sketching the sketchers at uc davis

LDDOct18 Robert & Misuk
Last Saturday was the latest edition of the monthly Davis sketchcrawl “Let’s Draw Davis!”, back after its summer hiatus. The next one will be mid-November sometime. We had a good turn-out, and I started it off by inviting everyone to draw each other in a ‘portrait party’. Sketching sketchers is fun. I wanted them to be five-minute people sketches, quick as possible, and for the most part they were, but there was a lot of conversation. Did a LOT of talking! One person I was delighted to meet was Robert Regis Dvorak, who I had not met before and is a real art inspiration to talk to. It seemed like everybody (no exaggeration!) had been to one of his workshops over the years, he’s a really well known figure and art teacher. I should read his books sometime. He runs workshops and sketching tours all over, not just here in California but around the world. Nice guy as well. It was also a pleasure to meet and speak with Misuk Goltz (I thought she told me her name was Misuka when I was talking to her but others told me it was Misuk Goltz), she is also a well known artist. I was writing down things they told me but forgot to write that she was about to go and spend six months in Mongolia with her husband, which sounds really interesting.
LDDOct18 Cindy and Alex
We were in the study lounge of the Memorial Union, which has lots of places to sit and sketch others. I was trying to flit about and speak with different people. Above is Cindy, who I was initially sketching with her head turned to the side (hence the hair outline over the face) but changed when she changed view. Next to her is Alex, who works in video, and we talked a bit about stop motion animation. I’ve been doing some of that again lately. Maybe I’ll show you some, though it’s not showing-in-public-worthy just yet.
LDDOct18 Lynn
LDDOct18 Dawn
LDDOct18 Jay
Above are Lynn Cohen, who I had actually met a few years ago when she bought one of my drawings at a show, she was very friendly and wore pants decorated with prints of her own sketches which was pretty cool. Then there was Dawn Pedersen, who wore a t-shirt from ‘Sketch-Con’ which is an event happening in Pasadena, I had never heard of it but it’s from Danny Gregory and Sketchbook Skool. I know a lot of the instructors in Sketchbook Skool and I’ve not met Danny in person but corresponded with him when I was in one of his books (An Illustrated Journey), so it sounds like something I’d like to go to, however I am coaching a team at a soccer tournament that weekend so can’t make it. By the way, our team which had started well lost 12-2 last week and 9-1 today, oh well. The last person I sketched there was Jay, who had a pocket full of Micron pens.
LDDOct18. AJ & Rick
Above are AJ Tauber, who is part of the Oahu Urban Sketchers (and has been to the Davis sketchcrawls before), showing us her sketchbook at the final gathering; I sketched this one super-fast. There is also Rick Karban, an entemologist at UC Davis who had recently been in England at a sketching workshop from Roisin Cure. He was interesting to talk to, particularly from the point of view of someone who’s been in Davis a long time now and seen all the changes.  And finally, below, Freeborn Hall, which I sketched while chatting to sketchers at the MU. I had to draw at least one building, but I sketch so many UCD buildings (as regular followers will probably have noticed) that there was no rush for me to sketch a few more, sketching and chatting to people was more fun. I always get that feeling though after talking to lots of people, I hope I didn’t talk too much nonsense. Especially as I was encouraging people to write down what the people they were sketching were saying. Be careful what you say, it’ll end up in the sketch!
Freeborn Hall UCD

You can see what some others sketched by visiting the Let’s Draw Davis Facebook group page: https://www.facebook.com/groups/383785982124525/

 

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the trouble with teleportation

UCD People Aug 2018
Some people at UC Davis. I was sat at the Silo eating lunch and sketched some of the people passing by. I painted in a few lines behind for no other reason than I felt like it (it’s not for any perspective reason, though you could retcon it to say it was a guide, but it wasn’t). Totally unrelated but someone said in conversation the other day about the super power everyone wants to have is to teleport, and it got me thinking. I would love to be able to teleport, it would save me so much hassle with airports and jetlag (well, I presume, nobody knows the physical jetlag effects of intercontinental teleportation). It would save a lot if time and money as well. But then there’s the fact you would still have to go through customs, if you want to do it legally, and fill out that landing form they give you on the plane, and it’s not like you could prove where you teleported from. Then there’s the issue of your baggage, does that teleport with you, can you teleport anything you are carrying (like Nightcrawler from the X-Men), or even touching, such as other people whose hand you might be holding? And if it is anything you are touching, does that include the ground? Would you have to jump into the air to teleport? I mean it would make sense. That means everyone else you are teleporting, along with all of tour baggage, would also have to jump into the air as well. Imagine holding three people’s hands, with all of their heavy suitcases and hand-luggage and snacks and iPads, jumping into the air all at once? I suppose you could come back one at a time, assuming teleportation is instantaneous. Then there is the problem of where you land. You would really need to know exactly where you are teleporting, and that is nigh impossible. Nightcrawler of the X-Men for example usually needs to be able to see where he is going. Safety first. You could end up teleporting into a brick wall or fifty foot above a lake, if you aren’t absolutely exact. Even getting the height wrong by a few feet could result in broken bones in a distant country where you don’t have health insurance. And speaking of travel insurance, who is going to insure you for teleportation-related injuries? No, it’s a nice idea, teleportation, but not really well thought through. I have similar feelings about a lot of super powers. Flying – great, but carrying your bags as well? Also what if you could fly but it turns out only really really slowly. Healing factor – awesome, but you’d get really sloppy (Wolverine is not actually the best at what he does he gets cut and tabbed all the time, he just heals, it’s called cheating). Telekinesis? Moving things with your mind you’d never want to get off the sofa, you’d get so lazy. Control of metal? I have that now, I just use my hands, controlling it with my magnetic mind doesn’t mean I’ll be able to lift it. Climbing walls, that would get old. Still easier going inside the building and using the elevator. Weather control would be nice, but you would have no idea the effects your small change to your local weather system will have on a more global scale – you make it a bit sunnier here, a bit rainier there, you get the butterfly effect. Walking through walls though, the ability to phase, I would like that, because then I’d never have to remember my keys. Unbreakable skin, useful in combat but in every day situations not all that helpful; oh my cat can’t scratch me? Wow. Good luck getting your flu shots. Super speed would be great, but like Quicksilver everything would seem too slow after a while. Look how impatient we all are these days when our browser takes an extra second or two to load. No I think the best super power would really be the one that Batman has, intelligence, determination and vast humungous wads of inherited cash. Anyway, this is what I think about when sketching sometimes.

last night in lisbon

Lisbon Drinks sm
On my final night in Portugal, after a day of easy sketching and peaceful wandering, I met up with Lisbon-based sketchers Pedro Loureiro and Silvio Menendez, along with Genine Carvalehiro and her girlfriend Sara, at Rossio in the heart of town. The locals took us over to a place called Eduardino, (“Ginjinha Sem Rival”) which was a tiny little hole in the wall that serves little plastic glasses of a drink called ‘ginjinha’. Now I think I had seen Rick Steves drink a ginjinha maybe, but I had no idea what it was. It’s a Lisbon specialty, a cherry-based liqueur that people will often have on their way out somewhere, good for the health, and comes in two ways – “with” or “without”. That is, with a cherry or without a cherry. I had it with; it was delicious. I drew the little ginjinha bar below, but not on site, I did this from a photo I took, as we were on our way out to explore another part of central Lisbon. We found a little café in a courtyard overlooking part of the city, and had some beers and cheeses. I sketched my very nice company, we talked about the various symposia we had been to (I had forgotten Genine also went to Lisbon 2011, she was in one of the workshops I took; such a long time ago now!). This was up at Largo dos Trigueras (above).
Lisbon Ginjinha sm
After drinks we went looking for a place for dinner, and bumped into Matt Brehm, who was waiting for Liz Steel and Suhita Shirodkar, so we combined our urban sketching parties and went to a little traditional Lisbon restaurant for food and wine and more fun conversations. I sketched Matt (whose workshop called “the Light of Lisbon” I had taken in 2011 in that very neighbourhood), and also the restaurant owner who served us. We ate until late, talked past and future symposia, about how much Urban Sketchers has grown, about all the new people we’ve all met in that time. I must say, I have been a little bit of a reculse of late, as far as the sketching community goes – I didn’t even tell people I was going to Porto, just in case I couldn’t make it – so it was nice to catch up with old friends from around the world. Now next year, Amsterdam, I do need to promise myself that I will let other people know and actually try to make connections ahead of time; I might go first to Belgium and finally sketch with some of the Belge sketchers I know. Being social can actually be quite a good thing.
Lisbon Matt Brehm sm
Lisbon Restaurant Man SM
Anyway we all said adeus and then I went back to the hotel, for I had an early start the next day. A cab to the airport, then a plane to Atlanta, and another plane to Sacramento. I sketched a plane at Atlanta airport while I had my layover. It was a long, long, long day, and I was exhausted. Three weeks away, and it takes more than getting over jetlag to recover. My mind itself was still over in Europe for at least a week or two afterwards. I think I just have permanent wanderlust. Until the next time!
Atlanta Airport

porto party

Symposium people
And so here are some sketches from the final evening of the Porto Symposium. On these final get-togethers we usually spend a lot of time chatting and sketching, often speaking to people we may have not had a chance to see yet (easily done in this 800-large event), before going to dinner very late and generally feeling exhausted. Some wine was also drunk. Above, I sketched Marina Grechanik, from Israel, who this year was one of the symposium correspondents and another old urban sketchers friend whose work I’ve admired for years. She has a very creative and playful style (she appeared in my last book, on people sketching) so we drew each other in a portrait duel. I do love portrait duels and wish I could do more of them, I didn’t do enough of them in Porto.  Also on this page are Paul Heaston (who of course I know and have followed for years, but didn’t meet until 2016) and Hugo Costa, from Porto, who I’d not met before but whose work is awesome.

Below are Arnaud De Meyer, from Luxembourg, who I met in Manchester 2016. I really like his sketching work (especially his two page spreads), and really hope to sketch with the Luxembourg group some day; two sketchers I do not know but were from Germany, Jonatan and Alexandra; and Joe Bean, who I had the pleasure of meeting at a London sketchcrawl in 2016 and whose work I also really admire (in particular his in-construction sketches of Headingley Stadium in Leeds).
Symposium People
Below are a couple of sketchers I also met in Manchester 2016, Peter Dutka (UK) and Tine Klein (Switzerland), and though they both had colourful outfits I had didn’t have time to add paint while I stood with them. They both had amazing sketchbooks though, I spent some time looking through them, very productive and creative.
Symposium people
And below, the only other sketch I did, of a very tried and hungry group of urban sketchers – Liz Steel (Australia), Elizabeth Alley (USA), Fernanda Vaz de Campo (Brazil), and once more Paul Heaston (USA). Behind us were several more who I did not sketch. We had tried in vain to get dinner but it was late – late night dinner is less of a thing in Porto, this isn’t Madrid – but we found one place willing to serve us cheese pizza. The waitresses were for some reason very interested in my sketchbook. It was a fun evening, and I can’t wait to see evertyone again in Amsterdam! (Though I did see both Liz and Genine (unseen, at the table behind) in Lisbon a couple of days later).
Dinner after the Symposium
Oh yes, Amsterdam – I didn’t mention, but that is the location of the next Urban Sketching Symposium. Far fewer hilly streets there than Porto! I really hope to go to that one. Next time, I will actually tell people I am going, make connections ahead of time, and I’d also like to spend a bit of time in Belgium first, catching up with old places, meeting sketching friends, before the craziness of the Symposium.
Super Bock
Oh, and one last thing – this is Super Bock. It’s one of two beers you see everywhere in Portugal (the other being Sagres). This is one of the most Portuguese things to sketch. I hope you have enjoyed this trip through Porto with me, I hope I have managed to show some of my enjoyment of this city, but I didn’t see it all and would love to come back some day. I know some friends in England who would love it there. Adeus, Porto!

IMG_8459-smaller

porto potty

Pedro Loureiro
Now we move on to the workshops I took in Porto. I registered for a ‘Basic Pass’, which meant I could take two workshops (the Workshop Pass was for four, while the Sketching Pass was for zero). I do like to just sketch, but at a symposium it’s fun to do at least some workshop stuff, to learn a few things, see sketching from a different angle, and also meet new people. For my schedule, I decided on workshops on Thursday and Saturday morning, leaving all of Friday for just free sketching. On Thursday morning I took a workshop taught by Pedro Loureiro, whom I had met in the Manchester Symposium. There he is above, giving his introduction.
Pedro's workshop
It was called “Public Realm Objects”, and was about focusing on those parts of a scene that are often overlooked – lamp-posts, bins, bollards, street signs; “fire hydrants” I chipped in, “yes thanks Pete, fire hydrants”; things that are typically there as part of the city’s functionality. For the first exercise we had to draw a street scene but leave out absolutely everything except those ‘public realm’ objects. There was an additional point – we had to add a verb to each public realm object, one that might describe its function. In this way, we are starting to think about its purpose.
USk Porto Pedro workshop exercise 1
For the next exercise we had to pick one of the objects we drew, and then study it in greater detail. What’s it made of? Are there finer details? Who made it, and when? Why is it there? How big is it? I selected the green metallic object that was slightly up the hill, the one that I had marked ‘inform’ because it had an advertisement on the side. It turns out that it was a toilet, and an out-of-order one at that. A ‘Porto Potty’ if you will (right, I have found a blog post title!). So I studied it, as best I could; see below. While drawing it, some people did come by and try to use it but quickly moved on. One fellow didn’t though. He stood outside patiently, then maybe a little less patiently, then he was banging on the door asking whoever was inside to hurry up. He wasn’t Portuguese, so maybe didn’t know what “Indisponivel” meant. It’s ok, I didn’t even know this was a toilet at first. Anyway after we did this exercise, we had a little show-and-tell gathering where we had to talk about our objects.
USk Porto Pedro workshop exercise 2
The final exercise was a longer one, where we had to show how the the object interacts with the world at large. People walking by, using it (glad it was indisponivel, I wouldn’t have drawn that!), that sort of thing. I stood on the other side of the street and sketched it, adding in people walking past or trying to use it. Nobody really banging on the door this time. I felt like a tabloid celebrity journalist, staked out in front of a pop star’s house, watching for a story, any story, anything will do. I tried to make a story about the fact that the sidewalk is very narrow there because the loo is in the way, and people have to be in much closer quarters as they pass, which can be awkward. One woman gave another purple-haired woman a glance as she passed; right there’s a story. It was a fun thing to explore the world around this broken-down bog.
USk Porto Pedro workshop exercise 3
Below, fellow workshop participant Mary talks about the object she sketched. I can’t remember what it was because I drew her page blank.
USk Porto Mary

Oh, and later on that day, I was passing by this area and of course, predictably, I needed to use the toilet. And couldn’t, because this was indisponivel. I had to find a restaurant, who charged me a whopping 50c to use their for-customers-only bathroom. Now there’s a story.

porto people

Porto Dinner

The Symposium always offers a chance to feel ok about drawing people. Everyone is doing it, nobody judges you about how unrealistic it looks, and nobody feels self-conscious about someone sketching them. Well, usually. I mixed up sketching the public with sketching the participants, and tried to keep it fast (far less than the ‘five minutes’ per person!) and tended to stick to pencil, with a bit of watercolour for effect. I used a Palomino pencil that a pal of mine sent me from Japan (cheers Tel), it does wear down fast though, I had to keep sharpening. Pencil moves fast though, so is good for those really quick people sketches. Above, dinner on the Thursday evening with several of my old sketching buddies. You can see Kumi Matsukawa (from Japan), Shiho Nakaza (from Santa Monica) and Rita Sabler (from Portland), all of whom wrote chapters in my 2015 book ‘Creative Sketching Workshop’ and all of whome I met in the 2010 symposium, which is also where I met Mike Daikabura (from Boston), at the end of the table. There’s also Tina Koyama (from Seattle) who of course I have met at other symposia, great to see her again with her partner Greg, and Corinna from Germany, who I did meet briefly in Manchester. Others at the table are Jane (from LA who was in Portland, but I’d never met), and Elaine and Alex, who I didn’t speak to. It was a nice gathering for the “Drink’n’Draw”. The Drink’n’Draw events were generally done at the Ribeira square next to the river, and were generally hundreds of sketchers messed all over the place, so the fact I actually found several sketchers that I already knew was nice. It was a nice evening.

Porto people
Porto people

Above, sketching the locals. And the tourists. I stood in a couple of spots and tried to capture people as they passed by. I liked the lads in the Porto kits kicking the ball about up the Alfandega, I kinda wanted to join in. The bizarre looking Chef with the big eyes is actually not a person, nor a Frank Sidebottom mask, but a large figure in the window of a restaurant. Below, some people I sketched while waiting for my Francesinha.

Porto people at lunch

Below, some other locals or maybe tourists, eating dinner at Ribeira. The woman on the right, I might have drawn her head slightly too small. The giveaway is that the person behind her has a larger head. As does the person sitting opposite, who is further away from my POV than she is. Now unless they are wearing Frank Sidebottom heads, I’ve got that wrong. Ah well.

People at dinner porto

And below, two fellow sketchers I enjoyed a beer with on Friday evening, Aglaia and Joel, both from the US. Joel I had met in the Manchester symposium, he was busy during this one with accounting and money stuff for Urban Sketchers. He’s wearing his red Chicago symposium shirt, from last year’s event (that I missed). Aglaia teaches history at a university, so we had a long discussion about history and what not. At one point they mentioned they had seen the Beatles film A Hard Day’s Night again recently, and asked about the Wilfred Bramble character and why they kept saying he looks ‘very clean’, which is a reference to steptoe and Son that many Americans these days would probably not get, so I got to do an Harry H Corbett impression and say “you dirty old man!” Also I think I may have done a Simon Schama impression or two. A fun evening.

Aglaia and Joel

Stay tuned for more Porto sketches!!!