
Ok so for the first post of 2018 (or the 2nd, I suppose, since the last post ended up coming shortly after midnight) I am going back in time six months to some sketches I did not post back then. Back home, back to my native city of London. It’s funny, I’ve been away from London for a quarter of my life now. It will always be my city, but as each year goes by I feel further and further away. Yet no city ever continuously gives me more to discover. Almost two decades ago I was a tour guide, on an open-top bus with a microphone and a rainjacket, and in my spare time I would read history books, or explore streets on foot, looking for the stuff that has always been there but I have overlooked, walked past, ignored. When I was a teenager I would on weekends take the tube down to a different part of town, literally just to look around, as if marking my territory. I wasn’t just looking for old historic sites, but newsagents, shortcut alleyways, I wanted to see how the city connected together. London changes daily, a story that keeps being written. So on my last trip back, I took a day sketching down a stretch of the City that I’ve overlooked for too long. At the top, Smithfield Market. I’ve wanted to sketch this building for so many years and, well it’s just a little out of the way from my usual routes. It always requires a special journey, despite its centrality. It is essential London, yet, like Farringdon, feels like ‘not my London’, I feel like a stranger. And it’s quiet around here, there’s not a lot of foot traffic on a Saturday. This part of London has always creeped me out a little; it feels haunted. I would come down this way on weekends when I was younger and end up escaping back to the inhabited world of Oxford Street or Charing Cross because it was just so dead; now, this appeals to me more. Smithfield has a history alright. Located just outside the historic wall (the name comes from Old English smēðe feld, meaning smooth or level field) and was a place of many historic public gatherings, most notably the one at the end of the Peasant’s Revolt when Wat Tyler was killed by the Mayor, and in fact Smithfield has seen many famous executions, such as William Wallace. There were also great medieval tournaments here, but it is most well known these days for its market, which also dates back to the middle ages. The large covered Smithfield Market, primarily a meat market, was built in the 1860s by Sir Horace Jones. A couple of years ago a friend of my family, whose dad worked for years at Smithfield, told me I had to sketch it, and soon, so I promised one day I would. Now, redevelopment seems to be moving forward and it’s been announced that the Museum of London will move in to part of the market building. This section, looking up West Smithfield, is currently abandoned. Still feels haunted on a Saturday afternoon.

Holborn Viaduct is about as haunted as it comes. Look at it, it says ghostly London all over it. Even those dark statues look like cowled spectres from down here in the street. That red Victorian ironwork. Those dark arches. The lamps. Newgate prison was once in this area, leaving Holborn full of ghost stories, but this part of the city doesn’t need the stories. Poking through the modern towerblocks, crossing the busy tarmac carriageway, the whole place itself feels like a ghost. We don’t make places like this any more.
Finally, the Black Friar pub. Even the name feels creepy. That robed friar above the door. Yet this was the place that surprised me the most. I remember this area near Blackfriars Bridge as being constantly under construction, an easy place to get lost. And suddenly, this area feels open and brand new. The modern Blackfriars station just blew me away, and stepping out of it and looking across to this old tavern I had always known but never steeped into, and looking across the river toward the Shard and the modern changing metropolis, this was yet another London surprise. Maybe it’s because I’m a Londoner. The way the Black Friar is wedged into this junction was a delight to sketch, a nice test of perspective skills. It was pretty early still (I am listing these sketches backwards) but the pub was open so I popped in for a cup of tea. The interior is remarkable. The pub itself was built in 1875 on the site of the Dominican priory of Blackfriars, and is filled with carved wooden panels cheekily showing off priory life, in a comical fashion. One day I will sketch the interior, but on this day I just sketched one of the stained glass windows, of a friar standing next to a gate.

I do miss London! I want to explore this part of town, with all its ghosts and histories, in my 2018 sketchbook. I’ll need to wait until summer…
Month: January 2018
my 2017 in sketches
Happy New Year! 2017 just finished, and 2018 just started. I’m finishing this year with a cold. Here then, as is annual now, are all of my sketches from the year in one handy chart. A lot of the later sketches haven’t been posted yet (I only just scanned all of November and December tonight…there were not that many).
I drew a lot of Lego this past year. And people, mostly kids playing soccer. Christmas trees made a late surge. The shoes are back, and there were a few hydrants as well, and many obligatory plane/train sketches. A lot of travel was done, to Rome, to Venice (both of them), to London, to Hawaii, to LA, and other places besides. It was a very busy year, and to be honest some of it was a blur. Much of the year has been a steep learning curve too. I didn’t write a book this year though; in fact I didn’t do much writing in general, and that more than anything is something I need to improve upon in 2018. WRITE MORE. Write AT ALL. I sketched more in 2017, at least in the first half of the year, but there was a slight dip after Italy (well, what is sketchworthy after Italy?) and then a significant drop in sketching frequency in November and December, and even October was papered over by the fact I drew loads of small Lego sketches for Inktober rather than get out looking for things to sketch, but time has been limited. I’ve also started feeling the exhaustion of subjects in Davis; last year I determined to draw as many century-old buildings in this city, and I kinda did that, even creating a map for the centenary of Davis becoming a city (for the March sketchcrawl). There was no Urban Sketching Symposium for me this year, nor was there a themed London Sketchcrawl, so perhaps they will feature again in 2018. Again I did that thing where I failed to submit a workshop for the 2018 USk Symposium because I was just not confident enough in my ideas, but I did teach one workshop on perspective in San Francisco last June which I really enjoyed and hope was useful to those who took it. One thing I will do this year is learn the ukelele. I got one for Christmas, having taken a lesson with my son at Aulani in Oahu in November. I think I need a bit more music. 2017 was pretty hard going, news headlines and social media being a daily wind-up, and while I’m still begrudgingly reading the Twitters, aka the 24-hour hate, increasingly filled with battle droids and clones, I have limited posting on the Facebooks. I’m posting sometimes on the Instagrams which seems a lot less mentally irregular, but I haven’t got the hang of it yet. I have started making Lego animations, which unfortunately I won’t show you, but they are very fun to create. Anyway if I have any more resolutions, among them would be to go to more new places, see more new things. I did that in 2017, and those were for sure the highlights. I hope you have a great 2018, and if you don’t, well I hope you have a great 2019.
Oh yes, here is the comparison of the past five years of sketches. I have increased the productivity each year, and this year despite the dip I still came out ahead. I predict next year will be fewer sketches, but who knows? Maybe I will do even more.
Happy New Year again!

