Tag: churches

when i first saw your gallery

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trafalgar square

The National Gallery, and the church of St. Martin-in-the-Fields, Trafalgar Square. I ksetched there while there was still daylight to draw in – the Sun goes down so early in London, earlier than in California (by about eight hours or so). It was bitterly cold of course, but I braved it, and not only because I happened to see other sketchers out doing the same. One artist did stop and chat with me, asked if I was part of the group of people out sketching the square for some drawing day; I said no, but wish I’d known! Someone else asked if I was an architect.

I love that the north side of Trafalgar Square is pedestrianized, it will never cease to be a novelty to me. I remember when the very idea was deemed unthinkable, back when traffic ploughed endlessly through this very spot, but when they paved it over they turned it into an incredible open space, a public plaza that was actually worth visiting (cheers Ken!). I used to work on the open-top tour buses that would stop right outside the National Gallery – which by the way is one of the wonders of the art world, and like so many such places in London is completely free; I used to joke that my favourite room was the shop, because it had all the artwork in mini postcard form and took a fraction of the time to see them all. But for me, this spot will always be where I used to catch the Night Bus in the wee hours (that is quite literally the wee hours, with drunken people peeing all over the place). Along with the rest of London. I would stand here, sometimes for hours, waiting for my elusive N5 (they are far more frequent these days – cheers Ken!), to take my tired self home. You had to catch it from here to be sure of a seat in those days. Oh the memories. I’m glad they paved it over.

sketching trafalgar square

get me to the church on time

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davis community church

I remember drawing this building, Davis Community Church, three years ago, and thinking, I don’t like this drawing much. Its the colours. I finally got round to drawing it again, and while i prefer this I still don’t like the colours much. So I’ve decided it’s not me, it’s the building, it’s the wrong colour. I might write to them and ask them to paint it something else, pink or white or something. I edited out the homeless person who was ambling about the entrance with a trolley, mainly because she wouldn’t stand still but kept wandering off yelling something like ‘get out of my head’. I also edited out the big SUVs parked outside. While I was drawing another one pulled right up and parked in front of me, and out stepped JR Ewing, or his double.  I’m surprised I saw any of the church. I actually made most of it up.

and the band begins to play

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More sketches from San Francisco. I trotted into Washington Square, at the heart of North Beach, where nearby there were many bars and cafes, and all around me there were green-t-shirted revellers galloping (for want of a better word) from pub to pub in honour of St. Patrick’s Day. I sat and drew the church of Saints Peter and Paul. 

washington square

I saw an unpleasant sight. One of the gallopers in green, a rather plump lady, had some embarassing sweatmarks on her shirt. Not just coming from under the armpits, but around the whole bra area. A hoop of dark sweat around a lurid green t-shirt. It was a pretty cold day, I might add. I recomposed, and walked down a street where some interesting jazz or whatever (cool old men with trumpets and a big double bass, and an oboe and stuff) wafted out of an old looking pub, the Savoy Tivoli. savoy tivoli jazz bandIt was pretty cool, so I went in and got a drink and attempted to capture the scene, failing spectacularly; however, I was trying different pens and a different style, and I don’t normally draw musicians, so funny enough I quite like the results, unmannered though they are. 

There weren’t as many St.Patrick’s drinkers in there, but plenty more everywhere else. America really goes mad for it, more so even than in Irish north London which is my background. It’s ironic; years ago, St.Patrick’s day was the one day in Ireland when pubs were closed (presumably, people go out drinking because they think that’s all the Irish do or something). It’s funny how in America, people get very sensitive on tv and in advertising with the word ‘Christmas’, or even ‘Easter’, yet nobody bats an eyelid at exclamations celebrating the religious day of a famous saint. And all this ‘luck of the Irish’ stuff you see everywhere? I don’t get it, over the years the Irish have been one of the unluckiest peoples in history (living next to the English didn’t help much); possibly all of the four-leaf clovers plastered everywhere means that people don’t realise it’s the three-leafed shamrock that symbolises Ireland. And another irony: St.Patrick’s colour was actually blue.

I did my bit though; got myself a nice big green margarita, shortly after sketching my last urban scene of the day, a cable-car waiting on California St. Back to my typical old way of sketching. More to come.

a cable car on california

is that concrete all around or is it in my head?

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About two and a half years ago I came back to the UK for the first time since moving to California. I walked up to Edgware, just up from Burnt Oak, where I used to go to school, and where I used to shop for records, books, guitar strings, and more books. I was stunned to find that none of the places where I used to get these things existed any more, and I lamented the downturn of this edge-of-town suburb. I wrote a blog entry about it, which even now people are leaving comments on, telling their own tales of Edgware past. Each time I’ve returned since it seems to have gotten worse, crowded with people who have little to do, with all the half-interesting shops disappearing before our very wallets, even the chains. HMV is now a pound shop, McDonald’s is now a cheap clothes store, and we all know about Woolworths.

st margarets church, edgware

While back this time, I went up on Christmas Eve to do some drawing, and squeeze through the purgatorio of The Mall (formerly the Broadwalk). I sat in the cold outside the boarded up Railway pub, a wonderful old hotel which has sat empty for a few years now, and drew the church opposite. I used to pass this way on the way home from school every day, years ago; even my old school has been knocked down and replaced with a brutal looking Academy. There’s an alley to my right that cuts through to the streets leading up to Deansbrook Road, and Burnt Oak, me and Tel walking down there telling stupid jokes every afternoon of our teenage years.

I finished this sketch and walked across the road, past the still-empty Music Stop – and was shocked to find, a few doors down, a brand new guitar shop! I went inside; the young guy who worked there told me they’d only been open four days, and that the bloke who worked in the old Music Stop now worked there, having been working down at another fave old guitar shop of mine in Crouch End (in fact, this new shop is a branch of that one, Rock Around the Clock). After a chat about Ibanez guitars in America I walked off pretty happy: did this mean Edgware was on the mend? Who knows, and maybe it’s just the view from a distance, but either way, it’s a new shop that sells neither cheap luggage or cheap cardigans, nor is yet another pound shop, and that’s a start. If I still lived there, I might even shop there.

going strøget

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copenhagen, strøget

Drew this from a photo taken on my first trip to Denmark (strawberries, adidas shorts, 1995), strøget in Copenhagen. The photo itself is bright and sunny and colourful, but for some reason I changed it to sepia and old-fashioned. Well, it’s historical, for me. I was nineteen and adventurous (and skint). I just decided one day to go and pick jordbaer in the south of Fyn, meeting lots of interesting people along the way. Back in those days they didn’t have the long road bridges between the isles: a trip across Denmark meant getting on lots of ferries. There was a great ferry that the train rolled onto, and off again once in port, straight onto the tracks. That hot summer, the night in Copenhagen came last. I must have had about ten quid’s worth of krone left. Doesn’t get you very far in Denmark. I went to an atrociously bad hostel, paid my money, sat on the bed (with the hudnred or so other beds in the converted gym around me, got up, went to the front desk, got my krones back and went off into the night. My bags were locked at the station, and went to a karaoke bar, and while singing ‘going underground’ I told Denmark about my predicament, and I swear I didn’t have to buy another drink that whole night. I was younger then. I got on the bus for London the next morning (the bus! Back before the cheap flights boom, the 24 hour eurobus ride from hell was the way the poor travelled) I had one Danish krone left, one of those coins with a hole in it. I threaded a piece of string through it and made it into a necklace. I probably still have it somewhere.

I’ve been back a couple of times since, each with different stories. A friend of mine just had his stag do in Aarhus, another place I’ve been a couple of times; wish I could have gone this time! I could at least afford the drinks now.  I love Denmark, it’s expensive but the people really are the friendliest.

outside the temple

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temple church

An ink attack on the page by the Copic pen, fresh from drawing every single line in fleet street, on night two of ‘sleep-training’ (it went very well too). I wanted to draw more bare trees again, but this time with buildings behind them, so I went back to a photo from London back when I lived there, and was studying nearby this place: Temple Church, off Fleet Street, former HQ of the Knight’s Templar, now a busy destination for tourists bugging the priest about the (inappropriately titled) Da Vinci Code, and medieval students looking for William Marshall (guess which of these two groups I fell into).