After sketching City Hall, I BARTed it down to the Mission District. I love the Mission. It is actually illegal not to have a big burrito when you come here so I had one (it was ok, I’ve had better), and sketched this from the bus stop, at the corner of Valencia and 16th. The lack of sketching stool meant being creative with my seating choices, so the bus-stop was perfect. I always have to figure, when out urban sketching, that the odd street mental might come and start talking to me. As it happened, the random guy who started chatting to me this time (despite my headphones being clearly on) was actually very interesting, and an artist himself, and we had a chat about how drawing was really just a series of lines and choices. He also told me that Paul McCartney owned the rights to the song Happy Birthday to You. I didn’t know that. He probably made it up. I told him that when McCartney plays Beatles songs on tour he changes the lyrics of “When I’m Sixty-Four” to “When I Was Sixty-Four”. Of course, I made that up, but it could be true.
I strolled up 16th looking for another comfy spot to draw, and chose a really uncomfy spot on a narrow corner with negligible shade, in order to draw the Mission Dolores. Well, dolores means pain, and I suffer for my art.

I love drawing those powerlines, it’s one of the best reasons to sketch in the Mission. I don’t know if the One Way sign was put up by the Missionaries but it could be so (I will tell people it was, anyhow). Might make more sense outside a cemetary. Anyway, it was sunny, but windy, and so I held up the sketchbook for the obligatory handheld shot, and moved on towards the Castro. That’s the thing about Sketchcrawl, you just gotta keep moving. Well, I do.

More to come…


main group was meeting up at the Presidio, but I didn’t fancy going all the way up there; I was yearning for some ‘urban’ to sketch. I started off visiting the excellent Paul Madonna exhibit at the San Francisco Public Library, the five year retrospective of his All Over Coffee strip, which I’ve followed for almost two years now (I came across it while on the Sketchcrawl in Berkeley, and was drawn to because it was a similar style to what I was trying to achieve; it inspired me to do more monochrome stuff). I was surprised, though I don’t know why, at how large the originals were, but that’s only because I tend to draw everything so damn small. Suitably inspired to get out and draw, I sat outside the library and sketched the San Francisco City Hall. The Tenderloin army shuffled by in groups of one, like characters from a Miyazaki film, lost in their own little odour-filled universes. Somewhere across the square was a rabble led by a very vocal Mexican man screaming, literally screaming, into a microphone, to the point where his voice started to fail him, and the microphone started to break. It clearly didn’t stay broken though because he launched into song, backed by a Latin American dance music band, playing a repetitive one-verse, I don’t know, anthem I suppose, which went on and on and on for about six months. My thoughts weren’t with the guy singing, but with the band members, particularly the guitarists. Their wrists must have been super tired. I was wondering whether they took shifts, if perhaps another person came and took over halfway through the song, to give them a break. For all I knew it was a tape loop. When I was done (and I was really pleased with the resulting sketch, by the way), I hopped onto the BART and went down to the Mission. I fancied a burrito.










