back to nob hill

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I went down to the city for a couple of days, as my friends James and Lauren were visiting from England for their 10th anniversary, and we met up for a fun day and evening to celebrate. They married here back in 2015, which history books will tell us is a different historical period, and I came down from Davis to spend a really fun day with them which included a few drinks with locals at Rogue in Washington Square. Nowadays we have self-driving robo-taxis going around San Francisco, and Rogue is long gone, but we ate at Fog City Diner, went to look at the few remaining sealions and walk around the Musee Mecanique, before visiting the old historic bars of North Beach, ending up with a trip to the Tonga Room, classic SF history. The next day after they went to the airport for the next part of their trip I spent the Saturday sketching around the city, mostly around Nob Hill where we had stayed. I sketched the view above, which I have done a couple of times before (a very long time ago – this one in 2006, and //embedr.flickr.com/assets/client-code.js” data-wplink-url-error=”true”>this one in 2011 – I’ve been here a long time now). Cable cars rumbled by, tourists took photos and waited on the corner for their robo-taxis (the Waymos; I took my first Waymo ride the day before and it is very strange sitting next to an empty seat watching a steering wheel turn by itself). It was quite sunny. When I came down the day before the morning started off pouring with rain, but it cleared up by lunchtime, I had good luck with the weather. We had just had a really nice filling breakfast and a walk back up the very steep hill.

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When we were up here in Nob Hill for my birthday the month before we had such a great view from our hotel room (see that blog post to have a look, it was incredible) that I didn’t want to go out sketching the area during our rest time, so I caught up on that this time. The scene above is in the square in front of Grace Cathedral. I stood in the shade of a tree to draw this fountain. There are lots of little dogs off leash around here, people come and let them scamper about, meeting other dogs, they have a great time. Mostly small dogs with well-off Nob Hill owners. I took a little while drawing this; it had been a very fun evening before and I was feeling a little hungover, but full of sketching energy. Not as much energy as those little dogs though. I sat on a bench to add the watercolour, so I could put my paint set next to me, and after a while soon found that the dogs and their people were gravitating towards the fountain to chatter and smell each others bums (I’ll not explain who was doing what). Which was fine but the dogs were getting very excitable, and some would come over to me to see what I was doing and see whether my paints were lickable. One larger dog put his snout right into my Winsor and Newtons (that’s the brand of paint I use, not some Cockney euphemism) and I had to be like, whoah there. Its human owner came over and I assume apologized (I was listening to an audiobook at the time) but then decided to shield me from further canine interruption by standing right in front of me, which you do when someone is obviously drawing don’t you. More dogs and owners joined the dog and owner party, running around yapping and sniffing bums (again my memory is fuzzy as to who was doing what), and then put of nowhere an excitable Cavalier King Charles Spaniel jumped onto the bench and landed on my paintbox, knocking over my little jar of water. I had a dog like that growing up, ‘Soppy Dog’ (her real name was Lady) so I have a soft spot for them, and didn’t really make much of a fuss other than a Marge Simpson style “hmmmmm” and frown. The embarrassed dog owner quickly got them away and probably apologized (I was listening to an audiobook), and the crowd of dogs and humans started moving somewhere else. None of this affected my painting of course but I thought, this will be a funny thing to write about when I post this, instead of ‘it was a nice day and my tummy was feeling yesterday’s beers’.

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I had the day to myself, it was Saturday and I wasn’t in a hurry, so I found another spot in the shade and drew the panorama above looking up at the Cathedral. I had intended to draw the whole lot in, maybe even do the rest later, but I did get a bit bored so just drew as much as I could and coloured in the bits that stood out the most. I wondered what it would be like to live on Nob Hill – you need to have a dog, apparently – and deal with these hills every day. I like a hill but even I’d feel a bit exhausted at the thought of going up and down them every day, so I probably wouldn’t leave the area much. It’d feel like some village, I don’t think I’d enjoy it. I didn’t go into Grace Cathedral this time (not now you have to pay a lot to enter – sod that, it’s nice but not exactly Westminster Abbey), but remember years ago when I illustrated their Christmas Concert official program, two years in a row? That was fun, I got to go to that concert both times, once with my wife and once with my mum. Well over a decade ago now, time flies.

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I walked further down the Hill along Bush Street, and could hear people drinking and partying. Lots of people in green, it was St Patrick’s Day weekend, and there was a parade going on, and not far from here some big street party with live music echoing up the hill.  I wasn’t in green (I was in blue, St.Patrick’s actual colour as I boringly point out to uninterested people every year, even though St.Patrick probably didn’t wear navy blue polyester with a big ‘AIA’ and a little cockerel on it). I stood in the shade and drew the Eglise Notre Dame des Victoires, deciding to sketch in pencil to be quick. I’ve meant to draw this church for years. I think there is an Institut Français around here, because this little quarter has a lot of French stuff, I remember my wife telling me about this when we first came over here, she came here while learning French (we met in France, see).

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Which brings us to the next sketch (above) which is the Cafe De La Presse, on the corner of Grant and Bush, a French style cafe I’ve enjoyed for years. When I say enjoyed I mean I have eaten there probably two or three times in the past 20 years, but I don’t live locally so that is quite regular. Last time I had some lovely eggs benedict with smoked salmon, which I also ate that same morning somewhere else (and looking at this makes me think of that taste, big fan of the smoked salmon eggs benedict) (and yes, when I see the word eggs benedict I do think of Dirk Benedict, ‘Face’ from the A-Team who drove the best Corvette). More and more people in bright green with big silly hats, just what St. Patrick would have wanted (actually he did like a big silly hat, he ‘mitre’ worn some himself). I couldn’t draw this all there and then because the day was pressing on (get it), so I did all that brickwork and colouring in later on the train.

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Speaking of the train, I did this sketch here on the Amtrak coming down to the city the day before, I guess I should show my work. I have to keep that pen moving.

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While this one above was a very quick sketch I made at the Saloon in North Beach on Friday afternoon while watching this band play with my friends James and Lauren, before we went to Specs for some good chat. There’s no more Anchor Steam on tap, more’s the pity, but it’s a great city for a beer and a catch-up.

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As I walked back I passed where a lot of the music and partying was happening, a block party just off Grant. It was a paid event behind security so I didn’t go in but I stood by the edge and did some people sketching. I was looking out for interesting football kits, there were some, plus a couple of rugby kits. Back in Irish north west London we used to have some fun St.Patrick’s Day parties as a kid, I grew up on the Irish music back in the 80s and most of what I learned on guitar was from a book of Irish folk songs we picked up in Willesden or Southport or somewhere. If my grown-up self didn’t feel so much of this was a bit cheesy I would probably have really enjoyed getting my Irish shirts on and getting all festive, my Mum would certainly have loved it. So I stood and sketched like a good urban sketcher, or maybe like a plain-clothed officer at a party in 1980s Cricklewood, and laughed that the band went right into ‘Come Out Ye Black And Tans’, which now makes me think of that episode of This Time with Alan Partridge. “Double-O Feckin’ Bollocks!”. I had the old Irish music of my youth in my head now, and felt like getting home and spending the next day singing the Wolfe Tones and Brendan Shine. Time to get back on the Amtrak bus and train to Davis, another good weekend in the city.

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Lá Fhéile Pádraig sona duit

Brazen Head, Dublin Today is St. Patrick’s Day, so I thought I’d just say Happy St.Patrick’s Day with an old drawing I did in Dublin in 2014. I was looking through my sketches from around then – boy I did a lot of drawing back in 2014 and a lot that are still my favourites – but on our three day family trip to Dublin I actually didn’t draw hardly anything, except this. My son was six, we brought my Mum with us, and we did a lot of walking around and looking at Dublin, and how much had changed over the years, how busy it was. It was my first time there since about 1997, and even longer for my Mum, though our family were Dubliners for generations on my Mum’s and Dad’s sides (though my Mum’s dad was from Belfast), and the city is still full of family most of whom we don’t really know. On the final evening when they were all too tired and full of fish and chips I took a walk down to the Brazen Head, purportedly Ireland’s oldest pub, and drew the inside, so this to date is my only sketch made in Ireland.

I did draw a series of Dublin pictures from Google Street View a couple of years ago though.

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I drew it all in one notebook (with thin paper) that my friend Simon got for me in Dublin; when he actually moved to Dublin, I decided to fill that same sketchbook with drawings of Dublin, and sent it to him as a going-away gift. I have all these Irish songs from my childhood going through my head when I look at the pictures, and I really should get over there again some day, and wander about with my real sketchbook.

Here are the blog posts that go with it, I liked to add a bit of writing:

In the meantime, Happy St. Patrick’s Day. I have my 2014 Ireland football shirt on today.

drawing UCDAAC 2016

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Last month I attended the annual UC Davis Academic Advising Conference here on campus. It is part of my day-job, but on this occasion I was invited to be the official sketcher of the event as well. Two birds, one Pete. I would be drawing everything anyway, but now I get an official excuse and it saves my department some money in registration. It’s also an opportunity to draw people. Five-minute sketches of people in fact – a good thing to practice. Hey if you are interested in five-minute people sketching there is a book coming out all about that later this year (hint, it’s why I have been so busy the past few months). Back to the UCDAAC though, it was a day long event, a series of workshops and talks, tent-poled around the keynote speech of David Spight, president of NACADA (the National Academic Advising Association). It was St.Patrick’s Day so a lot of people wore green.
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Here is David, above, and below are two of the organizing forces, Brett McFarlane of UC Davis and Elizabeth Dudley, also of UC Davis, also a former co-worker in my office. Below them there, Sharon Knox of UC Davis, and Alejandra Garibay, also a former co-worker in my office.

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The thing with five-minute people sketches is that they don’t have to be entirely accurate, but it’s a good idea to try and get the sense of people. However, thinking about it, talking about it, and then actually doing it are different things – I always feel a little hesitant when sketching people, not wanting to take too many risks, probably for fear of that “you’ve drawn me as a massive scribble” “it looks nothing like me” “can you make me look younger” reaction. But my favourite ones are the much looser, less inhibited sketches. It can take you a few people sketches to get into your groove, so keep them quick and keep them coming. I enjoyed myself sketching people on this day, so here are a few more.

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Here are a couple where I kept the linework in these workshop presenters fairly basic, but it looked like them so it still served its purpose. In the second I had to look over my shoulder to sketch the attendees, and loosened up the lines a lot more. The session was called “What color is your cape?” and had a superhero theme. We each had to say who our favourite superhero was (quite a lot of “Batman”, “Wonder Woman”, “My Mom”). One woman beat me to the one I was going to say, Ms Marvel (Kamala Khan) who I think is absolutely awesome. I gave her a mention too but also went with Captain America because I happened to be wearing Captain America socks (as you do). I wanted to say Magneto of course but he might not have been the model of a good adviser they were looking for, what with his whole “Master of Magnetism, Homo Superior” stuff. It was a fun session though.

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This was an interesting session, about Cultural Capital, there was some good discussion and I learned a lot. I enjoyed it most though because I had an opportunity to sketch the lady with bright blue hair, and I had a nice shade of W&N watercolor to use, I think it was the Antwerp Blue. I like sketching that large ovular table as well, a challenge in perspective sketching.

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Here is David Spight again, giving a Q&A after his keynote.

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And the final session of the day before the closing speakers, this was a session devoted to “wellness through art” (above), whereby people cut pictures out of magazines and made big collages. They were mostly full of the typical “peace”, “love”, beach”, “growth” type phrases and images, all trying to convey a certain wellness and spiritual mindset – except for that made by Alejandra, who made a collage of people in the magazines she found attractive, which was in my opinion easily the most fun one. It was a pretty calming session, they played classical music (the instructor explained why, something to do with increasing brainpower, and I understand that, I listen to certain bands sometimes to make me feel clever). One of the pieces they played I recognized straight away as the theme song to the BBC TV show “The Little Silver Trumpet” from the early 1980s, a TV show which I was actually a cast member of, at the tender age of four. If ever you should come across it, I am pretty instantly recognizable as a scruffy red-head kid in the main family of red-heads (my “mum” was Patsy Byrne, aka Nursie from Blackadder, and my “Dad” was the brilliant but scary Ron Pember), and in one scene I actually remember filming I was drawing, showing the other kids how to draw stuff, and holding my pen in that distinct way, all those years ago. That’s what I was thinking of when that music came on. I enjoyed this sketch most of all, the composition of the scene and the different directions people were sat in. It probably reminded everyone of kindergarten.

Check out information about the day at the UCDAAC Website.

and the band begins to play

More sketches from San Francisco. I trotted into Washington Square, at the heart of North Beach, where nearby there were many bars and cafes, and all around me there were green-t-shirted revellers galloping (for want of a better word) from pub to pub in honour of St. Patrick’s Day. I sat and drew the church of Saints Peter and Paul. 

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I saw an unpleasant sight. One of the gallopers in green, a rather plump lady, had some embarassing sweatmarks on her shirt. Not just coming from under the armpits, but around the whole bra area. A hoop of dark sweat around a lurid green t-shirt. It was a pretty cold day, I might add. I recomposed, and walked down a street where some interesting jazz or whatever (cool old men with trumpets and a big double bass, and an oboe and stuff) wafted out of an old looking pub, the Savoy Tivolisavoy tivoli jazz bandIt was pretty cool, so I went in and got a drink and attempted to capture the scene, failing spectacularly; however, I was trying different pens and a different style, and I don’t normally draw musicians, so funny enough I quite like the results, unmannered though they are. 

There weren’t as many St.Patrick’s drinkers in there, but plenty more everywhere else. America really goes mad for it, more so even than in Irish north London which is my background. It’s ironic; years ago, St.Patrick’s day was the one day in Ireland when pubs were closed (presumably, people go out drinking because they think that’s all the Irish do or something). It’s funny how in America, people get very sensitive on tv and in advertising with the word ‘Christmas’, or even ‘Easter’, yet nobody bats an eyelid at exclamations celebrating the religious day of a famous saint. And all this ‘luck of the Irish’ stuff you see everywhere? I don’t get it, over the years the Irish have been one of the unluckiest peoples in history (living next to the English didn’t help much); possibly all of the four-leaf clovers plastered everywhere means that people don’t realise it’s the three-leafed shamrock that symbolises Ireland. And another irony: St.Patrick’s colour was actually blue.

I did my bit though; got myself a nice big green margarita, shortly after sketching my last urban scene of the day, a cable-car waiting on California St. Back to my typical old way of sketching. More to come.

a cable car on california