’s picture contest for a drawing I did on the Berkeley campus, so I won free registration for this year’s conference in Riverside. I’d never been to Riverside (my wife was born there, but based on her description it was never high on my must-visit list, which is a very long list), but the conference hotel was the Mission Inn, which I had always wanted to visit, and when I looked at it online it shot right up that list. See my previous post for the sketches. The opening reception for the conference was held in this courtyard and hall next to the big chapel there, a beautiful setting, though because I had not arrived right when it started the food was already gone, so I had some ice cream and a glass of wine. People were mingling about; I am not and never have been an ‘enter the room and start making friends’ type of person, I’m more of an ‘enter the room and start hiding’ person. Our name tags revealed our campuses, and when I heard someone from Davis going up to people from Davis and loudly squealing something like “OMG! DAVIS!” to gather them together I made more of an effort to be a bit more invisible. I didn’t see anybody I knew, though there were faces I think I recognized from last year. I really wanted to sketch the courtyard, it was beautiful, but I knew all I’d manage was a quick sketch, so I did the pencil sketch above in my little Fabriano book. The sun was setting, and my tummy was rumbling so I went and found the restaurant for dinner.

UC-AMP 2024 keynote Takeuchi Naturally I could not help but sketch at the conference. Most of the reason is that I like to take notes at these things, since I’m here to learn ideas, but it becomes a fun kind of documentation. I used to fret about these things, because you can’t write everything down (boy do I try sometimes, I’m an avid note taker at meetings, it’s how I remember), and you want to be sure that you catch the important bits that at least illustrate the gist of their talk, but I’m better at listening out for those things now. I was drawing mostly with my Lamy fountain pen with the brown De Atramentis ink.

UC-AMP 2024 BrownUC-AMP 2024 Diaz

The talks were pretty good, although I didn’t come away from day one with a great deal of enthusiasm or particularly new ideas, unlike the previous year. It was more generic work conference stuff in many ways, and even the breakout I attended didn’t really get me going. Partly though that was because it was using a TV show that I’ve never seen as reference, Gilligan’s Island, though I understood the gist of what was presented I didn’t necessarily agree with the categorizations. Also, I came away not feeling particularly happy, because after dividing us into groups based on characters from the show, I ended up being in a group based on someone called ‘Ginger’, and the presenter made some comment that there were no redheads in our group, to which I said that I respectfully disagreed. While he acknowledged, oh right, other members of my group, people I did not know, decided to take it upon themselves to say I wasn’t, or that “no, he used to be!” and event “he said he used to be redhead but isn’t now”, which I did not say, but now a loudmouthed person has declared to the group that I had. “What? I didn’t say that.” I said, before another woman in our group said “No you used to be, but the stress of working for the UC changed that”. I mean, how fucking rude? This was in front of people. I was ready to argue, but that wouldn’t have been very administrative management professional of me would it, but I was not happy. My hair, which I keep really short anyway (shaved to #1 on the sides), is much lighter than it used to be even a few years ago, but I’m not all faded yet, and still obviously a redhead, just not the idea that someone else has we should look (which is basically how I looked at 11), but either way, that having been an important aspect of my self for my whole life, especially growing up when it is simply put the main aspect and all anyone ever comments on (and I get the idea that’s definitely more true for growing up in Britain than over here), and it’s not just another hair colour, there’s a very real skin identity in there (cf, my own higher risk of skin cancer). It’s not something I particularly wanted a debate on, but frankly I felt that for a group of people who have been patting themselves on the back during this conference on how great they are with people, it was a bit shitty to then make comments about someone’s hair colour in front of a large excited group. It reminded me of Edgware School, but instead of a gobby rabble making the class laugh at the fact I have ginger hair*, now a more grown-up and professionally dressed group of no less gobby people were doing the same in reverse. (*I actually actively avoided the word ‘ginger’ in my life because it had always been used to insult me, until I found the David Devant song ‘Ginger’ which was all about us and very much on our side). Anyway, after that I wasn’t feeling particularly in a mind to socialize so I ditched the afternoon and evening social activities and went and did some really good drawing instead. UC-AMP 2024 Jenkins sm I enjoyed the second day’s talks quite a bit though, in fact the first presenter Steve Yu gave a talk about body language and public speaking that I definitely took things away from, plus a few interesting phrases. “How you do anything is how you do everything” was a good one. I don’t know what it was, but I came away from it with a “yes, I can do that” feeling. I went to one other talk about Influencing which was really interesting, by Crystal Petrini, though I ended up just writing down all the points but it did make me think about my own place on our campus and how I navigate the various relationships to try to get things done; not easy, often quite a challenge.  UC-AMP 2024 Steve YuUC-AMP 2024 Petrini sm

There were other talks I didn’t have time to attend, and the big group parts where they presented during lunch about the conference organizing committee and other stuff, plus a huge presentation on Oracle which I only caught the last fifteen minutes of, but by this point I was done and had to fly back home. They told me the 2025 one will be at the Hyatt Embarcadero in San Francisco, a place I’ve stayed at a few times, so I might go to that one. I have some more Riverside sketches to show you in the next post.

christmas time at the farmers market

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A couple of weekends ago we held our latest Let’s Draw Davis meet of 2024, a small group in Central Park sketching at the Farmer’s Market. It had been a cold week and I was expecting a chilly morning, but the sun was out and the autumn colours were massive, and it was a really nice morning to be out with a sketchbook. I decided I’d sketch with my brown-ink fountain pen, it really creates a nice tone with the fall colours. There were a lot of people and stalls to draw; the flat earth people weren’t out this time, having probably fallen off the edge of the world. There was a banjo player making some nice tunes. As I sketched a young couple came up and tried to give me a flyer to some party with their church; no thank you, I said, but they were really insistent. I tried to politely make it clear I’m a little busy. They complemented my drawing but said “God gave you that gift”. I’m like, mate no, thousands and thousands of hours of practice gave me this gift, anyway see ya later, have a Merry Christmas. Still they held out the flyer, and then asked “Have you ever heard of Jesus?” I couldn’t help myself and said “No, never heard of him, who’s that?” As they started to actually tell me, and question me on how I celebrate Christmas, I had to say look mate you might try someone else, I’m not interested and obviously busy, and they finally left me to my sketch. Really not got a lot of time for religious converters, and don’t really have to explain why. One of the other sketchers later said they’d also been approached by the same insistent group, and instead had a long philosophical debate with them, and they eventually left him alone. At least it wasn’t the flat earth lot.

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I drew more people about the market, I was going to colour them in but ended up leaving them as is, I like that brown ink. I wrote the colours next to them too, people were really out in lots of colourful clothing on this colourful Fall morning. Christmas is just around the corner. While I’ve no interest going to anyone’s Jesus party, I do absolutely love the Christmas carols at this time of year. One of my favourite festive moments since coming over here was attending the annual Christmas Concert at Grace Cathedral in San Francisco, which I did on a couple of occasions about a decade ago, having illustrated the program and poster for the event. There is nothing like a cathedral for the incredible acoustics of a Christmas concert. (Also, did you know that ‘Away in a Manger’ has a different tune in America than it does in Britain? We learned that song every year in junior school for our nativity play, so it is strange hearing it with a different tune, a bit like hearing Yellow Submarine with the tune of a David Bowie song) (which I have done at karaoke by the way, replacing the lyrics of Modern Love with those of Yellow Submarine, which really worked; I remember as I was going up a woman said to me “I really love this song!” and I said, “Yeah, you’re gonna hate this version”, but actually it really worked. I had this theory years ago that you could shoehorn the words of Yellow Submarine into any song. You can even do it with ‘Away in a Manger’ – try it! Fun Christmas party game). Anyway I love a Christmas Carol. You don’t get carollers coming round to your door any more, at least we never have here. I used to do it as a kid, me and a few other kids on our street would go round knocking on the doors in the Orange Hill area of Burnt Oak singing basically two songs, “Jingle Bells” and “We WISH you a Merry Christmas”. And occasionally Away In A Manger if they wanted an encore. We would get some money each, 10p, 20p, 50p if you were lucky, but woe betide those who gave away a full quid because word would get around and every carol-singing kid from Deansbrook to Stag Lane would descend upon your doorstep singing the exact same rushed verse of “We WISSHHH you a Merry Christmas” and hold out their hands. Ah fun times.

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Well there was a group of singers in the park this day giving a performance of festive songs (though it was much more the church hymns than your Jingle Bells), but they were really good and I enjoyed listening to the singing as I sketched, with the fall colours behind. Nobody tried to give me a flyer either. Still I was up against the clock as the sketchcrawl was ending soon and we always meet to look at each others’ sketchbooks and share sketching tips. That Lamy Safari fountain pen with the brown ink is good for the quick sketchy movements of drawing people. These singers mostly wore black or dark clothes so it really stood out against the autumnal trees. Catching this season while I can.

pence art auction 2023

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Late September, I went to the Pence Gallery’s annual art Auction party, which is always a nice event with food and drink and music. They don’t have the exciting Live Auction any more as it’s  all online, but the Pence director Natalie Nelson did give an announcement when the online bidding is about to close, and it’s fun seeing everyone check their phones to see if their bid has been outbid, or if their art has sold. I had to sketch of course, so I grabbed a beer and some Dos Coyotes food and stood out on the courtyard, with the evening getting darker, and sketched the lived band, I think they were called According to Bazooka. I always like sketching to music, it helps to have some rhythm to draw along to. I had to squint my eyes to see in the gloam, especially to draw the drummer who was mostly behind the woman in front. I was sat at a table with some of them afterwards and showed them my sketchbook, I think they liked it. Thought I am not sure, as I did overhear the man singer telling someone else about it saying that it wasn’t very flattering, but maybe it was about something completely different. Below is my quick sketch of Natalie thanking everyone who made the event a success, and giving the five minute warning that the auction was about to close. I drew that one quickly with the fountain pen.

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Here are my two pieces that were in the event, ‘Deacon Brodie’s Tavern’ and ‘Bar Italia’. And both sold! I was very pleased to hear that, I was quite happy with both those drawings. And then I cycled home and watched the F1 Japanese Grand Prix.

Deacon Brodies Tavern EdinburghBar Italia, Soho

UC-AMP 2023 (“not the urban sketching symposium”)

UCAMP23-Dania Matos

The 2023 Urban Sketching Symposium took place in mid-April in Auckland, New Zealand. I’ve always wanted to go to New Zealand; when I was a kid I bought a little pocket Berlitz guidebook for New Zealand, I used to read about Milford Sound and learned a couple of Maori words (admittedly it was just ‘Kia Ora’ which was easy to remember because of those juice adverts, “It’s too orangey for crows, it’s just for me and my dog” “I’ll be your dog! Woof woof woof woof…” You remember the one). So when the first international USk Symposium after the pandemic was announced, I was excited to go. Except, it was in April, and in New Zealand, and that was a tricky time with work, so I decided, ok, I won’t go. I’ll get to Auckland another time, I guess. So I got to watch all my other fellow sketchers’ posts from down in Auckland, but I didn’t have time to be jealous because instead, I went to a different conference. This was for work was the UC-AMP conference at UC Berkeley. Despite not being at the USk Symposium, I still acted as if I was, and kept my sketchbook out at all times. I drew pretty much all of the speakers whose talks I attended, as I usually do as I am taking notes at the same time. I was very impressed with all the talks, this being my first UC-AMP I was not sure what to really expect, but I’ve not been as engaged at a work conference as with this one, and I learned a lot that I will bring back to my own job. The networking was good too, and I met some interesting people and got some different perspectives. See, even though I’m not urban sketching, I’m still obsessed with perspective.

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Many of the talks focused on Diversity, Equity and Inclusion, in a pretty broad number of ways. The keynote speaker was Dania Matos, Vice-Chancellor for Equity and Inclusion at UC Berkeley, and I really enjoyed her talk. “Data drives decisions, but story telling drives commitment.” I liked that phrase. As I say, I drew most of the other speakers too, though I’ll not go into all their talsk or names here, but here are the sketches I did.

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I mostly drew in the small Stillman & Birn Alpha pocket sketchbook I use for people sketches (and occasional travel sketches), and mostly used that purple Pigma Brush pen that I like for these quick people sketches (though I did use the black Zebra pen for one of Eugene Whitlock, above).

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I will say though, the guy above, David Alcocer, gave a really excellent and engaging presentation on the UC Budget. I thought, as did others, that this would be the one very dry talk, but it was the opposite, and I felt like I knew a lot more about the bigger picture, plus he was just a great presenter too.

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With these last two, I did write a lot more o what they were saying down, as it was worth noting. The colours by the way are just my usual watercolour, with a waterbrush pen.I’m very much looking forward to the 2024 UC-AMP conference, whcih will be in Riverside, and hopefully won’t clash with the Urban Sketching Symposium. Although actually it probably will, because once again the next one will be in the souther hemisphere, in April, in Buenos Aires, in Argentina. Another place I’d love to go, another place I probably won’t make it to. We shall see. I do miss seeing all of my global urban sketching community, but it was nice to be part of another community for a few days, and come away just as full of ideas.

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my name is Sue, how do you do

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A great sketcher once said (and it was Lapin, by the way) that every sketchbook needs two things – a dinosaur, and an old car. Sketchbook #45 has those things now, after we visited the Field Museum in Chicago, an incredible collection which is chock full of dinosaurs. (I already drew an old car at the California Automobile Museum in Sacramento) I missed out on going to the Urban Sketching Symposium in Chicago in 2017 (I had just been promoted, and felt it would be a good idea to stick around and learn stuff in that first month on the job), so I missed Lapin’s workshop “Groarrr!” which took place at the Field Museum, drawing Sue, the enormous Tyrannosaurus Rex skeleton that is the highlight of the collection, as well as being pretty much the most complete T-Rex skeleton in the world. Plus it’s called Sue, so I had Johnny Cash in my head the whole time. “My name is Sue! How do you do! Now you gonn’ die!” I also briefly had the theme tune to The Sooty Show in my head, thinking of the silent cheekiness of Sooty, the mischievous squeak of Sweep, and the bossy voice of Soo, the only one who could use real words, if you don’t count Matthew who was a real human and now a hand puppet, or at least so we are led to believe (did you ever see his legs?). People who didn’t grow up in Britain will have no idea what I’m talking about, but I did imagine Sue the T-Rex talking in that voice, saying “izzy wizzy let’s get busy”. Never mind all of these pop culture ramblings, it has been a busy week. If you want to learn some actual stuff about Sue the T-Rex, you can visit the Field Museum website: https://www.fieldmuseum.org/blog/sue-t-rex. We don’t know if Sue was a boy dinosaur or a girl dinosaur (insert an Ian Malcolm quote from Jurassic Park here) but they were named after Sue Hendrickson, who discovered the dinosaur in 1990 in South Dakota. The light in there kept going dark, for mood and storytelling, which made sketching a little tricky.

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The first dinosaur I drew though was the nemesis of the T-Rex, the heroic Triceratops. I always imagine Triceratops as a Captain America type figure, fighting the big meat-eaters for hours, looking up and saying “I can do this all day”. In the books Triceratops would always be locked in battle with the Tyrannosaur, its large parrot beak, rock solid neck shield, and the horns of both a rhino and a yak, like who designed this creature, a four year old? Triceratops is nevertheless a design classic, really hard to beat. Parasaurolophus and Styracosaurus have pretty amazing heads, but Triceratops is beautiful. I sat on a bench with my son and drew the whole thing, a good spot to rest the legs after looking at so many dinosaurs already.

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I did this sketch above while they were resting again a bit later, watching a school orchestra play some music from the movies (not Jurassic Park) in the main hall of the museum. Hanging above in the foreground is a model of the enormous flying prehistoric beast Quetzalcoatlus, which I’m not going to say is an ugly dinosaur, but is no Triceratops. It’s no Pteranodon either. It was gigantic though, you would not want this thing pecking away at your plane’s cockpit (spoiler alert for one of the Jurassic World movies, which was not very good). I should point out, Jurassic Park is one of my favourite films of all time, and I adored the book as well. It is for me nothing short of a perfect film. I quite liked the follow ups, the Lost World and Jurassic Park 3, though now I think about it Jurassic Park 3 was not actually very good. Jurassic World…well, I’ll say it was enjoyable, I guess. A nice idea, but not a re-watcher, and the characters were completely irritating. The follow up, Jurassic World Volcano Wars I think it was called, was utterly diabolical, and there was nothing whatsoever of interest, but I did watch it on a small airplane screen so no huge loss. The last one, Jurassic World Dumpster Divers or something, we actually went to a movie theatre and paid actual dollars to see, and the universe is never giving me back that five and a half hours or however long it was. It was advertised as having the original three back in it, and back in it they indeed were, and Jurassic Park it was not. Jurassic World Dominion made Jurassic Park 3 look like The Godfather Part 2. I’m not going to say it was the worst film I have ever seen (because I have watched The Hobbit: The Battle of the Five Hour Long Sequels) but you know when you like apples and you eat all the different apples, but you eat one apple that tastes so disgusting and makes you want to vomit, that while it doesn’t put you off eating apples completely, it does make you much less likely to want to eat an apple afterwards, to the point where you just give up eating apples and eat cereal instead. Well that was the last Jurassic World film and movies in general for me. But you know, you should watch it, don’t take my word for it.

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I could have spent all day in the Field Museum, learning and sketching, but we moved along, and headed for the Nutella Cafe. We decided to skip the Art Institute, due to Museum Fatigue, though my wife did go there on our final morning in Chicago and the pictures she took of all the very famous artworks made me wish I had actually gone. Next time! Instead, on our last morning I stayed at the hotel with my son, before heading out to do one last sketch, down at Michigan and Wacker. It’s a bit of an unfinished sketch, but I decided this time not to bother going in later and drawing all those windows, because you know, you get the idea. Tribune Tower (on the right) is an architectural masterpiece, containing stones from famous buildings from all over the world, which is actually a bit weird but ok.

Right, Top Five things I would like to do next time I’m in Chicago:

  1. Listen to The Blues. I never got to go to any of Chicago’s famous Blues clubs, like Kingston Mines, or one of the other ones. I will admit, I’m not exactly a massive Blues afficionado. I like it, but not as much as I want to like it. But Blues in Chicago? That I want to see. I want to be somewhere in Chicago watching some old Blues player carve riffs out of a big Gretsch, taking in the whole atmosphere, so that all I want to do is get home and play Blues riffs until my fingers hurt.
  2. Art Institute. As mentioned, I decided to sketch in the street instead of actually see some great art. That might have been a mistake, or maybe I was just saying to myself, no I’ll do that next time. They have Van Goghs, Picassos, they have that American Gothic painting, and Nighthawks by Hopper! My mate Roshan had that as a poster.
  3. Watch some Improv. I never got to to go any of Chicago’s famous Improv clubs, like The Second City, or one of the other ones. I will admit, I’m not exactly a massive Improv afficionado. I like it, but not as much as I want to like it. But Improv in Chicago? That I want to see. I want to be somewhere in Chicago watching some old Improv actor carve witty lines out of a big Suggestion, taking in the whole atmosphere, so that all I want to do is get home and improvise until my fingers hurt.
  4. Have a different Deep Dish Pizza. I really liked the one at Pizzeria Uno, as described in a previous post, but I would like to try some other places, maybe get some local suggestions.
  5. Wrigley Field. I never got to to go any of Chicago’s famous baseball parks, like Wrigley Field, or one of the other ones. I will admit, I’m not exactly a massive baseball afficionado. (Okay, I’m not doing that again.) I do like a ballpark, but even I know Wrigley Field is pretty special and historic, and there’s nothing more American than going to an ancient baseball stadium,, taking in the whole atmosphere, so that all I want to do is get home and swing a baseball bat until my fingers hurt (I literally never want to do that after watching baseball).

There is one other thing I’d do next time, that’s get in touch with some of the Chicago Urban Sketchers I know, such as Don Colley, who is pretty amazing. I thought about contacting some to see if they wanted to go and sketch an old bar some night, but this was a family trip and I knew I’d be cream-crackered too. I am tempted by the Chicago Sketch Seminar this July, although it’s very soon after another trip I’m taking, and I’m sure I’d be too tired. But it does look really fun.

Chicago MDW people 1 sm Chicago MDW people 2 sm Chicago MDW people 3 sm

Ok, so we then went to the airport, where we waited for hours and hours for our plane to deign to take off. We spent so long at that damned airport, and I hate airports at the best of times. So I sketched people again, in my little red sketchbook. That was pretty boring. We played a lot of Super Mario Kart 8 on the Switch, I had bought a new Switch Lite before the trip as the battery in the old one was utterly dead. We were exhausted, and it was going to be a long flight if we ever got on a plane. I don’t know why Southwest was delayed so much, but it wasn’t Tornadoes, they all happened the night before. Anyway, get on a plane we eventually did, so I had to do one last in-flight sketch. Until next time Chicago! I always fantasized about doing that thing where you take the Amtrak train for several days across the country, watching America on ground level as it gradually changes, waking up in far-flung cities or small-town America, but after spending four hours in Midway airport and getting bored out of my head, I think spending three days in a train seat might be enough to make me just get a plane back. But Chicago was damn cool, and I’ll be back.

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Chicago high and low

Chicago Skyline from Hancock

I know what you’re thinking. This isn’t finished. And you’re right, this was all I could sketch at the time. I might have finished it later, but I didn’t. It’s the sort of view I might do a drawing of, on a bigger piece of paper, to test my drawing patience, but this one was drawn pretty quickly from the 94th floor of the John Hancock Building (sorry, it’s not called that any more), which might not be the tallest of Chicago’s big skyscrapers, but it was still pretty damn high up. The view made my knees go all trembly. That slightly wobbly line, that be the horizon, that be the eye level. So you can see that the two taller buildings in this view are the Sears Tower (sorry, the Willis Tower) and the Trump tower (yep, still called that). Our hotel room on the 16th floor was low down and quaintly street level by comparison. It was down there somewhere, we could see it. On the same observation deck there was this ‘ride’ where the windows would move outward from the building so that you appear to be hanging suspended over the city. Needless to say, I didn’t do that. The view didn’t look quite real. Buildings that had towered so far above us at street level as to be hard to grasp, were now some way below us. It was a bit like when I’d play Spider-Man on the PS4, except nothing like it. That is a great game by the way, as is the Miles Morales follow-up. When I’d sketched just about enough, we got the elevator down.

Chicago Kinzie St Bridge

We did spend some time up at Lincoln Park, going to the Zoo, eating the most incredible corn dogs, wandering about a bit looking for a record store my guide book had told me was amazing (only to discover it had closed a while ago; well of course it had, a record store, in 2023? Why it’s next to the penny farthing store, just past the monocle repair shop). So we got the ‘L’ (the Elevated train) back downtown, feeling very much like we were in the Chicago from the films. One of our favourite films set in Chicago is High Fidelity, the one with John Cusack from about 2000. For me and my wife, that film may well be responsible for our whole relationship (to paraphrase the film). Well sort of; we both talked about it a lot when we first met, so I lent her the Nick Hornby book (set in north London of course) which was one of my favourites, and then we started going out. So it kinda is, actually. We were therefore excited to see sights we had seen in the film, such as the Kinzie Street Bridge, sketched above. It was about a 15 minute walk or so from our hotel, and I remember it in the film when Cusack’s character Rob was giving some monologue to the camera, although I think there were fewer big glassy buildings behind it then. When my wife and son went back to the hotel, I stayed to draw the bridge. I was listening to a fascinating Chicago history podcast, several episodes about how things in Chicago have often changed their names, and despite said things only being named something for a relatively short time, locals would refuse to call it by its new name for many decades longer than it had the original name. A bit like people who keep saying ‘Baby Yoda’ instead of ‘Grogu’. I did learn a lot about Chicago’s history and places though, and wished I had a lot more time to explore, but I would probably get tired, and like that record store, the places I’d be looking for might already be gone. Story of my life. Still I was very happy to have some mild weather for a moment to spend time drawing a bridge.

Chicago Theatre sign sm

These next few are from the afternoon of the next day. I have some others from the morning of the next day, but those involve dinosaurs and I’ll post those next time. We found the big Chicago Theater with its bright red sign, and I stuck around to sketch it. Eventually it started raining, so I stood under some shelter and sketched Chicago people in my little book, using a brush pen. As I sketdched, one lad came up to me and asked if I had a disability. I laughed, strange question, no I just like to draw in the street. It turns out he was asking about the way I hold my pen. Ah. No, always done that, but thanks for asking, I guess. I mostly drew people coming out of the Metra station (yes that’s ‘Metra’, not ‘Metro’, that’s basically the Subway).

Chicago people 1 sm Chicago people 4 sm Chicago People 3 sm Chicago people 2 sm

I also drew this fire hydrant, a few blocks away beneath the L. Standing under the ironwork of the L, with the train rumbling above me and the traffic rushing by beneath, I really felt like I was in Chicago like you’d imagine it. Not far from here there are those busy roads that are just underground, beneath the other roads, that make me think of the Fugitive, which we had watched not long before our trip.

Chicago Hydrant 3 sm

Before heading home, and to get out of the rain for a bit, I found a very cool pub with a bit of a Belgian beer theme. Monk’s Pub was the perfect stopping off point, and good to sketch. I had one pint, and drew fast. I listened to a couple of older lads next to me talking with some passion about baseball. Monk’s was warm and welcoming, but I had to get back to the hotel to rest before dinner, so I waited for the rain to ease off and walked back.

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quick people

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And now for something completely different. I went to a small gathering of sketchers (there were two of them) who had posted on the Let’s Draw Davis page (it is still going! But I’ve not organized one for ages, due to busy weekends) that there would be a quick people-sketching session at the NAtsouals Gallery in Davis that sketchers could go to. Each person would take five minutes exactly to hold a pose while the other sketchers drew them. Well, I did write a book called Five Minute People Sketching, mostly because I find it hard to spend more than five minutes sketching a person, so this was good practice for me. Stuff like this allows me to play around a bit more than I usually would. I pulled out an old pocket-sized Stillman & Birn Alpha book that I’d not actually drawn in since 2017, and sketched in both my usual brown pen and those black Nero pencils that I got from the Symposium a few years ago, both the soft and hard versions. I used a bit of watercolour to add in some tones.

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sketches from the sidelines, 2022

ayso united stanford cup 1 2022 sm

Let’s travel once more back to last summer. Since I stepped down from coaching youth soccer, I had been able to spend more time on the sidelines as a parent, and that means I can sketch more rather than take note. I still take notes, force of habit, but it’s nice to try and capture the games in a way that the photos taken a long-distance on our not-zoomed-in camera phones do not. Did I just use the term ‘camera phone’? Ok grandad. I know you are supposed to just say ‘phone’ instead of ‘camera phone’ now, and nobody has cameras now unless they are a photographer, so we say ‘phone’ to talk about the thing we primarily use for taking photos, and occasionally use to make calls on. One day I might invent the sketchbook-phone. My poor eyes cannot zoom in, but I tried to draw the action as best I could. Here are some sketches form various tournaments our team AYSO United Davis went to. Above, and the next couple below, are sketches from the Stanford Cup, which was held in various locations around Silicon Valley. It was bloody hot, and I stood in what shade I could find. In the end the team did not advance to the final, though it was close, but they played well and didn’t give much away.

ayso united stanford cup 2 2022 sm  ayso united stanford cup 3 2022 sm

The third match was at a big high school football stadium. I only drew half the field, but the other half looks like that so you can imagine it. When playing soccer on these American football fields it is always difficult to know where the lines are, as the soccer field is wider, and will often use less-distinct yellow lines. So you get people taking throw-ins from the wrong place, about a metre or so inside the bounds, and as for the penalty area, there’s a lot going on on these fields. Still with all the extra lines it’s easier to spot an offside (or ‘offsides’ as they say here). We were quite high up and had a good view of proceedings.

ayso united wolves cup 4 aug2022 sm

These ones, drawn in one of those pencils I got at one of the Urban Sketching Symposiums, were form the Wolves Cup tournament down in one of those places in the East Bay, I forget now. Diablo Valley, Antioch, that’s it. The local Diablo Valley teams had badges like Wolverhampton Wanderers, I think they might be connected. I know Tottenham had an ‘East Bay Spurs’ youth club, though I don’t think they are still connected. Last season we played one team in San Francisco that had a historical connection to Celtic, they knocked us out of the State Cup (1-0 with a last-minute goal, that was gutting). It’s quite common over here, though when a club has a name like Juventus or Ajax I don’t know if they are actually connected or just named after them. I liked meeting the people from all the youth soccer teams over the years, and had some good sideline banter with some of the nicer coaches; though you get a few who are a bit much, most were very friendly. Parents can be a thing, oh yes. We always had a good parent culture on our teams and strived to keep everybody positive, though we played some teams were parents would be sent off the sidelines for their behaviour. Those refs have a tough job; respect the referees. This was a good little tournament though, everyone was nice. My son scored the first goal, in our opening 4-0 win.

ayso united wolves cup 2 aug2022 sm

The sketch below was against a team who I can’t completely remember, but played in neon yellow, so I did a few sketches. This may have been the team where the opposing players were really quite unfriendly, and the parents were saying pretty unpleasant things too, and our coaches actually stopped the game and took the players off. Fair play to them for that. This might have been a different game though. It’s not always clear what’s being said out on the field, and I was off in the shade sketching. It was not long after my skin operation so I was sticking to myself and avoiding people in general, getting what shade I could. One thing I learned was that if you use a neon highlighter to colour in the neon shirts, that won’t really come out in the scan, so I had to add the neon yellow scribble back in with Photoshop afterwards.

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This final one was done digitally on my iPad, so no scanning issues there. It was from a Halloween themed tournament in which our team dressed up as Minions, and ended up winning the whole thing, their first medal as a team. They won the final on penalties, with my son’s best friend scoring the winning spot-kick. The game sketched below was a group game against the team they ended up beating in the final, and they lost this one 2-1 in a tight contest. I like drawing these on the iPad because I can use layers and get the background drawn quickly, adding in players over the top. Still had to be quick.

san ramon oct 2022