the rest is April

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As I’ve said, I am a bit behind in my posting, though not in my sketching, and it’s another one of those times when I have a backlog of regular day-to-day sketches of Davis to post but not really a lot of stories to tell about them. I am sketching more than ever it seems, as I do when I need to think about something else; yay for anxious and uncertain and turbulent political times, I guess. I’m hiding in my sketchbook. Anyway, as a way to catch up, here are a bunch of sketches from around Davis in April. It’s already past mid-June in the real world, and if April thought things were bad, wait until they get to June. At least Spurs have won a trophy and sacked a manager in that time. Ok, let’s dive in. The building above is on 5th Street, and the bench outside commemorates where young Officer Natalie Corona was tragically shot several years ago, right here. I’ll always think of that awful thing happening when I pass by here. I stood over the street in the shade of a tree to sketch, headphones on. A woman passing by on the other side called over to ask something, I couldn’t hear over the traffic and whatever podcast I was listening to, football or history or something. Turned out she was asking where the train station was. I couldn’t tell why she had to yell it across a busy street and not ask one of the people passing by on that side, but I pointed in the vague direction of where the station is and put my headphones back on.

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Here’s another from downtown, this time on the corner of 2nd and D, across from the First National Bank. I don’t know if this was the actual first national bank, seems like a wild claim to me, but I was drawn to the spots of yellow. These are days when I just need to draw something. I get out, eat lunch, have to draw. Helps me focus. I always go on about why I draw. I brew it down to the simple because I like drawing, which is good enough for me and good enough for you. Do I always like what I’m drawing? Probably not, but I like the act of drawing. I am up early right now and going for a run soon. It will probably be slow and not very interesting, running around the same circuit of streets and paths as always, nothing new to see, and not breaking any records or even really pushing myself, but its exercise, and when I do the interesting runs I need to have done the boring ones. It’s all exercising the muscles, practicing pacing myself, seeing what I can do in a certain amount of time and being alright with it. I track my running, but I track my drawing too. I don’t really push myself too hard to do anything out of the ordinary and I probably should, but while I’m thinking about doing that I’ll just go out drawing the world and see what happens. I tend to end up drawing places I’ve drawn many times before, but I’ve been living in this small town for 20 years now so I’m really just tracking the changes. I’m sure Cezanne felt like that as he was sitting under a tree in Aix-en-Provence painting Mont St. Victoire yet again. But I never drew that corner before, so it’s a new place ticked off the list.

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Here is another sketch of the newly reimagined G Street, a couple of the big useful yellow chairs that have been placed in random spots on the side of the now pedestrianized road. I have never sat in one of these types of big chair other than for one of those photos where you go “look at me, I’m really small” and pull a face. It was warm out while I sketched this and being mid-April my nose was probably running, but I can’t remember all the details now. I am not really in love with G Street. It may be a while before it figures out what it really is. My favourite place on G Street was a couple of blocks up, the Regal Cinema with the stadium seating, but it has closed now because cinemas are closing. We still have the Regal on F Street which is slightly bigger but I don’t like as much, and we have the Varsity on 2nd which is great for the arthouse and quirky movies, you probably won’t see ‘Quick Angry Car Chase IX’ there (or whatever action films are called), though we have seen some really good films there. But I miss the other cinema on G Street because it was a couple of blocks less to cycle from my house, and one of my favourite restaurants Thai Nakorn was next door, also now closed.

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On to more a familiar street for me, E Street, and Bizarro World Comics next to Chipotle. I stood in the little alley next to the Bull’n’Mouth (formerly De Vere’s; I feel I have to keep saying that in the same way we would say “X, formerly Twitter” but it’s not really a comparable comparison at all, and I don’t say “Bizarro World, formerly Bogey’s Books”, but that’s because Bizarro World used to be on 5th Street and moved here after Bogey’s went bye-bye). Anyway, that’s where I stood. I have bought comics from them over the years, though not recently since I’m not reading as many now. I have never rented movies from them, but if that’s still a thing, good on them. We were talking about that last night, how when I first moved to Davis we would rent movies and shows on DVD or even Video from Blockbuster (which was where Panera is now; I stopped calling it “Panera, formerly Blockbuster” right away because Panera sells big sandwiches that you don’t have to return nor rewind). Then Netflix came along and it was brilliant, getting our DVDs in the mail from our wishlist, mailing them back when we want, getting another, and you don’t even have to rewind DVDs, this is the future. Blockbuster went the way of MySpace (but we didn’t throw away our Blockbuster cards, did we? No we still hold on to them just in case, don’t we). Then Netflix was like, you don’t need DVDs, you can just stream stuff! Wow, mind blown. And they had all the movies, and all new shows they would make themselves and binge all at once, and we finally had broadband internet capable of handling that, what a time to be alive. Then bit by bit other streaming services came along, and Netflix seemed not to have quite as many movies you wanted to watch, but that’s ok because this other one had so many, and then this other had, and then this other one, and now there are so many different streaming services which you have to pay for, and none of them seem to have the movies you want to watch now so you still end up having to look for it on Amazon Prime (which you pay for) and then pay a rental fee to rent that movie so you can watch it that night. Just like when we’d go down the video store, except instead of watching trailers for other movies at the start of the video, you get to watch a couple of minutes of the same tedious adverts. What a time to be alive, eh.

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And further down E Street, another building I have sketched before a few times. I like the triangle bits, they remind me of Darth Vader’s mouth. They also remind me of those houses you see a lot in north west London, in the rows of suburbia that spread for miles, leafy Middlesex (I mean, “north-west Greater London, formerly called Middlesex”). If I ever leave Davis I’ll probably miss drawing this building. If I ever leave Davis I will probably get the urge to come back to draw whatever new buildings get built. I get that with London, the need to come back and record what’s still there and what is new. This gets me back to the whole ‘why I draw’ thing again. I draw to record the changes, so I can look back over two or three drawings I have done of the same place years apart and saw, oh yeah, looks a bit different. I have drawn many hundreds of drawings of Davis, thousands really (let’s say millions) and so I have this record of two decades in this place, scenes of my everyday life. Nothing special, not an unusual life, not an unusual town, just a place like any other. Things happen, most of the time they don’t. Things change slowly, sometimes a bit more quickly. That’s one of the reasons I draw. Mostly though it’s just a side-effect, I draw because I have to. Even when I try to take a break from it, I can’t really. I will still scribble on my notepad, or draw cartoons on my iPad, or design football shirts on the back of scrap bits of paper or envelopes lying on my desk.

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That same evening, I popped into the aforementioned Bull’n’Mouth pub (formerly De Vere’s) and sketched the colourful bar area. “Is It Beer You’re Looking For?” it reads, above a large selection of not-beers. I did have a couple of beers; I find it harder these days to actually finish a beer, most of the ones now are way too hoppy, or make my stomach feel funny, or I just don’t like the taste. I drink a beer slowly when I sketch anyway. It’s a nice pub still, I probably liked it more as De Vere’s but that’s because of the Irish theme, which they don’t do any more. I used to like having a pint of Smithwicks here, but they don’t serve it now. Other than that, it still looks mostly the same. I like their cosy little library area.

bizarro world Davis CA

And finally, on the last day of April we find ourselves once again at the comic shop next door, Bizarro World as seen from across the street. A building with a tree in front of it, the typical Davis sketch. I wander about in my spare moments, looking for something new to draw, but I’m so predictable. A building with a tree in front is like comfort food for a suburban urban sketcher. Now I am thinking forward, it’s already June but it will soon be July, and then August, and then I will be in Poland for the 2025 Urban Sketching Symposium, held in the city of Poznań, my first Symposium since 2019. I’m actually feeling nervous, not scared exactly, but apprehensive. The Symposia are so big now, I worry about feeling lost. I do know some people who are going, but it’s been a long time and I feel a bit outside of everything these days, the whole urban sketching community, like I’m a little bit from a previous world. I’ve become very shy since the pandemic, the thought of being lost among all those sketchers… I get overwhelmed and just wander off on my own. I’m sure it will be ok. When I’m around a whole world of people also sketching, I remember that it’s not just me, I’m not alone in my sketching obsession. And so instead of worrying, I’ll just keep sketching. That was April, another April in the bag.

the grand opening of the all new G Street…

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Last week when we were still in the grips of the very dry January I went downtown at lunchtime to attend the opening ceremony of the newly refurbished and redeveloped G Street, or at least the block of G Street between 2nd and 3rd. It’s pedestrianized with new seating areas (well, big blocks of coloured wood and some metal round picnic tables, I didn’t really notice a lot more than that), more accessible sidewalks, albeit with metal fencing dividing areas off for some reason. People were gathered and there was music being played, food being passed around by Woodstock’s pizza, and the midday January sun was bright. It is always exciting to see some new work, some new ideas in place in the city. If you go by comments on that paragon of local opinion, Nextdoor, you will see opinion very split, mostly between “waste of money” and “now I can’t park right outside the place I’m going” to “hate it” and “it will be full of homeless hassling people”. Oh, Nextdoor, what are you like. Most of that website seems to be “what was that bang?” or people posting actual videos of kids who rang their doorbell (and people replying that you should have a ‘pew-pew’ for the next time a kid rings your doorbell – seriously?). My reaction is usually to go against the general moaning, and give the new ideas a chance, so I watched the ceremony and sketched with a reasonably positive outlook. I have enjoyed that, since the pandemic when all the restaurants were forced outside (remember that, folks!) G Street has become a popular little hub on a weekend. Not that I go there much myself. However I couldn’t entirely disagree with the comments of disappointment. Looking around at the changes, I was less than whelmed, I’m not much into sitting at uncomfortable looking boxes in the direct Davis sunlight. It is a project in progress, that is what they said, “This is not the Final Version”, and no doubt it will progress as the needs of the local businesses and restaurants and their customers dictate, we will see. Things don’t always work out as intended. More pedestrianized public space is good in my opinion, but only if people use it. I drew the mayor and other local civic leaders talking with their backs to the sun while photographers and media folk pointed their cameras towards the sun. I went across to stand in the shade and draw the musicians, a woman playing a keyboard and a man with a hand-drum. It was very nice. There was also a middle-aged man in a black jacket wearing what looked like boxer shorts and a jester hat dancing about and being ‘zany’. I liked drawing people in quick pencil, this was a nice break from all the pen drawings of houses and streets that have been getting me through this awful January as we slip into the worst version of the timeline. If G Street provides a place of gathering where I can go and sketch people then that’s good I suppose, though I have to want to get up and be around loads of people, which isn’t much the case these days.

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I was about to sketch the scene from the other side of the road when a young man in a tall hat came up and asked if I was ‘Mr Scully’, which I am. He was another local artist Evan Lilley, and was setting up his home-made easel/art box to do some drawing of people at the event. In his tall hat, I knew I would need to sketch him. I have actually seen his work before, as he had an exhibition recently (which I did not get to see) with highly detailed and realistic paintings of the interiors of local bars, such as the Davis Beer Shoppe. As you know I’ve drawn so many of the local bars over the years so was very excited to see that and meet the artist in person. Apparently he does a Drawing Club at one of the local places Dunloe Brewing, I should go to some time. I asked if I could draw him sketching at his easel, I only had five minutes or so before needing to head back to the office, so I drew him in that bright sunshine.

G St opening evan lilley 012725 sm

I will go over to G Street from time to time to check it out a bit more and see if the space works for me, but we will see. I don’t really go out much anyway these days except to wander about looking for something to fill my sketchbook with, and I mostly like to draw the changes in the city, though preferably in a bit more shade. Once the leaves come back on the trees I’m sure it will feel a bit cooler. Maybe I should finally do another sketchcrawl down here, it’s been a while since I organized one, I’ve been shy.

(not) a cottage in the woods

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It’s a funny building, this. I have drawn it before of course, but I like this one a lot. The G Street sign being the only bit of colour reminds you that this is downtown and not in some enchanted glade in the Black Forest. I have never been in there (Bubble Belly, I think they do baby clothes) but it’s such an unusually shaped building. I stood outside Jack in the Box to draw it. It was that time of the month that was still really hot. Now things are finally cooling off (it’s 81 degrees today, which for us is positively autumnal), and it’s nearly Halloween for which I will not be dressing up. I never do. I like the spooky decorations everywhere though. I’ve often thought that in the spirit of the spooky season it would be funny to write in the letters “HO” in between “G” and “ST”. We could go further along the spooky sign changes: add “EA” on the B Street signs, “ORE” on the F Street signs, or “POOKIE” on the S Street signs. Or to be completely non-scary and a bit pointless, “RMRE” on the A Street signs. Or maybe add “HRI” on the C Street signs, maybe followed by “MAS” to keep it holiday themed, as they say. You get the idea. I always liked the end credits of the Simpsons when they would do the Treehouse of Horror specials and change the names of the cast and crew to silly scary versions. It’s something a lot of people do now. I’m Pete Scary at this time of year. Or Pete Skully. I was trying to Halloween-ize the F1 drivers names in the US Grand Prix last weekend, with your Pierre Ghastly, Lance Troll, O-scare Piastri, Jaws Russell, that sort of thing. I don;t know, I find it hard to get into Halloween as much any more. There was that one year where I went a bit crazy drawing loads of Halloween stuff, decorating our whole whole with hand-drawn Halloween decorations, and we had a fun party for the kids from my son’s pre-school with these really detailed invitations, I was so into drawing bats and spiders and vampires. I suppose it’s just in the past now. Some of our neighbours go all out with the Halloween stuff, with so much stuff. We will probably carve pumpkins, though I prefer to paint on them now, they don’t go mouldy so quickly, and it’s a lot easier. Anyway, this building looks like it could be a witch’s cottage in the forest, but it’s not, it’s just a clothes shop on G Street. Or maybe that’s what the witches want us to think…

take a seat on G Street

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The catch-up on my 2022 sketches goes into October; this panorama of G Street was drawn on a Saturday afternoon in mid-October on a hot Fall day, sat on the kerb (that’s ‘curb’ to Americans) until my body hurt. I used to be ok sitting on the kerb, but these days I’m so used to standing while sketching that I don’t like sitting right on the street as much, so I ‘curb’ that activity. I don’t even bring along the little fold-up stool like I used to, though I still have one that’s nice and light to carry. I have this idea, not so much in Davis but in other places (London for example) where you might get hassled by a busy-body who thinks you shouldn’t be there on the street near their place, their office or their shop, and try to move you along. It’s rarely happened, though I’ve heard of it and it did happen once in London to my friends who were sketching in the city of London with me on a Sunday, they sat down to draw a church, and a security guy inside the office building next to us came right out and tried to move them along for, I’m not sure what, blocking the view from the window? It was as far as they were concerned their sidewalk (not actually true, they were on the public right of way), and it didn’t matter that they were obviously just drawing the church, this guy wanted them to move. I was standing; he didn’t talk to me. I have heard of other sketchers and artists being moved about by busybody street security guards who like to overreach, even when standing. So maybe that’s one reason I don’t like to sit when sketching? Not really; I usually know my rights. The main reason is I get a better view when standing, and usually if I sit, the worst thing that will happen is a car will park in the way and block my view. Well on this occasion, I did feel like sitting down on the kerb. This section of G Street has been informally pedestrianized since the pandemic, when the restaurants along here were forced to take their businesses out onto the streets – go to the kerbs, or curb your business, I guess. It’s pretty much stayed that way, so on these balmy summery afternoons (in October) it’s usually full of people, drinking outside the University of Beer or eating outside Woodstocks. On this day it was not super busy, but still pretty vibrant. I sat on the kerb (with some subconscious trepidation, obviously) and drew the view of the Kathmandu Kitchen, the G Street Wunderbar, and the sushi place in between whose name I forget. I went to that sushi place once, back in (wow) 2006, when my friend Terry visited (he likes Japanese food; he lives in Yokohama now). My only memories are that you had to go into the G Street Pub (as it was called then) to use the toilet, and also Terry asking if I’d heard of ‘Teriyaki’ before and me pretending I hadn’t so he could explain it. I think I’ve only been to Kathmandu Kitchen once too, maybe in 2006 or 2007? I remember we weren’t that impressed, comparing with the similar foods we would get back home in London, and so we never ate there again, though I keep thinking we’ll try it again some time. Finally, the G Street Wunderbar. I’ve not been there in years; I always associate it more with live music, or loud music, and young people, or loud people, just a different vibe from the regular pub feel of De Vere’s (may gawd rest its soul). I’ve sketched it a few times, first when it was the old G Street Pub, and one time about ten years ago, during a particularly busy Spring Break week, when I really needed to draw a complicated curvilinear panorama, I came here and sat in the middle of the bar and drew all those bottles, while the bar light around me changed colours and people filed in taking shots of whatever and talking. That sketch is below. I really loved a bit of curvilinear then; I need to do more of those, I enjoyed looking at rooms in that style. That’s why I’d sit in the middle of the bar, to get as central a view as I could. You have to be a little bold to do that, when your instinct is to hide away and be unnoticed. Perhaps I could have approached the sketch above in this way; if I had, I might have to have sat right in the middle of the road, to get a more close-up view, and let my vision of the buildings curve naturally. Which is a thing I can do, since G Street is closed up. Actually I always let things curve, even if only slightly, although in the above panorama my awkward seating contributed to the curviness having a little bit of wonkiness (more ‘curbilinear’ than ‘curvilinear’) (or ‘kerbilinear’). Right, new new year’s resolution (my birthday was last week so it’s a new year for me anyway), draw more curvilinear interiors and exteriors again, like I used to a decade ago.

g street wunderbar

wunders never cease

G St Wunderbar, DavisLast month I decided to get out one evening to downtown Davis and sketch. I haven’t sketched in the G St Wunderbar for a few years so I wanted to give it another go. It wasn’t very busy (because it was early), and I sipped a beer at the back of the bar and ran down the black Pitt pen I’d bought in Aix (I don’t use them very often, the nibs wear down too much after like one or two drawings), but I wanted to do some crosshatching, and play with sketchg street pubing light in dark interiors. I’d thought about sketching the room at the other side of the bar, full of pool tables, but there’s never a good vantage point for an urban bar sketcher, so I stuck to the main bar which had plenty of table space. “G St Wunderbar”… I first sketched this view when it was the plain old G St Pub. There it is on the right, a sketch from six years ago; I even sat in the same seat.

As I drew, it got later (funny how that happens) and more people started coming in. The music started getting louder and more dancier, and the people younger (funny how that happens), and so rather than stretch this to a panorama, I called it an evening and went home for a cup of tea. Another one for the ‘then-and-now’ section of the bar sketch series.

i’m sure you’ve heard it all before but you never really had a doubt

g street wunderbar

Last Thursday, after a four-day-yet-particularly-busy-and-stressful week, I needed to go out and draw something complicated, and have a couple of beers too. I hadn’t really sketched at the G Street Wunderbar since it ceased to be simply the G Street Pub a while ago now, so this place deserved a nice barside panoramic. There it is above (click on the image to see it bigger). There are a LOT of bottles behind that bar. I had to sketch them very quickly. Here is a detail:

wunderbar 032813 detail

It wasn’t that busy when I got there, but more people filed in as the evening wore on. Several bands were on the bill that night, so I had a bit of music to accompany the sketching work. I didn’t draw the barstaff or drinkers though, as they all moved abut too quickly for a sketch like this.

And here is how it looks in the Moleskine, if you’re interested. The pen is dark brown, uni-ball signo um-151. The whole thing took about three hours (or four beers). Next time I’ll do it in colour…

sketching at wunderbar

Here are my previous sketches of the bar when it used to be the old G Street Pub, when it had Camden Town-esque toilets which are thankfully no longer there. I’m slowly checking off all the bars in Davis. If you want to see them all, along with others from around the world, see my Flickr set ‘Pubs, Cafes, etc‘.

g st pub, davisg street pub

dog and bone

G st phonebox
Remember when we used to use public phones? God, we were dumb! Putting our coins in, talking for a bit, putting more coins in, hunting woolly mammoth; it’s so much better now we live in the future with our iPhones and blueteeth and hoverboards. There is a living relic of this ancient past on G Street, complete with a ‘phonebook’ (which doesn’t even have a search box, and people have clearly been writing their names on it to try). I have been meaning to draw this for a while, so I drew it during the sketchcrawl on G Street last Saturday. This being a historic neighbourhood, I can imagine it being used by early farm settlers, gold prospecters, maybe even local Native American tribes (before the invention of the smoke-signal app, obviously). I drew this in the Stillman and Birn gamma sketchbook, with a Micron pen and Cotman watercolours, and it took a little under an hour.

gee! let’s draw G street

G & 2nd

On Saturday, after a week of storms and rain and puddles, the sun came out and so did the sketchers, for the latest “Let’s Draw Davis” sketchcrawl. There were fourteen of us in all, and we met at the corner of 2nd and G Streets. The location of this crawl was along G street, which is a historic part of old downtown Davis, and makes for some properly ‘urban’ sketching. I took a while sketching the above scene, that big old white building on the northwest corner of G and 2nd, chatting to folk as they passed by. One guy I spoke to was back in Davis for the first time in 40 years, having lived there in the late 60s and early 70s, and so I was interested to hear about how Davis was back then, as he was interested to hear how I felt it was now. Below, a couple of international sketchers (from Spain and from Iran), both sketching the ‘Froggies’ bar opposite.

G St sketchers
G St fenceG & 5th hydrantG & 5th

Above, an interesting iron fence nearby to Ace Houseware, plus a fire hydrant on 5th and G and the brand new bank building opposite. I didn’t sketch quite as much as I would have expected (and there’s one sketch of a phonebox I’ll post separately because I want to say some hilarious things about phoneboxes), largely because I was getting a little frustrated with my Micron pens, which don’t like the Stillman & Birn paper as much as I might have liked, at least not in the way I use them. I felt like I was wearing them down much more quickly than usual. Still it was good to get out and draw stuff, and I was amazed at how productive some of my fellow sketchers were. We all met up outside the Davis Co-Op at 3pm (which in hindsight was a long way to go for a fairly short sketchcrawl), and checked out each other’s books, which is always one of the most fun parts of the day.

Let's Draw Davis! April 2012

Sketchbooks at the end of the day...

To see some of the other sketchers’ work, please go to http://www.flickr.com/groups/letsdrawdavis/, the Flickr group. The next Let’s Draw Davis sketchcrawl will be in May…date and place to be determined. If you can’t wait that long, this coming Saturday April 21 is Worldwide Sketchcrawl #35, in which hundreds or maybe thousands of sketchers across the planet will get out and draw their cities, and it sounds like there will be one in Davis too (I might make it the tail end, as I’ll be going to Picnic Day before that).

In the meantime, you may like to know we now have a Let’s Draw Davis page on the Davis Wiki, set up by fellow long-time Davis sketcher Pica (who produced the amazing accordion sketchbook above).