I went to the UC Davis Worklife Champions event last week (I was one of many who got a Worklife Champion recognition, which was nice – thanks!!), and the speaker was Prof Robert Emmons, who gave a talk about “gratitude”. I drew and took notes as best I could, and I’m not sure what I did with his arm there, it looks like “Gratitude is a Choice” was a mic drop, it also looks like a pretend arm with the real arm inside holding a remote control like in that episode of Father Ted. Drawing people is always a challenge when they are moving. I drew this on the back of a piece of paper with some Worklife stuff on the other side.
A few more from my recentish trip to Portland (early November, recent in geological terms). Above, I joined my friend Rita Sabler for her husband Jim’s birthday celebration at a cool little place in on Beach Street Portland I had never been to before, which involved some sketching and a lot of interesting conversation. Rita had invited me up to teach a workshop in Portland which was really fun, but it was really nice and relaxing to meet up with some of her friends. I last saw Rita in Porto in the summer at the symposium, she is actually a former UC Davis student (from before even I came to Davis). Check out Rita’s sketching work at www.portlandsketcher.com, she has done some great things lately (including a residency at the leper colony on Molokai!).
On my second night there I met up another old sketching buddy and fellow pirate-sketcher, Kalina Wilson. I really wanted to go back to this Belgian place that we had sketched one rainy Sunday afternoon back in 2012, Bazi Bierbrasserie, so we arranged to meet there. Except it’s not called that any more, it’s now to my surprise The Thirsty Monk. Beer was still nice though, and the conversation fun, always good to catch up after quite a while, I think I last saw her either at Manchester symposium or when my wife and I visited Portland one November (I forget the year). Check out Kalina’s sketching.
And above, a sketch I did at the hotel bar of the Doubletree in Portland. You have to go down to the bar to use their Wifi because it’s not included in the rooms (booo, join the 21st century Doubletree). I usually stay at this hotel because it is easy enough for the places I usually want to go, it’s right by the MAX line to the airport, but I don’t know, time to find somewhere else maybe. There was a heavy metal weekend going on at the hotel while I was staying there, so there were lots of long-haired metally people, dressed pretty much the same way (“metal”), which didn’t really fit in with the bland corporateness of the Doubletree. I always kinda laugh at the sameyness of metal outfits and rock dress, but of course when I was younger this was very much the scene in London that I enjoyed being around the most, the Hellfire Club on Oxford Street, the Intrepid Fox on Wardour Street, the Marquee on a Thursday night, I loved those places. And I would dress, well actually I would wear a bright green football shirt and have short hair because I liked to be different to everyone else, but I could mosh with the best of them. Those were the days. I felt quite at home around all the rockers, even in the sanitized corporate setting (and Doubletree, don’t put the toilets so far from the bar, yeah?). Anyway I sketched the bar, in its bland corporate light wood and screen showing basketball. Not exactly Old Town Pizza (now that is an interesting bar to sketch!) but a good way to get sleepy before bed.
Last Saturday was the latest edition of the monthly Davis sketchcrawl “Let’s Draw Davis!”, back after its summer hiatus. The next one will be mid-November sometime. We had a good turn-out, and I started it off by inviting everyone to draw each other in a ‘portrait party’. Sketching sketchers is fun. I wanted them to be five-minute people sketches, quick as possible, and for the most part they were, but there was a lot of conversation. Did a LOT of talking! One person I was delighted to meet was Robert Regis Dvorak, who I had not met before and is a real art inspiration to talk to. It seemed like everybody (no exaggeration!) had been to one of his workshops over the years, he’s a really well known figure and art teacher. I should read his books sometime. He runs workshops and sketching tours all over, not just here in California but around the world. Nice guy as well. It was also a pleasure to meet and speak with Misuk Goltz (I thought she told me her name was Misuka when I was talking to her but others told me it was Misuk Goltz), she is also a well known artist. I was writing down things they told me but forgot to write that she was about to go and spend six months in Mongolia with her husband, which sounds really interesting.
We were in the study lounge of the Memorial Union, which has lots of places to sit and sketch others. I was trying to flit about and speak with different people. Above is Cindy, who I was initially sketching with her head turned to the side (hence the hair outline over the face) but changed when she changed view. Next to her is Alex, who works in video, and we talked a bit about stop motion animation. I’ve been doing some of that again lately. Maybe I’ll show you some, though it’s not showing-in-public-worthy just yet.
Above are Lynn Cohen, who I had actually met a few years ago when she bought one of my drawings at a show, she was very friendly and wore pants decorated with prints of her own sketches which was pretty cool. Then there was Dawn Pedersen, who wore a t-shirt from ‘Sketch-Con’ which is an event happening in Pasadena, I had never heard of it but it’s from Danny Gregory and Sketchbook Skool. I know a lot of the instructors in Sketchbook Skool and I’ve not met Danny in person but corresponded with him when I was in one of his books (An Illustrated Journey), so it sounds like something I’d like to go to, however I am coaching a team at a soccer tournament that weekend so can’t make it. By the way, our team which had started well lost 12-2 last week and 9-1 today, oh well. The last person I sketched there was Jay, who had a pocket full of Micron pens.
Above are AJ Tauber, who is part of the Oahu Urban Sketchers (and has been to the Davis sketchcrawls before), showing us her sketchbook at the final gathering; I sketched this one super-fast. There is also Rick Karban, an entemologist at UC Davis who had recently been in England at a sketching workshop from Roisin Cure. He was interesting to talk to, particularly from the point of view of someone who’s been in Davis a long time now and seen all the changes. And finally, below, Freeborn Hall, which I sketched while chatting to sketchers at the MU. I had to draw at least one building, but I sketch so many UCD buildings (as regular followers will probably have noticed) that there was no rush for me to sketch a few more, sketching and chatting to people was more fun. I always get that feeling though after talking to lots of people, I hope I didn’t talk too much nonsense. Especially as I was encouraging people to write down what the people they were sketching were saying. Be careful what you say, it’ll end up in the sketch!
You can see what some others sketched by visiting the Let’s Draw Davis Facebook group page: https://www.facebook.com/groups/383785982124525/
Some people at UC Davis. I was sat at the Silo eating lunch and sketched some of the people passing by. I painted in a few lines behind for no other reason than I felt like it (it’s not for any perspective reason, though you could retcon it to say it was a guide, but it wasn’t). Totally unrelated but someone said in conversation the other day about the super power everyone wants to have is to teleport, and it got me thinking. I would love to be able to teleport, it would save me so much hassle with airports and jetlag (well, I presume, nobody knows the physical jetlag effects of intercontinental teleportation). It would save a lot if time and money as well. But then there’s the fact you would still have to go through customs, if you want to do it legally, and fill out that landing form they give you on the plane, and it’s not like you could prove where you teleported from. Then there’s the issue of your baggage, does that teleport with you, can you teleport anything you are carrying (like Nightcrawler from the X-Men), or even touching, such as other people whose hand you might be holding? And if it is anything you are touching, does that include the ground? Would you have to jump into the air to teleport? I mean it would make sense. That means everyone else you are teleporting, along with all of tour baggage, would also have to jump into the air as well. Imagine holding three people’s hands, with all of their heavy suitcases and hand-luggage and snacks and iPads, jumping into the air all at once? I suppose you could come back one at a time, assuming teleportation is instantaneous. Then there is the problem of where you land. You would really need to know exactly where you are teleporting, and that is nigh impossible. Nightcrawler of the X-Men for example usually needs to be able to see where he is going. Safety first. You could end up teleporting into a brick wall or fifty foot above a lake, if you aren’t absolutely exact. Even getting the height wrong by a few feet could result in broken bones in a distant country where you don’t have health insurance. And speaking of travel insurance, who is going to insure you for teleportation-related injuries? No, it’s a nice idea, teleportation, but not really well thought through. I have similar feelings about a lot of super powers. Flying – great, but carrying your bags as well? Also what if you could fly but it turns out only really really slowly. Healing factor – awesome, but you’d get really sloppy (Wolverine is not actually the best at what he does he gets cut and tabbed all the time, he just heals, it’s called cheating). Telekinesis? Moving things with your mind you’d never want to get off the sofa, you’d get so lazy. Control of metal? I have that now, I just use my hands, controlling it with my magnetic mind doesn’t mean I’ll be able to lift it. Climbing walls, that would get old. Still easier going inside the building and using the elevator. Weather control would be nice, but you would have no idea the effects your small change to your local weather system will have on a more global scale – you make it a bit sunnier here, a bit rainier there, you get the butterfly effect. Walking through walls though, the ability to phase, I would like that, because then I’d never have to remember my keys. Unbreakable skin, useful in combat but in every day situations not all that helpful; oh my cat can’t scratch me? Wow. Good luck getting your flu shots. Super speed would be great, but like Quicksilver everything would seem too slow after a while. Look how impatient we all are these days when our browser takes an extra second or two to load. No I think the best super power would really be the one that Batman has, intelligence, determination and vast humungous wads of inherited cash. Anyway, this is what I think about when sketching sometimes.
On my final night in Portugal, after a day of easy sketching and peaceful wandering, I met up with Lisbon-based sketchers Pedro Loureiro and Silvio Menendez, along with Genine Carvalehiro and her girlfriend Sara, at Rossio in the heart of town. The locals took us over to a place called Eduardino, (“Ginjinha Sem Rival”) which was a tiny little hole in the wall that serves little plastic glasses of a drink called ‘ginjinha’. Now I think I had seen Rick Steves drink a ginjinha maybe, but I had no idea what it was. It’s a Lisbon specialty, a cherry-based liqueur that people will often have on their way out somewhere, good for the health, and comes in two ways – “with” or “without”. That is, with a cherry or without a cherry. I had it with; it was delicious. I drew the little ginjinha bar below, but not on site, I did this from a photo I took, as we were on our way out to explore another part of central Lisbon. We found a little café in a courtyard overlooking part of the city, and had some beers and cheeses. I sketched my very nice company, we talked about the various symposia we had been to (I had forgotten Genine also went to Lisbon 2011, she was in one of the workshops I took; such a long time ago now!). This was up at Largo dos Trigueras (above).
After drinks we went looking for a place for dinner, and bumped into Matt Brehm, who was waiting for Liz Steel and Suhita Shirodkar, so we combined our urban sketching parties and went to a little traditional Lisbon restaurant for food and wine and more fun conversations. I sketched Matt (whose workshop called “the Light of Lisbon” I had taken in 2011 in that very neighbourhood), and also the restaurant owner who served us. We ate until late, talked past and future symposia, about how much Urban Sketchers has grown, about all the new people we’ve all met in that time. I must say, I have been a little bit of a reculse of late, as far as the sketching community goes – I didn’t even tell people I was going to Porto, just in case I couldn’t make it – so it was nice to catch up with old friends from around the world. Now next year, Amsterdam, I do need to promise myself that I will let other people know and actually try to make connections ahead of time; I might go first to Belgium and finally sketch with some of the Belge sketchers I know. Being social can actually be quite a good thing.
Anyway we all said adeus and then I went back to the hotel, for I had an early start the next day. A cab to the airport, then a plane to Atlanta, and another plane to Sacramento. I sketched a plane at Atlanta airport while I had my layover. It was a long, long, long day, and I was exhausted. Three weeks away, and it takes more than getting over jetlag to recover. My mind itself was still over in Europe for at least a week or two afterwards. I think I just have permanent wanderlust. Until the next time!
And so here are some sketches from the final evening of the Porto Symposium. On these final get-togethers we usually spend a lot of time chatting and sketching, often speaking to people we may have not had a chance to see yet (easily done in this 800-large event), before going to dinner very late and generally feeling exhausted. Some wine was also drunk. Above, I sketched Marina Grechanik, from Israel, who this year was one of the symposium correspondents and another old urban sketchers friend whose work I’ve admired for years. She has a very creative and playful style (she appeared in my last book, on people sketching) so we drew each other in a portrait duel. I do love portrait duels and wish I could do more of them, I didn’t do enough of them in Porto. Also on this page are Paul Heaston (who of course I know and have followed for years, but didn’t meet until 2016) and Hugo Costa, from Porto, who I’d not met before but whose work is awesome.
Below are Arnaud De Meyer, from Luxembourg, who I met in Manchester 2016. I really like his sketching work (especially his two page spreads), and really hope to sketch with the Luxembourg group some day; two sketchers I do not know but were from Germany, Jonatan and Alexandra; and Joe Bean, who I had the pleasure of meeting at a London sketchcrawl in 2016 and whose work I also really admire (in particular his in-construction sketches of Headingley Stadium in Leeds).
Below are a couple of sketchers I also met in Manchester 2016, Peter Dutka (UK) and Tine Klein (Switzerland), and though they both had colourful outfits I had didn’t have time to add paint while I stood with them. They both had amazing sketchbooks though, I spent some time looking through them, very productive and creative.
And below, the only other sketch I did, of a very tried and hungry group of urban sketchers – Liz Steel (Australia), Elizabeth Alley (USA), Fernanda Vaz de Campo (Brazil), and once more Paul Heaston (USA). Behind us were several more who I did not sketch. We had tried in vain to get dinner but it was late – late night dinner is less of a thing in Porto, this isn’t Madrid – but we found one place willing to serve us cheese pizza. The waitresses were for some reason very interested in my sketchbook. It was a fun evening, and I can’t wait to see evertyone again in Amsterdam! (Though I did see both Liz and Genine (unseen, at the table behind) in Lisbon a couple of days later).
Oh yes, Amsterdam – I didn’t mention, but that is the location of the next Urban Sketching Symposium. Far fewer hilly streets there than Porto! I really hope to go to that one. Next time, I will actually tell people I am going, make connections ahead of time, and I’d also like to spend a bit of time in Belgium first, catching up with old places, meeting sketching friends, before the craziness of the Symposium.
Oh, and one last thing – this is Super Bock. It’s one of two beers you see everywhere in Portugal (the other being Sagres). This is one of the most Portuguese things to sketch. I hope you have enjoyed this trip through Porto with me, I hope I have managed to show some of my enjoyment of this city, but I didn’t see it all and would love to come back some day. I know some friends in England who would love it there. Adeus, Porto!