graffiti about slash-street affairs

I could get used to these. A month ago I did this labour-intensive drawing; tonight I finished a second one. You can I’m sure guess the theme. All will be revealed when we turn to the answers page, a singer once said.

that's entertainment

I am still around, I have just been busy. But I found time to fit this in too, which helps create balance. Plus I stay up far too late for someone who works so early. These things sometimes accompany those wee small hours; well, these and the baby monitor.

A note on the broken ibanez guitar head: this was the guitar i bought when I first moved to the US. I looked after it so well, but one day it fell lamely from its stand onto the carpet and the head just came off. Not my happiest moment. Very difficult to repair (the guy in the shop couldn’t bare to look at the poor thing, it was like bringing in his grandma’s head or something), so the decapitated body sat gathering dust in the corner like the shards of narsil. When we moved out, I wasn’t sure what to do with it (you get attached to your instruments). My wife suggested I dispose of the body Pete Townshend style. And so I did. Have you ever done that? It felt pretty good. I kept the broken head as a souvenir (or a warning?), and there it is. The broken Ibanez.

sold down the river

Under the toun of newe Troye,
Which tok of Brut his ferste joye,
In Temse whan it was flowende
As I be bote cam rowende

(John Gower, Confessio Amantis)

a ship on the thames

Another boat? Yes, this one was on the Thames last year, and so today I drew it into my small wh smith sketchbook. There’s the City in the background. I always seem to draw London in black and white these days; is it becoming like an old film to me already?

In this time of incredible financial turmoil, a picture of something actually staying afloat in the financial heart of the City.

bic to school

bag

It’s that time of year again. Things start getting busy in the academic world. I invigilated (or ‘proctored’ as they say here) an exam today, during the air-conditioned silence of which I drew part of my bag (“draw what is in front of you”) in my rhodia notebook, in ball-point pen. I like drawing in biro, though I don’t do anything other than scribble endlessly and mindlessly in it (this accounts for at least 70% of all the drawing I do, mostly scowling faces and figures with lightsabres or football shirt designs, which you never see). Squared rhodia paper seems so appropriate (and I love it, it reminds me of France). Behind the bag, some of the extremely hard stats stuff, none of which I could make head nor tail of, but which I’m sure looked like elegant poetry to the trained eye.

buttons

nice with tea

nice with tea

Last week I was lucky enough to receive a package in the mail containing Cadbury’s chocolate buttons, sent from England by the fenland artist Anita Davies (check out her artblog). I had commented on one of her drawings (of a cake covered in chocolate buttons, it looked perfect to have with tea) that I had been moaning to myself that I can’t get Cadbury’s Buttons here in the US, and so she offered to send me some in exchange for a drawn postcard.

Cadbury’s Buttons for a drawing, well how could I refuse, and so I draw the picture below and popped it in the mail. It’s a picture of the Silo, which I’ve drawn on many a lunchtime (but a place which completely fails to sell Cadbury’s Buttons). It went from one flat land (Davis) to another (the Fens). I soon received my choccies (various different size Buttons, plus two ‘Freddo’s which were dunked in tea and eaten almost as soon as I saw them). Cheers Anita! Much appreciated.

So, folks, I draw for buttons.

but not for zips

but not for zips

Tell you what, I do love Cadbury’s Tiffin too…

and when it’s cloudy we say nothing at all

two bins and a bench

Yes; lunchtimes are getting a bit uninspired. Did this at the silo today during lunch. I’ve not drawn this week, until this. I just had to get the sketchbook out and draw the first thing I saw: in this case, a bench and two bins. Moving very soon to a new apartment in exactly the same complex, and moving means mind occupied. Especially since AT&T (named after the galactic empire’s battle-transport du choix) tell us that, even though we’re moving less than a hundred yards across the parking lot, same address, our internet speed will only be a third what it is now. That is, as they say here, bullshit man. I wonder if it will take a third as long to look at my website? I hope not.

At least the weather has gotten a little cooler. It’s so much nicer here when it’s not so hot. Really nice, I mean. I know you have had shitty rain in England almost all summer; sorry about that. We’ve not had rain since I don’t know when. Clouds? What are they? I forget.

Moving, though. I hate moving. Ever.

you do the math

mathematical sciences building

I don’t like that expression, by the way. Plus being British I’d say ‘maths’ (though being a Londoner it sounds more like ‘maffs’). A lunchtime sketch; I’d never drawn the front of my work building before, so thought I should give it a go. since one of my other drawings will be adorning the front of the chemistry dept’s new handbook, maybe i’ll use this sketch for something one day too. Or not. There are then still things in Davis I’ve not drawn. It’s just usually too hot to draw them (he says with several full sketchbooks).

Mathematics…it must be popular in California, you always hear about all those math labs on the news, I think. At school, all I wanted was just to pass maths, no better. I quite hated the teacher of the top class, Blindty, an ancient creature who had been teaching there since before Pythagorus got into triangles, and he quite disliked me; well, me and almost everyone else. So I requested to move into the second class (and tried my best not to get moved back up), and as a result had a much much better teacher, Miss Barker, and I passed the GCSE no problem, and restored my self-esteem. I left maths behind at 16, but I’m still pretty good at the numbers game on Countdown. Perhaps I should try to become Vorderman’s replacement?

the last day of august

midtown, the last day of august

On Sunday, the last day of August, I caught the bus to Sacramento and walked around in the breezy sunlight, walking up to midtown, sketching a couple of things as I’ve not done here for a good while now, not since the sketchcrawl in March. Above, powerlines and some buildings and trees (for a change, eh), while below there is an old building I’ve wanted to draw for a while,  the one next to the Streets of London pub on J street. Well now I have.

big old house in midtown sacramento

never his mind on where he was

Encore, my illustration friday entry this week: “Memories”, this time with colour. Not much colour, but some colour. I posted the black and white version yesterday. It’s an homage, or even an homage of an homage. I forget now.

misty watercoloured

Memory is a funny thing. Whole academic programs are set up around the very idea of memory, its uses, its effects on future actions, plus lots of other stuff I don’t quite know (or have forgotten). In the days before literacy, memory was of vital importance, to keep laws, to pass on traditions, plus lots of other things I can’t remember. Our incredible capacity for memory became less well exercised once things began to be written down – we trusted paper for permanence, rather than agreed ideas on what really happened or what the rules really were. We also began, everntaully, to equate language with what is written rather than what is spoken – a huge mistake if you ask me. But anyway back to memory. Do you remember, in the days before we all had cellphones, that you used to remember most of your friends’ phone numbers? You had to, in case you needed to call them. But now you just press their name in your nokia. Memory capacity unexercised. I don’t even remember my own cellphone number now. I don’t have to. So what’s the rest of my brain doing when it’s not being used remembering things like that? I forget.

As for what happened in our lives… it’s funny how quickly things whisper away from your thoughts. People, places, ideas; yet, if we have a small token from them, doesn’t matter how small or insignificant, we have a greater chance of retaining that memory. Photos are one thing, drawings are another. Each of these things above have some sort of meaning to me. I’d be happy to explain.

hart times

hart hall

Do you remember Take Hart (and it’s later incarnation, Hart-beat)? Tony Hart was the art guy for a generation; famously named after three body-parts, he could do near anything with corrugated cardboard and poster paint (just as his caretaker Mr Bennett could always be trusted to get his foot stuck in a bucket), though most of us watched it for Morph, the little brown plasticine guy who could phase through tables but nothing else, and of course The Gallery. “Now it’s time for the Gallery.” For those Americans who don’t know, this was where the work of Britain’s young artist boys and girls was displayed to a backdrop of lift music and unpredictable camera-movements. Kids up and down the land who had submitted their work would sit anxiously, hoping their drawing of their cat would bring them a moment of fame. Kids who drew all the time. Kids like me. But not me.

I never submitted anything to the Gallery, because they had one infamous proviso: you will never get it back. “Pictures cannot be returned,” he warned us. So I did not send Tony Hart any of my drawings, preferring to wait until the internet age to start a sketchblog, and forego the music. I wonder what they did with all those drawings? Do they still exist? Does Tony Hart keep them locked in some underground storage facility? One day, they’ll surface; he or his ancestors will go through them and find an original Tracey Emin aged 7 (“this is everyone I ever ate crisps with”) or one by the 8 and three quarters year old Damien Hirst with his earthworm suspended in pritt-stick glue. And they’ll be worth millions.

Oh, the drawing? Sorry, yes it’s Hart Hall, UC Davis, and has nothing to do with the art-loving Tony at all. Drew and painted it today at lunchtime while escaping slowly moving shadows.

half the world away

I finished the world-saving sketchbook project back in June, and mailed it off last month in a purple envelope (from paperchase, if you’re wondering), and tomorrow (Fri Aug 22) it will be exhibited with, well not quite 499 others (not all those sent out were finished), but quite a lot of others. The project is run by the arthouse co-op in Atlanta, Georgia (not that Georgia, the other one), and the event will be kicking off at around 7pm eastern time (or 4pm here on the West Coast; that’s midnight to you in London).

saved

And it will be streamed live online at http://www.arthousecoop.com/live/. So Londoners, tune in when you get in from the pub (ok, watch it from the still-open pub on your iPhone, but make sure it doesn’t get nicked by any hoodies or anything), and keep your eyes peeled, maybe you will catch a brief brief glimpse of my little one. Sketchbook, that is.

I have been looking around the information superhighway lately (remember when it was called that?) to see who else has done this project, and compiled the following admittedly short list of fellow world-savers. Didn’t actually find many, so I was pretty pleased to discover two others based in Davis. Most interesting to see all have interpreted the project uniquely; I think I might be the only one however to advocate using a spider-killing aerosol as a means of saving the world, but each to their own I guess…

Karen Blados (Cleveland, OH) 
Blue Bicicletta (Davis, CA)  
Pica (Davis, CA)
Planetmithi (Bristol, UK)
This Chicken (Oxford, UK)
Joseph Tomlinson (WA)  
JT (Cleveland, OH)  
Craig (Cleveland, OH)  
Woman of Color (Atlanta, GA)  
Kirihargie (Portland, OR)
Metrochic (Scottsdale, AZ)

Needless to say, if you too have done this project and have put the pictures somewhere the world you have saved can see them, then I’d like to add your sketchbook to this list . Hope the show goes well; I hear there may even be a book.

http://www.flickr.com/photos/arthousecoop/
http://arthousecoop.blogspot.com/2008/07/mail-time.html