Another one for the boy. This Big Digger was parked on the UC davis campus on Thursday lunchtime, and I sat in the sunshine, lathered in sunscreen, beneath my big black shady hat and sketched it. The fields are the usual end of June brown, despite Tuesday’s shock out-of-character deluge (end of June Brown? she plays Dot Cotton doesn’t she?). We say brown, but it’s yellow ochre, more like gold. California is the golden state after all. I was going to sketch the Robert Mondavi Institute from beyond its vinyards (next week) but this industrial brontosaurus just roared out to be sketched. How could I resist? Drawn with micron pigma 05, coloured with watercolour, on the last day in June. Wow, already June has become July…not long until a certain international symposium..!
Tag: art
get shirty
After the argument about my rights as an urban sketcher, I decided to draw other window items that I thought would look good on my sketchbook page. It’s all about balancing out the sketches on the page for me – I like my books to have that composition. After two very feminine items, it was time to move onto the sporty shirts. I don’t think I’ve ever been into the Davis Sport Shop on E Street, but if I ever decide to get a baseball jersey (and since we’re such big Giants fans now) it’s good to know there’s somewhere downtown. This item was next to an Oakland Athletics shirt, but I left that one out (though I am told that the A’s owner is a Tottenham fan, which is to be commended). Next I went down to probably my favourite shop in Davis, Soccer & Lifestyle on 2nd Street (in fact it was discovering this place, a shop which primarily sold football shirts, that swayed me towards choosing to move to Davis in the first place). I had to see the new shirts that had just arrived – Milan’s one is nice, I like the thinner stripes, but am not sure about all the white detailing. The new Barcelona kit had just arrived too, and it was the player (rather than replica) version, slightly tougher and more durable, and more expensive to boot, but I can’t say I like the odd design of the new Barça shirt, it’s either one for the ‘what were they thinking’ threads or ‘cult-design-must-have’ sections in future football kit forums. I’ll save all that for a future ‘footy-kits’ post, you get them every year on petescully.com – I am in fact a huge football shirt (or ‘soccer jersey’) geek. Keeping with the ‘in-window’ theme, I drew the current Mexico shirt; they had just beaten the US in the Gold Cup final with an amazing goal by Tottenham’s Dos Santos.
whatever i choose, and i’ll sing the blues if i want
The thing about urban sketching is that for the most part people are friendly, and if you are courteous and respectful most people are respectful to you as well. Every so often however you get someone that confronts you, rightly or wrongly, and this can sometimes leave the urban sketcher feeling like they don’t want to be out there drawing any more, or it makes them determined to draw even more. Either way, it is good to remember that the urban sketcher does have rights while doing what they do in a public place. I had an argument about those rights yesterday, when I sat down on the sidewalk nearby a boutique in downtown Davis (which I won’t name; just imagine Bianca Butcher’s famous catchphrase) to continue sketching my series on clothing dsiplayed in downtown store windows (see my previous post).
No sooner had I sat down and opened my pencil case, the owner of the store came charging out demanding to know what I was doing. I told her, I was planning to do some sketching, that I’m an urban sketcher. She told me quite pointedly that I cannot do that and it is not appropriate to draw products in store windows, and started shooing me away. I must point out that I hadn’t actually drawn anything at this point, and I was sat by the kerb on a public sidewalk; it wasn’t like I was in the doorway or had my nose pressed against the window. I introduced myself as a local artist and told her who I am and what I do, and flicked through the pages of my sketchbook to show her what sort of things I draw, inviting her to check out my online work. She however was not in the slightest bit interested, and told me I had no right to draw there. She said that I could be copying the designs of her dresses so that Chinese manufacturers could reproduce them (her words). That took me back a little; fair enough, perhaps, you’re worried about your work being ripped off, but your products are on public display. I told her that actually I have every right to draw sketches of that which is in public view from a public place; it’s not like I was in the store. She argued against that, telling me that she was a manufacturer and reiterating that I don’t have any such rights. “What if someone stood here and took a photo?” I asked; that would be much easier for any passing industrial spy, Chinese or otherwise. She told me that was still not allowed, and that she’d actually had that happen to her before and had dealt with it (though she didn’t say exactly how).
The thing is, in the United States photographers (and urban sketchers by extension) absolutely do have rights to make images of whatever they like in a public place (such as a sidewalk or park), be it a person, a building or a shop window display. Many people don’t actually realise this, which is why sometimes artists are unlawfully harassed by security guards outside public buildings or by people not wishing to be photographed, or by shopkeepers who have some notion that by drawing those products which they have put on public display in their window (and which remain on public display after the store has closed) is somehow off-limits for anyone passing by with a sketchbook or a camera, even if they are very pretty dresses which they made themselves. For a nice downloadable flyer explaining your rights in these cases visit this site here (written by attorney Bert Krages); it’s not a bad idea to print it out and carry it in your sketchbook or camera case.
By this point, I didn’t particularly want to draw her window display any more. Her abrasive attitude had put me off (plus the clothes were not even that interesting to draw). Though I thought I’d made it clear I wasn’t a Chinese spy, she still persisted in shooing me away like a dog. I pointed out that I am more aware of my rights than she is and that I can draw whatever I like; I could even draw her. I turned slightly and chose to draw a San Franciso Giants shirt in the shop next door (that sketch will be in my next post), and she seemed to feel like it scored her a victory because she smirked and said I can go off and draw what I wanted. I told her she was very rude.
As an urban sketcher I am always very conscientious of who or what I am drawing. I rarely draw random people (and when I do they’re usually just part of a larger scene), because I’m nervous about personal space, unless I let them know. I tend to prefer drawing other sketchers, or performers. I also don’t draw inside shops without asking. Even out on the streets I don’t like to be in the way, prefering to be invisible, and didn’t much like interaction, things I started to overcome only last year at the Portland Symposium. Now I am happy to talk about my sketchbooks and am very open about what I do, and I encourage others to get out with their sketchbooks and draw their world. I understand my rights, but try to be respectful whenever I sketch. I didn’t deserve to be confronted and told explicitly that I don’t have rights which in fact I do have.
So here’s a suggestion for that store owner – put a little sign in your window, politely asking that people do not photograph or draw your window display. You cannot legally forbid it, but you most people might respect your wishes. If you don’t want people to see your products, display them away from public view. And for urban sketchers across America, whatever people may tell you – know that you have rights!
window dressing
The last few sketches from Saturday’s sketchcrawl: things seen in shop windows. I like drawing the colourful dresses, it’s very rewarding drawing all that fabric. The pink one was in the window of ‘the Wardrobe’ on E Street, and the blue dress was in ‘Preeti Girl’, on the corner of E and 2nd.
Meanwhile, I also sketched this lovely cuddly cow that was in the window of the Mother and Baby Source on 2nd Street. Cows are popular in Davis, some even call us ‘cow-town’. Cows are funny creatures. What is a Cow’s favourite TV show? Graze Anatomy. Ok I’ll restrain myself from any more of the the many bovine-related puns out there. Anyway, the next sketchcrawl in Davis will likely be on July 23, the day of the Worldwide Sketchcrawl (though I won’t be there, as I’ll be in Lisbon…)
waiting on the corner staring through you in your different world
More from Saturday’s Davis sketchcrawl… we moved from the station and went down Second Street, and I stopped outside Subway to sketch the little row where the Village Bakery is found. The restaurant there is Our House, which is, er, in the middle of, yes you get the idea. there used to be a nice Tapas place there, we went to a couple of times. For this sketch I decided to try out the Uni-ball Signo UM-151 most awesome pen ever, to see how it worked on the rougher watercolour moleskine paper, and how it really takes a wash. As expected, it did dull the wash a little, and being a thin nib it meant harder work on a larger drawing such as this (I have other pens that can do the job but it was a try-out) but on the whole it worked pretty well. I was sketching with Stockton artist Salvador Castío and Rio Vista artist Janice L-h. There is Salvador there in the drawing; I have followed his work for a while, and it was great to see it in real life, larger than expected, very strong lines and precise hatchwork (see his blog here). Janice’s sketching work was great, she had wonderful books of drawings from all over northern California, but her Davis sketches were amazing, an excellent style (check out Brightflyer, her Flickr site). I sketched her too, below, using purple micron pen with a background of the scribbles of paint from the previous drawing.
Also above, a motorcycle sketched on 2nd Street. I would have sketched the whole thing but I ran out of page. A few more sketches to come…
drawing davis on a hot june day
Saturday was another ‘Let’s Draw Davis’ sketchcrawl, and after a very hot week several sketchers braved the sun and came out to sketch Davis. It was nice to see new faces, as well as some familiar ones too. One of the things I like about these sketchcrawls is the opportunity to not only sketch with other artists but also to talk about sketching, pens, paper, technique, sketching bags, etc. It’s always nice to know you’re not the only one who thinks about these things. It’s nice sketching down by the station. Apart from the odd train rolling in and rolling away again, it’s very quiet, and peaceful, with lots of places to sit and lots of shade. Anyway, for this sketchcrawl I was working in two sketchbooks – the main watercolour moleskine, and the small ‘red moley’, which I started last weekend (and am already halfway through). These few colourful pages are in the small red moley, quick sketches, people sketches, on pre-washed paper. Above, Rio Vista sketcher Janice sketches the station in the sun, flanked by Jana from Sacramento and Nathan from Davis (both also sketched below). Trying out something new! I like the effect of the purple sketch.


I have to draw the station of course. It’s a lovely old building, but dare I say it’s a bit of a bugger to draw. I have attempted it a few times, but always have trouble with the precision and location of the arches for some reason. Still as a reasonably quick sketch you get the idea and that is the point after all.
More to come!
the gods of old are silent on their shore
Page 2 of Moleskine 8, another hot day but not scorching like earlier this week, and it was windy so everything felt dry. These standing stones are an art installation on the UC Davis campus, near the Silo (there is the oft-drawn Bike Barn behind it, sketched today at lunchtime (whole sketch took about 40 minutes).
Another “Let’s Draw Davis” sketchcrawl tomorrow! Meet at 11:00am by the Amtrak Station on 2nd Street. Everyone welcome!! Davis doesn’t just draw itself you know…
hi-tec test pilot
I received my batch of amazing pens today from Jetpens, and am now the salivating owner of many new and different-coloured uni-ball signo um-151 wonder-pens. I cannot wait to use them, and draw lots of detailed drawings like that one I did of Crouch End last week. I also got another pen I had heard many good things about, the hard-to-find (in-non-Japanese-stores) Pilot Hi-Tec-C, which someone had shown me on a sketchcrawl three years ago and I had searched for ever since. I don’t usually buy new pens online as I like to try them first, and that explains why I bought (for some bizarre reason) a size 0.25, which believe me is ridiculously small. It’s a bit like drawing with a needle. It’s nice but probably more geared for those tiny tiny line drawings (so I know I will get use out of it!!). I tested it out with a sketch while sat on the couch in the small red moleskine cahier. Hi-Tec… nothing to do with the trainers. We used to laugh at them back in junior school. Hi-Tec were just one step up from Asda-Boppers.
It is REALLY hot in Davis. It hit a hundred again today. I read that a lot of people in south Davis lost power last night because of a transformer (yes I thought it was a big robot) blowing up in the heat, our lights were flickering all evening. It’s summertime…
praising the way it all works, gazing upon the rest
Side one, track one of Moleskine #8. The eighth of my watercolour moleskines, that is (the ‘difficult eighth album’? Do I get a Greatest Hits, or just a ‘Best Of’? They’re all ‘Live’ albums; maybe this should be the ‘White Moleskine’, but such a thing doesn’t exist, yet; better get on that, moleskine). Either way, this is the fifth annual drawing from this very spot of an ever-changing view, Mrak Hall at UC Davis sketched from Putah Creek, with the now finally complete King Hall extension blocking the view.
Today is the longest day of the year, and certainly the hottest so far – we measured 106 degrees at one point driving home. Scorching weather and Davis go hand in hand. While sketching, I listened to the new Art Brut album, ‘Brilliant! Tragic!’. I didn’t find it quite as brilliant as their previous albums, but I loved the song ‘Sealand’.
Anyhow, because this is an evolving view, here are the previous years, for comparison:
splish-splash!
We went to Six Flags Discovery Kingdom at the weekend. It is a large theme park in Vallejo, formerly known as Marine world, and alongside the enormous scary rollercoasters and thrill rides there are plenty of zoo animals, such as tigers and elephants and alligators. However, their main attractions are of course the marine life. I have never seen a walrus in my life, but wow those things are huge! They moved about too fast in their pretty small tank for me to sketch, but I did take the opportunity to sketch some of the shows we saw. Above, in a packed amphitheatre, Shouka to Killer Whale danced about for the audience. I’ve never seen a killer whale show to my memory either, and it is quite amazing how high those massive beasts can jump. It reminded me of that stupid Shark v Octopus film, which we caught on TV the other week (and watched for its utter ridiculousness). Shouka was a far better entertainer, though she didn’t take bites out of any jumbo jets. I was amazed to learn that killer whales are found everywhere in the world, equalling human beings in their dispersal. Funny how you never hear see them at the supermarket or on the subway though.
We also saw the dolphin show, acrobatic and charismatic, they even sang songs (probably “goodbye, and thanks for all the fish”). My son in particular loved the dolphins. I sketched while he watched, trying to capture them as they dove in and out, and I managed not to get my sketchbook splashed on. I started a new small cahier moleskine, I’m calling it the ‘red moley’, for small quick in-your-pocket sketches. I am about to start my next watercolour moley (number 8) but these ones are fun to have too.
We saw sharks, and sea-lions, and I got to sketch a very sleepy lioness (opposite the enclosure of a sleepy and very cuddly looking tiger), while we sat for a rest, feeling very sleepy ourselves. I enjoyed the butterfly habitat, with all its colourful butterflies flying around us, and sketched one beautiful (and patient) one. We got milkshakes – by the way, if you go here and buy milkshakes, they won’t give you a straw to drink it with, ‘for animal safety’. The plastic forks and spoons and other junk food paraphernalia is allowed for some reason but straws are all out. I didn’t go on any rollercoasters, though I did start to queue up for one (until I got to a sign saying it was 60 minutes until the ride – no thanks). Eventually I did go on one ‘thrill’ ride, called Voodoo, which just straps you in and spins you around and around before letting you feel gravity and fear for a second or two, before it’s over. I had my eyes closed for most of the time. It was a tiring but fun family day.



















