Sir Fergie. He’s happy because he looks a bit like John Craven in this drawing. The football season is over, and it has been a long long time since I drew anything in the football book started last year, despite having an amazing football season to report on (namely, Spurs in the Champions League). I thought I’d make up for it with a few drawings of the faces of the season. Well, one drawing. Sir Alex Ferguson won yet another Premier League title this year, Manchester United’s 19th (a new record), and though they ultimately lost the Champions League final (once again to Barcelona), he’s without a doubt cemented his place as the best and most consistent of all managers in English (maybe even British) football history. Fair play to him. Refs hate him, Arsene Wenger doesn’t send him Christmas cards, and the FA seem to have an automatic ‘fine Fergie for something’ reminder on their Outlook calendars. I tell you what, football will be very different when he’s gone. He is the embodiment of the manager truly being the Boss, and for those who argue with him, he has a hell of a lot of silverware, and he’s not afraid to throw it at you.
Tag: people
thank goodness for speed sketching
Last week was the annual UC Davis “Thank Goodness For Staff” lunch event. It is always scheduled on a windy/sunny day in early May, so that it can coincide with my allergies being at their worst. Mine, and everyone else’s. I took my sketchbook with me this year, as my colleague Erica was going to perform another of her excellent self-penned songs (she’s an amazing singer). It was an exercise in speed-sketching; there were only about three minutes from start to finish to capture her, and subsequently it doesn’t look that much like her, but we learn by trying. I also tried to sketch the UC Davis chancellor, Linda Katehi, addressing staff and thanking goodness for them. Again, doesn’t look like her but you get the idea. she was actually on the stage, but I drew a close up, over the picture of the stage that I was drawing when the other performers were playing.

I sketched some others which were even briefer (didn’t bother scanning), and then two dancers took the stage in colourful Latin American costume. Cuban dancing, it was and they started to move about at a whirlwind pace. My wife said, you won’t be able to draw these. Challenge accepted – and I’m pleased with the result, because this is pretty much exactly as it looked to me, colourful, fast-paced and a lot of fun! anda again, only aboutthree minutes to do the whole thing. Must do more drawings like that…

saturday’s alright for sketching
The sketchers of Davis (and nearby areas) got together again last Saturday for the sixth ‘Let’s Draw Davis’ sketchcrawl. About thirteen of us gathered and spent part of the day sketching around the Davis Farmer’s Market, and Davis Central Park. It was the same day as the Tour de Cluck, hence the sketch of the woman with that chicken thing on her head. I sketched some of the other sketchers; above are Marlene, Jenna, Victor and Alison (though it really looks nothing like her; I haven’t quite mastered that angle yet!). I need to sketch people for practise, and have been practising lately. I also a local singer David Hafter, whose version of Leaving on a Jet Plane was really brilliant. There he is below, with the guitar.


Also singing in the park, above right, were the cast of Tommy, currently playing at UC Davis. They performed six of the rock opera hits, and were largely brilliant (the two singing above certainly were, though I did a bad job of the uniformed man’s face). I don’t know why they sang Pinball Wizard in such Mockney accents though, as Roger Daltrey never did. Still, you should go and see them, it looks like being a very exciting show.

And here is Allan, who I have sketched before on recent sketchcrawls, sketching cherries at the Farmer’s Market. Below, how it all looks on the page, for those who might be interested …
brrrrr! drawing uc davis
After a week of winter storms and immense downpours, the weather calmed down a little (just a little) in time for the latest Let’s Draw Davis sketchcrawl. It still rained, but the main thing was that it was freezing cold! So not as many people came as on the last one, but a few of us braved the cold and got sketching. We met at the corner of 3rd and A – the rather optimistic plan was to sketch the UC Davis campus all day. I was sketching mostly in my new 59c micro-sketchbook and captured lots of little mini-sketches, some of which are below (I didn’t bother scanning all of them). The final sketch of the day, in a period when there was a little sun, was done at the MU bus station on campus, a little piece of England (the phone box above). That on was in my moleskine.
Allan Hollander, veteran Davis sketcher.


Helen Peng from China, plus some newspaper boxes sketched from a cafe.
Cynthia Sterling, sketcher from Napa.

Sketched at the meeting point, 3rd and A. Note the raindrops on my paper! (I was using a water soluble pen for a change).
The next Let’s Draw Davis sketchcrawl will be in March (probably the 19th or 20th) at the Arboretum… details soon! Hopefully, the weather will be a little warmer…
giant steps
There’s a funny old game over here that people quite like, called ‘baseball’. The thing about baseball that I like, apart from the fact that its name doesn’t get confused with that of another more globally popular sport, is the uniforms they wear. They are so classic looking, untroubled by sponsors or the need to change designs every few months. Usually, teams will play in white with their opponents in grey, although soemtimes they will use their other colours – the San Francisco Giants for example sometimes play in black, and even orange, being their colours. Usually (but not always) the home team will wear their nickname (“Giants”, “Yankees”, etc) across their jersey, while the away team would have the name of their city. This classic look reinforces the classic feel of the game – that iconic ballpark design, the apparently simple yet completely complicated (or vice-versa, depending on where you’re from) rule system, the fact that its not about being macho or aggressive, but hitting a ball and running, or catching a ball (with a really big glove). Simple really.
I was never a bat and ball kid. Cricket confused me (it still does) – while they may have light, bright, colourful playing kits now, I never understood growing up why they would play this sport in the middle of summer wearing thick woolly jumpers and long trousers. Rounders? Oh I hated rounders. I couldn’t throw the ball (pitch? bowl?) and was terrible at catching it, and if you missed an easy catch in the playground it was worse than, I don’t know, being Wayne Rooney at the World Cup. And you could get easily bored, with nothing to do but stand there and hope the ball doesn’t get hit in your direction. And then there was ‘softball’, which was just like rounders but with a ball that definitely wasn’t soft. I always wanted them to call it baseball so that we’d sound American and exotic, but I think you had to wear baseball caps if you wanted to call it baseball, and we couldn’t afford them at our school.
Now I live in America, and while I have always liked baseball, I’ve been a little slow in following it. My brother-in-law is a huge Giants fan, and my wife and son too, so naturally I am as well, and have been learning a lot more lately since the Giants won their division, then fought through the play-offs to win the National League, and are now two games into the World Series against the Texas Rangers – two games which they won quite emphatically (11-7 and 9-0 are veritable cricket scores even in baseball). We’ve been glued to the set (cynics can make a sentence out of the following words: “bandwagon, on, jumping, the”), it is pretty exciting. So I had to honour the Giants before they threw it all away (now who’s cynical? hey, that’s my long years as a Tottenham fan, plus a few years as a Giants fan) with a sketch of one of their players, Brian Wilson, “Fear the Beard”. He has this odd and fake-looking black beard, and Giants fans all wear their real-looking fake beards when he comes out to close (he is a ‘closer’, which means he’s a pitcher that pitches at the end of the match – look at me learning all new words!). I was going to draw Tim Lincecum (he looks like a young Severus Snape) but The Beard was too tempting (plus it reminds me a bit of Ricky Villa).
Go Giants! Fear the Beard! Get me some Garlic Fries!
still getting the sketches in
Unusually on a Sketchcrawl, I stopped and had lunch. Most of the group ate at Cafe Mediterranee on D Street (far less crowded than the eateries around Central Park), and sketched, and talked about sketching. And then, after lunch, I realised that I had never drawn this building, and now was good time to tick that off my ‘to-draw’ list. Very interesting to see everyone’s different interpretations of it!
When I was done (and I found that after going on and on about how wonderful the waterbrush is, I found myself missing my regular brushes – next time I won’t leave them behind!), I got back to practising my people sketching, quickly drawing Steve, Cynthia and Laura. Cynthia (who drove over from Napa; I met her at the USk Symposium in Portland) was talking about ‘ten thousand hours’ I think it was, she hadn’t just dropped her sketchbook…
While eating lunch I sketched on the menu, this was a quick drawing I did of Sandra Torguson, who is a fellow art-blogger from Sacramento. Check out her website, Sandra’s Mixed Bag.
As the Sketchcrawl drew to a close (that pun got old decades ago, by the way) we returned to Central Park, now quiet after the Farmer’s Market had departed, and I sketched the Smooth as silk day spa building (I’d been in there last week for an exhibit in the Davis Art About). I drew small. Very green.
After everyone had gone, I stopped off for a rest in Burgers’n’Brew, and was amazed to discover they had Kwak! My second favourite Belgian beer. After all this time, it’s now in Davis. I have one of those glasses at home, and so it was a nice treat at the end of the day. (Well, even nicer was watching the Giants win in the evening, having already had my beloved Tottenham win in the morning).
art, music and architecture about
On Friday I went to the 2nd Davis Art About. I say ‘went to’, it is in fact a whole collection of evening exhibitions in stores and businesses around downtown Davis, exhibits of local artists, and art events, and it was a lot of fun. I wish I hadn’t eaten so much at dinner though, because they all had snacks and wine. I liked the oil paintings of Davis by Andrew Dorn, which were on show at the USE Credit union, and also the large close-ups of freight trains by Marieke De Waard, displayed at clothing store Riki. I ended up at the Avid Reader on 2nd Street (where I worked, once upon a time), and admired the pastels of Kathryn Esterly. I did a sketch of Gary, local KDVS DJ and a guy I’ve known for years, playing his ukelele as he does every Friday at the bookstore. I used to enjoy those Friday evenings at the boosktore listening to that gentle music.
I decided to stick around for the book talk, which was to be given by Michael Corbett. I’m glad I did, for it was very interesting – Corbett is a famous architect, who designed the groundbreaking Village Homes in west Davis. He is also a former Mayor of Davis, and is responsible for a lot of how the city I draw daily actually looks today. His new book, “The Poetry of Architecture”, is a look at how architecture affects our ability to think, and explores architecture across Europe – it looks like a great read. I sketched him talking; he is very tall.
Look at me drawing people. I hope to draw some more. After this, I went to Little Prague to draw the German band I hoped to sketch, but they were just finishing up; I’ll have to go back in two weeks.
a change of zinery
After missing it for the past couple of years, I went on Sunday to the San Francisco Zine Fest. I like zines – I came across some a few years ago in a comic shop in Berkeley and was hooked, but I don’t find them very often. It was at the SF County Hall building, by Golden Gate Park. I arrived early (taking the longtrain journey down from Davis) and did some sketching around the Inner Sunset area, which I’d never explored before. I’ll post those sketches later. In the ZineFest, I took to some people sketching.
This mohican/mohawked zinester just needed sketching. I don’t see mnay of those haircuts these days. There used to be loads in London years ago, now they are just restricted to postcards of Piccadilly Circus. It must take ages to do each morning. What if part of it flops down to one side at some point during the day, do you need to keep checking it in the mirror? These things would be on my mind, that’s why I could never have one (that and the curly hair). I didn’t ask, but thought it would make a great zine. Well, maybe not that great.
As I sketched, another woman starting sketching (she wasn’t sketching the mohican though), so I sketched her. Sketching is contagious.
I spent a lot of time flicking through zines, talking to the zinesters who created them, and eventually avoiding this after I realised I just kept buying zines and my bag was getting heavy. I liked a lot of the stuff which was personal and drawing-based, and funny. Not all of the zine world my cup of tea, of course. Overly wordy zines put me off a little, and some of the anarchist stuff wasn’t really my thing. Some which I thought might be good turned out to be not quite so good, while many others were real gems and revealed some everyday creativity, which inspires me so much.
I have a phrase which I wrote out on a post-it note once and kept on my desk, “Every story is worth telling. But not every story is worth listening to.” and I thought of this often while flicking through the racks of zines. Actually, I prefer to transpose that sentence by saying, “Not every story is worth listening to, but every story is worth telling.” To me that makes more sense, and I like the attitude that even if there are those who aren’t all that interested in your story or picture or what you do, it is your story and if it matters to you then it’s worth it. Make what you like. Maybe someone else will relate to it. That’s why I appreciate zines, as little tangible hold-in-your-hand (and importantly, independent) pieces of someone’s personal story, mode of expression. (Yes, even the anarchist ones where they are describing kicking some BNP guy in the head at the train station.) One of the zines I bought that day was called ’31’ and described 31 things the author (Marissa Falco) liked (in drawing and photocollage), to celebrate her 31st birthday. I think I bought it simply because I related to the idea (and also because one of the ‘likes’ was a uniball vision pen).
I went to a couple of the workshops, one very interesting one on zine-style bookbinding (I am getting more interested in the idea of binding zines, and sketchbooks, as many of my fellow sketchers already do so nicely). Another of the workshops was a presentation by some fellow Brits, a group of zinesters who are touring the US zine events with their work under the title ‘Zines on Toast’. They are involved in the organizing of the London Zine Symposium, which looks great, and were recently in Portland (snap!) which as I discovered is like a mecca of zinery (Reading Frenzy being a highlight).
One zinester I was particularly hoping to come across was Joey Sayers, whose zine/comic “I’m Gonna Rip Yer Face Off” is what got me interested in zines in the first place, picked up at Comic Relief in Berkeley several years ago. Unfortunately I gave it away to my nephew and then forgot who wrote it. I was pleased to come across Joey selling her latest work, and I could only buy one (her latest collection of ‘Thingpart’ called “I wish you were dead”) as I’d spent most of my money on other zines. Her comics are ridiculously funny, after skimming one page I was cracking up where I stood. Without a doubt the best thing I got that day and I’ll be getting more; you should check out her site.
Will I finally come out with zines of my own? Yes it’s in the pipeline, I’ve long been thinking about converting my already-made little drawn serials into zines, and also writing others, zine-format specific. I’ve had a few ideas. Post-Portland I’m more serious about getting this done and out there. If I do, next year I might bring them with me.
portland’s urban composition
Yes, I know; sometimes, taking the mick is just too easy.
The afternoon of Day Two was a sketching trip to colourful Pioneer Square, with Gabi’s Urban Composition group. The Sun was casting golden light across the city, as it lowered behind the downtown buildings. There were people out with signs, protesting this and decrying that, most of them against the various wars going on at this period in history. This peculiar pair, however, were slightly separate to most; make what you will of their placard. I can’t say that I agreed with the bearded boiler-suited sandal-wearer’s slightly dubious and sinister assertions. Everyone’s entitled to their views. So I wrote the lettering with a different blue felt-tip pen, which has the appropriate (and highly amusing) name of ‘Le Pen’. I did show them the sketch though, and they liked it too, even asking for a photocopy. Sometimes, taking the mick is just too easy, so I’ll leave it up to you.
I also sketched a fellow sketcher, Kalina (aka Geminica), one of the Portland urban sketchers, aka the ‘girl in the red hat’. She was sketching the action in Pioneer Square, as a huge screen ws erected to show a classic movie out in the open (I think it was like Three Amigos or Muppets Take Manhattan or something). Here’s a post by another Portland sketcher, Alanna, of me doing the sketching. Yes, I still wear that England shirt, even after that World Cup.
Hey, are you proud of me, sketching all these people?! I’m learning a few things. Prior to the field sketching session, I went to Gabi‘s very interesting lecture on the artist as reporter. Gabi Campanario is a staff sketcher-reporter for the Seattle Times – see his great column online at Seattle Sketcher. Here he is on the light rail – a load of us crowded into a train and started sketching each other like crazy – and you may notice his sketching stool, which is exactly the same one as mine (though his is blue).
I spent the evening meeting and conversing with some of the other Portland sketchers, a very nice bunch; you should check out the Urban Sketchers: Portland blog. The USk correspondent from Tokyo, Kumi Matsukawa, did a great sketch of me talking with local artist Bill Sharp, which you can see here. I hope one day to sketch with them all again, and perhaps capture more of the city’s colourful characters.
“in viaggio col taccuino”
I was pretty amazed and inspired by Simonetta Capecchi’s lecture about collaborative sketchbook projects in the city of Naples, Italy, where she lives and works. I had a pen-pal from Naples when I was a kid, and the city has always seemed so far away and unusual to me, yet still in my native Europe, so I was fascinated by her stories. Simo’s work and ideas promoted a real sense of a community expressing itself through art. It reminded me not only of other sketchbook projects that I’ve seen or been involved in, and also what we do in every worldwide sketchcrawl or even this symposium, the art of representing a city through different voices and personal styles, but it also reminded me of place-specific projects that I have had experience of back when I studied and practised interactive theatre. Local people expressing their locale, telling its story, its ‘everyday’. Here my mind exploded with ideas. I want to get Davis drawing! I also liked the project she promoted whereby a sketcher would take an old book about their city, and sketch scenes from their city inside it cover to cover, across the text. As I discussed with her afterwards, that would be a wonderful thing to do somewhere like London, I think, thought maybe not so much Davis (only because Davis-centric literature is slightly thin on the ground). It was inspiring stuff, and a reminder that there are so many angles from which you can approach art, and urban sketching.


As did other people, I sketched the lecture room around me. There’s Liz from Australia, and Gerard from Belgium. I sat next to Suzanne from North Carolina, sketching the same subjects. Amazing how the internet has enabled us urban sketchers from around the world to come together and learn from each other. Simo showed me a sketch she made of Mount Shasta from the window of her plane, as she flew north from San Francisco, and I showed her my similar sketch of the same mountain from the window of the car as we drove south from Oregon last month. That was pretty cool.
Continuing the Italian theme, for lunch before the lecture I drank a bottle of San Pellegrino orange soda from Italy; (you may recall I sketched a can of this recently). I didn’t know they came in Orangina bottles! While eating lunch, we noticed that there was a wedding party arriving, and the bride and groom themselves sat behind us at a tiny table eating over-the-counter pizza. It was a funny sight, but the quick sketch I did did it no justice, so all you’re getting is the bottle.



























