the scenery of san francisco

Crissy Field sm
Recently, for our anniversary, my wife and I took a couple of days down in the City. That is San Francisco to you. We stayed at the Fairmont Hotel, which is an old San Francisco spot of legend up on Nob Hill – it was here that Tony Bennett first complained to lost and found about losing a vital organ, through the medium of Croon. I’ve always wondered, is that song supposed to be a metaphor, or did he actually leave his actual heart lying around? And his other city based songs, is Chicago really just a tantrum-throwing two-year-old? I don’t know, Tony. I love San Francisco though, it’s honestly one of my favourite places in the world to be. I did leave a shirt there once, hanging in the closet in the Hyatt. Above, Crissy Field, out near the Presidio. We went to the Walt Disney Family Museum, very interesting.
Views from Fairmont sm
Our room had absolutely stunning views over the City. As the sun went down, before getting ready for dinner, I sketched a couple of the views – the peak of the TransAm Pyramid, golden in the sunset light, and Coit Tower, up on top of Telegraph Hill. I wish I were rich, I would just live in San Francisco for ever and ever and ever. It’s a city that is pricing people out though, so I don’t think drawing a few pictures and writing a few books is going to get me to San Francisco. When Tony Bennett sang that song, he was actually talking about having to farm out his own organs just to cover the rent. Ah, perhaps it’s for the best. One of the things I love about San Francisco is getting to visit it – it is so utterly different from Davis in every way, it’s always a nice change of scenery.
Grace Leuchtturm sm
I have sketched this big old church before, Grace Cathedral on Nob Hill. I did their Christmas Concert program a few years ago. Since we were staying so close I wanted to get a Sunday morning sketch of it in. I didn’t have a lot of time, so I drew in my new purple Leuchtturm sketchbook that I got in Manchester.
Tad's Steaks sm

After that, we went to ZineFest, and that was kinda fun. Actually probably enjoyed it more in previous years, I found fewer gems this time around, though I still spent on a few zines. I tended to buy some of the really random ones. We got the Muni back down to Union Square for a little bit of shopping; I bought some underpants at Uni-Qlo, I really like their underpants. I realize you don’t need to know that, but I’m just saying for those of you who also wear underpants (a good deal of you, I suspect), that Uni-Qlo do make really comfy ones. While my wife continued shopping, I sketched Tad’s Broiled Steaks outside, an old eatery on Powell Street. Always wanted to sketch this place, though I don’t of course eat steak. And there you are, San Francisco again. I want to go back!

Cruess

Cruess Hall Sept 2016
Cruess Hall, UC Davis; this is where the previously aforementioned exhibition of my sketchbooks, “Conversations with the City”, is going on RIGHT NOW, Mondays-Fridays 12-4pm, Sundays 2-4pm, Sept 19 – Nov 13, at the UC Davis Design Museum. I sketched this on Sunday because I needed another sketch of Cruess for a different unrelated project. I haven’t actually had time to go and see the exhibit since it opened; this week has been a touch busy. Hopefully soon, I can’t wait to see what the folks at the UCD Design Museum have done!

Conversations with the City

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Opening next week, I have an exhibition of my sketchbooks at the UC Davis Design Museum titled “Conversations with the City“. The exhibition, curated by UC Davis professors James Housefield and Tim McNeil, will display ten years of my sketchbooks, including every single one of those watercolour Moleskines, plus my fire hydrants (and other metal pipes) book from 2011, plus my recent accordion panorama of UC Davis, plus many more. You won’t be able to flick through the books, however there will be some sort of display where you can look through the digital scans of each book and display them on a screen.This will come with an opening reception with a special talk by myself on Thursday October 6th, from 6pm.

I can hardly believe it’s come around already. Posters have gone up all over campus, including some full-page ones, and above is one of the folded fliers from outside the Design Museum, which is located in Cruess Hall. There have been a couple of nice articles posted, one in the Davis Enterprise and one in UC Davis Dateline (“Our Urban Sketcher”). I’ve been sketching in Davis for over a decade now, and it’s really interesting to see the progression in my books, even just in the past few years. This year at UC Davis is called “Year of the Arts” – the Manetti Shrem will be opening, as well as the Pitzer Center, as you may have gathered from my many sketches of them – and in the posters my show is kicking it off, which is tremendously exciting; it’s actually my first proper exhibition on campus, believe it or not. The title of the exhibit comes from something I always say about sketching not just being about drawing your surroundings, but about interacting with them, having a conversation with your city, listening to it speak through the act of your drawing. Plus, fun fact, I actually talk to fire hydrants.

So if you are in Davis between September 19 and November 13, and would like to see my books on display, come along to the UC Davis Design Museum in Cruess Hall from Monday to Friday, 12-4pm, or on Sundays from 2-4pm. Entry is free. I’ll be in from time to time to have a look at them, so if you see me do say hello, I’ll be happy to ramble on about sketching, I’m never short of things to say on that subject! (Wait, come back! I haven’t told you about curvilinear perspective!”)  Or come along to the reception and talk on October 6th, when I will talk about my work, about Urban Sketchers, sketchcrawls, and Why You Should Keep A Sketchbook. I hope to see you there!

Announcement on UC Davis Arts website: http://arts.ucdavis.edu/exhibition/conversations-city-pete-scully-urban-sketcher

“Conversations with the City: Pete Scully, Urban Sketcher”, UC Davis Design Museum, Cruess Hall. September 19 – November 13, 2016, Mon-Fri: 12-4pm, Sun 2-4pm; Free.

 

hattie weber on labor day

hattie weber musuem, davis
This is the Hattie Weber Museum of Davis on C Street. I have drawn it before, but this one was a request, and I always like drawing this place – it’s a very pleasant spot, especially at this time of year as the leaves start, if not actually changing, then forming groups to make inquiries about the prospect of thinking about changing. Summer is ending fast, Fall is here, and this was sketched on Labor Day, traditional boundary between summer and autumn. Well, in my mind anyway. and when I say tradition, I mean the last ten years. And not really the boundary, because it’s still really hot here, and the university is still in Summer Session. But schools are all in swing, and the Fall AYSO soccer season is now underway – I am coaching again. Busy times ahead!

along hutchison drive

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In July I started a new sketchbook, a long panoramic accordion Moleskine sketchbook, with the intention of doing some very long drawings on the UC Davis campus. As it turned out I managed three scenes, all on the same street (Hutchison Drive), though only in pen with a dab of colour here and there. If you click on the image above, you will see the whole thing in closer detail. Below, I’ve cut the three scenes down – still too long to see, so click on them for a closer view.

Hutchison Panorama part1.jpg
First of all, the new Pitzer Center, still under construction in this sketch, on the left. A good place to start! Then, the Music Building, followed by Wright Hall and the Art Building. Good place to stop.

Hutchison Panorama part2.jpg

Next up, the Silo complex, also under reconstruction. First of all you see Rock Hall, the Chemistry Building’s lecture hall. Next up, the back of the Bike Barn building, this side has been various things since I have been here, and I’ve sketched it many times. This whole area is being rebuilt and improved at present. Next up is the Silo itself, where I often eat lunch. I stopped once the sketch got across the street, where the Silo Bus Terminal is, and drew a tree as a dividing line to the next part.

Hutchison Panorama part3.jpg

Finally, on the other side of the street, Walker Hall, which is currently empty but will eventually be completely renovated and this side rebuilt, when it becomes the Graduate and Professional Students’ Building. I think that is the name. IT’s going to be pretty cool, but I do like this building, and will probably draw it again…

This sketchbook will actually be on display along with many more sketchbooks in my upcoming exhibition, “Conversations with the City“, at the UC Davis Design Museum in Cruess Hall from Sept 19 to Nov 12. If you’re in town, do come by to see it!

we’ve come a long long way together…

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Another panorama! It’s like, one page is soearlier in 2016″. Haha, you think this is a panorama? You wait until my next post. No kidding, it’s the longest panorama I have ever done. Stay tuned. This one though has a nice bit more details and a good bit more colour. It is the Mathematical Sciences Building at UC Davis, which is where I work by the way. The many faces I have seen pass through here, the many memories. I drew this last week, almost exactly a year since my last panorama of this building (I have used it so many times for various graphics, I really needed a full-colour one). This took two lunchtimes plus a bit of time at home colouring in those trees. I might have to sketch it again when all the trees lose their leaves. I drew it from the best angle I could find, in the shade; everywhere else was too sunny. The weather has been consistently in the low 90s (except those days when it’s in the upper 80s, so not consistently then). More colours of this lovely old campus (well this building opened at the end of 2005, not that old…it’s been in Davis exactly as long as I have!).

old sac o’mally’s

O'Mallys, old Sacramento
One more pub panorama for you, the last one of the summer – this is O’Mally’s in Old Sacramento, a pub I last went into about ten years ago with my friend Terry visiting from England, who beat me at pool. On this day, I had just been sketching cars until I could stand no longer over at the California Automobile Museum (see two blog posts back), and wanted to get a nice interior sketch done before going home. It was too crowded outside to do a panorama of the street, full of people touristing by, getting their saltwater taffy and taking olde-time-photos or whatever they do in old Sac. I grabbed some fries from one little place which had a fairly gross cheesy sauce on them – it sounded good, but really wasn’t. Maybe it was the heat and dehydration. I decided a cool bar interior was what I needed now, and so popped down to O’Mally’s, because I had never sketched this one before. It’s pretty old inside, and I sat with a cold beer and drew the bar area. It took almost two hours. A group of people to the right of me were trying out the breathalyzer machine which is stuck to the wall. Some more people came in and hung their skateboards from the back of their seats. I originally wrote the name as O’Malley’s, but corrected it to O’Mally’s. I used the usual brown-black pen, with watercolour paint, but also some brown Pitt marker for the darker areas – when using those, do it after the watercolour – it definitely runs a bit and muddies up the colours! In this case, it added to the  overall tone, and worked well. Another pub sketched!

You can see my bar/pub/cafe sketches in one Flickr album: “Pubs, Cafes, Bars etc“. Or hey, if you want a print of one of my bar sketches, there are several available to order on my Society6 page: https://society6.com/petescully/prints

exit pursued by a beer

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A couple of weeks ago or so it was Davis Bear Week. I was really excited about this as a lover of bears (but not an “ursophile”, that means something else entirely), and was looking forward to it for weeks, months really, working on my bear-costume, eating nothing but honey, stealing picnic-baskets, pedantically telling people that no, a panda isn’t a bear, well ok they are related, fine, but no a koala definitely isn’t a bear, just making sure I knew all about bears ahead of Davis Bear Week. I watched all the different Bear shows – Paddington, Superted, Care Bears, the Sooty Show, the Berenstain Bears (which I don’t even like), re-runs of Children-In-Need (just for Pudsey), Rainbow (just for Bungle), I even watched “We Bare Bears”, even though it is the most boring cartoon in the history of television. Sharks have Shark Week, but down here it’s Bear Time.

So you can imagine my disappointment when I got downtown, dressed in fur with big claws and teeth and whatever else bears look like, and saw everyone else dressed as slightly drunk human beings. Did I get this wrong? I tried looking it up on my phone but my long bear-claws couldn’t work on the touch-screen, and my marmalade sandwiches had made everything in my bag sticky. So after a while I got up on my hind legs again, and popped into Woodstock’s Pizza of all places, humming “If you go down to the woods today” to myself, as I had heard they were having a bear-themed trivia night and special bear-promotions. It turned out to be nothing of the sort, the promotions were just for Anchor Brewing and the quiz was all about AAAAH I get it, “beer”. Not bear then. I got back on all fours, lowered my grizzly snout, and shuffled backwards outside again.

Now obviously, I didn’t really dress up as a bear and shuffle around town. This story is only partly true (you have to guess which bits), and I probably could have shaved about two-thirds of it away before telling it, many of you will have no idea about who Sooty or Bungle or any of them were (look up Superted on Youtube though, Superted was truly brilliant – makers of “We Bare Bears”, take note, take plenty of note) but it was Davis Beer Week, and that turned out to be just as disappointing as going to what you think is a big bear-party but turns out to be a drunk-human-party. Sure, there were some promotions and tastings and free glasses you have to pay for (the Anchor one, you buy a glass and from your second pint the already-quite-expensive beers were a bit cheaper and you get to keep a cheap glass you had no intention of carrying home). On the whole though it was not really any different than any other night in Davis, that’s how it seemed to me. I sat in Woodstock’s and listened to the beer trivia quiz, some very hard questions mixed with some very easy ones, while I read Jonathan Wilson’s book “Inverting the Pyramid” (a history of soccer tactics), not even bothering to draw, and I have never sketched inside of the Woodstocks bar area. I left and pondered where to go next, but everywhere was a little bit packed, so I chose City Hall Tavern ,as it was relatively quiet, and they at least had cheaper prices on local beers. I chose a Berryessa Plastic People Pale Ale, which was nice. I got a big table all to myself (it wasn’t that busy) and finally got to sketch the whole of the bar. If you have seen any of my previous sketches of City Hall Tavern I have usually been closer to the bar, and sketched only in pen, but this historic old building needed a bigger interior sketch. I’ve drawn it so many times from the outside. The problem is, looking around, the decor really is just too dark. Too much black paint, mixed with red curtains. The spinning wheels on the ceiling were a fun idea when it first opened, but the decor really seems to cater to the few hours on the few nights a week when the music goes up and people dance a bit. Most people sat outside. As I say, it wasn’t that busy. Except when I got up from my table to get another drink, when it seemed like about a million people piled into the bar, so I couldn’t see my stuff still on the table while I waited for my pint. When I got my pint, I was given a pitcher as well (charged for two beers), which yeah, not what I asked for (or even the right beer), but I don’t blame the barstaff as they were frantically trying to deal with the sudden rush of thirsty people (none of whom were in bear costumes). I gave the second beer to a guy who had started chatting to me (“you’re fr’m Lond’n? Aw cool, have a nice v’cation!”) and went back to finish my panorama sketch – better add a lot more people now, no problem, I like drawing people now after all. Within five or ten minutes of sitting down the place emptied again, just a few people once more. The Annihilation Wave had probably moved on to wherever the next place that the Davis Young move along to. The lighting changed around a lot, lots of purple, bit of blue, then yellows and reds, going with the music (which was rather eclectic – they played Jive Bunny!?! I recognized it immediately with a shudder, my Mum used to play that all the time at parties in the late 80s). I added all the paint there and then, including some of the old splatter technique, and was happy with the results; I think it reflects the place very well. I finished my second beer and was done, exiting (though not pursued by a bear) taking my sketchbook and my imaginary bear costume back home again. Another Davis Bar Sketch.

all the young dudes

automuseum 1958 edsel pacer
Time to draw some classic cars. I went to the California Automobile Museum in Sacramento last week (can I just point out, I cycled, then took the bus, then walked for a long time to get there, ironically). It’s only the second time I have been, but they have a lot of very interesting historic vehicles there, I’d recommend a visit. After sketching cars with Lapin and Gerard at the Manchester Symposium I was eager to draw some really old classics. I didn’t sit super close to them for that distorted perspective, but close enough, and closer than usual in one case anyway. So, above is a 1958 Ford Edsel Pacer, shining black with cool orange trim. If it kind of looks like the old Batmobile from the 60s, it’s because that car, designed from a Ford Lincoln Futura, was designed by the same person who made the Edsel, Roy Brown. No, not Roy Chubby Brown, a different Roy Brown. The fire exhaust and red batphone were probably not standard issue. Apparently this car did have its problems though, I was told, what with most of the controls being just a bunch of buttons – it was easy to press the wrong one. You might think you are indicating to turn left, when in fact you are releasing anti-Joker spray.
automuseum 1987 lamborghini countach
When I was a kid (playing Top Trumps, also watching Transformers), you knew that the coolest car in the world was not a Ferrari, not even the Porsche Carrera (which was pretty bloody cool), not even Face’s Corvette from the A-Team, but it was the Lamborghini Countach. I had a toy one, the doors went upwards. That was even cooler than the DeLorean (without time-travel or flight, neither of which most DeLoreans could do anyway). This is a 1987 Countach, and I sat as close as I could get (there was a sign saying “no touching”), and there were only 2,042 of these ever made, between 1973 and 1990. Yeah if I was ever super rich, I’d want one of these. Plus some guards.
automuseum 1929 american race car
This was a race car from 1929, American. I loved those old race cars, makes me think of Chitty Chitty Bang Bang, reminds me I haven’t seen that film in ages, which reminds me of Dick Van Dyke’s odd American accent (both his father and kids are British in the film) but as a Transatlantico myself now, I don’t care. I just love that opening sequence with the old grand prix races. I actually started a new Seawhite sketchbook to draw this, having run out of room in the Stillman & Birn one (except for a double-page spread I was saving for a panorama).
automuseum 1943 military jeep
I had to sketch this old American Military Jeep. The Jeeps, made by Ford, are those classic army vehicles, Jeep probably standing for ‘G.P.’, general purpose. One thing I was told, and I notice this now looking at all the modern Jeeps out there (of which there are loads), is that military Jeeps have nine openings in their front grilles, while civilian Jeeps only have seven. It’s their thing. I never knew that. I do hope it’s true.
automuseum 1914 stanley steam car

Finally, exhaustion set in and I could not finish this one, the 1914 Stanley Steam Car. I drew it because of Stanley, the founder of Radiator Springs in the Cars movie. Apparently its nickname was “the flying teapot”. Also, I was told that the Stanley Steamer is completely unrelated to the Stanley Steemer Carpet Cleaner, who, I was told at the museum, totally stole the name, allegedly. Anyway, these were all the cars I could sketch, and so I trundled off on the hot Sunday afternoon back to Old Sac for a cold drink.

rebuilding rainbow city

Rainbow City
Davis residents all know Rainbow City, beloved playground made of wood and built by the community in Community Park years ago. I remember when I first came here, thinking that if I were a kid in Davis, this would have been my favourite playground, and I know for my own son, it pretty much was. And then, a couple of years ago, they closed it down – several reasons were  bandied about at the time: safety, the aging wood, termites, chemicals, hiss-boo-modern-world. I was worried that this would end up as another horrible plastic nothing playground, or even one of those weird playgrounds you get now with the odd shaped climbing bars and make-no-sense seats. Or maybe it would never come back. And then, just recently, the City and the local community started the new building project, which is ongoing, and here it is. I sketched it on Sunday morning, sat on the little grassy mound by the Davis Arts Center. It’s coming along nicely, and while it isn’t exactly the same, it has a lot of similar features to the old Rainbow City, but is just newer, updated. I’m excited for it to open, which should be fairly soon. Not that I can exactly run around on it myself, mind, and even my son is going to start getting past the age of playgrounds soon, but it does look like a fun place for local kids to explore. It’s a nice spot in my neighbourhood. I’m looking forward to the bike path next to it reopening too.