auf wiedersehen, Berlin

Berlin Wall Memorial 082625 sm

I’ll finish up with the remainder of my Berlin sketches and thoughts. I definitely had a lot of thoughts when visiting the Gedenkstätte Berliner Mauer (Berlin Wall Memorial) in the northern section of the city, close to the Nordbahnhof. before heading up there I walked over to the Hackescher Höfe, which I had visited a couple of days before with Omar. I wanted to visit the art and bookshop there, at the Haus Schwarzenberg, which is covered in graffiti and has a stairwell full of art and posters and stickers (and signs saying not to take photos; I broke that rule). The shop I visited was called ‘Neurotitan’ and was an incredible place, I bought some zines and stickers there, and asked the assistant if they had Detlef Surrey’s book ‘The Wall Revisited’ (I’m pleased to say I held a conversation in German and was totally fine; normally I need a couple of beers before the German comes flooding back). I had heard that this store stocked it, but she said that the last copy had just been sold that day, probably by someone else who had seen his talk in Poznan. I showed her my sketches of that talk, she said that I could probably get in touch with the publisher to get a copy (I did, once I got back to the US, but it took some time and a bit of extra money – thanks a lot, bloody tariffs – to get one sent over to America). I had that book on my mind now especially because I was going up to the Berlin Wall Memorial, which Detlef had talked about at length. I took the S-Bahn out to Nordbahnhof (I realize that sentence implies that I simply got on the S-Bahn, and just went to Nordbahnhof, but leaves out that I got on the wrong train in the wrong direction at least twice, like when you try to fix a scratch but end up smashing up the table, but I did end up at Nordbahnhof in probably more time than it would have taken to walk). The Berlin Wall Memorial is a preserved section of the Wall and the Death Strip, along Bernauer Strasse. It was already early evening when I arrived at Nordbahnhof (sketched below), which during the Cold War was closed down, a ‘Ghost Station’ on the divided S-Bahn system, where West Berlin trains would not stop but passengers would catch a glimpse of a time capsule manned with armed guards. I found the Berlin Wall Memorial chilling. This was not like the East Side Gallery, here was the Wall as it looked, along with rows of metal poles installed like bars you can walk through. One section remains closed off to give an idea of what the Death Strip really looked like. Berlin is a city that dares you not to forget its past. On a metal display in the middle of the grass are the names and faces of every person who was killed trying to escape from the East into West Berlin, 136 in all. The faces as they look out at you, some so young – even children – was frightening. There were blocks occasionally showing where people were shot trying to escape. The Wall was up from 13 August 1961 until 9 November 1989. I didn’t get to see all the areas of the Memorial, nor the documentation center, but I sketched the Wall as the light was fading, then took a tram out to Prenzlauerberg and back to the hotel.

Berlin Nordbahnhof 082625 sm

After a late dinner of spaetzle from the hotel restaurant I walked back over to Hackescher Markt. All over Berlin, but especially around here where there had once been a large Jewish population, you find the ‘Stolpersteine‘, or ‘stumbling stones’, which are actually little square brass plaques in the pavement that are slightly raised so that you might trip on them, by design. Each has the names of people who lived there previously, usually Jewish but many Roma, homosexuals, disabled, who were removed or forced to flee by the Nazis, along with the year, how old they were, and their fate (you see ‘Ermordert in Auschwitz’ a lot). This is an initiative by the artist Gunter Demnig started in the 90s, and has now spread to many other cities commemorating victims of the Holocaust. Each of the Stolpersteine is handmade. Berlin makes sure it does not forget. I went back over to Hackesche Höfe and had a beer at the Cinema Cafe, which I sketched in the poor light. It is interesting that a lot of places in Berlin are cash only, where I got so used to using my card everywhere in Poland, same back in California. It wasn’t a busy evening, it was Tuesday, but it was an interesting cafe to sketch, and I used my fountain pen. The outside area of the cafe is in that alley with all the graffiti and would have been an interesting sketch, if I could find somewhere to sit with a good view, which I couldn’t. After this, tired, I went to bed.

Berlin Cinema Cafe 082625 sm

On my last morning in Berlin, at the end of my Poland-Germany trip, I was ready to go back to London but had a last sketch or two in me. I had considered adding in a short trip to Denmark onto the end of this adventure, since it was 30 years since my strawberry-picking visit there, but decided a couple more days in London would be better for me. I had also considered taking the overnight train from Berlin to Brussels, a fairly new service, and passing a couple of days in my old Belgian haunts, but I’m glad I didn’t in the end. It was nice to spend some time by myself in Berlin but it’s not 1998 any more. I walked down to the Museum Island (sketching a man fishing in the Spree along the way) and sat next to the Dom, drawing the view of the Museums in pencil.

Berlin fisherman
Berlin Museuminsel skecth 082725 sm

It is fun (and quick) to draw in pencil but I don’t really like straight lines much. I do love that sky though, and miss those wispy cloud skies. Before long I was back up in the wispy clouds myself, and sketched the view on my very small plane (see below). It was easy to get the S-Bahn out to the Brandenburg airport, but took a very long time getting through the security line, which seemed to have one line per baggage inspector and the inspector seemed to have to open up every single bag and inspect every single thing. I eventually had to ask them to let me through as I would miss my flight despite being there super early. Word of warning for you in Berlin airport, it can be slow. I flew back into a new airport for me though, London City Airport out past Docklands, a very small and convenient place to end up. I jumped right onto the DLR to Bank, and onto the Northern Line back home to Burnt Oak. Auf Wiedersehen Berlin, it was nice to reconnect after all these years. I would like to get back to Germany again soon, but I’d like to go back to the South and West again, maybe explore the Rhine Valley at last.

BER-LCY 082725 sm

west side

Berlin KW Gedanktniskirche 082625 sm

For my second full day in Berlin, I had a few things I wanted to do. You can’t do it all; I couldn’t for example go out to Charlottenburg, where I had never been; nor to Neukölln and Tempelhof, which had been recommended to me; nor out to Potsdam, which I had explored in ’98 anyway. Things always take longer when I have my sketchbook anyway, but I spent a bit of time going about on the U-Bahn and S-Bahn. I had a leisurely breakfast in my hotel room, sat looking out of the window and strumming on the uke, then headed out to West Berlin, to the Zoobahnhof, the busy shopping street of Kurfürstendamm, and to the Kaiser Wilhelm Gedächtniskirche (Kaiser Wilhelm Memorial Church) at Breitscheidplatz. I was covering old ground; this is one of the first places I visited in 1998 on the day I explored the city on my own. It is the shell of a large bombed out church, with the more modern church structure next to it, a large concrete edifice made up of small windows of stained glass. The older building stands as a monument to the destruction of war, and there is an exhibit of its history inside, along with an iron nail cross from Coventry Cathedral, also destroyed by aerial bombing in the war. The two cathedrals have held a long friendship together. The original church was not that old, having been built by Kaiser Wilhelm II in the last years of the 19th century, opening in 1906. The new church doesn’t look much from the outside, but inside the largely blue windows create a thrilling effect as they surround the space, it reminded me of Liverpool Catholic Cathedral, though this is a Protestant church. I had always thought (probably someone told me when I went there years ago) that the glass was recovered from the original building, but that is not the case, the glass in fact being designed by Gabriel Loire. That makes more sense, I think that when clearing up they probably weren’t saying “collect all those little bits of glass, ja, that might come in handy”. I really enjoyed sitting in the new church and sketching, something about all that blue really calms you down. I also liked the design of the floor, all colourful circles. There is a big golden Christ with a long face flying above the altar; it’s actually made from a bronze alloy metal called tombac and designed by Karl Hemmeter. I sketched in there (below) before sitting outside and sketching the old and new, above.

Berlin KW Gedanktniskirche (inside) 082625 sm

This is the commercial hub of the city and it feels like it, the Capitalist island in the old Communist sea; I remember that road map of Europe I had when I was a kid, West Germany was fully detailed, but only major cities were shown in the otherwise blank East Germany, except for those three autobahns that went from the West directly into the isolated West Berlin, with little warnings telling motorists they were not allowed to leave the road. According to that old road map, East Germany was a place that geographically didn’t exist. In his talk at the symposium, Detlef Surrey said that you got used to living with the Wall and the fact that there was this other place just over there, but that you mostly didn’t think about them, or maybe were encouraged not to. It was a different time, but I wonder about modern Korea, where you can say the Berlin Wall still exists, how do the people in the South think about those in the North. Germany is all one now, ever since 1990, but I hear many Germans say that it still feels like two, those divisions from decades ago and the years of change afterwards were a lot to expect to just heal. Was Germany ever really one? I always think about the north-south divide (sometimes called the Weißwurstäquator, depending on the type of sausage you might eat in different parts of the country), and the division between mostly Protestant and mostly Catholic regions, but in truth Germany as a federal nation has always been made up of very diverse places with differing histories. It’s a country and a language (all the different varieties) that has intrigued me since I was a kid, it is not a monolithic block. I would like to really explore it in more detail, but as I said, I don’t have time to go everywhere, mostly I’ll just draw the old buildings, and I don’t even eat sausages, well not pork ones. I was thinking of the old East-West as I walked around here though, since it had not changed as much as the other side had since my last visit in the 90s. I walked through the mall to find the toilet, and half expected to see posters of Hasselhoff in record shop windows. While we are talking retro, below is another photo of me in the 90s, posing like Bono with someone else’s sunglasses down in the Zoo station. Check out the little beard thing I had then, that is how you can tell it was the 90s. I took a photo of that sign as I pass through, it hadn’t changed much.

I had planned to take a wander through the Tiergarten. I wasn’t planning to go to the Zoo itself, who has time for that, but I love a massive park. This one is pretty big, and I only covered a small part of it. I started drawings some old lamp-posts, which were from all over the German-speaking world, plus some from other countries, a really interesting display of civic artistry all hidden together in this corner of Berlin. It was well past lunchtime now, and I was feeling hungry so decided to find the S-Bahn station and go back to the hotel for a rest before exploring the East Side. I wish I had been reading a novel set in Berlin, and that time passed a lot more slowly, to sit in the park or on the S-Bahn reading would have been perfect. As it was, I was still reading Agatha Christie’s Lord Edgware Dies (spoiler alert by the way) and it was taking me forever, because I’m a painfully slow reader.

Berlin Tiergarten lampposts sm

through the heart of Berlin

Berliner Dom 082525

When I’m so behind in posting my sketches it is overwhelming to think of how much catch up there is, but then I remember that I’m looking back on my adventures from last summer, and it’s sometimes good to reflect on them when they are less fresh so you have had the time to digest them. Berlin is a lot to digest all at once, especially if you are mostly digesting by going around drawing it all. Berlin is a city with a lot of stories, and you can’t draw it all, and you can’t absorb it all. All those stories go through your head as you stand and look at them and try to make sense of things. You see how things are in the present day and you see how easily things went from one situation to another situation so quickly in the past and you think, well of course we should look at the past. Right now we are living in other peoples’ past. I remember feeling this very strongly the first time I was in Berlin, back as a scrawny 22 year old student dashing about Europe on night trains, feeling like this was a city coming to the end of the twentieth century where there were a lot of open wounds, but that it was about to become a different city again. Almost three decades later I was back with a more accomplished sketching habit to take a look around, and on this day I left my hotel near Alexanderplatz and walked down towards the MuseumInsel, which I’d explored the evening before with Omar. I sat in the grassy square outside the huge green-copper-domed Cathedral (Berliner Dom), which was peaceful except for the gangs of young women with indeterminate accents approaching people from all angles with clipboards. You see those gangs in many cities, they really want your signature for something or other, and your wallet too when you let them get too close. You have to keep these obvious pickpockets away from you, and I had to tell them to go away several times, eventually telling them to f-off, but I could see them going up to people all around the square. I was feeling pretty relaxed though, and was really happy with my drawing of the Dom with the Fernsehturm in the background. The cathedral itself has a long history going back to the 1400s, and has had several different iterations, but the present building designed by Julius and Otto Raschdorff was inaugurated in 1905. I didn’t go inside. It was a nicely overcast day, perfect for sketching where I’m not bound by looking for shade, and I think this was my favourite building sketch of the trip, drawn in the portrait sized Hahnemuhle, two page spread.

I was going to walk all the way down towards the Brandenburg Gate, but it was a long walk down Unter den Linden and there is an U-Bahn that goes all the way down it now. I love travelling on metro systems in other cities, it’s a whole new level of concentration. Berlin’s system is easy enough, the U-Bahn underground intermingled with the S-Bahn above, but that didn’t stop me getting lost a few times, or getting on a train in the complete wrong direction more than once, taking longer to mess about in stations than it would have taken me to actually walk the short distance. It was easy enough to get from the shiny Unter den Linden station down to the U-Bahn station formerly known as Unter den Linden but now called Brandenburger Tor.

Berlin Brandenburger Tor 082525 sm

The Brandenburg Gate is for many the most well-known architectural symbol of Berlin, especially of my generation and before who lived in the Cold War era. This was that big ghostly gate, stranded in the no-man’s-land between the Berlin Wall, which we Westerners could only see the back side of. It was on the news a lot when I was a kid. I remember the strange thrill of being able to walk through it when I went in ’98, less than nine years after the Wall fell, while souvenir sellers hawked old Soviet and DDR era army hats and badges. It used to be at the very real and dangerous dividing line between two worlds. I was planning to see more of the old Berlin Wall locations on this trip, inspired by Detlef Surrey’s presentation on his book (which I now have) and the stories he told about his younger life living next to the Wall. The Brandenburger Tor was built in 1791 during the height of the Kingdom of Prussia. Since the Wall fell it has been a symbol of German and European peace and unity. I stood in Pariser Platz, tourists all around taking photos, a man on a platform talking about something or other political, tour guides (‘Tor’ guides?) pointing out the window at the nearby Hotel Adlon where Michael Jackson once dangled his baby (remember that?), and I sketched the gate and the people milling about. I always feel a little awkward sketching columns, I have always felt that life is too short to draw columns, but I just don’t like drawing straight lines. When I was done admiring it all, I walked through the gate and into what used to be called West Berlin.

Berlin Brandenburger Tor (from West) 082525 sm

I had to sketch it again from the other side. I have a photo of me from that trip back in 1998 looking young and skinny, standing with this view in the background. there’s the picture below, along with another of the young me sitting where the Wall once stood (with the sort of look on my face that you see in YouTube thumbnails with clickbait headlines like “Berlin: Was It Bad?”). The view has not changed that much really, though my poor eyesight and short memory led to me write ‘Hotel Adler’ above the Hotel Adlon. There’s the Fernsehturm, finding a way to get into every sketch. Traffic rushed by this busy junction, and the massive Tiergarten park loomed behind me full of trees and joggers. I had thought about getting up in the morning and having a run through the Tiergarten, but decided against it. It’s really big.

So I walked down Ebertstraße towards Potsdamer Platz, following the line of the old Wall, but first I was going to visit somewhere which was both moving and chilling, the Denkmal für die ermordeten Juden Europas ‘Memorial to the Murdered Jews of Europe’, also known as the Holocaust Memorial. Berlin does not turn its face away from the dark past, and the location of this huge memorial space is significant, nearby the Reichstag, on an area which used to be part of the infamous Death Strip inside the Berlin Wall, and close to where Hitler’s bunker was located. The memorial looks like a filed of smooth grey concrete blocks all lined up in symmetrical rows, appearing to move up and down as the ground level gets deeper and the slabs get taller. It resembles a graveyard, a colourless crop field, a grey grid system city that feels like a labyrinth; the designer Peter Eisenman left it open to interpretation. As you enter the monument the concrete blocks are short, resembling tombs, and children jump from one to the other, though they are not supposed to. The further you walk down each corridor, the taller the blocks get until they tower above you and everything feels…cold. There are people around, but you feel isolated. You might see them pass by ahead or behind, quickly in and out of view (reminding me of that scene in Yellow Submarine), leaving you along again. The rows may be meant to put you in mind of the lines of Jews being led into the camps or onto the transports, and you feel trapped inside this grey world seeing the sky above that can’t be reached. I felt a bit scared in there, not that anything would happen to me, but that the feeling of isolation descended so fast. It is not a labyrinth, every path is a way out, but it was easy to feel suddenly lost. It was sunny when I emerged and I needed a rest. I sketched the Memorial, with the green Tiergarten away to the left, the glass dome of the Reichstag and the solid block of the U.S. Embassy in the background.

Berlin Holocaust Memorial 082525 sm

It was a longer walk than expected to get to Potsdamer Platz; perhaps I was just tired. The day was already getting away from me, and I hadn’t eaten lunch. The last time I was in Potsdamer Platz it was just a building site, the biggest in Europe, but now it was all big modern buildings and infrastructure. The train station was complicated; you had to go back outside the find the U-Bahn, I decided to go back to the hotel for a rest before I did any more exploring. That was a lot of history for a small area.