blue, blue, electric blue

Illustration Friday: Electricity
electricity

The IF topic this week was more interesting than recently, I think, and I had all these ideas, yet none really turned on the lightbulb, you know? Then I realised that all things in nature resemble each other, and if you had to describe the shape of electricity, frozen electricity, hardened into a solid object, it wouldn’t look a million miles from a bare tree. A Van de Graaf tree. Or, for that, the patterns of a river delta seen from the air. Or the capillaries underneath the skin.

Or maybe I’m barking up the wrong pylon?
 

you’re gonna be the one that saves me

This week I received a small thin moleskine sketchbook, which I am to fill with drawings etc to the theme of “How to Save the World”. how to save the worldIt is for the Sketchbook Project, an event organized by the art house in Atlanta, Georgia; they mail out 500 sketchbooks worldwide to people who have signed up, the sketchbooks are filled and returned, and then exhibited all together. It’s a pretty interesting event, though being so far away I’ll not see it.

It reminded me a bit of the 1000 Journals Project; I bought that book last year, and was blown away at the creativity of some people. I’m not sure I’ll be quite as colourful, I will probably just draw as I always do. Except without watercolour, I don’t think the thin paper will be able to handle it.

I decorated the cover already, there it is look. And some of my pens. And, appropriately enough, a super-villain/anti-hero. I may post some of the contents from time to time. It must be finished by the end of July.

tummy time

I’m still practising drawing Baby, and here is young Luke – at 14 weeks old – practising tummy time. He’s pretty good at it – see how well he hold his head up now! – and rolled over for the first time on Saturday. Well done little dude! He’s cooing and babbling a lot now, he has strange conversations with the ceiling fan. He is just so interested in all of the world around him.

tummy time

I’ve drawn the eyes a bit too big, and the head’s probably too long. I drew this in copic 0.05, with cotman watercolours, in the baby’s journal, drawn from a photo taken at the weekend. I normally draw Luke in pecil but have been trying to do pen, even though you cannot erase your mistakes when the eyes look too close together and stuff, and I quite like the effect in this one.

more attempts at drawing baby luke

Here are some more pen sketches of Luke from his journal showing his difficult to capture baby expressions. I’ll keep practising!

i think i know, but i don’t know why

SEED

My illustration friday entry for this week, theme: SEED

and so, a load of pens, what’s that got to do with seed? Geoffrey of Monmouth and Baugh & cable; seed? I tell you it has, and you know the answer. It’s quite a lame connection, to be honest.

This was, incidentally (for pen fetishists) drawn in copic multiliner 0.05.

By the way, I like the difference between ‘A History’ and ‘The History’. I think you should always trust ‘A’ over ‘The’ (especially a Galfridian ‘The’).

(yes, Galfridian is one of my favourite words – actually, it is my favourite word – and I always look for an excuse to use it).

stop dreaming of the quiet life

stop dreaming of the quiet life

What a great week for british football, what a bad week for the labour party, what a terrible week for London. Now let’s see how many election promises boris can break (banning bendy buses? you are, as they say, avinalarf, intya). My own week started off badly; After a sad rescue attempt, I finally abandoned the bike, being unable to move the back wheel at all. I felt very sad, like I was shooting my horse or something. None of my tools could fix it (yes, I have the odd tool). Then a bird pooed on my new trousers and favourite shirt. I’ve also been off drawing, just haven’t been able to do it, partly just bored with the same trees at lunchtime, partly head interior all fuzzy. Hey, it’s May; funny how that happened so quickly.

This is the back of my building at work, lunchtime today, from a bench. I will draw in colour again, I promise.

tombé en panne

G & 4th, davis

Today was very hot in Davis; not good for allergies, not good if you hate bugs, not good for redheads like pete. After spending the morning playing guitar to the baby I decided to get out on the bike to draw. My bike, however, did not think so. After twenty minutes, on the bike path, it just died; the back wheel refused to spin. I wrestled with it in the heat for an hour, getting filthy, before taking it to a bike shop, where they apparently fixed it by turning a nut with a wrench. Ok, thanks, yes I tried that with my bare hands, that might have been the problem. I cleaned up, and finally got to draw something, choosing a particularly nondescript corner, in fairly nondescript sepia, because I was in a mood.

I then got on my bike to go home. And after ten minutes, the chain went, and then five minutes later the back wheel stopped again, stopped like a french worker in striking season (that’s about this time of year, usually). I had to abandon it, I had no phone with me, there were no payphones, and so I walked home defeated in the heavy heat.

I think the phrase is ‘Bugger’.

no colours any more

no colours any more

The silo, yet again, at lunchtime, encore une fois, in sepia, for a change, today. Hey. it’s at a slightly different angle. I sat on my little stool beneath a tree (it was a lovely sunny day). The last time I drew it though (a month ago, in sepia) the tower was bare, now it is full of leaves and a luscious summery green (um, as you can see in this very brown picture).

Brown…when I was a kid, I used to think Bran Flakes were actually called Brown Flakes, because they were brown, and we were from London, that’s how you say it. Bran Flakes.  Similarly, whenever Americans would talk of what we know as cling-film, Saram-Wrap, I thought it was called Surround-Wrap (again, makes sense, ‘cos it saraands it), because my accent said so. Quite a surprise when I found out. Maybe my way makes more sense. 

illustration friday: primitive

I still have all the postcards i’ve ever been sent. I still love sending postcards myself, from all the places I visit.

primitive

These days, fewer people bother. One friend told me he doesn’t send them any more, since there’s email and texting and facebook, but that misses the point of the postcard.  Another friend, on the other hand, he sends me postcards from various places he visits in the UK on his acting tours, and I love it. You don’t collect those emails in a dusty old shoebox that you come across many years later (one of the postcards in the picture was sent by my oldest friend, tel, from a holiday in devon when he was about 13 or 14, when it was the furthest he’d ever been; now he lives in korea). You can’t stick those facebook wall entries to your fridge. Writing and sending postcards does take a little effort, but it’s an enjoyable effort, and brings a little more sunshine into the world than seeing “inbox: 1”.

Here’s my illustration friday entry for this week, theme: primitive. Here’s to the more primitive forms of communication. Answers on a postcard. 

sitting in his nowhere land

nice place

The last, or the 24th if you prefer, of the You See Davis word/image unrelations. It has been fun. I will do more, similar things of equal unimportance. There may be slight differences. Rounded edges, perhaps.

This could be anywhere.

But it’s the large metallic window-sparse building called the ‘Death Star’ locally. I don’t know why; it’s not round, it has no superlaser, as far as I’m aware it has the ability to process a lot of paperwork but not yet functional to destroy planets, and I think its exhaust pipes are a little better protected. Maybe the locals know something I don’t? Tractor beams? There are a lot of farmers here…

the day breaks, your mind aches

aix-en-provence

I’m in California, but this is Aix-en-Provence. I spent a year there from 2001 to 2002; I met my wife there, and she met me there too. I drew this last night, Micron Pen 01, and intended to add a wash, possibly in a warm sepia; I still might, but quite like it as it is.

Aix is art country. I did draw a lot while I was there, and paint, but I wish I could go back and draw and paint more, in the way I do nowadays. The light is amazing there – like in California, but possibly better. You have toi watch out for dog-poo though, and dog-people.  Et les nains de jardin au parc jourdan, bien sur.