This was the first two-page panorama in this particular Stillman and Birn sketchbook. It’s a scene I have drawn before, the little building called ‘University House’, one of the oldest on campus, with the rear of Voorhies to the right there. I stood in the shade, it was the week before classes, so relatively quiet on campus but tour groups were starting to lead large groups of new students around. While sketching this, a passing man asked me, “hey aren’t you that Instagram guy?” I was not sure if I was. I do post to Instagram (it was UC Davis that originally asked me to set up an account, actually) but not all my sketches, as I sometimes forget. Plus whenever I post, I hear my wife’s phone go off with a loud alert, and feel a bit self-conscious. “My supervisor told me about you,” the man said. I suppose I was that Instagram guy by now, as the man said he follows me and liked my drawings. That was nice, so I said thank you, and hoped that I was in fact that Instagram guy and not some other Instagram guy. I’m not sure I want to be known as that Instagram guy (I’m usually that fire hydrant guy, which to be fair I am), but it’s better than that Twitter guy (I’ve posted there more often – sorry, it’s called ‘X’ now isn’t it, FFS billionaires, seriously). I wouldn’t want to be that Facebook guy either, that sounds like it would be someone infamous. I most definitely would not want to be called that Truth Social guy (no chance of that), but I think that particular title is permanently taken. I wish people called me that MySpace guy, that would be pretty retro. Or that GeoCities guy. My first website when I was at university in the late 90s was GeoCities, but I replaced it with an Angelfire website. What’s next, Threads I guess. Threads. It sounded like a good idea, but it was named after the scariest film of all time, the film that gave me more nightmares in the mid-80s than Chris Waddle’s haircut, and still does. I’m still here, still on my old blog, plugging away on WordPress, still sketching in my sketchbooks, that Sketchbook guy. No I don’t want to be called that, actually, I prefer Pete. I’m not a fan of when people style themselves things like that ‘the sketcher guy’ or something, it feels like putting a beach towel down on a sunbed. Now I’m worried that there is another sketcher out there in Davis called ‘that Instagram guy’ and I’ve just claimed credit for whatever it is they do. I thought about back in Lisbon in 2011, at the urban sketching symposium, I was talking to my friend Florian (most amazing sketcher, who sadly died in 2016) about football stickers or something, when an American woman interrupted and said to me “Oh it’s you, my friend really wants to meet you!” Florian and I looked at each other while I had to stand there waiting for a few minutes until her friend came over. Finally the friend, another American lady, came over and the first lady said, “this is Paul, you wanted to meet him.” The second just looked at me and said “no, that’s not him,” and they both walked off without explanation or apology. I think she thought I was Paul Heaston, who wasn’t at that symposium. Florian and I (both red-headed urban sketchers like Paul) just looked at each other a bit nonplussed. I thought about that John Lennon bit from A Hard Day’s Night. “She looks more like him than I do.”
Tag: panorama
summer running
Summer is already drawing to a close on the UC Davis campus. Oh sure, we have several weeks yet until Fall classes begin, but I’m ramping up my anxiety levels before the quiet times of summer end, trying to get those summer projects out of the way before the busy work begins. This panorama sketch was drawn a month ago in July; in a month’s time this same scene will be fill of people and bikes. That’s not to say summer is completely empty, we do have a lot of summer sessions classes on campus, so there is activity. Many staff are working remotely, though I am in every day except for the occasional day. This summer I have been working on my fitness, and have been up running in the mornings on most days. In fact August I have run a total of 56 miles already, preparing for the 5k Labor Day Run next Monday, I’m feeling well up for it now. And then I woke up early this morning to see that the AQI was up in the 150-180 Unhealthy level, due to red flag weather and smoke being blown in from fires way to the north. It’s really the first bad smoky sky of the summer for us, it’s that time of year again, and I’m really hoping it does not last. I’m really looking forward to this race, but I also don’t want to derail my running progress. Three years ago when we had that terrible smoke that lasted weeks, months, I had been up to then on my best ever running streak, even though all races were cancelled due to the Pandemic, the global situation made me focus on getting out and running harder than ever, and I was clocking in excellent times I can barely believe now – and then the sky filled with smoke and the air quality monitors said it was far too unhealthy to run, or do soccer practice (I was coaching at the time), so that stopped and I never quite got back to that level (though in late 2021 I did clock my best 5k time in the Davis Turkey Trot). This past month I’ve felt myself building back towards it well, and I’m hoping that by November’s Turkey Trot I can have a go at beating that 2021 score, or even the mythical pace of 2020. I do love running, and was really looking forward to getting out there today, but my lungs man, they’re quite important.
This view here is of the Silo, seen from outside Haring Hall, stood in the shade of a tree. The TLC is back there too, lovely building that is. A few red buses at the Silo terminus. Only a couple of people, very small but they are in there (for all you “but why don’t you draw people?” folks). I’ve not done quite as much outdoor sketching this summer in Davis, it’s been hot, and I’ve not been feeling up to it as much, but I’ve done a bit which I still need to scan.
The Athens of the North
I often (by which I mean never) wonder, do Greeks call their capital the ‘Edinburgh of the South’? Climbing up Calton Hill though, you can see why Edinburghers Edinburgians Edinbr people from Edinburgh call their city the ‘Athens of the North’. There aren’t Greek restaurants everywhere. It does feel like Edinburgh’s forefathers did try to build a city on those hills that represented lofty ideals and thoughts, and if you go up this big hill you can see the city from a grander perspective. The castle hill is in the background there, built atop a practically impenetrable ancient volcano, you can see the grand sweep of Princes Street with the tall clocktower of the Balmoral Hotel and the gothic spire of the Walter Scott Monument, and in the foreground is that structure with the columns, the Dugald Stewart Monument, named for a philosopher who was one of the leading figures of the ‘Scottish Enlightenment’. Behind me there is an Observatory, as well as the very Parthenon-like National Monument of Scotland (sir-not-appearing-in-this-sketchbook). This is the Acropolis of Edinburgh (unless you consider that to be Castle Hill, I don’t know). It also overlooks the city as it spans down towards the Firth of Forth, and you can see among other things the Forth Rail Bridge, and Hibernian FC’s stadium Easter Road. I would come up here most days while I was in Edinburgh in 1999 to look out over the city, often at sunset. I was excited to come up here to attempt a drawing or two. The first time we came up, I sketched very quickly in paint, but the next day after we had explored New Town and then gone to do our own things for the afternoon, I climbed back up, and drew the scene above. I had time on my hands, so I just looked out and drew as many details as I could. It took over an hour and a half, and while I did consider painting the whole thing too, in the end I just caught the sky and those distant hills, and left the rest be. It took a while (I was either standing or leaning on a big rock the whole time) and many people came by to take photos as the view got more ‘golden’ – I didn’t want to stay until sunset (June in Scotland? Sunset is very late there) but as the afternoon moved into early evening the light was glowing. When I was done with this, I got a sketch of Arthurs’ Seat, below.
Arthur’s Seat is a huge rocky volcanic outcrop that dominates the Edinburgh landscape. People climb up it, though it wasn’t on my agenda for the trip, my feet were tired enough. I wanted to draw it in this amazing light though. In the foreground, the Nelson Monument on Calton Hill, put up to commemorate Nelson’s victory at Trafalgar, and yes it does look like a naval telescope. Arthurs Seat conjurs up stories of King Arthur and the ancient Britons, and Merlin going mad in the Caledonian Forest. Also of Tim the Conjuror and deadly rabbit that could only be defeated by the Holy Hand Grenade of Antioch.
By the way, I have learned that people from Edinburgh are called ‘Dunediners’, though it’s not a patronym that you hear very often in Britain (unlike ‘Glaswegian’, ‘Liverpudlian’ or ‘Mancunian’ for example). It derives from Dun-Edin, the Gaelic name for the city, and also where the city in New Zealand, Dunedin, gets its name from. It does sound a bit like the ‘Dúnedain’ which were Aragorn’s people in the Lord of the Rings. Still you live and you learn. I didn’t really get to meet that many Dunediners, so I didn’t get a chance to embarrass myself with figuring out the pronunciation, since most people I met in Edinburgh were either English or from somewhere else like Spain or Italy. I would like to go back some day and explore a bit more of the city (maybe what Stewart Lee calls “the 90% of Edinburgh that they hide behind that big rock”) and speak to more Dunediners, because growing up most of the Scots I knew were Glaswegians, and they didn’t generally say nice things about Edinburgh. I very much enjoyed our few days here though, and got quite a few sketches in while I was there, and that top one in this post is definitely my favourite.
piccadilly to tower hill
I didn’t do a lot of London sketching on the first few days of our trip, just what I could get in quick moments. The one above was drawn while waiting for my wife, I was outside Waterstones in Piccadilly (in the building which used to be Simpson, Piccadilly, the old department store which was the inspiration for the TV show Are You Being Served). Looking towards Piccadilly Circus. It was the sky that interested me.
We walked into Mayfair and up towards Savile Row. It’s incredible, I’ve never actually been up Savile Row. I explored London for years but for some reason Mayfair a lot less so, though I would give open-top bus tours round a lot of the fancy squares and high-end streets, twenty-odd years ago. I had it in my head that Savile Row was further up, on the other side of Oxford Street somewhere, but of course it’s just a block off Regent Street. I do love that even in London I can be surprised and find places I’d not really been to before. The only place on Savile Row I was interested in seeing of course was #3, now an Abercrombie and Fitch, but that was once the HQ of the Beatles’ Apple Corps, and where they played that concert on the roof in January 1969. Watch ‘Get Back’, it’s my favourite thing ever (right up there with Star Wars and The Dark Crystal). There’s a blue plaque to commemorate the historic event, and so I put that in my sketchbook.
We were on our way to take a London Walk, over by St.Paul’s. It was the walk called “Old London”, and was a two-hour-plus stroll through ancient streets in the City, ending up at Tower Hill. It was a hot day, but our guide was excellent and she took us along streets I hadn’t explored in years, or didn’t even know about (and I have given walking tours in this part of London myself years ago). See https://www.walks.com/ for details on all their walks, given by accredited blue-badge guides, they are great and know a lot more than me. I was remembering some of the old stuff I used to know, but was fascinated by the stories. I did one sketch of St. Vedast-Alias-Foster, one of the many Christopher Wren churches, while we waited.
When it was over my wife got the tube back home while I stayed out a bit longer to do some sketching before dinner. I decided to draw the Tower, with that big sundial thing in the foreground. I was pretty tired though, my heart wasn’t really in it, so I left it as it was and got on the District Line. We were off to Scotland next day.
watling centre
As with most of my trips back to the UK, there’s usually a sketch from Burnt Oak at the start of it. I wake up early and get out for morning walk with my sketchbook, eager to draw something that isn’t the UC Davis Bike Barn or something. I didn’t walk very far on this one morning, just up to the corner of Orange Hill and Deansbrook, a couple of minutes form my mum’s house. I’m getting very conscious that I won’t be doing this forever. There will be a day when I don’t come back to Burnt Oak much, like everyone else who left, and maybe I won’t even come back to London as much; I’m always torn with the idea of letting London go, but I just can’t, can I. It’s still my favourite city, annoy me though it does. It is definitely feeling too crowded, and while that may be just because I’m coming from less-crowded Davis in a state designed for bigger cars and wider roads (I don’t even drive, I ride a bike), there seems to be so many more cars parked along all these narrow roads, crammed three or four fold onto small driveways built for one or two. I’m not a fan of this new ‘ULEZ’ (Ultra Low Emissions Zone) expansion that is happening – although London evidently needs to improve its air quality – it forces a lot of people who do need their car to buy a newer car they can’t really afford. Mostly though I just think it’s a rubbish name, they really could have come up with something better, I mean if it didn’t sound like a 2nd-person-plural French verb ending it might catch on more with the crowd who don’t like the sound of that sort of thing. But as I see all the cars squeezing themselves around the streets in these old neighbourhoods, I think to myself something needs to be done to reduce or discourage the number of cars. This street in particular, Orange Hill Road, it seems there is usually traffic backed all the way up from Watling Avenue almost to Deansbrook, but when there isn’t, cars will sometimes bomb down here like it’s 200cc MarioKart. I was up early, but even at this hour there was a lot of traffic. This is the Watling Centre. I stood next to the bus stop across the street to draw; as this is Britain, people started queuing up behind me in a polite line, I had to gesture for them to go ahead of me. I’m still disappointed that TFL removed the very useful 305 bus route that came up here, joining our part of Burnt Oak with Edgware. So, the Watling Centre, this is where my mum and dad had their wedding party back in 1991. They obviously met a long time before that, otherwise I’d be a lot younger. I remember that party, we had a lot of family and friends there, friends we loved, family we liked, and also family we didn’t like, that’s how it goes, but it was a good party. There was a lot of dancing to Irish songs, small kids running around. My schoolfriend Terry came, I still have a photo of him in his blue cardigan. I remember eating an entire chocolate mousse cake, because when I was 15 I could eat everything in London and still be like a gangly skinny rake with unbrushable red hair. My uncle Eddie wheeled a shopping trolley with all the remaining booze in it back to our house, and then told me stories all night about my dad in the old days. Fun times. It’s funny, I know I have been to many other events here but I don’t remember them all now. I think this is where I briefly went to karate class, which despite being taught by a family friend, I only went to twice, with my neighbour across the street. There was another kid from my form class at school who showed up, and he was the sort of kid to take the piss the entire time and then continue at school next day, so I stopped going. In earlier years, I would go to the field next to this building with other local kids and look for conkers, because we all knew this was the best place in Burnt Oak to get good conkers. Anyway that’s enough “I ‘member when…” mawkish memories and city-planning moans. I have a few more London sketches to post, then it’s Scotland all the way. We had a great time up there, but I may have drunk too much Irn Bru.
Monumental
I went up The Monument. “The Monument? Which Monument? I hear you ask. Aha, The Monument. That’s all Londoners call it, and it has its own tube station called simply ‘Monument’ so that’s that (it joins up with the station called ‘Bank’ which is named after The Bank of England which we never call “The Bank”). I could write a whole book on tube station names, but it’s probably been done, I would only be using it as an excuse to draw pictures. Anyway, the full name of The Monument is actually The Monument To the Great Fire of London, and yes, it is exactly that. And I went up it, for the first time since I was in my teens. I’ve not had much of a reason to go back up there in all these years, and I do muddle up my old your guide stories about it occasionally (no it is not 365 feet high and no it does not grow a foot in leap years, that is St.Paul’s as everyone knows). It was created by Christopher Wren and Robert Hooke as a huge column topped with a shiny golden ball of flames and an observation deck, so people can climb up the narrow spiral stair case (all 311 steps) and look out over the rebuilt city that Wren had created. Well I wanted to go up there and draw. The City keeps on changing, and since the last time I saw that view from that angle was in the early 1990s, it was bound to have changed a bit. The first time I went up I was about 15 or 16, and I remember getting to the top, and finding myself still looking up at buildings, while also being at the top of a very narrow stone column with just some bars stopping me from plummeting. They do say that if The Monument ever fell on its side (presumably at the exactly correct angle) it would hit the spot where the Great Fire began, in Pudding Lane. Since it had never happened, there was no chance of it toppling over, but as I reached the very tight confines of the top, my knees went all “Ossie Ardiles 1981”, and I nearly bottled it. I forced myself to the top platform, and hugged the wall with my back, edging slowly around. There was a German couple up there taking loads of photos oblivious to the height, and I thought, well Pete you better get to work on this sketch. So I whipped out my Fabriano sketchbook and my HB pencil and drew the view as well as I could. The idea was that I’d add in the pen up there, and maybe colour it in later.
Another man joined us on the platform and he like me was just edging around the column slowly in a state of terror. “Me too, mate” I said reassuringly. Despite the very sturdy looking barriers, I was convinced that I would drop my pen, and it would plummet down to the streets below, probably taking out someone’s eye and impaling them in the neck, and I would have to get a different pen. So as far as I got with the penwork was drawing Tower Bridge and a couple of other details. It started getting windy, and hello, that was it for me mate. I said Auf Wiedersehen to my brave German friends still taking photos (actually they had left long before so I was basically saying goodbye in German to a pair of American tourists) and went back down that long spiral staircase, hoping that nobody passed me coming back up.

When I reached the bottom, to my surprise they gave me a certificate that certified that I had climbed all 311 steps of The Monument. That was nice. I then went to buy some new pants. Only joking. It did remind me though of that first time I climbed up here (no certificate in those days, at least not for me) and I said something about Wren being “a nutter” to the attendant, who grumbled a possible agreement, and I had this idea about doing a project where I drew and wrote about all of Wren’s buildings in the city, and it was not until the 2010s that I did something along those lines, when I organized two big Wren-themed sketchcrawls, the first one in 2014 starting at The Monument and ending at St.Paul’s, and the second one in 2016 doing the reverse, culminating in a big group photo outside The Monument after we as a group had drawn every single Wren building in the City, all in one day, an achievement so big I’ve never got around to organizing another London sketchcrawl. Read about that sketchcrawl here. I’m still into Wren though, and I’m glad I went up The Monument. I decided to finish the inking of that drawing over the top of the pencil sketch, using what photos I dared to take as reference, and that’s the complicated panorama sketch at the top of the post. I’m very pleased with that one, click on it for a closer view.
as long as I gaze on, i am in paradise
Before heading over to Mile End, I got out at Embankment station and onto Hungerford Bridge. Sorry, I mean the Golden Jubilee Bridge (Hungerford Bridge is just the rail bridge in the middle now, but I still remember the shaky old walkway on the side from years ago, it’s much nicer now). I wanted to start my day with a little bit of my favourite river, and draw this view towards Waterloo Bridge once again. I had intended to add in the blue and white sky, the brownish tinged Thames, but I got too hot standing on the bridge. I went and sat on a bench on the embankment beneath a tree to add it all in, but by that time the moment had passed, and my perspective changed all the colours, (that can happen with reflective objects like a river), and so I went to Mile End instead. But I’m glad I got this sketch done, as it’s been a while. Below are two other panoramic sketches from a similar location (not exactly precise, but same half of the bridge). The colour one is from 2016, the other is from 2012. Well, you can see the difference in the skyline. Obviosuly the bottom one includes the Shard but I didn’t go that far in the other two, but in the City itself, the buildings are all change. When I left London, it was just Tower 42 (the old Nat West Tower) and the Gherkin (Swiss Re as it was called, but it was always the Erotic Gherkin), just to the right of St. Paul’s. Now those are all but invisible from this view. There will probably be more coming, unless the economic downturn means fewer novelty skyscraping, but next time I draw this in about four or five years, we will see. I’ll need better glasses then, my eyes ain’t getting any younger.
Click on any of these sketches for a slightly bigger view, that will save you just moving your face closer to the screen.
monday evening in covent garden
Later that day – sorry, I realize several weeks passed by in between writing the posts for my London sketches from Monday May 15th, but I had another trip back to London in June, which included an eight-day trip to Scotland, and now suddenly we are a week into July and my ears are still ringing from the plane – anyway, later that day, I walked over to Covent Garden to do some more sketching. The previous Saturday night I had spent a very fun evening out around here with my old friends Roshan and Frenchie, which involved many laughs during dinner, ending up at the Nag’s Head pub which features in the background of both of my sketches here. Incidentally this is not the only Nag’s Head pub that I would sketch on that trip in May, but the other one will be posted later. I decided to take up position opposite Covent Garden tube station (one of the beautiful oxblood-tiled Leslie Green tube stations), to draw a two-page panorama, which I like to do. There were a lot of people around, being about 5pm on a Monday. In the place where I sketched there happened to be a group of Hare Krishnas who were out chasing people up and down Long Acre asking “have you thought about meditation?” One of them was very enthusiastic, following people like an eager salesman. Nearby, those pedal-cab things were congregating as they do. People were out shopping, this is one of the best shopping areas of the city. One of my favourite shops, Stanfords (they sell maps and travel books) is very close by. Posters advertised musicals like Frozen and Mrs Doubtfire: the musical. I swear, going by all the posters I saw in London, there is nothing that city will not turn into a musical. I’m waiting for “Urban Sketching: The Musical”. Taxis pulled up, letting people in and out, on their way to see a musical probably. People hurried by me on the pavement to get to wherever they were going. I used to be one of those people; I would pass by this corner on my run (I would literally be running) from the 134 bus stop down to the King’s College campus, when I was doing my Master’s in medieval English almost two decades ago. Now, I just focused on my sketch, on all that perspective. I think I had intended to make this full colour, and I had the time and the daylight, although after a while not so much of the energy, so I left it as is. Getting the sky in was important. It was a really lovely mid-May day, the sort where standing out on a London street is pretty much the right thing to do. I was in no hurry, I did not need to be back anywhere, I had no plans. But I was getting hungry, so I went to a nearby Pho place and had a delicious big bowl of pho. I’m going to put a picture of it here just to make you hungry.

And then I went to Floral Street, and did one last sketch of the day, a block over from where I did the first. I stood outside the White Lion pub, looking towards the Nag’s Head again (in the top sketch the Nag’s Head is in the far bottom left of the scene). There were many drinkers outside the pubs; again I had intended to colour this in, going as far as adding in some yellow blotches for the flowers, but in the end I didn’t have time and didn’t fancy adding it in at home, as I was a bit tired. I didn’t stop into either pub though; instead I went over to the Lamb and Flag for a quick pint before grabbing some food from Tesco Metro and getting the tube home to bed. A very productive day of London urban sketching.
50p down the market
Saturday morning, London, I didn’t have any concrete plans for the day but was meeting old friends in the evening. I had the whole day to explore and sketch, but wasn’t completely sure where I’d go yet. I had a list of places I wanted to sketch on this trip, places in London that I had not been to in a very long time. I decided to head for Notting Hill Gate, and walk down to Portobello Road Market. I honestly cannot remember the last time I went there, maybe once when my wife first moved to England 21 years ago? I know I went there with my mate Terry once in about 2001. In the mid-90s I used to come to Notting Hill a lot as I had a friend who lived here, though even then I didn’t really go to the Market very often, usually because it was always so busy, and I didn’t really like crowds. Also I worked on Saturdays, didn’t I, back then? Memory fades. Still it had been a really long time since I was even last in Notting Hill, so it was an interesting experience to be back, and there is lots to sketch. First of all, the Central Line was jam packed, and everyone was getting out at Notting Hill Gate tube. Portobello Market is a really popular tourist destination, and it seemed like most of the voices I heard were Italian or American. After a little wandering about I walked down to the Market, past all the little vintage clothes stores and antique stalls and colourful shopfronts. I ate an early lunch at a place that does eggs called ‘Eggslut’ and paid like thirteen quid for a salmon and egg sandwich. Thirteen quid. Prices in England are through the roof right now. When I was a kid, my friend Terry used to help out his Grandad at Portobello Market on Saturdays, his grandad Charlie Bonello (who was Maltese and a great laugh, he used to tell us silly jokes) had a market stall down here, and there was one phrase he would always say whenever Terry would buy something his grandad thought was overpriced, he’d say “50p down the market!” So that became out catchphrase (one of them) for years since. I thought of him when I was paying thirteen quid for a salmon and egg sandwich, I could hear him telling me “Thirteen quid?! 50p down the market!” Except this was that same market. Times have changed since the late 80s, I guess.
I found a spot next to a big fruit and veg stall, overlooking the crossroads with Colville Terrace and Elgin Crescent, next to this trendy looking tea shop, and stood for a long while drawing the scene as it snaked towards me. There were a lot of people around, so I drew passers-by in that usual way, not really drawing anyone in particular but mixing and matching bits of different people as they went by. Any resemblance to any person living or dead is entirely coincidental, although someone did pass by with that exact mohawk and beard combination, so he had to go in the book (he probably wasn’t wearing a massive white shirt but I was tired and lazy with my observations. First drawing of the day, and I was tired already? Well I’d been out late the night before, but I was standing here for quite a while and my legs were hurting. My legs hurt even looking at this drawing. I didn’t want to sit, you need a better view. I coloured most of it in later (except for a few parts I’d started), but there was a lot of ink drawing to do on site, and that Fabriano watercolour sketchbook really makes your pen work on that paper. I had ‘pre-prepared’ the paper a little bit this time, adding a thin wash of paint over the pages the day before, and that helped the pen move a little bit faster but still not as smooth as in the Moleskine. Still I love to sketch a market, and now I’ve finally sketched Portobello. If you want a print of this, well it will be more than 50p down the market, I need to offset the cost of that sandwich somehow…
At the entrance of Portobello Road itself, where it curves into Pembridge Road, there’s this big yellow pub called the Sun in Splendour. I’ve never been in there actually, and didn’t on this day either, but I wanted to draw this colourful corner so I stood over by the e-bike stand on the other side of the road. The first thing I drew was the pile of orange rubbish bags on the pavement. They were soon taken by the garbage trucks. Why keep those in you ask? Well I have my reasons. Look at all the people making their way to or from Portobello Market, I didn’t colour those in as I went along, and you can see there are four people in red, almost entirely evenly spaced out, which is weird. Anyway one thing I wanted to do was try out my gold gel pen for the pub name. I did this a few times in sketches on this trip, and sometimes it didn’t really stand out as much, but in this case it did. I had to remember not to spell ‘Splendour’ in the American way. It did remind me of the sugar substitute they use in the US.
Around here, I saw a lot of references to the 1999 film Notting Hill, the one with Hugh Grant and Julia Roberts which should be considered very cheesy and a bit naff, but in fact I love that film, I’m a fan of lots of the people in it, and sure it’s definitely cheese, but who cares. I remember one night at university when I was doing drama, I wasn’t feeling that well and had worked late on drama projects, I forget exactly what we were working on, but it went on really late and I was pretty exhausted. In those days I had a very long tube journey home back from Mile End to Burnt Oak, and was not massively looking forward to it. Sometimes I would stop halfway and get out at Camden Town, and go and see a film at the Odeon on Parkway before heading back to bed. On this one night I didn’t even get to Camden, I popped into a cinema in Stepney Green (which is probably long gone) and watched Notting Hill, and I have to say it totally cheered me up. Sure that silly Elvis Costello rendition of “She” was crooning all over the place, but the soundtrack was pretty great, and I dunno, it just put me in a good mood, and I was ready and up for things again the next day. Doing a drama degree was pretty exhausting, London was pretty exhausting. In fact I went back to Mile End on this trip, visited my old university, did some sketching; more on that in a later post.
Further up Pembridge Road, the little shops lining the street up towards Notting Hill Gate are colourful and worth sketching. That fish and chip shop across the street was busy, next to a vintage clothes shop. There have always been those little shops around here. I’m not really into old clothes or fashion, with the obvious exception of football shirts, of which I’m a football fashion afficionado. I did notice that many of the people in the street were wearing light puffer jackets, it wasn’t cold but it wasn’t that warm either. I stood against an iron railing and drew them, while people sat on steps next to me eating their lunch and smoking. There seem to be a lot more smokers about, and loads more of those bloody vapers, with their little plastic vapes and huge clouds of sticky sickly vapor. At least with smokers you can see the puff of smoke coming when walking behind them, with vapers it just appears as you’re walking by and fogs up the narrow sidewalk, gross. Definitely worse than it was a few years ago. Anyway I moved down a little bit towards cleaner air and sat on some steps to add some paint. As I did, someone came up and said “this is going to be an odd question but can I film you while you draw? Just for a few seconds.” I was like, sure why not. At least you asked, which is nice, I wouldn’t really have cared. Then about five minutes later, I swear, a girl came up and said, “Do you mind if I ask you something?” I said, to her surprise, “You want to film me sketching?” “Yes!” she said, “Is that ok?” She did have her phone in her hand as if ready to shoot so it was a good guess, but I said “Sure no problem, it’s just funny ‘cos you’re the second person in five minutes to ask me!” I suppose people like to see people sketching the world. I love being a tourist.
The last thing I drew that day was an old pub I have been in before, the Prince Albert, but not since about 1997 or 1998 I think. It’s changed a lot since then, but it’s still there round the corner from Notting Hill Gate tube station. It’s pretty swanky inside with its fancy food; I popped in to use the toilet after sketching outside for a while, my legs getting very tired by this point, and ended up staying in for a pint and to add some of the colour. That red car outside, it was stopped in traffic for a little bit and I drew it very quickly, probably not very accurately but it seemed appropriate for the area. Yeah I got a pint, it was £7.10, and not that nice (I didn’t even finish it). “£7.10” I said, “50p down the Market”. Turns out £7.10 is a pretty average price for a pint in London these days, it’s gone up a lot since even last year. Everything has, food, transport, energy. It’s a good job the Buck is still strong against the Quid. There was a big screen on in the pub playing one of the play-off games, I think it was one with Notts County playing Chesterfield at Wembley for a chance to return to the Football League (wait, neither Notts County nor Chesterfield were in the Football League? I didn’t realize). I didn’t stay for the whole thing but there was a group of Aussies (in a London pub, you are never very far from a group of Aussies) watching the game and discussing their careers in the music industry, from what I could gather, I wasn’t really listening, could have been Jason Donovan for all I know. It was nice to get off my feet for a bit though. I love wandering and sketching, but you need to stop and rest. After this, I wandered Notting Hill for a bit more, walking down to the Churchill arms on Kensington Church Street, which was a pub I used to really enjoy evenings out in years ago, and is on my bucket list to draw, but I didn’t have time to sketch on this occasion. I took a quick snap (for a from-photo pub-drawing to be done later) and headed to Leicester Square where I’d be meeting up with some very old friends for an evening of dinner and drinks and laughs. It was fun to wander around this old haunt for a bit though.
compassion corner
This past week has been a very difficult time for our community in Davis, and this is a difficult local news event to write about here. This is the ‘Compassion Corner’, where 3rd Street meets C Street, so called because of the Compassion Bench, a colourful ceramic bench built about a decade ago at the place where David Breaux, known locally as the ‘Compassion Guy’, would stand and talk to people about compassion, empathy, understanding. He had this idea, to bring awareness about compassion to people, aksing them to write into his notebook what they felt compassion to be. I passed him many times in the street over the years; I never spoke to him myself. On the lunchtime of Thursday April 27, we all got a notification on our phones about police activity in Central Park, and to avoid the area. That was very unusual. I didn’t discover until later that evening that a man had been murdered, and it was David Breaux, found on a bench in the park. He’d been stabbed; we didn’t know when, or any of the circumstances. He was 50. The community was in shock, David was well loved.
Two days after David’s murder, on Saturday evening, our phones went off again, this time there was a ‘disturbance’ in a different park, Sycamore Park. A 20 year old UC Davis student, Karim Abou Najm, was cycling back from an undergrad awards event when he was attacked with a knife, and died at the scene. Witnesses saw the person who did it escape. The city was in shock, people were anxious about being out at night, though it wasn’t clear the cases were related. Then on Monday night our phones went off again at about 1am, another knife attack, this time a woman at a homeless camp near the train tracks; the victim, a woman named Kimberlee, survived; witnesses saw the suspect escape. The police searched everywhere, the FBI were called in, and the community was in a state of alarm at the thought of a serial killer among us. This was a very real situation, nobody knew what would happen next. In an effort to discourage people from being out after dark, UC Davis announced that classes after 6pm would be held remotely, while shops and restaurants downtown all started closing by 8pm.
I went down to the corner of 3rd and C on Wednesday to look at the tributes laid out for David Breaux at the Compassion Bench. There was a news reporter there with a camera, wanting to talk to people who knew David. I said I didn’t really want to say much, not having known him myself, but I’ll be sketching the tributes. I realized I had actually forgotten my pens, left them in my office; none of us have been really sleeping much this week, and my mind was really not 100%. So I went to the Paint Chip and bought a new pencil and pen (a Micron 05 in sepia, not my usual pen these days but still nothing like drawing with a fresh micron pen). As I sketched, people stopped for a while by the bench, some leaving tributes, others just deep in thought.

I was going to draw just the bench itself, but decided to draw the whole scene as a panorama. It was important to show the context, show this place in connection to the city around it, a street I have drawn so many times. The same day I was sketching this, it was announced that a person of interest had been taken into custody by police following a report of an individual matching the witness description, right down to the actual clothes worn, who was hanging around at the site of the second murder, where many tributes had been left. The next day, police announced that an arrest had been made, and that the suspect was a 21 year old male who had been expelled from UC Davis the week before, two days before the horrifying murder of David Breaux. The city and campus breathed a collective sigh of relief, but there remain feelings of sadness, exhaustion, shock. It’s difficult for me to fully understand it all. The Davis Enterprise has been doing some amazing reporting on the case, the journalist Lauren Keene always does a great job at keeping us informed: https://www.davisenterprise.com/news/local/breaking-suspect-21-arrested-in-davis-serial-stabbings/. David Breaux spoke to everyone about compassion, and his message is being more widely heard now, at a testing time.
You can learn more about David Breaux’s compassion initiative here: https://charterforcompassion.org/11eleven-project/david-h-breaux-compassion-initiative. Last Sunday a large group gathered to pay tribute in a vigil
For Karim Abou Najm, hundreds attended a service for him at UC Davis last Friday afternoon. I know faculty who knew him, and he had a bright future, taken from him. However he was a great inspiration as well. A special fund has been set up by UC Davis in his name to raise funds for Undergraduate Student Research Awards. You can learn more and donate to those here: https://give.ucdavis.edu/VCSA/125342 .






















