It’s almost Christmas! I haven’t had much energy for sketching lately, but I really needed to get some drawing in. I went to see Spider-Man: Into The Spider-Verse (by the way, an awesome film, incredibly creative animation) and then popped into De Vere’s (not Into the Spi-De Vere’s), our local Irish Pub, for some Smithwicks and sketching. It was pretty busy with festive end-of-year partygoers. I sketched in dark green pen. It was really nice to get this sketch done, to get anything done. I’ve been finding it hard to be productive lately, everything seems to take me forever. Actually I have made a lot of things out of Perler Beads. This year I made my son’s advent calendar out of 14,000 of those beads; that was a lot of work. Anyway Christmas is almost here, so I wish you all the very best for the festive season, and hope you go and watch Spider-Verse, because it was pretty great.
After I got back from Portugal, I had a hectic week (few weeks really) trying to settle back in. Busy work, busy life, jet lag, waking up at 3am every day, and the insatiable urge to just KEEP ON SKETCHING. It’s hard to explain the urge to draw stuff all the time. It’s probably less hard to explain coming back from a place like Porto where everything is a sketch waiting to happen, to Davis, which as we have seen over the past decade or so is worthy of a few sketches itself, but Porto it ain’t. You can only beat the team you’re playing, as they say, and since coming back I have ramped up my sketching of Davis once more after a relatively uninspired and fallow period. I’ve sketched almost everything I’ve wanted to sketch, so it comes down to sketching some of the old favourites just to keep the pen working, so one evening I popped once more to my local pub De Vere’s, always a nice place to hang out, and flexed the old ink muscles. This sort of drawing is about observing lots of detail, tackling interior perspective, and having a nice cold beer while you’re at it (the weather was so hot this summer). What’s more, I drew the pub from the outside a few days before: see below.
Now, I have a few more London sketches (and accompanying stories) to post, and then a bunch of new Davis panoramas I’ve been doing, but in the meantime I think I’m going to go out on this fine Saturday and do some more. I also need to get on setting the dates for the next few Let’s Draw Davis sketchcrawls so stay tuned for those. My recent sketching travels has filled me with a new sketching-energy I want to share.
I needed to draw something in black and white for submission to an upcoming group show, and so I decided to draw something familiarly Davis. And then I abandoned my sketch of the Hunt-Boyer-Dresbach Mansion (always struggle with that one) and popped into De Vere’s Irish Pub on a President’s Day afternoon (back when we had a president I really liked) and sketched that familiar view instead. I finished off all the hatching and shading at home (just the one quick pint for me). there was Africa Cup of Nations football on the TV. Outside it was sunny, a break from the series of big winter storms we’ve been getting. I haven’t sketched in just black and white for a while (even the ones I draw in pen only are usually, well, very very very dark brown) and it was tempting to add just a tiny little bit of colour, maybe just a little bit of red on the Exit sign or a couple of green bottles, but I stuck to the straight monochrome. The show it’ll be in, “Black and White”, is at the Pence Gallery on D Street, Davis, for the whole of next month with a reception for the ArtAbout on Friday February 10th. This pub is a good place to hang out. I think I’ll go back again sometime.
And here once more, De Vere’s Irish Pub in Davis. This was sketched after the party at the Manetti Shrem Museum of Art. I was so full of electric artistic energy that I just had to come to the pub and sketch away, and I wanted to use colour differently again, this time adding purple and yellow washes to a dark blue pen. Oh plus a white gel pen. I enjoyed sketching this a lot, and had some fun conversations with people, many of whom had also been at the museum that evening. By the way, totally unrelated, but have you seen Rogue One yet? Totally awesome huh.
Actually, before we get back to Manchester, here is a sketch I did last weekend right here in Davis. Click on it for a closer view. This is De Vere’s Irish Pub on E Street, which eagle eyed observers will have noticed I have sketched before. I did some thinking about the old curvilinear perspective recently, and how I need to really get it into the sketches more. I do anyway, of course, but I haven’t been doing many where I get both the left and right vanishing point into the picture, so that’s what I did here. I needed to practice it again somewhere familiar, so it was back to the very middle of the bar, similar to the first time, back in 2011. I coloured the page first in a red and orange wash, for some reason, meaning I ended up with a peach coloured background. This took about two and a half hours, or three pints of Smithwicks. It was strange not to be sketching at a bar where every single other person was also sketching (like the Peveril of the Peak!). I had just been to see Suicide Squad, which was, well it was better than Batman v Superman, for sure. A terrible plotline with a lot of problems, but overall not an unwatchable movie, and both Will Smith as Deadshot and Margot Robbie as Harley Quinn were good. Jay Leno as the Joker was very different from the other Jokers, not awful but the jury is out for many, though I am well impressed at how different Jay Leno looks from his cuddly talk show persona. I do like the post-movie pub-sketch, with all the sketching ideas bubbling around my head from Manchester sometimes you just need to unwind and get them out. The first few days back my sketching was a bit of a choke but with this and others since I have kicked back into gear, and now I’m heading towards my sketchbook show at UC Davis this Fall, “Conversations with the City”. Details to come soon!
“Sudwerk Choco-Taco” is an actual beer that I actually had. It’s quite dark, darker than I usually like, but it was really nice, I would have it again. I like trying the different craft beers that we have out here, and in fact I’ve started recording the ones I have tried by using that ‘Untappd’ app on my iPod. Admittedly there are times when it can be hard to remember, so I make a point of writing them down, or in this case, drawing a picture of it. And of course, why draw the glass when you can draw the rest of the bar as well? This is another bar sketch of De Vere’s (I do one from time to time, last time was January 2015). I’ve been very busy lately, and so one Saturday night I went and watched Deadpool. By the way, Deadpool is awesome. Don’t take your kids!!!! It will make you laugh. After watching Deadpool, I popped by the Avid Reader to buy Star Wars Top Trumps cards, and then into De Vere’s to read Deadpool comics and do some bar-sketching. The bar-sketching thing sometimes comes down to me needing to sit somewhere and draw a complicated but structured scene. I used a brown-black uni-ball signo um-151 (“say my name!” I hear this pen yelling to me, “say my whole name!”) and also a light grey Tombow marker to mix it up a bit. There’s also some Pigma Graphic pen in there for the thick lines. I had a couple of other beers, a Smithwicks red, which was very nice, and the Aggie Dry Hop lager by Sudwerk, which is alright.
I was also celebrating, from 5000 miles away, my older brother’s birthday; he turned 50 on that day. This is a year for milestone birthdays. Wish I could have been there celebrating with him – happy birthday Perks!
I have some more bar sketches yet to post, ones from New York City. In the meantime if you’d like to see some more, this Flickr set “Pubs, Cafes etc” has loads of mine, from pubs around the world.
On the last day of January (this is how long it’s taking me to find a few minutes to scan sketches in these days…) I decided I needed to add to my bar panorama sketch series, and went down to De Vere’s Irish Pub in downtown Davis to practice from a different angle. I sat in that corner at the end of the bar, nicely tucked out of the way, and sketched the evening away. Andy Murray was on the TV above me, losing in the Australian Open final, and the place was pretty busy. I started on the left with the close angle of behind the bar itself, making sure I sketched the ‘Late Night Eats’ menu before it got moved. It’s good to have something like that if you are sketching a bar, as it places you in both time and space. There’s a little tip. For the budding bar-sketcher, here are some in-progress photos; I used a brown-black uni-ball signo um-151 pen size 0.38 (the best), in a Seawhite of Brighton sketchbook (not the best, but not bad).
Next I sketched the bar itself. I used a few pencil lines to try and figure out the perspective lines, but it’s not scientifically exact, more of an ‘as good as’. The thing about perspective is that your direct moves about a lot and so you usually have several perspectives going at once. I added a couple of the barstaff; whenever I sketch bars I often leave them out because, to be fair, they move around a lot. It helps to include them however, to break up the repetition of a long stretch. Plus it’s always good when sketching people working to show them hard at work. I sketched the behind-bar are and the taps next, and those little black straw things that appear in almost every bar sketch in the history of the world, for some reason. You can see how the bar angles towards me at the far right corner, but I didn’t have room to show my part of the bar.
And here’s the finished sketch. By this point I had had about four pints ($3 pints of Sudwerk Dry Hop Lager if you must know), and had included the throngs of people at the bar. People are generally generic, but look kinda like the real people that were there. There was a man wearing one of those triangular/conical hats, looking as though he worked in a paddy field (no jokes about paddy fields and Irish pubs please), so I drew him twice. Although I left drawing the people to last, this actually opens up into being the focus of the bar, with the elongated triangular space in which they are positioned becoming wider and more interesting as the eye is drawn rightwards. There, see if you can talk about panoramic composition after four pints of beer. To be fair if someone had asked me (and I think they may have done) my answers would have been nonsense; to be fair, they are nonsense even before four pints of beer. I’m happy with the results though, and I decided not to add paint, so you can feel it in all its hastily scratched-in glory. De Vere’s is a good pub to draw panoramas of. Cheers!