wir sind die meister, mein freund

weihenstephaner

Weihenstephaner (literally ‘Holy Steve’) is one of my preferred Bavarian beers. About six years ago my wife and I visited Bavaria and drove around (well, my wife drove, while I spoke German and made old ladies giggle), and I loved all the local Bavarian beers. Every town we visited sold it own local beer, brewed locally, with very few big commercial beers available, for which I was very grateful. I remember I had one particularly nice beer in Schliersee, with one of the nicest roast duck meals I’ve ever had. One brewery we visited was on the outskirts of Munich, calling itself the oldest brewery in the world: Weihenstephaner. It’s at an abbey, and they have been brewing beer since the 8th century, though their brewery founding date is officially in the 11th century. On that day I tried a ‘Kristallweiss’ beer, and that’s what I had last night when I sketched this.

My reasons for wanting to visit the brewery back then were linguistic: I had recently written an essay for my Master’s (one of my courses was in Germanic Philology) based largely around the competing influence of both Anglo-Saxon and Gothic on Old High German, focusing on the words for holy, ‘heilig’ and ‘weih’, the latter being from the Gothic. If you’re interested, the Anglo-Saxon influence won the day for the most part (not surprising as the German patron saint, St.Boniface, was English), but I wanted to go somewhere which still used the Gothic word. I was a big Wulfila reader back then.

Anyway, a new shop opened in Davis recently, the ‘Davis Beer Shoppe’ (quite why it needs the ‘pe’ at the end of ‘shop’ is unclear) and I was pleased to see that they had my favourite Weihenstephaner beer. I still have some Hefe glasses from Bavaria (this one in fact was given to us by a talkative lady called Hildi, the now sadly passed friend of my wife’s German grandmother, in her home town of Ingolstadt. That day, I learnt a lot about the Bavarian language!).

While drinking this beer, I noticed something. The Hefe glass reminded me very much like the World Cup, which probably explains why Germans are so accustomed to lifting it. Interestingly enough, after a few of these, one tends to come over all Klinsmann and start falling over easily…

this is your leffe

leffe blonde

Back to sketching in the brown sketchbook, and this is Leffe blonde. It reminds me of living in Belgium, going to Brussels on the weekend. I do like a Belgian beer. I have many Belgian beer glasses which I got while in Belgium, and now have in the US. My favourite Belgian beers are 1. Charles Quint (Keizer Karel), 2. Fruit Defendu (Verboden Vrucht), 3. Kwak, 4. Leffe Blonde, 5. Westmalle Triple. You know, in case you happen to see me in the pub in Belgium (which admittedly isn’t likely, but if you do, it’ll be the Cuve a Biere in Charleroi).

here’s to the end of the world

la fin du monde

More brown paper bottle sketches. This is a nice beer I found recently, La Fin du Monde. It’s Canadian – Québecois in fact – and is a ‘triple’ beer. Triples are pretty potent, very tasty, but you gotta watch out. I used to drink Triple type beers when I lived in Belgium (Westmalle Triple to be precise) and ooh, you have fun nights with those. I really like the label on this bottle as well.

Santé!

bottle and glass

sudwerk fest-märzen

October is here folks, and October means beer. Even though most Oktoberfests apparently take place in September (giving us Oktoberhangover) – I even drew this while it was still September – it’s culturally important to keep up that association (this is my excuse). One of my favourite beers is in fact the Märzen amber ale of my local micro-brewer, Sudwerk. This year they brought out a special Oktoberfect version, “Fest-Märzen”, and I must say it’s bloody lovely. Perhaps the best beer I’ve had over here. So in the spirit of drawing bottle and glass on brown paper (see the recent champagne bottle), here they are. That glass was empty by the time I finished drawing, let me tell you. We had a heatwave here last week, with weather in the 100s (really! at this time of year), and a nice cold beer was always going to help.

call me bubbles, everybody does…

champagne! 5 years in america!

So anyway, to celebrate five years in America, we drank champagne, pink champagne. This has been some time coming – we have been saving this for just such an occasion (this very nice bottle having been brought over by my very excellent friend and best man Roshan for mine and my wife’s fifth anniversary last year), and we figured the fifth anniversary of our emigration was a good time to crack it open, and it was very good indeed. You can’t beat good proper champagne. The bottle was fun to draw too, and I’ve started a new brown paper sketchbook, much bigger than the last one.

“in viaggio col taccuino”

simonetta cappecchi

I was pretty amazed and inspired by Simonetta Capecchi’s lecture about collaborative sketchbook projects in the city of Naples, Italy, where she lives and works. I had a pen-pal from Naples when I was a kid, and the city has always seemed so far away and unusual to me, yet still in my native Europe, so I was fascinated by her stories. Simo’s work and ideas promoted a real sense of a community expressing itself through art. It reminded me not only of other sketchbook projects that I’ve seen or been involved in, and also what we do in every worldwide sketchcrawl or even this symposium, the art of representing a city through different voices and personal styles, but it also reminded me of place-specific projects that I have had experience of back when I studied and practised interactive theatre. Local people expressing their locale, telling its story, its ‘everyday’. Here my mind exploded with ideas. I want to get Davis drawing! I also liked the project she promoted whereby a sketcher would take an old book about their city, and sketch scenes from their city inside it cover to cover, across the text. As I discussed with her afterwards, that would be a wonderful thing to do somewhere like London, I think, thought maybe not so much Davis (only because Davis-centric literature is slightly thin on the ground). It was inspiring stuff, and a reminder that there are so many angles from which you can approach art, and urban sketching.
pdx10 simo lecture headsliz steel and gerard michel

As did other people, I sketched the lecture room around me. There’s Liz from Australia, and Gerard from Belgium. I sat next to Suzanne from North Carolina, sketching the same subjects. Amazing how the internet has enabled us urban sketchers from around the world to come together and learn from each other. Simo showed me a sketch she made of Mount Shasta from the window of her plane, as she flew north from San Francisco, and I showed her my similar sketch of the same mountain from the window of the car as we drove south from Oregon last month. That was pretty cool.

san pellegrino

Continuing the Italian theme, for lunch before the lecture I drank a bottle of San Pellegrino orange soda from Italy; (you may recall I sketched a can of this recently). I didn’t know they came in Orangina bottles! While eating lunch, we noticed that there was a wedding party arriving, and the bride and groom themselves sat behind us at a tiny table eating over-the-counter pizza. It was a funny sight, but the quick sketch I did did it no justice, so all you’re getting is the bottle.

build it up with iron and steel

steel bridge, portland

Urban Sketching Symposium, Day 2. Lapin led the Urban Line field session down to the banks of the Willamette River, to sketch the Steel Bridge. Portland is famous for its bridges. Can’t leave town without drawing at least one.

I was pleased to sketch this, as I wanted something to really sink my teeth into, or at least my micron pens. I felt once it was done that I’d got it out of my system. The morning started out overcast, and the stark, industrial structure provided quite the drama against the blank sky. The bridge moved once or twice, it’s bottom level rising to allow ships to pass, gerard michellaughing at my previous assertion that I draw architecture because it stands still. Joggers and cyclists passed by as we sketched, freight trains rolled across the river, and the strange sculpture behind us made intermittent and unexplained noises not unlike a monkey smashing a cymbal. We all seemed to have our own approach; I watched how Lapin started from a detail and drew outwards, and how Gerard Michel (pictured right, drawing in the special Urban Sketchers Japanese style Moleskine) constructed it as an architect would, and I leapt in somewhere in between. I started in the middle, but had a rough outline of where I would be going (which I only marginally stuck to), but concentrated on small details as I went along rather than after finishing the outline. I purposely left it incomplete as I liked the effect.

portland convention center

The Sun came out, but I kept my bridge sketch colourless. I did add a little thumb sketch on the same page though of one of the spires of the Portland Convention Center across the Willamette, showing how the sky had turned blue, but the bridge lent itself to cold black and white.

At the end, we laid out our sketchbooks side by side and reviewed each others work. This is always one of my favourite parts of a group sketch, to see all of our different styles and interpretations laid out side by side.

 

 

steel bridge in different ways

brown is the colour

I got this small brown paper sketchbook from the campus bookstore for only 89 cents, and it’s a real find. It has a corrugated cardboard cover and is handbound with a piece of string. These past few days it has become my favourite thing (funny how that happens) and I’ve been scribbling in it whenever I can (starting with the sketches at the Railroad Museum). I tend to sketch more quickly in this book; a drawing will take about ten minutes. Here are some of the things I’ve drawn (all in uniball vision micro pen, for the fellow pen geeks out there). 

sudwerk marzen

This is Sudwerk Märzen, a local Davis beer I like. It’s an amber beer, and the Sudwerk brewpub was the first place we visited when we decided to move to Davis. Funny what we may have decided if I hadn’t liked the beer.

toy digger

This is my son’s toy digger, or rather, one of them (a boy can never have too many construction trucks).

luke skywalker

This is Luke Skywalker, Jedi Knight and part-time firefighter. This is actually my toy. I love Star Wars.

profile

A quick profile sketch of my wonderful wife. I really am trying to draw more faces on the spot and I think this turned out well.

enterprise and pole

Finally, a quick lunchtime sketch at the corner of A and 3rd streets, Davis. I’ll take this little sketchbook with me to Portland Urban Sketching Symposium I think. I’ve already packed my bag and chosen my materials, I just need a couple more pens (and maybe a new brush) and I am all set.