giant steps

Fear the Beard

There’s a funny old game over here that people quite like, called ‘baseball’. The thing about baseball that I like, apart from the fact that its name doesn’t get confused with that of another more globally popular sport, is the uniforms they wear. They are so classic looking, untroubled by sponsors or the need to change designs every few months. Usually, teams will play in white with their opponents in grey, although soemtimes they will use their other colours – the San Francisco Giants for example sometimes play in black, and even orange, being their colours. Usually (but not always) the home team will wear their nickname (“Giants”, “Yankees”, etc) across their jersey, while the away team would have the name of their city. This classic look reinforces the classic feel of the game – that iconic ballpark design, the apparently simple yet completely complicated (or vice-versa, depending on where you’re from) rule system, the fact that its not about being macho or aggressive, but hitting a ball and running, or catching a ball (with a really big glove). Simple really.

I was never a bat and ball kid. Cricket confused me (it still does) – while they may have light, bright, colourful playing kits now, I never understood growing up why they would play this sport in the middle of summer wearing thick woolly jumpers and long trousers. Rounders? Oh I hated rounders. I couldn’t throw the ball (pitch? bowl?) and was terrible at catching it, and if you missed an easy catch in the playground it was worse than, I don’t know, being Wayne Rooney at the World Cup. And you could get easily bored, with nothing to do but stand there and hope the ball doesn’t get hit in your direction. And then there was ‘softball’, which was just like rounders but with a ball that definitely wasn’t soft. I always wanted them to call it baseball so that we’d sound American and exotic, but I think you had to wear baseball caps if you wanted to call it baseball, and we couldn’t afford them at our school.

Now I live in America, and while I have always liked baseball, I’ve been a little slow in following it. My brother-in-law is a huge Giants fan, and my wife and son too, so naturally I am as well, and have been learning a lot more lately since the Giants won their division, then fought through the play-offs to win the National League, and are now two games into the World Series against the Texas Rangers – two games which they won quite emphatically (11-7 and 9-0 are veritable cricket scores even in baseball). We’ve been glued to the set (cynics can make a sentence out of the following words: “bandwagon, on, jumping, the”), it is pretty exciting. So I had to honour the Giants before they threw it all away (now who’s cynical? hey, that’s my long years as a Tottenham fan, plus a few years as a Giants fan) with a sketch of one of their players, Brian Wilson, “Fear the Beard”. He has this odd and fake-looking black beard, and Giants fans all wear their real-looking fake beards when he comes out to close (he is a ‘closer’, which means he’s a pitcher that pitches at the end of the match – look at me learning all new words!). I was going to draw Tim Lincecum (he looks like a young Severus Snape) but The Beard was too tempting (plus it reminds me a bit of Ricky Villa). 

Go Giants! Fear the Beard! Get me some Garlic Fries!

still getting the sketches in

cafe mediterranee, davis

Unusually on a Sketchcrawl, I stopped and had lunch. Most of the group ate at Cafe Mediterranee on D Street (far less crowded than the eateries around Central Park), and sketched, and talked about sketching. And then, after lunch, I realised that I had never drawn this building, and now was good time to tick that off my ‘to-draw’ list. Very interesting to see everyone’s different interpretations of it!    

three sketchers

When I was done (and I found that after going on and on about how wonderful the waterbrush is, I found myself missing my regular brushes – next time I won’t leave them behind!), I got back to practising my people sketching, quickly drawing Steve, Cynthia  and Laura. Cynthia (who drove over from Napa; I met her at the USk Symposium in Portland) was talking about ‘ten thousand hours’ I think it was, she hadn’t just dropped her sketchbook…

sandra torguson

While eating lunch I sketched on the menu, this was a quick drawing I did of Sandra Torguson, who is a fellow art-blogger from Sacramento. Check out her website, Sandra’s Mixed Bag.

smooth as silk day spa

As the Sketchcrawl drew to a close (that pun got old decades ago, by the way) we returned to Central Park, now quiet after the Farmer’s Market had departed, and I sketched the Smooth as silk day spa building (I’d been in there last week for an exhibit in the Davis Art About). I drew small. Very green.

kwak!

After everyone had gone, I stopped off for a rest in Burgers’n’Brew, and was amazed to discover they had Kwak! My second favourite Belgian beer. After all this time, it’s now in Davis. I have one of those glasses at home, and so it was a nice treat at the end of the day. (Well, even nicer was watching the Giants win in the evening, having already had my beloved Tottenham win in the morning).

Worldwide Sketchcrawl 29

Let’s Draw Davis! Flickr group

art, music and architecture about

gary at avid reader

On Friday I went to the 2nd Davis Art About. I say ‘went to’, it is in fact a whole collection of evening exhibitions in stores and businesses around downtown Davis, exhibits of local artists, and art events, and it was a lot of fun. I wish I hadn’t eaten so much at dinner though, because they all had snacks and wine. I liked the oil paintings of Davis by Andrew Dorn, which were on show at the USE Credit union, and also the large close-ups of freight trains by Marieke De Waard, displayed at clothing store Riki. I ended up at the Avid Reader on 2nd Street (where I worked, once upon a time), and admired the pastels of Kathryn Esterly. I did a sketch of Gary, local KDVS DJ and a guy I’ve known for years, playing his ukelele as he does every Friday at the bookstore. I used to enjoy those Friday evenings at the boosktore listening to that gentle music.  

michael corbett at avid reader

I decided to stick around for the book talk, which was to be given by Michael Corbett. I’m glad I did, for it was very interesting – Corbett is a famous architect, who designed the groundbreaking Village Homes in west Davis. He is also a former Mayor of Davis, and is responsible for a lot of how the city I draw daily actually looks today. His new book, “The Poetry of Architecture”, is a look at how architecture affects our ability to think, and explores architecture across Europe – it looks like a great read. I sketched him talking; he is very tall.

Look at me drawing people. I hope to draw some more. After this, I went to Little Prague to draw the German band I hoped to sketch, but they were just finishing up; I’ll have to go back in two weeks.

a change of zinery

sf zinefest 2010

After missing it for the past couple of years, I went on Sunday to the San Francisco Zine Fest. I like zines – I came across some a few years ago in a comic shop in Berkeley and was hooked, but I don’t find them very often. It was at the SF County Hall building, by Golden Gate Park. I arrived early (taking the longtrain journey down from Davis) and did some sketching around the Inner Sunset area, which I’d never explored before. I’ll post those sketches later. In the ZineFest, I took to some people sketching.

sf zinefest mohican sf zinefest woman sketching

This mohican/mohawked zinester just needed sketching. I don’t see mnay of those haircuts these days. There used to be loads in London years ago, now they are just restricted to postcards of Piccadilly Circus. It must take ages to do each morning. What if part of it flops down to one side at some point during the day, do you need to keep checking it in the mirror? These things would be on my mind, that’s why I could never have one (that and the curly hair). I didn’t ask, but thought it would make a great zine. Well, maybe not that great.

As I sketched, another woman starting sketching (she wasn’t sketching the mohican though), so I sketched her. Sketching is contagious.

sf zinefest folksI spent a lot of time flicking through zines, talking to the zinesters who created them, and eventually avoiding this after I realised I just kept buying zines and my bag was getting heavy. I liked a lot of the stuff which was personal and drawing-based, and funny. Not all of the zine world my cup of tea, of course. Overly wordy zines put me off a little, and some of the anarchist stuff wasn’t really my thing. Some which I thought might be good turned out to be not quite so good, while many others were real gems and revealed some everyday creativity, which inspires me so much. 

I have a phrase which I wrote out on a post-it note once and kept on my desk, “Every story is worth telling. But not every story is worth listening to.” and I thought of this often while flicking through the racks of zines. Actually, I prefer to transpose that sentence by saying, “Not every story is worth listening to, but every story is worth telling.” To me that makes more sense, and I like the attitude that even if there are those who aren’t all that interested in your story or picture or what you do, it is your story and if it matters to you then it’s worth it. Make what you like. Maybe someone else will relate to it. That’s why I appreciate zines, as little tangible hold-in-your-hand (and importantly, independent) pieces of someone’s personal story, mode of expression. (Yes, even the anarchist ones where they are describing kicking some BNP guy in the head at the train station.) One of the zines I bought that day was called ’31’ and described 31 things the author (Marissa Falco) liked (in drawing and photocollage), to celebrate her 31st birthday. I think I bought it simply because I related to the idea (and also because one of the ‘likes’ was a uniball vision pen). 

sf zinefest zines on toastsf zinefest continuedsf zinefest tom parker

I went to a couple of the workshops, one very interesting one on zine-style bookbinding (I am getting more interested in the idea of binding zines, and sketchbooks, as many of my fellow sketchers already do so nicely). Another of the workshops was a presentation by some fellow Brits, a group of zinesters who are touring the US zine events with their work under the title ‘Zines on Toast’. They are involved in the organizing of the London Zine Symposium, which looks great, and were recently in Portland (snap!) which as I discovered is like a mecca of zinery (Reading Frenzy being a highlight).

One zinester I was particularly hoping to come across was Joey Sayers, whose zine/comic “I’m Gonna Rip Yer Face Off” is what got me interested in zines in the first place, picked up at Comic Relief in Berkeley several years ago. Unfortunately I gave it away to my nephew and then forgot who wrote it. I was pleased to come across Joey selling her latest work, and I could only buy one (her latest collection of ‘Thingpart’ called “I wish you were dead”) as I’d spent most of my money on other zines. Her comics are ridiculously funny, after skimming one page I was cracking up where I stood. Without a doubt the best thing I got that day and I’ll be getting more; you should check out her site.

Will I finally come out with zines of my own? Yes it’s in the pipeline, I’ve long been thinking about converting my already-made little drawn serials into zines, and also writing others, zine-format specific. I’ve had a few ideas. Post-Portland I’m more serious about getting this done and out there. If I do, next year I might bring them with me.

portland’s urban composition

portland nutters

Yes, I know; sometimes, taking the mick is just too easy.

The afternoon of Day Two was a sketching trip to colourful Pioneer Square, with Gabi’s Urban Composition group. The Sun was casting golden light across the city, as it lowered behind the downtown buildings. There were people out with signs, protesting this and decrying that, most of them against the various wars going on at this period in history. This peculiar pair, however, were slightly separate to most; make what you will of their placard. I can’t say that I agreed with the bearded boiler-suited sandal-wearer’s slightly dubious and sinister assertions. Everyone’s entitled to their views.  So I wrote the lettering with a different blue felt-tip pen, which has the appropriate (and highly amusing) name of ‘Le Pen’. I did show them the sketch though, and they liked it too, even asking for a photocopy. Sometimes, taking the mick is just too easy, so I’ll leave it up to you.

the girl in the red hat

I also sketched a fellow sketcher, Kalina (aka Geminica), one of the Portland urban sketchers, aka the ‘girl in the red hat’. She was sketching the action in Pioneer Square, as a huge screen ws erected to show a classic movie out in the open (I think it was like Three Amigos or Muppets Take Manhattan or something). Here’s a post by another Portland sketcher, Alanna, of me doing the sketching. Yes, I still wear that England shirt, even after that World Cup.

pdx10: gabi on lightrail

Hey, are you proud of me, sketching all these people?! I’m learning a few things. Prior to the field sketching session, I went to Gabi‘s very interesting lecture on the artist as reporter. Gabi Campanario is a staff sketcher-reporter for the Seattle Times – see his great column online at Seattle Sketcher. Here he is on the light rail – a load of us crowded into a train and started sketching each other like crazy – and you may notice his sketching stool, which is exactly the same one as mine (though his is blue).

I spent the evening meeting and conversing with some of the other Portland sketchers, a very nice bunch; you should check out the Urban Sketchers: Portland blog. The USk correspondent from Tokyo, Kumi Matsukawa, did a great sketch of me talking with local artist Bill Sharp, which you can see here. I hope one day to sketch with them all again, and perhaps capture more of the city’s colourful characters.

“in viaggio col taccuino”

simonetta cappecchi

I was pretty amazed and inspired by Simonetta Capecchi’s lecture about collaborative sketchbook projects in the city of Naples, Italy, where she lives and works. I had a pen-pal from Naples when I was a kid, and the city has always seemed so far away and unusual to me, yet still in my native Europe, so I was fascinated by her stories. Simo’s work and ideas promoted a real sense of a community expressing itself through art. It reminded me not only of other sketchbook projects that I’ve seen or been involved in, and also what we do in every worldwide sketchcrawl or even this symposium, the art of representing a city through different voices and personal styles, but it also reminded me of place-specific projects that I have had experience of back when I studied and practised interactive theatre. Local people expressing their locale, telling its story, its ‘everyday’. Here my mind exploded with ideas. I want to get Davis drawing! I also liked the project she promoted whereby a sketcher would take an old book about their city, and sketch scenes from their city inside it cover to cover, across the text. As I discussed with her afterwards, that would be a wonderful thing to do somewhere like London, I think, thought maybe not so much Davis (only because Davis-centric literature is slightly thin on the ground). It was inspiring stuff, and a reminder that there are so many angles from which you can approach art, and urban sketching.
pdx10 simo lecture headsliz steel and gerard michel

As did other people, I sketched the lecture room around me. There’s Liz from Australia, and Gerard from Belgium. I sat next to Suzanne from North Carolina, sketching the same subjects. Amazing how the internet has enabled us urban sketchers from around the world to come together and learn from each other. Simo showed me a sketch she made of Mount Shasta from the window of her plane, as she flew north from San Francisco, and I showed her my similar sketch of the same mountain from the window of the car as we drove south from Oregon last month. That was pretty cool.

san pellegrino

Continuing the Italian theme, for lunch before the lecture I drank a bottle of San Pellegrino orange soda from Italy; (you may recall I sketched a can of this recently). I didn’t know they came in Orangina bottles! While eating lunch, we noticed that there was a wedding party arriving, and the bride and groom themselves sat behind us at a tiny table eating over-the-counter pizza. It was a funny sight, but the quick sketch I did did it no justice, so all you’re getting is the bottle.

sketching as the sun sets

view from the hotel

Oh, the sketching stops for no one. Day One of the Symposium was not over yet. Still, I had a chance to relax in the hotel with some noodles and a cup of tea. I looked out of the window and drew part of the view opposite while talking on the phone. Then, as the evening came, I copied the sunset onto some brown paper and pottered off to Powell’s Books. Wow! What a place! I didn’t sketch there, I was too busy looking at books. That place is huge, a bookshop lover’s dream. A little while before, I had visited Reading Frenzy, to catch up on some of Portland’s well-known zine culture. I bought one local zine, and I really enjoyed it. I’ve considered (because it’s been suggested) that I turn some of my series into zines, and that is on the table in the foreseeable future, so it was good to see what other people are doing out there.
portland sunset

And so on to Portland’s famous beer culture. I stopped into Deschutes Brewery, where several other Urban Sketchers were already camped out, and caught up on some great conversation and a few more attempts at people-sketching. Below are Lapin, Don Colley from Chicago, and Frank Ching.

lapindon colleyfrank ching

Don and I went on to Jake’s Crawfish for a beer and a last sketch of the day. It was an interesting looking place and we both sketched the same scene. His work is great, very dramatic and full of life, and he sketches in a huge old book filled with incredible drawings. It was a pleasure to watch him sketch and learn from him.

jake's crawfish

Exhausted, i got back to the hotel and posted a photo of the day one sketchbook. Phew! And there were still two more days of full-on sketching to come…

some of today's sketches

Symposium blog: http://pdx2010.urbansketchers.org/

all you need is Löw

joachim low

Clearly the most fashionable man in the World Cup (if you don’t include his identikit assistant), German coach and George Harrison c.1965 impersonator Joachim Löw and his team of counter-attacking kids have taken South Africa by storm. They face Spain in tomorrow’s all-important semi-final, having utterly destroyed Maradona’s Argentina, and we all know about what happened against England. No need to mention it again. That was a Löw point.

an urban sketch

an urban sketch

This is Urban, who until his retirement this week was our computer guy at work. I took the opportunity to sketch him at his farewell lunch because I need practice drawing people on the spot, and also because this makes it literally an ‘Urban sketch’. Thought you’d like that. I drew it in my moleskine diary.

Speaking of Urban Sketchers…one month until the Portland Symposium

allez les bleus! en est tous ensemble…

domenech

Poor France. Seriously, I feel for their fans. I haven’t always felt so. Back in 2002, I lived in the south of France when they were champions of the World, Europe and the Inner Solar System. Public opinion prior to the Japan/South korea World Cup was that you could have Pele, Maradona, Puskas, Cruyff, anyone out there and France would still win without breaking a sweat. The player’s faces were on every yoghurt carton, every soda bottle, every TV advert; Zidane was a god whose image was omnipresent; and that awfully catchy song by ancient Franco-Belgian pop star Johnny Halliday, “Allez les Bleus!” Such was Gallic confidence, you could buy their shirts with the second golden star already sewn on.

And then they went to the far east, and failed to score a single goal. They came home stunned; nobody could quite believe it. The bubble burst. Never again would the previously soccer-cynical French public let themselves get so carried away with expectation. Therefore, it was a bit of a surprise that they came within a headbutt of winning the trophy in 2006. Even more of a surprise, retrospectively at least, is that the manager that took them so close four years ago is the same one who is so universally reviled now, Raymond Domenech, who I attempted to draw above in my football journal. 

What happened? I recall their pitiful display at Euro 2008, when he held a press conference not to explain the dismal defeats they had suffered, but to propose to his girlfriend. France had no confidence in him, and yet kept him on, knowing he’d be replaced after the World Cup with former player and favourite, Laurent Blanc. They scraped through a qualification play-off, thanks to a Thierry Henry handball, but in South Africa it all went ventre-up. Player revolts, Anelka being sent home, training ground bust-ups – other teams would give their right leg to play in this tournament and this is how they all behave? And then against host nation South Africa, Domenech refuses to shake the opposing manager’s hand. French football is in chaos. The French president himself is demanding answers from this shambles.

“Allez les bleus, en est tous ensemble,” sang Johnny Halliday, “allez les bleus, en est tous avec vous.” Not any more they’re not.