do the maths

MSB panorama pen full 2015 sm
This is my – oh hang on, wait a minute. Today is “International Talk Like A Pirate Day”. Right, I’ll start again.

Yarr, this be the ol’ Mathematical Sciences Buildin’, yaaarrr, this be where I be workin’ each day. Click on the ol’ picture to see it bigger, yarr, or be usin’ a telescope, me old shipmate. So aye, yarr, ye lily-livered-landlubbers, I be drawin’ this oh I can’t keep this up. Talking like a pirate is not easy you know. When I went to the Swashbuckler’s Ball a couple of yarrs ago (did you see what I did there? Did you see that?) someone said I did a really good pirate voice, but I wasn’t doing one, I be just talkin’ normally. Anyway, if for some reason you were unable to translate my piratespeak (and if you weren’t, shame on you. Like the old saying goes, “fail to translate my piratespeak once, shame on me. Fail to translate my piratespeak twice, er, er, I won’t get fooled again.”) Ok, where was I? Ok, so, this is the building where I work. It’s called the Mathematical Sciences Building, or “Math” Sciences Building, as some people call it. Or “Maths Sciences Building” as I sometimes call it. Ok so for those who don’t know, in America they say “Math” but in Britain we say “Maths”. We also say “Mathematics”, and so do Americans, and let me tell you they don’t like it when pretend to assume they say “Mathematic”. They definitely don’t say “Mathematic”. “Mathsematic” is right out, don’t ever say that. Anyway…this is where I work, it was built almost ten years ago and I’ve worked there for most of that time. It’s a nice building, though the elevators are very slow. I drew this to use for work (I like to have a few sketches of the building to use for various things) and I will do a colour version to, but I wanted to highlight our brand new sign which was installed a month or so ago. On either side is a different symbol, one for Mathematics and one for Statistics. It’s been years in the making so it’s very exciting. Many UC Davis buildings have been getting modern new signs, as part of the campus branding process, which has been (for me) very exciting to watch develop over the past decade. So anyway, I haven’t drawn the MSB (that’s what I really call it) for a few years so here we are.

where the streets have a slightly different name

Streets pub Sacramento
This is the midtown Sacramento pub called ‘Streets’. Click on the image to see it in closer detail. This pub was formerly known as the ‘Streets of London’, but they decided to drop the ‘of London’ part presumably in an effort to appear more inclusive to the other metropolitan centers of the UK and indeed the more rural counties. They could have gone further and called it ‘Lanes’ or ‘Highways and Byways’. They have an actual National Express Coach-stop sign outside the pub, and still have a number of British-themed (specifically London-themed) objects in the pub, but not as much as they used to. When I first came here back in 2006 or whenever it was, they had football shirts and scarves hanging from the ceiling. Those are sadly long gone (and you know how much I love football shirts). Otherwise though the pub really hasn’t changed a lot. One TV ahead of me was showing the Giants baseball, another was showing French football (which these days just means ‘PSG and someone else’, you know how much I don’t like seeing PSG). It’s been a long time since I was in here last, but I have wanted to do a panorama sketch of its brick walls and cozy layout for ages. I hadn’t planned on it; we spent the morning in Arden Fair mall, mostly at the Lego store (and you know how much we love Lego). I then took the opportunity to go to midtown Sacramento, to look at all the goodies in the University Art store on J Street. I picked up a ‘Cathedrals of the World’ colouring-in book (and you know how much I love drawings of the Cathedrals of the World). I then wandered about looking for something new to sketch, but by now it was hot, very hot. Very very hot. I considered sketching the historic Governor’s Mansion (which I last drew in, um, 2007) but could not find the right angle, what with all the big trees in the way (stupid trees, providing shade from the oppressively hot sun and the air we breathe). Maybe I will come back in winter.

By this point, the searing heat was giving me a headache, and I had to cool off urgently. So I went back over to Big Brother Comics on J Street, bought the latest issue of ‘Thors’ (one of the very fun and inventive books from Marvel’s ongoing ‘Secret Wars’ event; the ‘Thors’ are like the cops of Battleworld, and this plays like a classic cop drama, but, you know, with more hammers and lightning), and popped into the Streets of London pub to cool off and read. Sorry, ‘Streets’. No more humming Ralph McTell. After finishing ‘Thors’, I thought, ah what the hell (sorry, what the ‘hel’, Thor joke) and started to sketch a panorama. I sketched quickly and drank my two beers slowly (one after the other, not slowly at the same time). It wasn’t particularly busy, but the staff were friendly and the atmosphere nice. At one point a large party of Sunday pubcrawlers came in, had a pint, and left. I remember this being a thing the last few times I have been at this pub. There are a bevvy of boozers in midtown now, and I imagine an afternoon pub-crawl with all your friends on a hot Sunday in mid-August would be quite a lot of fun, but you don’t get to spend long enough in any place to enjoy it before the fastest drinker in your crowd claps his hand loudly and orders you to move on (that’s what happened here). They do have these pedal-powered contraptions now that groups of people ride on, all pedaling, drinking water, being directed from pub to pub, while yelling ‘wooh’ and ‘yeah’. The pub returned to quiet Sunday afternoon peace very quickly, but I had to get the bus home to Davis. I finished off adding all the paint the next day. Another pub sketch checked off the list!

people fly by in the traffic’s boom

Market St Panorama sm

Market Street, San Francisco. Click on the image to embiggen it.

A couple of weekends ago it was the Worldwide Sketchcrawl Day. While many of the world’s urban sketchers were busy in Singapore at the 6th Urban Sketching Symposium, I was in San Francisco, though I didn’t manage to meet the other SF sketchers this time. I arrived in the city a little late, my train (which was packed with Barcelona and Manchester United fans, evidently they were playing a friendly that day in Santa Clara) taking longer than usual. While the sketchcrawl was starting up at Duboce Park I wanted to have a look around Market Street first. This section of it is a little sketchy, but there’s stuff to sketch. A few months ago I came here to see Noel Gallagher play at the Warfield (an epic gig, like being sat inside a massive gramophone, and Noel was excellent), and I remembered that I want to sketch the Golden Gate Theatre at some point. So I stood on the corner and sketched a panorama, fully intending to add colour at some point (until I got struck down with “can’t-be-bothered-itis”). While I sketched, some Christian group across the street started bursting into songs of praise. Not because I was sketching, of course. After a while, a homeless man with a dog decided to stand not far away from me and take that as the appropriate opportunity to perform an inspection of the content of his underpants, which I daresay needed inspection by a licensed professional, but perhaps not so openly on the corner of Market Street. Again, I don’t think it was because I was sketching. Oh, the characters around here. When I was done with this sketch I had lunch at the food court of the Westfield shopping center, and took the Muni Metro up to Duboce Square. I didn’t meet a single other sketcher, but I did do a fair bit more sketching.

Duboce Square houses SFDuboce Square Park, SF

Duboce Park is quite nice. It has a very Local Neighbourhood feel about it, though this being San Francisco I’m sure you have to be doing pretty well to join the local neighbourhood these days. I’ve never really been here before, except for when travelling through on the Muni, or that time last March when I wandered about nearby with a couple of friends from England on the way from Castro to the Haight. The park is filled with dog walkers, families, young people laying on the grass reading books.  By the way, note that I deliberately said ‘reading books’, and not ‘looking at their electronic devices’. ‘Reading books’ probably makes you think “yes, reading books, as it should be, not on their iPad looking at Facetwit or Spacechat or whatever the youths are into these days, ignoring the amazing views.” You may well be thinking this while reading this on your iPad. Well I’ve said ‘reading books’ to give you the impression that they were all probably cultured individuals, but for all I can remember they were on their iPads, and for all I know they were reading e-books. They may have been reading Kafka or Kundera for all we know, but the world sees ‘electronic device’ and thinks ‘shopping for shoes’ or ‘reading clickbait on Facebook’.  Whereas they could be reading a tattered paper book, lying on the grass with their legs lazily crossed in the air,exploring a world of wonder and imagination, and that book might be ‘Fifty Shades of Grey’ or a footballer’s autobiography* or anything by Dan Brown. So the moral is ‘don’t judge an electronic device by its cover’, but feel free to judge a book-reader by the trash you can see them reading. So anyway, I was sketching the park, there was a kids birthday party going on nearby (with a pinata), in the dog park part of it dogs were running around and barking and texting, or whatever it is dogs do, and construction vehicles lined the street beside the Muni lines. I sketched the second one from the steps of the Harvey Milk Center for the Arts. I enjoyed sketching here.

Lower Haight St panorama sm

My final sketch of the day (not counting the one I abandoned due to getting tired) was another big panorama, this time in nearby Lower Haight Street. This is a very colourful neighbourhood, edgier, more ‘hipster’ than ‘hippy’, and there was some sort of small daytime dance party (or maybe it was a record store with DJs and cool people) a few steps away. I overheard two guys talking, there was talk of this party and that band, all many levels of cool above my coolscale (or below it, depending on your point of view). I was aching standing here, and the wind was picking up (sky was blue for periods, but a lot of clouds and fog rolled in and it got very chilly. A welcome change from the Davis heat I was escaping, but I needed to sit down and relax for a bit, so I walked down to the Toronado pub nearby and got a beer. Sitting down proved much harder, as it was pretty crowded. I had one beer and went home, the end of another busy sketching day in the city.

a night out in aix

aix o sullivans
Aix, part 3…I had dinner by myself at La Pizza, a restaurant my wife and I always enjoyed (but which is a lot less charming than it used to be), and strolled about spotting old places I used to know. The Red Clover, a pub I never could like, is now called something like O’Shannon, and looks just as inviting as its predecessor. Le Manoir, a cheesy knight-themed club, is still there too, but I didn’t go in to see if they still have those hole-in-the-floor toilets. Happy Days, a place I’d never been to but would always prompt me to sing the song in French every time I passed (“Dimanche, Lundi, Heureux Jours…”). The Loch Ness, long gone. Le Sunset was still there and I always enjoyed it there, but they were having a karaoke thing and while it’s my lifelong dream to sing Johnny Halliday’s “Allez les Blues, on est Tous Ensemble” in front of people I decided against it. Le Brigand is still there, down at Place Richelme, and I did stop by there for a pint, siting outside (becasue there are no seats inside now) as in the olden days, everyone just sat about on the steps drinking and talking. I remember one night back in 2002 shortly after the first round of the French elections (when Le Pen’s Front National came second, making it to the play-offs), sat here with lots of other students discussing politics, and football (the World Cup was coming up), and my future wife who I had recently started dating was very impressed at my ability to hold conversations in French and German simultaneously, and getting better at each language the more beer I had.

I would only be able to sketch one pub though, so I went to O’Sullivans, which if any pub could be called my ‘local’ in Aix, this was it. I probably went here more than any other because it was convenient, friendly, and they served Leffe. It hasn’t changed in the slightest. I took a seat by the bar and sketched the tall taps – I recall I had drawn them once before in 2003, but I’ll show you the comparison sketches in a different post (basically sketches in Aix from the early 2000s compared to now. It’s fun). I didn’t converse a lot with people except the barman, but mostly because my French is just pantalons now. Honestly, I do really have a degree in French, but I am struggling to speak it these days. When I was in Strasbourg I was trying to describe something really cool I had seen to some other sketchers, and ended up saying, “Well, there are no words to describe it,” before adding quietly, “…because I don’t know them.” Over the years my French has developed into a kind of Del-Boy-esque patois, where it is more amusing to me to actually get it wrong than right, but I can’t get away with saying “Mange Tout, Mange Tout!” before every meal over in France. My French was not so bad however that people assumed I can’t speak it (which used to happen here), so they would speak normally and quickly to me. I’ve decided I’m a good listener in French, and mastered the art of nodding and saying “D’accord” and “Ah, ouais”. I also had to listen very carefully, because they would say things only once.

One thing that is different now is that people don’t smoke inside French pubs any more. I am very pleased about that (coming from California), but they do smoke outside and it just wafts in anyway. It reminded me of the ‘Zones Fumeurs’ (smoking zones) they would have at the University in Aix when I worked there, which would just be the corridor next to the corridor where you couldn’t smoke. It made no difference because smoke would just waft through, and into the classrooms. I remember being on a train from Arles with a friend and the carriage was supposed to be non-smoking, but someone was there in their seat with their Gauloise, so we asked the conductor. He just shrugged (a Gallic Shrug of course) and said, well this carriage is ‘mixed’. Which makes no sense, but summed everything up. Well now people can’t smoke in pubs, so things are changing, but I was still surprised at the sheer number of smokers walking around the street, and very young smokers too. Coming from California where it seems like hardly anyone smokes any more it was a culture shock; did they not get the memo?

It was a Thursday night, but it was really busy in Aix, there were a lot of people about. Aix was always a popular place to go out and I remember this about it now. In O’Sullivan’s (a nominally Irish-themed pub) it was mostly French people, but just as in my day there were a lot of Americans and several English too. Aix is very popular with visiting American students and I met many while I was there. There was another group seated in the back who were all French and kept breaking into La Marseillaise. that’s nice, like Casablanca, I said to myself. Some wore berets and others had light blue shirts on, so they were probably just young cadets on a night out from their national service. On closer inspection however a couple had Confederate flags draped from their belts, while others wore large heavy chains, and some had a gothic-font phrase on their shirts in English about “Honour, Tradition, Strength” or something to that effect. Hmm, I wondered, but decided not to ask what it meant. The atmosphere in the bar was good, just as it always had been in the past, and the beer was cheap. I realized that I could not remember ever having an evening out by myself in Aix, I always knew a lot of people when I lived here and previous visits back had always been with friends. It felt unusual to be out in Aix by myself! I kept on with the sketch, which took me over two hours total and was drawn in a burgundy pen. It was nice to be back.

jacksonville on the fourth of july

Jacksonville Oregon

Jacksonville, Oregon. Click on the picture to embiggen it. Over the Seventh of April weekend (sorry, Fourth of July, I always get date-confused) we went up to southern Oregon to visit family, and on the 7th itself (sorry, the 4th) I was able to take a couple of hours in the baking hot afternoon to visit the historic town of Jacksonville, about five minutes away from Medford. I really love Jacksonville, and have sketched it before on several occasions (usually around Independence Day, which is particularly nice because all the flags are up). On this occasion I was desperate to draw a panorama, and so I did. I would love to draw this entire street, building by building by building. On the right there you can see a sketch I did exactly five years before (on 7/4/10), which was in black ink so noticeably darker values. In the panorama above I used dark brown ink. I did the penwork on site (except for some of the jacksonville, oregonmore repetitive brickwork), and did some of the colour too, to get the right shade for the hills and trees, but coloured the rest in a couple of days later.

Jacksonville was founded after the discovery of gold nearby, and retains many of its old 19th century buildings. One of the main pioneers was a man called Peter Britt. I am also Pete, a Brit. That’s a really good joke, huh, I do a lot of really good jokes like that. Anyway, Jacksonville was the cultural and commercial hub of southern Oregon  for a long time, according to their website, until the railroad was built in 1884 in neighbouring Medford, “when Jacksonville’s prestige began to wane” (anyone who visits Medford will see that Medford is clearly the more prestigious). Jacksonville still had cultural relevance though. Did you know for example that Goofy comes from here? Well not Goofy himself, but the guy who did his voice, Pinto Colvig, he was from Jacksonville. Gawsh! I met the real Goofy once at Disneyland, he signed my sketchbook. Evil Dead actor Bruce Campbell also comes from Jacksonville. Anyway, these days Jacksonville has somewhere under 3,000 residents, and the surrounding countryside with its vineyards and rolling hills is most pleasant.

After sketching, I popped into the Jville Tavern to cool off before heading back to the family get-together. The temperature was about 104 degrees (Fahrenheit, not Celsius).

 

down in old soho

Greek Street

I would love to draw the whole of Soho, if that’s possible. Like every single block. And I kind of want to do it immediately because it’s changing, year after year, but then it always has done. Centuries ago this was a hunting ground (“So-ho!” was a hunting cry, like “Tally-ho!”), its borders marked with blue posts (hence the two pubs called ‘The Blue Posts’, and when I was a guide on the open-top buses I used to wheel out the old chestnuts about it “still being a hunting ground, know wot I mean”, but I’m not even sure wot I mean now. In my 500-miles-away-ness in California, I’ve been concerned about pubs and other famous London landmarks closing down or disappearing, and I’ve been eager to record these narrow streets while they are still here. Above, Greek Street, at the junction with Romilly Street. Greek Street was so named because of a Greek church nearby, and former residents include the very same Giacomo Casanova. On the far left, past the Prince’s Theatre on Old Compton Street, is a Michelin-starred restaurant called L’Escargot, where a long time ago a friend of mine worked for a week before quitting. I recall it being a much funnier story at the time. The timber-framed pub is the Three Greyhounds, another name reminiscent of the royal hunting ground days, while the patisserie in blue is the Maison Bertaux, which has served tea and cakes since 1871. On the corner is the Coach and Horses pub, also known as ‘Norman’s’ (after the infamous long-standing landlord Norman Balon, who claimed to be the rudest landlord in London). This pub has a good claim to being Soho’s most famous, a haunt of well known writers and actors such as Peter O’Toole, Jeffrey Barnard (he of ‘Unwell’ fame), it’s about as Proper an old Soho Drinker as it’s possible to get. Further down on the right Romilly Street leads to Cambridge Circus, at the junction of Charing Cross Road and Shaftesbury Avenue.

old compton street sm

For those of you who haven’t gathered by now, I am talking about Soho in London, not the one in New York, which is a contraction of the words “South of Houston”. Our Soho as I always told people is named for “South of Hoxford Street” of course, with ‘Hoxford’ over time becoming ‘Oxford’ due to the predilection of London English speakers to drop the ‘h’. No, not really. One of the thoroughfares that really defines Soho is Old Compton Street. Old Compton is well-known for its gay community, and in centuries past it was populated by the French Huguenots; there are still several French-themed places in the area. Above we see some of Soho’s other European residents, with the Spanish tapas restaurant Cafe Espana located next to an Italian deli. ‘I Camisa & Son’. I do love an Italian Deli.

And here is the map, showing where I sketched…

map, soho 2015 sm

at the edge of the ocean

Santa Monica Beach

I do like to be beside the seaside. One of my favourite places to be beside the sea is Santa Monica. I arrived on a Saturday afternoon and checked into my motel before walking down to the ocean front. I didn’t actually go onto the beach this time, but I stood up on the bluffs and sketched a panorama of the view looking toward the famous Santa Monica pier. It sure was windy. The sun was shining bright, so I stood beneath a palm tree and did my best. People walked by snapping pictures of them self (if only there was a word for that sort of thing), speaking in all sorts of languages. Behind me, the city of Santa Monica bustled. It was a busy Saturday.

santa monica cannon

I drew a cannon, as you can see. This big cannon sits up on the cliffs, it actually reminded me of Mr. Nosey, of Mr. Men fame. He was green of course but had the same general shape (in the old version, not in the newer upturned nose version, I really hate that version, it’s my Jar-Jar). As I sketched, people climbed on to have photos taken of themselves with a big cannon between their legs, if only there was a word for that sort of thing. After this, I had to go and watch Avengers Age of Ultron at probably the most comfortable movie theatre I’ve ever been to, the AMC in downtown Santa Monica. Massive reclining seats!!! I want to see every movie there.

santa monica pier

I did come back down to the Santa Monica pier again the next day for some last minute sketching, and I met up with my fellow Urban Sketcher and Santa Monica local Shiho Nakaza. I first met Shiho at the 1st Urban Sketching Symposium in Portland back in 2010, and she introduced me to that amazing brown-black uni-ball signo UM-151 pen that I now use all the time. You can follow her sketches at shihonakaza.blogspot.com. We didn’t have long to sketch, so we went out onto the pier and sketched the view. The waves were wild in the Pacific, and the sun was bright and strong. I had to finish up quickly though because I had to catch a bus back to the motel, and then to the airport (I only just made my plane!). I still have more sketches to post though, from (spoiler alert) Santa Monica’s historic Main Street, and from Venice’s Abbot Kinney Boulevard.

in vito veritas

uncle vito's davis

Another panorama to click on and see in bigger format. This is Uncle Vito’s, Davis, a pizzeria and bar which I come to every couple of years or so. I needed to go out and do some sketching, and since it had been a while I needed to come here and sketch it again. It’s a nice place. There was baseball on – the season as started again, and the Giants, champions in 2014, were losing. After that, there was basketball. I decided to not colour it all in and leave it simple. This is called laziness, but I spend so much time on the ink and that is what I enjoy most. It wasn’t super busy, which is another reason I went in to sketch. That and the lamp. Let’s face it, it was entirely the lamp. Another one for the bar-sketch portfolio…

to live your days in the sunshine

Davis Community Church sketched from Central Park. Click to make big.

Davis Community Church sketched from Central Park. Click to make big.

Last Monday was Presidents Day here in the U.S. It is also the celebration of George Washington’s birthday, which is actually a week earlier than his actual birthday presumably because everywhere was booked on the 22nd so it was easier to have it on the three-day weekend before. Of course while we’re pondering over the first president’s birth certificate you’ll notice he was born in a different country. News pundits didn’t really care so much about that back then. But anyway it was Presidents Day which meant a day off, which meant an afternoon sketching. Well, a couple of hours anyway. My son was playing with his friend in the new playground in nearby central park and I stood in the shade and sketched a panorama of Davis Community Church, from the side. It’s only this time of year you can really see this view because those trees will soon be getting their leaves. I sketched in the Seawhite of Brighton book, and I coloured it in a few days later at home. The weather is gorgeous here in Davis right now, t-shirt weather, low 70s, sunny. In the rest of America however, the picture is very different, unbelievably cold, so I’m sending you a little bit of our Davis sunshine.

Now, I have sketched this scene before, but a long time ago. August 2006 to be precise, as shown below, sketched from a little further up the road with my first Davis bike in the foreground. In those days I preferred to sketch just with the paint, which I don’t do any more, but I like the effect. This is one of my earliest Davis sketches, sketched in a WH Smith cartridge paper sketchbook.

The same building sketched in 2006

The same building sketched in 2006

take the time to make some sense

De Vere's Irish Pub, Davis. Click to see bigger.

De Vere’s Irish Pub, Davis. Click to see bigger.

On the last day of January (this is how long it’s taking me to find a few minutes to scan sketches in these days…) I decided I needed to add to my bar panorama sketch series, and went down to De Vere’s Irish Pub in downtown Davis to practice from a different angle. I sat in that corner at the end of the bar, nicely tucked out of the way, and sketched the evening away. Andy Murray was on the TV above me, losing in the Australian Open final, and the place was pretty busy. I started on the left with the close angle of behind the bar itself, making sure I sketched the ‘Late Night Eats’ menu before it got moved. It’s good to have something like that if you are sketching a bar, as it places you in both time and space. There’s a little tip. For the budding bar-sketcher, here are some in-progress photos; I used a brown-black uni-ball signo um-151 pen size 0.38 (the best), in a Seawhite of Brighton sketchbook (not the best, but not bad).

IMG_3101

Next I sketched the bar itself. I used a few pencil lines to try and figure out the perspective lines, but it’s not scientifically exact, more of an ‘as good as’. The thing about perspective is that your direct moves about a lot and so you usually have several perspectives going at once. I added a couple of the barstaff; whenever I sketch bars I often leave them out because, to be fair, they move around a lot. It helps to include them however, to break up the repetition of a long stretch. Plus it’s always good when sketching people working to show them hard at work. I sketched the behind-bar are and the taps next, and those little black straw things that appear in almost every bar sketch in the history of the world, for some reason. You can see how the bar angles towards me at the far right corner, but I didn’t have room to show my part of the bar.

IMG_3102

And here’s the finished sketch. By this point I had had about four pints ($3 pints of Sudwerk Dry Hop Lager if you must know), and had included the throngs of people at the bar. People are generally generic, but look kinda like the real people that were there. There was a man wearing one of those triangular/conical hats, looking as though he worked in a paddy field (no jokes about paddy fields and Irish pubs please), so I drew him twice. Although I left drawing the people to last, this actually opens up into being the focus of the bar, with the elongated triangular space in which they are positioned becoming wider and more interesting as the eye is drawn rightwards. There, see if you can talk about panoramic composition after four pints of beer. To be fair if someone had asked me (and I think they may have done) my answers would have been nonsense; to be fair, they are nonsense even before four pints of beer. I’m happy with the results though, and I decided not to add paint, so you can feel it in all its hastily scratched-in glory. De Vere’s is a good pub to draw panoramas of.  Cheers!

IMG_3106