Did some christmas shopping on monday night, out in the cold; thankfully there’s that nice warm Czech pub near the bus-stop, so I stopped off in there while waiting and did a quick dark drawing over a quick dark beer.
Tag: moleskine
it’s chriiiiiiiiistmas…
Christmas has come to Davis. The christmas tree was lit on Thursday amid a crowd of about sixty million kids (there or thereabouts) with all sorts of festivities going on, santa, carol singers, candles, etc. My ten-month old loved it, particularly the person dressed as a dinosaur. I came back next day to draw it; I’m not one for big crowds (me being from, you know, London), so you’ll just have to imagine what it was like. But here is the tree, on the E street plaza, as seen from the window of Chipotle across the road.
there might be a parallel universe
Ok. Thing is, I wanted to draw the new apartment in a kind of tryptich (or is it triptych?), and so I did, in three sepia blocks, each of which I’m showing separately here, along with the whole thing, and for bad measure, a photo of me holding the book (while watching ‘spaced’).
And this is also my entry for Illustration Friday this week (theme: ‘similar’). Our new apartment is very similar to our last one – it’s on the same complex, has all the same fixtures and fitting, but for one big thing – everything is reversed. It’s like walking into a mirror, but I like it inside this mirror, I much prefer it. even if there are more bugs (such as a centipede crawling up through the plughole – do I not like that!)
I was inspired because this week I got back my sketchbook from August’s Art House Co-Op Sketchbook Project, the theme of which was “How to Save The World”. My little book, which you can browse here, was filled with drawings of our own little world, the apartment where we spent all our time. I was saving the place I lived in, in the sense of recording it, so that in years to come I might look at it and say, yes I lived there, I remember that. Now we’ve moved I can do that already. And I can compare drawings of the new apartment to the old. The kitchen (above) is the other way round from how it is in this picture, for example. Even the hot and cold taps are reversed, not that you can tell, but I still get it wrong.
The first frame shows the baby monitor. Baby was sleeping soundly. That is, not making much of a sound. The second frame shows Mr Salt, the saltpot, and his lover Mrs Pepperpot. Mr Salt has very big trousers. He is either grossly deformed or carries a lot in is pockets (perhaps he too is an urban sketcher?). 
I think Mr. Salt is Dutch, but he comes from England. He is also into the lost practise of trepanning. You can also see the Christmas Tree, put up last weekend, hopefully out of the reach of little mischievous hands (I don’t mean those of Mr Salt, whose hands are stuck to his trousers). The final frame, looking over at the CD tower and the music players and the calendar of new york city, has a bottle of the local Sudwerk beer in it. This is purely decorative. I was actually drinking a cup of tea, but thought a beer bottle would look better. I pulled it from the recycling. I like Sudwerk, the Märzen variety, it’s a nice German style amber beer brewed just down the road from bei uns. One of the things I really like about living out here in the American West are the micro-brews – not as big a thing on the East coast. Back in London, we have the pubs alright, but I way prefer the beers out here. You can see also a Micron Pigma pen on the table; you can’t get those in England either (or at least, I couldn’t). Incidentally, I drew this in a copic multiliner 0.1.
So this is home. Not quite the same as the old apartment, but very similar.
thousands of colours all fade into one
The Belfry on A street (the street of the indefinite article). The colours of a blooming autumn (or whatever other expletive you wish to use). We are now foggy and grey so these enormous splashes of colour make a 
world of difference. I have drawn this building before of course, back in March, when the leaves that are now in the autumn or even winter of their lives were barely even buds. And look, I have drawn vehicles; I daresay there were probably vehicles parked here in the original, but I peteshopped them out. At least you can see the building in the original though.
I don’t know if there are any bats in this belfry. I remember when I first moved to Davis, and I read online about the bats of Yolo county, and how rabies was endemic in them. Yeah, that didn’t completely scare me. Funny things, bats. Their leathery wings always, for some reason, remind me of Lovejoy.
back in black
I hope you all had a Happy Thanksgiving! Except if you’re in the UK, in which case ‘Happy Last Thursday’. Or Canada, in which case ‘Belated Happy Thanksgiving’. Or everywhere else. Anyway, it’s the most turkey-ful time of the year, and why not. I love thanksgiving, for the food. The autumnal colours are always nice as well.
But the next day is Black Friday. Black, because of the mood after spending hours locked into the consumerist nightmare that is big box america, home of the all-you-can-spend strip-mall. Black Friday sounds rather like a good pirate’s name, “yarrr, Captain Black Friday, shiver me timbers.” In a way though, Black Friday is the captain, that is supposed to steer the ship of the economy back on course (but you wouldn’t trust ‘im, an’ he’s only got one leg, etc etc). Not for me the 4:30 lining up in the freezing darkness outside Best Buy – I did that two years ago as an experiment, and have no need to do so again. I popped down to the action zone later on in the day though, to see for myself the economy rumbling back into gear, and spent hours stuck there in the maelstrom (or the toy department of Target at least), coming away with not a clue and no bargains at all. I did stop to draw Best Buy though. Looks very peaceful, doesn’t it.
Speaking of autumnal colours, the day before Thanksgiving we actually had some rain in Davis. Weather.com said there was a Severe Weather Warning for the Sacramento Valley. Severe weather. Shit. I looked, and they said there would be Some Rain, 30-40% chance. Some rain. Well, I braved the severe weather and got a tiny bit damp, 30 or 40% damp on my jacket at least, dodging brown leaves as they fluttered gently to the puddle-spotted pavement, and drew the picture below. Severe weather, seriously.
By the way, I posted both of these drawings on Urban Sketchers this week. Good reminder for you to go and check that site out; it’s nearly a month old, with hundreds of urban drawings already.
right through the very heart of it
The final bit of urban sketching done in New York (I also took a lot of photos for reference drawing later, but you can’t beat being there on the streets tasting the air). Here I am just off Washington Square, looking up Fifth, indeniably NYC in November. I never went up the Empire State. Always thought it would be better to go
up the Rockefeller anyway, because at least from there you can see the Empire State – I love seeing that building. I also adore the Chrysler – it’s one of those buildings that when you first see, you cannot stop taking photos of it. It could be the most beautiful modern building in the world (and I say modern meaning in the past 100 years). I sketched it from the steps of the New York Public Library, itself a fantastic old building (but not one with baby changing facilities, I might add).
One of the things I love about New York is that you always feel a little like you’re on the set of Ghostbusters. Things are so familiar. And not just Ghostbusters, but any of the million or so other movies or shows that have been set here. Not a feeling you get strolling down Edgware High Street.
I still hadn’t eaten, which is not a good thing (and surely an impossibility in the big apple), and as I previously mentioned, I wanted something ‘New York’. But then I happened across a little Belgian place, the BXL Cafe in narrow 43rd Street, which called me in to taste some Maredsous beer and some absolutely amazing moules frites (better than I have had even in 
Belgium, I might add). I drew the place (right) in copic and faber-castell brush pens; trying something different for a change. Overheard some Scottish women talking about shopping for their kids, sounded like they had saved up a long while for this trip, and I felt sorry for them because the pound has absolutely plummeted this past couple of months. I overheard a lot of British people in New York – more than I did New Yorkers – the place is choc full of them. Probably why I felt at home.
Came back down again the next day, with my wife and baby, to go to Central Park and see the amazing fall colours. We ended up getting a little lost on the Subway, which is enormous fun with a stroller by the way, and sitting in a cafe off Sixth trying to feed the baby (while overhearing, of course, English people). And I finally had cannoli, something definitely New York, and it was good. New York is good. Can’t wait to go back.
go west, where the skies are blue
New York City, continued… I moved up Manhattan to the West Village area, hoping for some lovely old bricks and some leafy autumnal streets, and yep, that’s what I got. I think I had in mind the excellent work of Nina Johansson when choosing what to draw here (though I’m a lot scruffier). 
I sat and had a beer called magic hat outside a cool, dark little pub called the slaughtered lamb, on west 4th. A great spot to watch the world go by, and other such cliches. Oh, and to watch taxi cabs nearly have crashes, that was fun as well. I love the yellow cabs in New York – better than our London black cabs (yes, better, that’s right). Not that I ever take either. I always wonder though, is that cab the Cash Cab? My wife wondered the same thing too; we love that show. I gave up on the magic hat after about two thirds of a pint, because a big red-eyed bug had decided to come in for a swim. I photographed the work in progress, for fun. I then wandered 
over to Washington Square, admiring the trees and the bundled-up chess players. I sat and quickly drew a guitarist, as you do around here, and took in the scarf-wearing intellectual atmosphere around NYU. I wanted to go there a few years ago, to study drama perhaps, but the fees are so big. I just love the area I think. I was looking forward to this neighbourhood most of all, and I was enjoying the sunny cold and the leaves, but I realised I hadn’t eaten anything that day, so pressed on up town. And, hot dogs aside (I don’t eat them), I decided that I really wanted something that tasted of New York.
and i sang ‘you’re as free as a bird’
The second morning in New York was brighter and breezier. I took an early train, and went all the way down to the bottom tip of Manhattan, to look out at the Statue of Liberty, which is famous because it was in X-Men. It was placed out on Liberty Island way before the world became a place full of digital camera snapping tourists, so it’s not there just as a cynical ploy to get you to take the ferry and get a closer look. It was there to greet the throngs of immigrants, the huddled masses arriving on ships toward Ellis Island, that the New York was eager to welcome, and who have contributed so much to the city and the country’s character (something to remember, daily mail readers). A gift to show the bonds of liberty and friendship between America and France (something to remember, fox news viewers). From here though it’s kind of hard to see properly. You’d think they’d move it closer.
Gotta love her though. Really, I couldn’t come all this way and not see Lady Liberty, holding up her ice cream. I’ve been close up before, and she’s cool. This day however was a sketching day and that means packing in as much of the city as I can grab, and drawing some along the way. I wandered about the 
financial District, stopping off at the World Trade Center site, still empty and closed off as it was when I was there six years ago. Mooched around the narrow streets that reminded me so much of the City of London (and with names like Thames Street you can see why). Stopped off in Wall Street, to see what all the fuss is about. There was a lot of construction work going on, cue all the quips from all the passers-by. Sat on the steps beneath a huge statue of George Washington (on the site where he was inaugurated President, which is pretty cool), I sketched the New York Stock Exchange, which is still covered over with that huge (and unnecessary) flag, which reminded me of a giant band-aid. Are they hiding behind it?
lazy sunday afternoon
Nice to be home; New York was very busy (I still have more drawings to post, of course). We flew back via a snowstorm in Minneapolis (after rain and sun in the Big Apple), back to the warmer wee hours of Sacramento. Novembers in Davis are bright and sunny, sometimes a bit chilly, sometimes a little rainy, but right now it’s warm and enviable. Lovely weather. Nice long shadows creeping across apartment buildings.
This however is cobweb season; for some reason, Novembers in Davis mean waling down the road avoiding huge long cobwebs that are floating from every lamp-post and tree. I hate getting caught in a floating web. You get that creepy feeling for ages afterwards, like there are things crawling on you.
The picture: notice the big black blob on the left side, that’s where my usually trusty micron pen exploded, suddenly, leaving a large black globule of ink I do not want to get on the furniture or clothes all over the page. The perils of drawing!
the sad songs of doom and gloom
With the raining coming down in meows and woofs, I took the Subway to Brooklyn, down under manhattan bridge overpass (I believe this area of town is named after a disney movie but I forget which). Too rainy to sketch. I took a lot of lovely photos from the shores of the Hudson, looking across at the grey fog where Manhattan should be. On my way back to the Subway however I remembered my friend Simon, sketching in the downpour on the South Bank in London back in May, 
and said to myself I could not leave without one sketch of these amazing views I may not see again for a long time. As I sat on my stool, the rain stopped, and I drew the Manhattan Bridge above – it really does make all the difference, actually sketching on location, than later on from a photo, and I’m please with the result (and yes I counted all the details as I was drawing them).
I went on the the Lower East Side. I got a big messy sandwich from “tiny’s giant sandwiches”, and ambled around in the fading light looking for some urban to sketch, and there was lots. It felt like I was in London again, in Holloway or Camden or Whitechapel, or maybe even Soho, with the narrow grid streets. Chose a street corner that is home to rosario’s pizza (my wife’s maiden name) and sketched in the dying light, the rain now passed but the streets still wet and shiny.
I walked around in the dark streets taking in New York City at night, this big far away place from the movies and the album tracks, and then got the Subway to Union Square area, stopping off in a cool art 
store and a great kid’s bookshop (to pick up a board book for my book-loving nine-month old; he’s very literate and loves a book he can really sink his two bottom teeth into). I was looking for Pete’s Tavern, apparently the oldest bar in the city, and I thought it might be good for some interior sketching. Fat chance. Sure, nice old place, and I got a Brooklyn Lager, but the bar area was very busy while all the tables were empty, reserved for some work thing happening later on. Annoying; my feet hurt. Pete was not amused by this (it’s for this reason I never reserve tables in pubs, I hate to be that person). So I sodded off, back to Long Island.
petescully 