San Francisco panorama from Nob Hill

SF Panorama (view from Nob Hill)

Hello everyone, I am very behind in posting because I was in Europe for a whole month (London, Poland and Berlin) and have an extremely massive amount of sketches to post, and I am still nowhere near caught up with posting the pre-vacation sketches – I have enough to last me forever, if you can keep up with them all. I draw a lot, that is for sure. It’ll never say on my gravestone “Here lies Pete, who didn’t draw enough”. Yet I always feel I need to draw more. Even since I got back little more than a week ago, I have been busy, running a 5k race (beating my time from last year) and then taking a weekend trip to San Francisco to watch Supergrass and then fly to Los Angeles to watch Oasis! I have hundreds of sketches to scan. In the meantime however I should finally post again here on my old-school sketchblog, and to get going again, here is a big drawing I did this summer (based on sketches I made back in February while looking out of the window of the Fairmont Hotel in San Francisco’s Nob Hill). It’s big, it’s detailed, it’s of a great city view, and I loved this one. I worked on it while my family were away in Disneyland and I was  home alone for the weekend. Telegraph Hill there on the right, Russian Hill there on the left, Alcatraz (long may it remain a tourist attraction and National Historic Landmark), and Powell Street sweeping down to the bay. I liked the buildings on the left in the foreground going uphill like books lined up on the stairs. 

Anyway I’m showing this one now because as of this week it is on display and for sale at the Pence Gallery’s annual Art Auction! I have two pieces in there this year, the San Francisco panorama and a drawing of the Primrose Hill Bookshop that I made last year (I did visit that bookshop again on my recent trip, bought a nice book by David Gentleman there, signed copy). You can find out about the Pence Gallery’s Art Auction on their website, pencegallery.org/events/art-auction

You can also see the listings themselves at the Auction Catalog. My listings (and you can bid on them if you like!) are available to see here

Anyway, I’d better start scanning the mountain of summer sketches, because Fall is about to begin…

some trees on campus in april

UCD Quad panorama 042125

April was a long time ago now but I’m still posting old sketches. I am forever behind but it’s good to see how the world used to look in the before-times. It’s midsummer already (astronomically, though not seasonally, summer has just begun). Here are a few from a couple of months ago which are very tree-focused, two trees from campus below plus a panorama of the UC Davis Quad showing a lot of trees all at once, like some kind of tree party. The annual Picnic Day is around this time of year but I avoided that kind of thing this year, wasn’t up for the crowds and walking around feeling hot and bored. No sketching Picnic Day 2025. This drawing was done after work one day when the novelty of extended periods of sunlight in late afternoon had not yet worn off, and it wasn’t too hot yet. I like this one a lot though, I might use it in future things at work if I want a regular campus panorama scene. Here are a couple more trees.

tree on calif ave UCD 041525 sm

tree in arboretum 041525 sm

Way Up Above New York City

My dream as a sketcher is always to go high above a city and sketch everything below – not too high above, I still want to see things. (Click on the sketches and you will see it all in bigger detail). New York City is easily the most exciting place for this. Our hotel was located on 6th and 28th in Chelsea, in sight of the One World Trade Center, the Chrysler, and the Empire State Building which loomed outside our bedroom window. It was too big to include in the view above but would be just to the left of that view. The above panorama was drawn while sitting on my bed. The light and colour of this view changed enormously throughout the day, and I did this in a couple of sittings, about a couple of hours total at most, but I drew much of it in the late afternoon/early evening while the sky was all purples, pinks and blues. Below, cars moving slowly in lines, the famous yellow cabs weaving in and out, and people the size of ants, all looking for the jam. What excited me most is not all the windows or the depth or the movement, or the feeling that I am in the Spider-Man video game, but the water-towers.

The distinctive New York water-towers really are everywhere you look., especially in the view above which was drawn from the roof of our hotel, just a few floors above our room, about 30 stories or more above the street. I was looking south towards the One World Trade Center on the left, and across Chelsea on the right. I was a little overwhelmed by how many water-towers there were, and on another day I might look at the pictures I took and draw a big detailed one, all coloured in. On this day I stood up on the roof of the hotel, which was open to the elements with just an elbow-high glass fence keeping me safe. It was thankfully not too windy. It was late afternoon/early evening, the sky was an interesting collage of shades, and the tall towers in the distance were just blue-grey silhouettes. I drew fast (this took less than an hour and a half) but could not quite finish it, and left a gap which I never had time to fill, and felt that my mind’s eye would fill in the gaps. My eyesight is not that great anyway, and while I sketched one of my lenses actually fell out of my glasses, thankfully falling on my side of the barrier and not hundreds of feet to the sidewalk of 28th Street. I popped it back in. There were taller buildings to my right, and my eyesight was not so bad that I could miss the sight that greeted me there, a man at the window completely, well, ‘stark bollock naked’ as we say and possibly oblivious to the fact anyone could see him at all. I tried not to stare, and thankfully he was not very long. By the window I mean. I think I understand that song about being ‘caught between the moon and New York City’ differently now. I kept drawing (not that obviously) until I could draw no more, and we went for dinner. I was so glad to have the opportunity though to draw New York from above, which is always a dream, and to stay in a hotel where I have the time to actually do it and not feel rushed to leave, even though I still drew faster than usual. New York, all those movies, all those photos, all those paintings and songs and stories, all that culture that has played with our imagination, all right there below me. I want to draw more of it!

Chemistry, finally

chemistry uc davis

Here is my possibly final drawing of the now completed new wing of the Chemistry Building at UC Davis, drawn a month ago, when the bare tree still gave a good view. I’ve been sketching this for a long time now, since before the pandemic started and the old walkway between the two wings was still there and about to be demolished. I’ve been in at least one meeting inside already and it’s a lovely modern space. I like what they have done with the courtyard. I drew this after work when the sun was shining and it wasn’t too cold. In the foreground are those standing stones, a piece of public artwork whose name always eludes me (if only I would just look it up, but that requires effort) (ok fine, it’s Steve Gilman’s ‘Stone Poem’ from 1982, I looked it up; you can read more about the outdoor sculptures around UC Davis in this handy guide by the Manetti Shrem). So this concludes my drawings of this whole construction, on to the next one. I saw a new building with interesting curves being built out on La Rue near the sports grounds, problem is I never want to cycle over there, but it looks like a good piece of construction to observe so maybe I will sketch it.

You can see all the sketches I’ve done of this construction (and others of the Chemistry Building over the years) in my blog posts with the tag: petescully.com/tag/chemistry. Or in this Flickr album, without all the accompanying waffle.

pink blossom on seawhite

3rd St Davis CA

I started the little Seawhite sketchbook with a drawing of my current paintbox, but I thought I should start using it for some quick urban sketching. I did this quick sketch up on 3rd Street as the pink blossoms were coming out, next to what looked like a still autumnal tree outside Ali Baba. I have not eaten in there for years. Don’t know why, I should try it again some time. I rushed a bit with this sketch as I had to get back to work. I hadn’t yet figured out what I wanted this small sketchbook for, it’s not my main book. I have ended up using it more for quick people sketches on the go, it’s small enough to fit into my pocket and quickly get out to add a fast sketch, as I did on the New York Subway. This was a laboured start but the book has helped loosen me up. In my sketching that is, in everything else I’m still as tense and overwhelmed as we all are right now. I would just like normal news please, that’s all. I’ve done a lot of drawing this year, it may end up being the most sketching-filled year of all time. This is the only one in this book that looks like this, but you gotta start somehow, gotta fill them blank pages and move on.

the last day of the long February

C St, Davis Community Church 022825

Been a little while since I posted, nearly a month in fact, but in my defense I’ve not felt like it. No that’s not really true, I always feel like sharing my drawings and random thoughts, and in this ever-changing world in which we live in, that’s more and more and more important. As much as we are allowed to share our random thoughts. In my defense, I have been very busy, not just in general life and the labours of the world, but also in my sketchbookery. In fact this March was probably my most sketch-tastic March in a while, since maybe the last one. I did draw quite a lot last March now I think about it, when I went to LA and Riverside, and then later to Zion and Bryce Canyon, with some Vegas thrown in. This time I went to San Francisco, Washington DC and New York City, which was not bad. I did a lot of sketching in the last two places, I’ll tell you that. New York is a great city, I have to stop leaving it so long between visits (nine years since the last trip). But before all of that, more of Davis, the usual places, the same old streets. My task is to draw the whole town over and over, and that I will keep doing. Above is another panorama for my Davis-in-landscape-format book that I have been publishing in my head for well over a decade now. If I ever publish it outside of my head, well you should take a look at it, it’s brilliant. Until then, it doesn’t exist, except on these digital pages. I think in this non-existent book the best bit is that I don’t really write much, I just let the drawings do all the talking, to give myself the air of an ‘artist of mystery’. “I bet he is really deep, this artist,” they will say, inaccurately, “or maybe he is really boring and has nothing to say,” their friends who also read the book will say, half accurately. I keep thinking about one review on Amazon (a 1 star review, I’ll have you know) to my last book which came out nine years ago now, which said: “The writing is so long-winded that by the time he gets to the point I have forgotten what he was talking about.” Or words to that effect. In that book I actually edited my writing down really well, it’s not my blog, but my first reaction was “they must know me in real life!” I stopped looking at Amazon user reviews after that. I do like to tell a story though. I decided when I was a kid that I never wanted to be rich, I just wanted to have a lot of stories to tell. Which doesn’t help when someone wants to borrow a tenner. Most stories are boring anyway, so I draw. I think if I just have a book full of pictures it may be missing the personality behind them, but it also may give others the chance to look at them and pretend that the pictures are illustrations of their own life, or could be, and they put their own stories on top of them, stories that have a lot more meaning to them. I always think back to the two books I have by Karen Neale, “London in Landscape” (vols I and II), as inspiration behind the idea of a book just of my two-page spreads, with no stories attached (although she does write some stuff around the edges, it doesn’t get in the way of or alter the story of her very detailed and lively on-location sketches) but there is a glossary at the back with her notes and stories related to each of the sketches. I look at those books quite a bit for inspiration, and to remind me of London at the time I left it behind, the mid-2000s, but I really love the little bits of writing that are in there too. I’ll get around to my currently non-existent Davis book some day. Some day.

Oh by the way, the drawing above is Davis Community Church, as seen from the edge of Central Park on 4th block of C Street. It’s a couple of blocks up from the panorama in the previous post on C Street. There were not a lot of people around. A car did park there for a while, and a man even walked over and said something to me cheerfully, but then it moved before I even noticed it had gone. Another car was parked to my left, a woman sat in there on the phone for a very long time. Someone else came and sat on the bench for a while, pushing a shopping trolley full of bags and clothes, and the local ice-cream van also pulled up for a bit, playing its horror-movie music. The ice-cream van that you see prowling around these parts is not the colourful big-windowed Mr.Whippy type van that we used to chase down the street back when I was a kid. This one is more the type of vehicle that would show up in those kids public information films that your loud-meowing cat would warn you not to go near. It gives me the creeps. Anyway I kept an eye on it in case it tried to lure me away and show me some puppies, and carried on with this unreasonably detailed drawing. After spending so long drawing branches and windows I coloured in some of the trees but then did the rest of the painting at home. I was listening to more Terry Pratchett audiobook. Now it is April and the sneezing has begun, and I am still nowhere near finished with scanning all the sketches from my trip. I’ll add in posts here and there, maybe even with more interesting writing, or not.

In fact, I just realized I already posted this sketch, as the secondary drawing in the previous post. But I have taken the brave decision to keep this one up, because I added to the story of it, and it was a good sketch so I am just giving it some more airtime. Like when you release a single off of an album that has already sold well, except not really anything like that. Hey, it’s a confusing time. Stay tuned for a lot more sketches.

across the C street

C St McNeil Manor 022525

Two more from February, both panoramas (that is, two-page spreads in my watercolour Moleskine), both from C street in downtown Davis, albeit a few blocks apart. Above, the symmetrical apartments called ‘McNeil Manor’, near 1st Street, which I have wanted to draw for ages. It was a bright late afternoon and I wanted to draw it from the very middle so I could show the mirror image reverse identical twin look of the two main buildings, with the shadows of the trees breaking up the uniformity. I was happy with how this turned out. I was listening to another Terry Pratchett audiobook, both while drawing onsite (where i did the outlines, many of the details and about a quarter of the colouring) and back at home, where I filled in the rest; now when I see this I can hear Jon Culshaw’s fantastic character voices in my head. I think it was the last one in the City Watch series, Snuff, which one of the only few Discworld books left that I have not read. This week marks ten years since Sir Terry Pratchett died, far too young, and so he is on my mind a lot. I started reading him while I was at school; I have been saving reading those last few, plus some of his non-Discworld books (I heard ‘Nation’ is very good), because while they are still unread it’s like he is still alive. I have been devouring the newer audiobooks lately, all of the City Watch ones first (except ‘Night Watch’, which wasn’t available; I have bought the paperback to read myself, though I read it when it first came out and loved it, almost all of my Pratchett books were left in England when we moved, and are now lost). I don’t know why, but these buildings remind of some flats in Mill Hill, London; they don’t actually look like them, but they remind me of them. The ones where my cousin lived when I was a kid maybe, or other ones that I sometimes pass by on the 221 bus, but these would not look out of place there.  C St, Davis Community Church 022825

Above, a building I have drawn a lot of times, the Davis Community Church. Sorry it looks so small on thei blog. If you click on it, and the one above, it will take you to my Flickr page where you can see it bigger. I like the view from the side. This was a Friday, end of a long and frankly stressful week, a headache inside a tumble dryer, and scenes like this bring some serenity. I drew much as I could there and then, and coloured in the foreground trees to get them looking the way my eyes see them, but finished the rest at home. February was ending that day, and I was glad of it, though March has not proven to be any improvement. The news of the world continues gloomily onwards. The clock went forward a couple of nights ago, nobody told me, though I wish they could have gone a few years further forward. I don’t wish that, of course, don’t wish your life away. There weren’t many people passing by, the occasional one, maybe a car that would park in front and then leave a little while later.

beer and sketching after a long, long week

University of Beer 110924

After I was done with day two of the conference, finishing at about 8pm and exhausted, I walked downtown to grab some dinner and a couple of beers. Despite being tired I really needed to work out all the energy of that long long week into my sketchbook. I popped into the University of Beer, in a spot in the corner with a view that I have drawn before many years ago (2013), not long after it had opened. See below. I remember that afternoon, a hot day, and I was eager to practice my perspective sketching. Those older guys on the left were talking about Davis in the old days, the old bars that used to be there on G Street. They still had the long section of frost upon which you could put your glass to keep it chilled, but that seems to be gone now. And no more iPads with menus on! That seemed like a futuristic innovation back then but is apparently part of the dustbin of history now. To read the menu these days, you need to point your phone at a QR code, which means I have to read on my phone which is much smaller. So I’m sitting there looking over the rim of my glasses, even though I have varifocals, squinting to try and understand the ridiculous names all these beers have, looking for a nice normal amber ale. Back in the old days they only served beer too, but now they have all sorts of drinks, which is probably better for business to be honest, but the beer list is still long.

university of beer

I ordered a beer and started drawing fast. I can draw quickly when it all starts coming out. As I drew, they started setting up for their Saturday night karaoke. It was pretty busy, that is a popular night out there I guess. People started singing, I didn’t always recognize the songs. I wasn’t tempted to have a go myself. I don’t mind a karaoke, historically, but I always like a stage. These ones where you are just in the corner by the door at the same level as people walking about would make me feel a bit odd. Not for me guv. Anyway, it was getting a bit loud, and I’d drawn very quickly and drunk my beer very slowly, but I wasn’t ready for the walk home just yet so popped by De Vere’s – sorry, not De Vere’s, it’s Bull’n’Mouth now, De Vere’s is in the past. I don’t go out much any more. They don’t do Smithwicks in there these days, and no Guinness, I think they are moving away from the Irishness of the predecessor pub. I drew a couple of quick sketches over a Bavarian beer, and made the long walk home for a long sleep. November was a long month.

bull-n-mouth

Kaua’i part 3: to Hanalei and back

Hanalei Shave Ice Kauai sm
We enjoyed warm and sunny weather in Kauai for the most part, but on the day we drove up the eastern side of the island (that is, the ‘windward’ side; I always forget which is which, but the ‘leeward’ side is the drier and sunnier bit), we got our fair share of rain and fog. We headed up towards Hanalei, stopping off a couple of times to look at a lush green valley or a mist-shrouded lighthouse. We had seen pictures of Hanalei Bay looking like a made-up postcard under turquoise skies, but there was no chance of that today. It was raining when we reached the small town of Hanalei, and we pottered about the shops and ate at the little food trucks. Chickens were everywhere as always, and some even joined us at our table while we were eating a lunch of chicken, which is only weird if you make it weird. I saw this great little shave ice place (above), though we were too full to eat any, as we had already eaten very fancy donuts from the nearby ‘Holey Grail’ place. I spent a good bit of time in a local ukulele shop called Hanalei Music, talking with the owner whose son was a musician in England. It’s on these trips to Hawaii that I always get that massive love for the ukulele back, it’s just the right place to play it, and I cannot stop. I don’t care that I’m not the most sophisticated player, I can get a decent sound of it for what I need. Anyway, we went out to Hanalei Bay, or what we could see of it anyway, and walked out along the pier close by to where there were people learning how to surf. It was a pretty dramatic sight anyway, and the waves coming in were perfect for beginners. There were a couple of teenagers out on their boards learning how to surf and I noticed a couple of people, their parents, sat on those low chairs on the pier close by yelling out instructions to them. “Get your feet out of the water!” “Stay on the board!” “Mind that shark!” Well not the last one, though there are sharks here. It was exactly like being at a youth soccer game, with the soccer moms and soccer dads yelling from the sidelines on their little beach chairs as though they are experts, “Offsides, ref!” “Kick it out!” “Watch that shark!” (Except for the sharks.) I felt bad for the surfers, but they were all having fun. I don’t know for sure but I think Hanalei is the same place that Puff the Magic Dragon lived by the sea. That’s the legend anyway. My niece likes it when I play that song on the ukulele, so now I can say I’ve been to the actual place, sounds legit.

Kauai Lydgate Beach 101424 sm

We left the rainy Hanalei and headed back down the windward side of the island, stopping off at Lydgate Beach. The rain had stopped and it was sunny and cloudy, and there is a nice little man-made cover here so people can swim about without being pounded by back-breaking waves or eaten by sharks. We splashed about for a bit, enjoying the tropical paradise, and then sat for a while under a tree, where I sketched the scene above and strummed on my ukulele. An older man even commended me on my ukulele rhythms, asking how long I’d been playing, and telling me he has quite a big collection of ukuleles now. Yes, I’m hoping to eventually do the same, get different sizes and different woods. I need to learn a few different songs first. The colours of the world in front of me were exactly why we came to Hawaii. The tree we sat beneath is drawn below, another of those monkeypods I think, but very much with its feet in the sand.

tree lydgate beach sm

And below, a sketch I made of the sunrise at Poipu, by our hotel, on our last morning in Kauai. Quite a nice view, really. Since coming back I’ve watched a lot of videos on YouTube about rip tides, having heard a lot of stories about the dangerous tides you get on the beaches of Kauai. The waves here were really strong. When I look at the ocean now I see “danger danger danger!” but I still love it. I love the sound of it, I love splashing about in it, I love looking at it. Of course I have tsunami nightmares too, but I look at the ocean and see this impossibly powerful entity right before me and just marvel at the sheer terror and beauty of it all.

Poipu sunrise, Kauai sm

Ok last couple of Kauai sketches, done at the hotel on our last morning there, some of those nice pink flowers, and a couple of palm tree trunks carved with tiki designs. It was time to go home, but Kauai was a lovely place for an anniversary vacation.

Kauai flowers 101524 smtree tiki carvings kauai 101524 sm

Kaua’i part 1 – Kalalau Valley, Hanapepe

Last month my wife and I took a long-awaited trip to the Hawaiian island of Kaua’i to celebrate our 20th anniversary. We had meant to go in September but ended up moving it to mid-October, which worked out nicely, as it wasn’t too crowded and the weather was great. Kaua’i is called the garden island, and you can see why. It’s a lot more lush and not as over-developed as some of the other islands, and geologically older. I counted that this is our sixth visit to Hawaii since 2017, and our fourth different island, after Oahu, Maui and the Big Island, all of them quite different. We landed in the evening, driving through the tree tunnel towards our hotel near Poipu Beach, and went straight out for a nice dinner at Keoki’s Paradise, having our favourite, Hula Pie. I got some Hula Pie stickers for my new sketchbook which I was starting on this trip, returning to the classic landscape format Moleskine (but this time with a white cover). On our first day we drove up to what’s called the ‘Grand Canyon of the Pacific’, the Waimea Canyon. For such a small island there is a large amount of natural diversity and geology. We stopped at the Waimea Canyon Lookout and took photos, but there was no way I was going to be able to sketch it, it was enough just to look at it and try to take it all in. We have been to some amazing canyons in recent years and this was up there with them. We drove up further, through twisting tropical roads, towards the Kokee State Park. We knew that we would not get to view the famous and dramatic Napali Coast in the way that a lot of people see it – by boat (too long a trip), or by helicopter (no way man), or by small plan (aint gettin me in no plane sucker!) – and a lot of the hiking trails were closed due to them being a bit unsafe. However, the views of part of the Napali Coast from the elevated Kalalau Lookout were some of the most unbelievable that I have ever seen. We got out of the car, and it just didn’t look real. We stood there a while just looking at it. Or rather I started sketching it, which is the sketch at the top of this post (click on it for a closer view). The turquoise blue of the pacific, the hints of golden sand and red dirt, the verdant volcanic rocks, the jungle of plants and trees, and that one big cloud that was just sitting there all by itself right over the cliff on the left, like an airship waiting to depart. It was the furthest I’d ever been from Burnt Oak, geographically and in every other way too.  We took a hike up a jungle road about a mile to another lookout which was supposed to have even more amazing views. When we got there, it had fogged up, the clouds coming off the sea and into the valley blocking out all visibility. The magic view was gone, utterly. So we decided to wait, and see if it would burn off. A few other visitors waited patiently, some giving up, but I was optimistic. This was opti-mist. And slowly we could see some shapes, and even a hole or two of blue, and bit by bit the world opened up again, a little bit like in that show Catchphrase when you see a small part but have to guess at the whole picture. In the end, it looked like this, see below. I wasn’t Not a bad looking place! 

IMG_0044(1) - Lowres

We drove back down the long road out of the Canyon, and went to the town of Hanapēpē. It’s a small place with an old Hawaii feel, and I think it’s the inspiration for Lilo and Stitch, though I’ll admit I’ve not seen that film. There are a couple of painted murals of them. They call this the Art Capital of Kaua’i, perhaps for all the little gallery stores. We grabbed a simple but tasty lunch at a friendly place which served from a table in a doorway and sat outside, feeling tired already from our hike and drive. We walked over to a very cool little bookstore called Talk Story Bookstore, which is apparently the westernmost bookshop in the U.S.! They have a cat that rules the shop, and lots of stickers of the boss-cat called ‘Mochi-Celeste’ (based on the previous boss-cat). I spent a small fortune on stickers of all kinds. They sold records too, and comics. It was pretty busy, so I stepped out to sketch the place from across the street.   

Talk Story Books Hanapepe Kauai 101224

I walked a bit further down while my wife went into other shops, and I drew a quick one of the little church with the picket fence. I started getting a bit hot so I outlined and drew the rest later. We walked over to the Swinging Bridge, dating back from Hanapēpē’s days as a military town. It was a very warm day, and humid, and we drove back to the hotel to hang out in the pool before dinner in Kōloa (at the ‘westernmost brewery in the world’, Kauai Island Brewing). We were pretty far west, furthest west I have ever been. From here there is only the small island of Ni’ihau, but that is off limits to visitors. After that, you move into tomorrow. Far from home.

Hanapepe church Kauai