The last one from last weekend’s trip to San Francisco, finally scanned and stitched together photoshopically. I don’t get to draw great vistas in Davis, not like this anyhow. All those panoramas from the Art of Urban Sketching and Sketching in Lisbon books have inspired me a little, so while up Telegraph Hill last weekend (where I saw none of the famous parrots but did see quite a few hummingbirds) I sat on my stool and drew what I could. I was there for almost an hour and a half before the sunshine got the better of me, but I didn’t fancy overdoing the details anyhow, I liked the skyline as it was. I mostly used a uniball vision micro.
i’m only a droid, and not very knowledgable about such things
Wow, you MUST think I’m obsessed with fire hydrants, right? Well I am alittle. I can spot differences and everything now though. But I’m no expert, I don’t even really know how they work (it’s basically a tap, right?), and I know the colours on the caps signify some sort of difference in water pressure or something, maybe, but I like to think they’re just fashion choices on the part of the hydrant itself, which is of course a little robot with thoughts of its own. The one on the top left, drawn on the sloping streets of Telegraph Hill in San Francisco, is related to R2-D2, but probably more of a ‘Moopet’ version, with a graffiti tattoo and chains. Perhaps those pentagonal bolts are really restraining bolts, like the ones fitted by Jawas. These larger, fat hydrants are common in SF. The green-capped one on the left was on Union Street. I actually sat a little bit off the sidewalk to sketch it from the preferred angle, shielded by a parked car. At one point though a girl came up and asked if she could photograph me sketching. I forget how odd I look when I sketch, all hunched over and tangled up.
going rogue
This is the Rogue alehouse in North Beach, San Francisco. I have been here before a few times, so stopped in for one of their delicious Rogue Red beers (they have a lot of different beers). Rogue are based in Oregon, and I did find the Rogue in Portland when I was there in 2010. This place was pretty busy; when I came in there were quite a few afternoon barcrawlers drinking copious amounts of Bud Light (seriously, when there is so much decent beer on tap, they drink Bud Light?) and following them down with shots of something or other (mouthwash, presumably). I started drawing, as I do, though I was sat at an awkward angle at the bar, and was right by where everyone was queueing for the bogs.
all creatures great and small
Don’t be distracted by the scale of the sketches, these vehicles are polar opposites in size. But I don’t really need to tell you that. More from my sketching day around North Beach in San Francisco. I saw the small Smart Car perched on Union Street and given my recent batch of yellow vehicle drawings, I had to sketch it. It’s a little bit like an updated Guido from Cars (incidentally, have you noticed how the sterotyped Italian is still a mainstay of kids cartoons? Guido and Luigi in Cars, Cow Bella from Pajanimals, Bella Lasagne from the old series of Fireman Sam, Mr Carburettor from Rory the Racing Car, Mr Sabatini from Bob the Builder, that Crow from Dangermouse…). The one below was parked on Columbus, almost as a tourist attraction, so many people were stopping to photograph it. It was indeed a thing of beauty, long, sleek, open topped, classic. I had to stop and draw it – I checked the parking meter first though, to see how long I might have. Twenty minutes, good good, but I kept it small. Eventually the owners did come by, two fellows dressed in SF Giants gear (it was FanFest at the ballpark that day), and they were happy to let me keep drawing, in fact they were even letting passers by get into the car to take photos! I showed them some of my other drawings, and they told me I should go to Belmont, where apparently they paint the fire hydrants up like people. That’s a place I have to go to!
fly away peter, fly away paul
Another one from last Saturday’s solo sketchcrawl around San Francisco. This is the Church of Saints Peter and Paul in Washington Square, North Beach. You may have seen it in Dirty Harry briefly. Peter and Paul; I suppose if you’re going to name a church after saints, they’re the big guns really, and here you get two for one. North Beach is the Italian neighbourhood of San Francisco. It was a busy afternoon in Washington Square, lots of people about – there usually are, whenever I sketch down there. This time there was a large crowd of people in red dressed as pirates of some sort, out on some heavy drinking bar-crawling event of some sort. Never really seen the appeal of pirates, comedy or otherwise. Anyway, I enjoyed sketching this, with a uniball signo pen in my Stillman and Birn sketchbook.
san francisco, one morning in february

First post in a few days, but I’ve got some drawing done… I went to San Francisco on Saturday for a whole day of sketching, because the weather was nice and it was nearly my birthday (in fact it’s today). The first thing I did after arriving at the Ferry Building was head straight up Telegraph Hill. Well no, the first thing I did was buy a walnut brownie, as I always do, but then I went uphill. I wanted to draw a big panorama. the problem is, unless you go up Coit Tower itself (and why would I do a sensible thing like that) the good views are mostly broken by trees. For the sketch of the Golden Gate Bridge above I had to stand on a wall besides quite a steep shrubby slope. But what a view! And no morning fog. 
I did much the same for the second one, looking in the other direction. That’s the Bay Bridge, with the Ferry Building in front of it, and the financial district overshadowing it. These were drawn in my Stillman and Birn sketchbook, the one I got from the Lisbon Symposium, but only just started using. It was very nice too. Watercolouring will take a little getting used to after so long with the watercolour moleskine (you can’t lay it on quite as thick) but it’s pretty nice with the pens, so far. These were done with a micron 01. More SF sketches to come…
prickly business
and the seasons they go round and round
Here is another familiar scene, but drawn in a different way, at lunchtime today. My recycling bin is always bursting at the seams at this time of year, so I like to recycle the nicer brown envelopes for some sketching. I used a different pen, a black Y&C Calligraphy pen from Japan (well, from the University Art store in Sacramento), which was really fun to draw with. I have drawn this same view, of the south Silo from the steps of Bainer Hall, every six months since mid-2007, once in Winter, once in Summer, once with leaves and once without. One way to capture the changing Davis seasons. Here are the others…
call her green, and the winters will not fade her
I’ve not been feeling well the past few days (I’m home doing nothing but watching telly, drinking tea and listening to the dishwasher right now), but yesterday I managed to get out for some fresh air on my bike, and cycled around Davis in that laborious way you do when your legs are saying, you should be at home on the sofa. The sunshine was good for me though. I stopped on 8th street to do some sketching, after I saw a row of bicycles, each painted tip to toe in a different bright colour, nailed to stakes alongside someone’s garden fence. That’s peculiar, I thought, so I drew the lime green one. It’s so green it reminded me of Fungus the Bogeyman. Interesting public art in a bike-mad town.
the art of urban sketching!!
Very exciting news!! They’ve only been and gawn and done it. Check out your bookstore this week, and see if they have a copy of The Art of Urban Sketching, the first book by the global non-profit, Urban Sketchers! As you may know I am the Urban Sketchers (USk) correspondent for Davis, ever since the site was first founded back in November 2008, so have been eagerly anticipating this book since the USk founder, Gabi Campanario, first announced he was putting it together. He has done a tremendous job, as have the hundred or so other contributors (all correspondents on either the main blog or the regional USk blogs). Check out the cover, illustrated by Ch’ng Kiah Kiean and Paul Heaston.
The book has three main sections: “Becoming an Urban Sketcher”, explaining what we mean by ‘urban sketching’ and how to take it up yourself, with peeks inside the featured artists’ sketching kits. The second section, “See the World, One Drawing at a Time”, which takes up the larger part of the book, is a voyage across the world, city by city, through the location drawings of local urban sketchers. Yep, Davis is in there too! See below; there’s a photo of me sketching with Luke, and of course, some fire hydrants. It looks great!

The third section is called “Drawing Inspiration”, and is divided into several themes such as ‘skylines, cityscapes and perspectives’ (a beautiful panorama by Gerard Michel is in there, plus one of my absolute favourite sketches, Toledo by Luis Ruiz), ‘monuments, cars and urban furniture’ (check out the great Bay Area lamp-posts by Jana Bouc), and ‘cafes, restaurants and bars’ (my favourite bar-sketcher, Stephen Gardner, is featured in there). Believe me, there is a lot in this book, and it is all excellent and inspirational.
There is part of Gerard’s panorama above, with cityscapes by Stephen Gardner and Shiho Nakaza, using that brown-black uniball signo pen that I love so much (I ‘discovered’ its delights myself last year, but it was Shiho who actually first showed me the pen, at the Portland Symposium).
What I think I really like about this book is that I feel so familiar with most of the work, through following all these urban sketchers over the years. Some of them I was less familiar with and can now discover or rediscover without having to click here or scroll down there. The biggest pleasure though is that this is all work by a community of sketching friends, many of whom I have had the honour of sketching alongside and learning from in person. Every time I pick it up, I want to go and draw something. And I’m sure you will too! The thing about urban sketching is that it’s accessible to all, all you need is soemthing to draw with and something to draw on. Oh, and something to look at, of course, and what better thing to look at than the town or city where you live?
The Art of Urban Sketching is published globally on February 1st, so check out your local bookstore and see if they have it or can order it for you, or of course get it on Amazon (it’s currently #1 in their section on ‘painting’!). I’m on pages 30, 46-47, and 381.























