a cute little house

August 18, 2010August 17, 20104 Comments

We took a few days family time away in a cute little house in Monterey – Pacific Grove, to be precise, down on the California coast. After the non-stop sketchathon of Portland it was just what I needed – not that I stopped sketching, of course.

It really was a cute little house, but just right for us. the beach was a shortish walk away, and playing on the sand was so relaxing. Having spent so much time around architects, I took a slightly more technical apprach to building sandcastles, and constructed irrigation channels beside them so that the incoming tide would just wash around them like a moat. Yeah, that didn’t last long; King Canute I am not. I hadn’t built sandcastles in years.

This cute little house did have a strict ‘no sand’ policy, though – even though they charge quite hefty cleaning fees per stay, they still wanted to see no evidence of beach activity whatsoever. Perhaps it clogs up their vacuum cleaners. Yet I couldn’t exactly strip off outside. I was quite paranoid having to tiptoe to the bathroom with sand in the toes and sand on my clothes. I can never clean it off at the beach itself. I always make the same mistake of using the sea to wash off the sand. That never works, folks.

sketching to a close

August 17, 2010August 9, 20182 Comments

The final afternoon of the Urban Sketching Symposium… I for one was utterly exhausted, but still excited, and eager to keep sketching. I didn’t join the field sketching session I’d signed up for (mostly because I was messing about having fun taking photos of Gerard’s sketchbook laid out in the street), and stayed relatively close to the PNCA. I popped into Oblation Papers & Press, and bought myself an extremely nice sketchbook/notebook (because I needed yet another one), bound with a cover making it look like a French paperback. They are all produced on site, with top quality paper. And so, back to the sketching. I passed this one building, an old former warehouse, many times, and so decided to capture it in three drawings, vignette style, but without the borders I usually use. Because I was sat across the street, with trees in my way, I used those as my border. Ah, it was an experiment, sometimes I like it, sometimes I don’t. It was a lot of fun drawing the building itself though, with its faded paintwork and old empty water tower stand. There is a lot of character in buildings like these.

Right outside it, an object I know my two-year-old son would love. I presume it to be some sort of bike rack, or street art, or something I don’t know, but it is shaped like a car and has a steering wheel at two-year-old height. It was similar to the ones shaped like the Fremont Bridge that are also dotted about. I was told by some of the Portland sketchers that it’s city law for any new development to have part of their budget dedicated to placing public art around any new building. That, my friends, is immeasurably cool.

The clock was ticking. This was, in fact, Worldwide Sketchcrawl Day #28, so hundreds of people (probably more) around the world were also out drawing their cities. The Symposiums sketchers, however, were being magnetically drawn back to the source, the PNCA (Pacific Northwest College of Art), where the Symposium was being held. I think everybody was capturing the building as their last sketch of this experience. I joked to Mike Daikabura that this was like the red-light district of sketching, urban sketchers on every corner (and you had to get in early for the best spot!). My last drawing, of the PNCA, is the one at the top of this post.

Okay, time’s up, pen’s down! On to the closing reception, to have a look at everybody’s sketchbooks. In fact, you can see photos and drawings from the Symposium in the “Urban Sketchers PDX 2010” Flickr group.

Symposium blog: http://pdx2010.urbansketchers.org/

saturday, what a day

August 16, 2010August 9, 20182 Comments

Day three of the Urban Sketching Symposium, and the morning session was studying Urban Architecture with Professor Frank Ching. I wasn’t very familiar with Frank and his work until the Symposium roster was announced, but he is an excellent teacher and has a long list of widely-read published work. I was excited to take his field sketching session, and we all strolled down to the Portland Saturday Market.

frank ching explains architectural sketching

It wasn’t too busy there yet, we found a good sketching spot by the fountain, and the urban sketchers dispersed to find interesting vantage points. I actually liked the spot where I was standing, beside the fountain, though it was right in the middle of the people traffic. Now normally I hide, I slink off the walls and try to be invisible – but this time, I decided, no, I’m going to stay right here, and camped my little stool down on that very spot. I even drew big, in the large Urban Sketchers Canson sketchbook we got free at the symposium, all in the spirit of trying something different. It was quite the experience; as more people added to the market’s throng, people would stop and see what I was doing, even take photos (that happened a fair few times, too), all while respecting my viewpoint. I liked this sketching in crowds thing – now I never thought I’d ever say that. The Symposium I think has given me a little more confidence to do such things.

there were a lot of pirates out that day

I ate some lunch from one of the food carts (a delicious but messy East African chicken wrap, if you’re interested), and sketched the large ‘Made in Oregon’ sign that is perched up on top of a nearby building. they really love the shape of their state, Oregonians. I bought a number of postcards recently in Medfiord all shaped like the state, it fits perfectly into a mailbox (unlike California, which fits perfectly into a Christmas stocking). And then I ran back to the PNCA for Frank’s lecture on ‘perspective for sketchers’, and got quite lost on the way.

i managed to sketch frank giving his lecture

I’m glad I didn’t miss it entirely – it was such a fun lecture. Frank gave us some great principles for sketching and constructing our urban drawings, including advice on what to focus on if you have limited time (such as leave details till last, quite the opposite of how I drew the Steel Bridge, for example, but very much how I drew the Saturday Market). This was one of the real values to coming to the Symposium: to learn new, or at least different, ways of approaching your sketches. I like to try different things, in order to incorporate them into my overall sketching voice, which I like to think is pretty distinct.

However, the most fun part (and possibly the best moment of the Symposium) was at the end, when Frank asked if we had any questions. I’ve been really interested in perspective lately, and have attempted to dabble in curvilinear perspective (partly inspired by the work of the man I was sitting next to, Gerard Michel), so I asked if he had any advice on that form. At this point, he passed the mantle over to Gerard, who as luck had it, had a flash drive with him full of his incredible curvilinear drawings, as well as diagrams explaining it. He gave an impromptu and highly animated talk (in French and some English) demonstrating the theory and how to approach it. I’m glad I asked! I’m eager to try it some more. You can see Gerard’s curvilinear work on his flickr site. Prepare to be utterly amazed.

Interview with Prof. Frank Ching on the Symposium website.

Symposium blog: http://pdx2010.urbansketchers.org/

“in viaggio col taccuino”

August 13, 2010August 9, 20182 Comments

I was pretty amazed and inspired by Simonetta Capecchi’s lecture about collaborative sketchbook projects in the city of Naples, Italy, where she lives and works. I had a pen-pal from Naples when I was a kid, and the city has always seemed so far away and unusual to me, yet still in my native Europe, so I was fascinated by her stories. Simo’s work and ideas promoted a real sense of a community expressing itself through art. It reminded me not only of other sketchbook projects that I’ve seen or been involved in, and also what we do in every worldwide sketchcrawl or even this symposium, the art of representing a city through different voices and personal styles, but it also reminded me of place-specific projects that I have had experience of back when I studied and practised interactive theatre. Local people expressing their locale, telling its story, its ‘everyday’. Here my mind exploded with ideas. I want to get Davis drawing! I also liked the project she promoted whereby a sketcher would take an old book about their city, and sketch scenes from their city inside it cover to cover, across the text. As I discussed with her afterwards, that would be a wonderful thing to do somewhere like London, I think, thought maybe not so much Davis (only because Davis-centric literature is slightly thin on the ground). It was inspiring stuff, and a reminder that there are so many angles from which you can approach art, and urban sketching.

As did other people, I sketched the lecture room around me. There’s Liz from Australia, and Gerard from Belgium. I sat next to Suzanne from North Carolina, sketching the same subjects. Amazing how the internet has enabled us urban sketchers from around the world to come together and learn from each other. Simo showed me a sketch she made of Mount Shasta from the window of her plane, as she flew north from San Francisco, and I showed her my similar sketch of the same mountain from the window of the car as we drove south from Oregon last month. That was pretty cool.

Continuing the Italian theme, for lunch before the lecture I drank a bottle of San Pellegrino orange soda from Italy; (you may recall I sketched a can of this recently). I didn’t know they came in Orangina bottles! While eating lunch, we noticed that there was a wedding party arriving, and the bride and groom themselves sat behind us at a tiny table eating over-the-counter pizza. It was a funny sight, but the quick sketch I did did it no justice, so all you’re getting is the bottle.

build it up with iron and steel

August 11, 2010August 9, 20182 Comments

Urban Sketching Symposium, Day 2. Lapin led the Urban Line field session down to the banks of the Willamette River, to sketch the Steel Bridge. Portland is famous for its bridges. Can’t leave town without drawing at least one.

I was pleased to sketch this, as I wanted something to really sink my teeth into, or at least my micron pens. I felt once it was done that I’d got it out of my system. The morning started out overcast, and the stark, industrial structure provided quite the drama against the blank sky. The bridge moved once or twice, it’s bottom level rising to allow ships to pass, laughing at my previous assertion that I draw architecture because it stands still. Joggers and cyclists passed by as we sketched, freight trains rolled across the river, and the strange sculpture behind us made intermittent and unexplained noises not unlike a monkey smashing a cymbal. We all seemed to have our own approach; I watched how Lapin started from a detail and drew outwards, and how Gerard Michel (pictured right, drawing in the special Urban Sketchers Japanese style Moleskine) constructed it as an architect would, and I leapt in somewhere in between. I started in the middle, but had a rough outline of where I would be going (which I only marginally stuck to), but concentrated on small details as I went along rather than after finishing the outline. I purposely left it incomplete as I liked the effect.

The Sun came out, but I kept my bridge sketch colourless. I did add a little thumb sketch on the same page though of one of the spires of the Portland Convention Center across the Willamette, showing how the sky had turned blue, but the bridge lent itself to cold black and white.

At the end, we laid out our sketchbooks side by side and reviewed each others work. This is always one of my favourite parts of a group sketch, to see all of our different styles and interpretations laid out side by side.

the streets and the thousands of colours

August 9, 2010August 9, 20182 Comments

And so, the 1st International Urban Sketching symposium officially began. I liked staying at the Mark Spencer hotel, because most of the non-Portland sketchers were staying there too, and it was nice to meet new people at breakfast. At the Pacific Northwest College of Art (PNCA), Gabi Campanario opened proceedings and we set off on our field sketching sessions. You could taste the level of excitement!

My first session was Urban Colour with Jason Das. Our group walked a couple of blocks, and I drew the fire hydrant above (I love fire hydrants, and here they are orange). I was surprised to find that Suzanne Cabrera was sketching with us; I hadn’t realised she’d be at the Symposium! I’ve followed her work for years so it was a pleasure to meet her in person. Jason’s session was quite interactive, which I liked, and made us focus on colour in different ways. It was a particularly grey morning though. While I was sketching, a lady came out of the store in front of which I was positioned and asked if I’d like some work. She wanted to know if I would be interested in painting the big rock she uses to kep the shop door open, in the style of a ladybird (and she said ‘ladybird’, not ladybug, becasue she was British, though she didn’t know I was). Paint a rock like a ladybird? In watercolours with a tiny brush? Not for any money, like, just in case I wanted something to do she said (because I didn’t look busy). I politely declined.

After the first quick sketch, we all did a drawing using a lighter coloured pen than we’d normally use – I used a fairly light blue – and then coloured it. I wasn’t much pleased with my results (partly because I didn’t finish the colour), but it’s all about trying stuff out. I do like drawing street corners though. There it is on the right.

The next exercise was to draw the same scene twice, once with normal colour, and the second with different colour. I liked the idea of this one, and it certainly allowed you to break out of the bounds a little, but I think it worked a little better for others than for me.

The final exercise was a winner, and one which made some people understandably nervous. We were to draw a picture in our own sketchbooks of any scene, and then hand the sketchbook to a partner, who would then colour it in themselves. This was very interesting. First of all, the person I was partnered with, Robin Carlson, originally came from, of all places, Davis! Drawing the linework was a little nervy for me, as I knew it would then be scrutinised by someone else, but once the sketchbooks were swapped it was very liberating! I loved colouring in a different book, it was so liberating. Several people said the same – the hard work was already done! But I was so pleased with how robin had coloured my book – see below. The colours are so vibrant, and really leap out (mine are usually a little muted), and complement each other so well. I particularly like the values on the tree. Thanks Robin! This could be a fun exercise, like an online art exchange, you draw something and hand it over to other online sketchers to add their own colour or tints; this is something worth exploring.

Thus ended session one. There wasn’t a massive amount of time for lunch, before the lectures began…

Symposium blog: http://pdx2010.urbansketchers.org/

you do something toomey

July 27, 20103 Comments

Last day before I fly off to the 1st International Urban Sketching Symposium in Portland!! How exciting! It will be a huge learning experience for me, I’m sure, rubbing shoulders with some incredible sketchers, amazing artists, and meeting lots of people I’ve never met before. I’m pretty shy though. I’m all packed (spent longer deciding which paints to bring than which clothes to bring), bought my new pens, I’m all set.

Anyway, I got out at lunchtime today and sketched in the pleasant sunshine. This is Toomey Field (or rather, that sports stadium in the distance is) at UC Davis. The grass in the foreground is called A Street Field, according to the map.

call the engines, call the engines

July 25, 2010July 25, 2010Leave a comment

Above: a toy fire truck, drawn in my brown paper book. This was actually in the course of being played with while I was on the floor sketching it. At one point, Luke Skywalker and Obi-Wan Kenobi – volunteer firefighters, didn’t you know – jumped on board and went to rescue a kitty. I find I’m drawing things I think my kid will like. Below is UC Davis fire station, drawn during a lunchtime this week. Did you know the firefighters here actually have collectable baseball-type cards that kids can collect? It’s true, and they’re pretty cool, they tell you about the fireman or firewoman, and they have a safety message on there and everything.

the beautiful game

July 22, 20104 Comments

It was time for another collage drawing, and after the frenzied obsession of the World Cup, what better theme to draw than football? I scrambled together some of the football related items of mine – old ticket stubs, football stickers and keyrings mostly – plus drew a thing or two that I don’t actually have (those subbuteo players? Sorry, I stepped on and broke mine decades ago). You never know where these things will end. I’m happy with the final outcome. Click on the image to go to my Flickr site for a closer view (or you could just move really close to the screen, but I don’t recommend it). Here is a step-by-step to show you how it was done:

Stage one: I had a World Cup keyring, and I knew I wanted to draw some football stickers. the subbuteo men were, however, drawn from memory, as the careers of my own ones were long ago ended by being-trodden-on-related-injuries. Speaking of little plastic figures who don’t do much on the big stage, there’s Wayne Rooney.

Stage Two: more details, more Panini stickers, plus some from previous years. I have old sticker albums, plus a small collection of random football stickers from Belgium, Germany, Italy. My Spurs shirt keyring makes an appearance, as does the THFC tie-pin, and you can see a bit of my old mid-90s Ireland shirt, the same one Fatehr Dougal Maguire wears to bed.

Stage Three: the ink drawing is done, and more old tickets, some thrity years old, plus some badges and the CD of ‘Three Lions’. the magazine France Football finds its way in – that’s a great magazine, probably the best. There’s a lace representing a football boot, unfortunately I’ve not owned boots in over 20 years so a lace is all you get.

Stage Four: time to add some colour. I toyed with the idea of only colouring part of it, but the colour was always going to be a big part of this drawing. It’s supposed to remind us we just had a World Cup in the rainbow nation, in a way. I had to think about composition, but in truth when I start these types of drawings I have no idea how they will look, I just go with what comes to mind as I go along. If I hadn’t done the step by step here, you’d still have guessed I go from left to right.

Stage Five: finished! Here is a detail from the final piece. You can see it at the top of this post. I’ll write another post about my thoughts on the recent World Cup later on.

do you know the way out of san jose?

July 19, 20102 Comments

After the Tottenham match ended in a 0-0 draw, I cycled down the Alameda (part of El Camino Real, I believe, and an interesting looking road) towards downtown San Jose. I’d never been to San Jose, so was looking forwrad to doing a little afternoon sketching around what is in fact one of California’s largest cities. Wow, was I underwhelmed. Now San Jose isn’t bad, it’s not all run down or shady or full of junkies and hobos and boarded up shops, like a lot of cities, no it wasn’t like that at all. But it’s just that, downtown on a Saturday afternoon, and it was dead, there seemed to be nobody about. There were some interesting buildings, but mostly it was just tech company HQs and convention centers, or at least it felt like that. I headed towards what little bustle there was, but just couldn’t feel any heart, despite signs telling me of all the history here. It was like the city was trying to get people interested, but they were all at the Mall. There were lots of night clubs; I’m sure this place is a lot busier after dark, but something told me I probably wouldn’t want to be here after dark too. I drew a vaguely interesting building at the corner of 2nd Street (hey, we have one of those!), which I think was also some sort of nightclub or bar, called Toons (probably not a hangout for of Newcastle fans). I wasn’t all that into it though, and so decided to leave early, and cycled back to the station. I’m sure that San Jose has other, more charming areas (Santa Clara for example seemed very nice, and I liked the Alameda), but downtown just didn’t do it for me. Still, at least I finally saw another part of my adopted state, and the Amtrak journey down to the South Bay is inspiring.

Before catching my train, I grabbed another sketch, powerlines and a meat sign. It was hot, and I had a long journey back to Davis.