back to nob hill

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I went down to the city for a couple of days, as my friends James and Lauren were visiting from England for their 10th anniversary, and we met up for a fun day and evening to celebrate. They married here back in 2015, which history books will tell us is a different historical period, and I came down from Davis to spend a really fun day with them which included a few drinks with locals at Rogue in Washington Square. Nowadays we have self-driving robo-taxis going around San Francisco, and Rogue is long gone, but we ate at Fog City Diner, went to look at the few remaining sealions and walk around the Musee Mecanique, before visiting the old historic bars of North Beach, ending up with a trip to the Tonga Room, classic SF history. The next day after they went to the airport for the next part of their trip I spent the Saturday sketching around the city, mostly around Nob Hill where we had stayed. I sketched the view above, which I have done a couple of times before (a very long time ago – this one in 2006, and //embedr.flickr.com/assets/client-code.js” data-wplink-url-error=”true”>this one in 2011 – I’ve been here a long time now). Cable cars rumbled by, tourists took photos and waited on the corner for their robo-taxis (the Waymos; I took my first Waymo ride the day before and it is very strange sitting next to an empty seat watching a steering wheel turn by itself). It was quite sunny. When I came down the day before the morning started off pouring with rain, but it cleared up by lunchtime, I had good luck with the weather. We had just had a really nice filling breakfast and a walk back up the very steep hill.

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When we were up here in Nob Hill for my birthday the month before we had such a great view from our hotel room (see that blog post to have a look, it was incredible) that I didn’t want to go out sketching the area during our rest time, so I caught up on that this time. The scene above is in the square in front of Grace Cathedral. I stood in the shade of a tree to draw this fountain. There are lots of little dogs off leash around here, people come and let them scamper about, meeting other dogs, they have a great time. Mostly small dogs with well-off Nob Hill owners. I took a little while drawing this; it had been a very fun evening before and I was feeling a little hungover, but full of sketching energy. Not as much energy as those little dogs though. I sat on a bench to add the watercolour, so I could put my paint set next to me, and after a while soon found that the dogs and their people were gravitating towards the fountain to chatter and smell each others bums (I’ll not explain who was doing what). Which was fine but the dogs were getting very excitable, and some would come over to me to see what I was doing and see whether my paints were lickable. One larger dog put his snout right into my Winsor and Newtons (that’s the brand of paint I use, not some Cockney euphemism) and I had to be like, whoah there. Its human owner came over and I assume apologized (I was listening to an audiobook at the time) but then decided to shield me from further canine interruption by standing right in front of me, which you do when someone is obviously drawing don’t you. More dogs and owners joined the dog and owner party, running around yapping and sniffing bums (again my memory is fuzzy as to who was doing what), and then put of nowhere an excitable Cavalier King Charles Spaniel jumped onto the bench and landed on my paintbox, knocking over my little jar of water. I had a dog like that growing up, ‘Soppy Dog’ (her real name was Lady) so I have a soft spot for them, and didn’t really make much of a fuss other than a Marge Simpson style “hmmmmm” and frown. The embarrassed dog owner quickly got them away and probably apologized (I was listening to an audiobook), and the crowd of dogs and humans started moving somewhere else. None of this affected my painting of course but I thought, this will be a funny thing to write about when I post this, instead of ‘it was a nice day and my tummy was feeling yesterday’s beers’.

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I had the day to myself, it was Saturday and I wasn’t in a hurry, so I found another spot in the shade and drew the panorama above looking up at the Cathedral. I had intended to draw the whole lot in, maybe even do the rest later, but I did get a bit bored so just drew as much as I could and coloured in the bits that stood out the most. I wondered what it would be like to live on Nob Hill – you need to have a dog, apparently – and deal with these hills every day. I like a hill but even I’d feel a bit exhausted at the thought of going up and down them every day, so I probably wouldn’t leave the area much. It’d feel like some village, I don’t think I’d enjoy it. I didn’t go into Grace Cathedral this time (not now you have to pay a lot to enter – sod that, it’s nice but not exactly Westminster Abbey), but remember years ago when I illustrated their Christmas Concert official program, two years in a row? That was fun, I got to go to that concert both times, once with my wife and once with my mum. Well over a decade ago now, time flies.

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I walked further down the Hill along Bush Street, and could hear people drinking and partying. Lots of people in green, it was St Patrick’s Day weekend, and there was a parade going on, and not far from here some big street party with live music echoing up the hill.  I wasn’t in green (I was in blue, St.Patrick’s actual colour as I boringly point out to uninterested people every year, even though St.Patrick probably didn’t wear navy blue polyester with a big ‘AIA’ and a little cockerel on it). I stood in the shade and drew the Eglise Notre Dame des Victoires, deciding to sketch in pencil to be quick. I’ve meant to draw this church for years. I think there is an Institut Français around here, because this little quarter has a lot of French stuff, I remember my wife telling me about this when we first came over here, she came here while learning French (we met in France, see).

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Which brings us to the next sketch (above) which is the Cafe De La Presse, on the corner of Grant and Bush, a French style cafe I’ve enjoyed for years. When I say enjoyed I mean I have eaten there probably two or three times in the past 20 years, but I don’t live locally so that is quite regular. Last time I had some lovely eggs benedict with smoked salmon, which I also ate that same morning somewhere else (and looking at this makes me think of that taste, big fan of the smoked salmon eggs benedict) (and yes, when I see the word eggs benedict I do think of Dirk Benedict, ‘Face’ from the A-Team who drove the best Corvette). More and more people in bright green with big silly hats, just what St. Patrick would have wanted (actually he did like a big silly hat, he ‘mitre’ worn some himself). I couldn’t draw this all there and then because the day was pressing on (get it), so I did all that brickwork and colouring in later on the train.

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Speaking of the train, I did this sketch here on the Amtrak coming down to the city the day before, I guess I should show my work. I have to keep that pen moving.

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While this one above was a very quick sketch I made at the Saloon in North Beach on Friday afternoon while watching this band play with my friends James and Lauren, before we went to Specs for some good chat. There’s no more Anchor Steam on tap, more’s the pity, but it’s a great city for a beer and a catch-up.

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As I walked back I passed where a lot of the music and partying was happening, a block party just off Grant. It was a paid event behind security so I didn’t go in but I stood by the edge and did some people sketching. I was looking out for interesting football kits, there were some, plus a couple of rugby kits. Back in Irish north west London we used to have some fun St.Patrick’s Day parties as a kid, I grew up on the Irish music back in the 80s and most of what I learned on guitar was from a book of Irish folk songs we picked up in Willesden or Southport or somewhere. If my grown-up self didn’t feel so much of this was a bit cheesy I would probably have really enjoyed getting my Irish shirts on and getting all festive, my Mum would certainly have loved it. So I stood and sketched like a good urban sketcher, or maybe like a plain-clothed officer at a party in 1980s Cricklewood, and laughed that the band went right into ‘Come Out Ye Black And Tans’, which now makes me think of that episode of This Time with Alan Partridge. “Double-O Feckin’ Bollocks!”. I had the old Irish music of my youth in my head now, and felt like getting home and spending the next day singing the Wolfe Tones and Brendan Shine. Time to get back on the Amtrak bus and train to Davis, another good weekend in the city.

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the Highgate Pantry

Highgate Pantry, London

When I got back from London, I was filled with that usual longing for the old place, faced with the long hot Davis summer. I wanted to be back wandering the streets and looking for cool things to draw. So I went back into the photos I took and started drawing some places on 8×10″ watercolour sheets with the intention of framing them and putting them on wall up the stairs. It’s not the same as being there, but then again I get to sit at my table and watch YouTube videos about London and take as long as I want, unperturbed by traffic, weather, an aching back and the need to get home for dinner. Still, give me urban sketching any day, I love to explore the real world. While we were back, we visited our old neighbourhood of Highgate. I didn’t sketch down there (except on that one other day when we visited the Cemetery) but we looked around the place we used to live, up the village and Pond Square, down to Waterlow Park and over the bridge along our old street Hornsey Lane, taking a picture outside the house where we lived before moving to America, before realizing it was actually the house next door, memory not being the most reliable thing in the world. I joked with my son that this is where he would have grown up if we had not moved to California, and it’s probably true, though not in that little flat on Hornsey Lane, and we’d have probably had to move somewhere else that we might not have liked as much as Highgate and Crouch End, and just ended up moving to America anyway. The weather’s better here anyway. I do miss the cute little shops around there. We stopped into this cafe for some pastries, the Highgate Pantry, and I knew I would have to draw it, either something back and standing across the street or like I’ve ended up doing, from a photo with a cup of tea. The pastries were lovely, we ate them while walking through Waterlow Park, as the north London rain kept trying to make its mind up about falling. That whole area, the bricks and leaves, it’s what I loved most about London. I remember on Sundays after having a roast dinner I would sometimes walk up this hill to exercise off the food. I was a lot skinnier then, twenty years ago. Twenty years, where does the time go. I don’t even remember now if the Highgate Pantry was there then, I assume it was, but I would usually get my pastries and cakes from Dunn’s down in Crouch End so probably didn’t come in here much. It definitely wasn’t always pink, but I like it pink, and it looks nice on the wall as I go up the stairs. I have some more of these drawings done after our trip to show, but will post them separately.

a block of second street

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After Spring Break, the Spring Quarter began, another busy time but at least it wasn’t Winter Quarter. In my Quest To Draw Every Inch of Davis (not a real quest) I decided to go down to 2nd Street to sketch Logos Books, the little second-hand bookshop on the corner of the row, and Soccer and Lifestyle next door, the soccer themed shop that I first went into back in 2005 when we drove over to Davis for the day, and I wandered downtown while my wife interviewed at this university called UC Davis that I had never heard of until a few days before. I’m football shirt crazy, and I love a good book, so I’ve spent a bit of time in here over the years (admittedly quite a lot more time in Soccer and Lifestyle, I am really really obsessed with football shirts, I mean ‘soccer jerseys’), so a sketch of this block is long overdue. I came back a couple of days alter to draw the rest of the block, the part where Philz Coffee is located. I’ve never been in there, I don’t drink coffee (it’s not my cup of tea, literally) but I should pop in sometimes. Ach, I’ve really spent a lot of my time in this town. This used to be where De Luna jewellers was (that is what it was called isn’t it? The memory is going as the years get further away). I drew that once on a rainy day in about 2008, if memory serves (I usually remember drawings well enough). I stood outside the now-empty closed-since-covid Uncle Vito’s to draw this.

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sketching a rainy day in davis

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Last month we held another Let’s Draw Davis sketchcrawl in downtown Davis, this time on 2nd Street. It was a really rainy day too, but we had a good turnout of sketchers not minding that. I sat beneath the shelter of the Varsity Theatre and sketched the Avid Reader bookstore, a local favourite spot (and where I worked a long long time ago). the rain was really hard, absolutely bucketing down. That was a busy day for me; I had woken up early and taken part in the annual Lucky Run, and this time I ran the 7k distance for the first time ever. Usually I run the 5k, but I wanted a bit more of a challenge. I’ve not been running as much and am definitely heavier, but I smashed that 7k and want to run more. I am aiming to go for the 10k by the Fall, so I had better get back to training, cut back on those milkshakes. Next week, maybe.

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I went into Mishka’s Cafe to do a last sketch, and several of the other sketchers were there. I sketched the scene in my brown fountain pen, and had a big fruity smoothie (which took several straws to drink, because their plastic straws are a bit too weak to be used in their smoothies, I must remember to bring my reusable metal straw next time). Then we all got together afterwards to look at each others’ sketchbooks, there were some great styles on display.

I recently posted the next Let’s Draw Davis event which will be on Saturday May the 4th, so I made a Star Wars style logo for this one. Check out details at the Let’s Draw Davis FB page.

a plate full of pancakes at the original pantry

The Original Pantry, Downtown Los Angeles

I had a lie in on the Sunday; well I woke up very early (even after the time change) to watch Spurs v Villa through the corner of my eye, but I fell back asleep when it looked like it wasn’t going anywhere (actually we ended up winning 4-0, best performance of the season). I needed the kip anyway, and was still feeling a little full from the pre-bedtime burrito I bought at the food truck across from the hotel. So it was pushing lunchtime when I finally went out into the world. I thought I might do some drawing around downtown LA before heading to Riverside, but my main goal was to eat at The Original Pantry. I first saw this place way back in 2010 when I sketched it but didn’t eat there; I came back in 2017 with my mate from England, but the line was so long we decided to go to Denny’s (and waited even longer just for our food), so I’ve wanted to come back for ages. The Original Pantry opened its doors a hundred years ago in 1924 and boasts to have never closed its doors since its open 24 hours a day (I don’t know about during the pandemic). It’s a proper classic little diner with excellent food and beloved by locals. I absolutely didn’t mind waiting in line because I knew I’d be hungrier by the time I got in, and I could sketch the line while I was out there. Their website does say they want peoples’ stories from being in line. So I stood and whipped out my little Fabriano sketchbook to draw my wait (see below). However, I hadn’t been there for more than about three minutes, when one of the staff came out to check the size of each party going in. Since I was by myself, they already had a seat at the counter for me so I was led past the long line, some of whom were saying “oh man you’re lucky!” to me (I resisted the urge to say “see ya later suckers!” but I did feel excited at being called in to eat). My seat at the counter was close to the very hot cookers, but there were other locals eating there and reading their papers, it felt pretty awesome. I didn’t fancy a big lunch, but I ordered a plate of their famous pancakes, and wow that was a big plate of pancakes. I couldn’t even finish it, it was so filling. My stomach (and my soul) well satisfied, I got up and went back outside, and finished off the sketch of the line that I had started (below), before heading across the street to draw the full scene (above). That sketch above took me about an hour, but it was nice standing on the corner of the street in downtown LA, it’s a bit different from Davis.

LA Original Pantry Line

The last time I stood there sketching was in 2010, my wife and I were visiting Los Angeles for our anniversary, though she had a work event in DTLA that day so I spent the day exploring. The hydrant drawn in that old sketch is now different, and I stood at a slightly different spot of the corner. It’s not actually the corner of Figueroa and 9th (9th is the street on the other side of the main road) but at the junction of Figueroa and James M. Wood Boulevard (the stretch of 9th was named for local labor leader James M. Wood in 1997). Anyway I wanted to show this sketch here again, I always liked it.

the original pantry, downtown LA

Eating pancakes wans;t all I did that day. My hotel stay also gave me entry to the Grammy Museum a bit further down the road. I didn’t have a load of time before I needed to catch my train but I figured it would be fun to look around, and it was. The only sketch I made in there was of Michael Jackson’s jacket from Thriller, because we used watch and dance to that video so much when we were kids. I enjoyed the hip hop sections too, there was a lot of history there. It’s not a very big museum but was worth seeing, but I had a train to catch to I headed off to Union Station.

LA Michael Jackson's jacket

I had hoped to arrive a little earlier and spend some time sketching Union Station, but as it was I was able to take my time, and a very helpful young volunteer showed me the right ticket machine and the way to the platform, he was a university student who apparently helps at the station because he is so into trains; I understand, me too. I’ve been thinking a lot about taking a great train journey lately, one of those that goes across the country taking several days, with time to sit and think and read and get into adventures. Well maybe not adventures. Would I get bored? Probably, but I’d be moving towards somewhere. A couple of those long distance trains stop in Davis (the Coastal Starlight and the California Zephyr) so who knows, some day. As it was, I took a 1.5 hour regional train across the LA metropolitan area and into what’s called the ‘Inland Empire’, to the city of Riverside. And of course I sketched on the train.

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“you carry on ’cause it’s all you know”

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Here are a few downtown sketches from last week. Above is Pinkadot, a clothes shop I’ve never been in (not really my style), next door to Baskin Robbins, which I have been in once or twice. I really like their milkshakes. One thing about milkshakes, they do make a stressful day/week/month feel that little bit better. It’s still only February! 2024 already feels like it’s been going on for about six months, and March, one of the busiest months, isn’t even here yet. I am going on a short trip to Los Angeles in March though, which should be nice, I’m going to a conference for work so it’s business and professional development, but as well all know that will also mean a lot of sketching. Hey, do you see that butterfly on the wall next to Pinkadot? That’s you that is. Sorry, old TV catchphrase alert. It did make me think of the song by The Jam, ‘The Butterfly Collector’. I think I’m like a butterfly collector, in my own little dream world, collecting sketches of places. I love that song.

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This is Mishka’s Cafe, next to the Varsity. I don’t come here very often (not really a coffee drinker) but I do like their smoothies. Mishka’s is a Davis mainstay, but when I first moved here, the cafe was a block down the street. It was at that cafe that I first joined a ‘sketchcrawl’ back in December 2005, a long long time ago. I drew this when it was threatening to rain. We have had a lot of rain lately, those atmospheric rivers, but we need it. Those drought years were not fun either. This building is located where the old tank house used to be, years ago. I have spent well over a third of my life in Davis, in fact I’ve spent almost two thirds of my adult life in Davis, in fact you could say I’ve spent all of my actual grown-up life in Davis, but even that is up for debate. Time just keeps moving on, and that’s that. “And you started looking much older…” I’ve got that song in my head now. The Jam do fill me with joy, but also sadness, they remind me of my uncle Billy who passed away a few years ago, who used to play me his Jam records in his bedroom when I was a kid. As I write, on this day five years ago I was in England for his wedding, the last time I saw him. I think of him a lot.

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And finally, the Varsity Theatre, that classic Davis landmark I have drawn loads of times. I don’t go inside very often, in fact the last film I saw in there was Jojo Rabbit. I don’t draw it from this angle much, it’s dramatic feels slightly overwhelming to me for some reason. Oh, everything feels overwhelming these days, drawing in a sketchbook is much less overwhelming than the rest of the world. I’ve been playing my guitar quite a lot lately, that’s a stress reliever. I keep dreaming about getting another, though I don’t need one. Well there’s one I want, but I quite like just wanting it. I find I have been trying to find the right sounds lately. I’m not a technically good player, I don’t do all the fiddly stuff, I am more about the rhythm and the chord changes. I have not written a ‘song’ in years and years and I don’t really want to start doing so again, but I cannot help myself coming up with little micro-pieces, whatever comes into my head, and quickly recording them on my phone. I will go back in later and listen to them, all about 30 seconds long each, and I always feel surprised at how much I like those little scraps when played together. Some are a bit pants, but they are like little thumbnail sketches of music, only for me, no words but occasionally some random lyrics thrown over to make a melody. Not for anyone’s ears but mine, just how I like it, little butterflies only a few chords long.

bar italia – round the corner in soho

Bar Italia, Soho

Looking back to London, this is the famous Bar Italia, a cafe on Frith Street in the heart of Soho. I drew this as part of two pieces I out in to the Pence Gallery’s annual Art Auction, deciding I really wanted to put in a place that meant a lot to me. Well, Soho means a lot to me, not necessarily Bar Italia, given that the last time I actually had anything here was in the mid-1990s. I just love that it is still here, still very much keeping Old Soho alive in the face of all the dross and change in this area. I drew it on an 8″x10″ piece of paper and framed it, I was really pleased with how it turned out. That might be me sat in the corner, wearing what looks like a Charleroi shirt (lot of Italians lived in Charleroi), but not exactly representative of when I would actually go there. For one thing, it’s daylight, and another, I don’t drink coffee. Bar Italia was a great place to go at about 3 or 4 in the morning, after going to whatever small Soho nightclub that played indie or rock music, and have a cold soda or even a cappuccino. I knew some Italians back then and we’d sometimes go there in those wee hours and those were the only times I ever had cappuccino, and the cappuccino in Bar Italia was really good. I can’t stand coffee, but that was nice. It was more the location, filled with interesting people, Soho people, all that little bit still awake and alive before the night bus home. In summertime the sky would already be streaked with early morning pink, as you walked down to Trafalgar Square to get the N5 from outside the National Gallery with the rest of the world. In those days I had boundless energy; if I stayed up all night, I wouldn’t even notice. I definitely had the odd occasion when I would be up all night, then rater than sleep I would just shower, have breakfast and then go off to work my day job in the Asda coffee shop. When you’re 20, you can do anything. I was a sensible 20 year old though, not very hedonistic, but I loved London. I remember going off to Germany when I was 20, to spend a year working in a school for children with disabilities, a live-in job I found so difficult and stressful that I ended up leaving, and coming home again. Mostly I just missed London. The world out there was great, but London, and this London especially, was just the best place. I’ve long since left it behind now, and found a new life in California. Pulp famously ended their Different Class album with the song ‘Bar Italia’, dedicated to this old Italian cafe, including the line “I’m fading fast, and it’s nearly dawn”. When a man is tired of London, it’s time for the Night Bus. This building, 22 Frith Street, has a longer history though, as the blue plaque indicates. This is where John Logie Baird first demonstrated his new invention, the ‘television’, back in 1926. That caught on didn’t it. Further up Frith Street is Ronnie Scott’s Jazz Club – and I’ve never actually been there. When i was in my late teens and 20s, jazz clubs were not really my thing. Maybe some day I might go, and pop into Bar Italia afterwards.

This drawing will be in the Pence Gallery’s Art Auction this year; details are at: https://pencegallery.org/events/art-auction/. There’ll be a Preview Exhibit on September 8th if you’re in Davis, and bidding starts on Sept 10 through Sept 23, when the Art Auction Party takes place at the gallery, always fun, and there are loads of great artists involved this year.

another san francisco day – part 2

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It was a busy afternoon in North Beach, San Francisco. I had already sketched a lot, but was still going. I sat outside Caffe Trieste, a historic old cafe once frequented by famous beat poets, musicians, actors, artists. Coppola wrote a lot of The Godfather while drinking coffee in here. I’ve sketched outside here before. I have never actually spent any time inside; I don’t drink coffee, and the line was always a bit long for me to figure out what else I might want; another time. I hear they make pastries. The cafe was opened in 1958 by Trieste native Giovanni “Papa” Giotta, who died in 2016; he was known as the “Espresso Pioneer of the West Coast”. I went to the city of Trieste in north-eastern Italy back in 2001, an interesting place, very close to the Slovenian border.

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I stood on the corner of Columbus and Broadway, outside the Condor, and looked across to City Lights Books. Behind it to the left, Vesuvio. I’ve sketched this spot a number of times over the years, it never gets old. This area right here might be one of my favourite places on earth. City Lights is pretty famous, though not actually very big, and again has a long history with the beat poets. I must admit I’ve not really read any beat poetry. I’ve heard of all the names and nod knowingly whenever anyone reels them off, but I’ve not actually read any. Maybe I should, perhaps it will mean something, but I always imagined it as someone reading poems while someone else does beatboxing with their hand over their mouth, imagining something like a rap version of Wordsworth, “I wondered lonely as a cloud, yeah”, but it’s probably not that at all. I like poetry, I did well studying it at college, though I’m not sure I could do it myself, and I don’t like poetry enough to actually spend any time with it. I’m like Facebook friends with poetry, I’ll ‘like’ it but pretend to be busy if it wants to meet up for a coffee. Still, I had a look around the poetry room upstairs and nodded thoughtfully at all the titles. There were people sat reading as you’d expect; I thought one of them was Maggie Gyllenhaal sat reading a book by the window, but I never recognize famous people so it probably wasn’t. Although I did see Robin Williams once at the Farmers Market a long time ago (come to think of it, it was my wife who saw him, and I just went “oh yeah! wow.”). I thought I’d better actually look for that Paul Madonna book that was mentioned in the previous post. His first volumes were published by City Lights after all, but I couldn’t find it in here (I think they didn’t publish this one, but likely it was just sold out). I did pick up another book though, “Spirits of San Francisco” written by Gary Kamya, and illustrated by Paul Madonna, and took it across the street to read at one of my favourite bars, Specs. Read about San Francisco stories while sat in a place full of San Francisco stories.

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It was however too dark in Specs to read anything. I love Specs. After a day on my feet, this is the place to stop and rest them, with a pint or two of delicious Anchor Steam, the proper San Francisco taste. It’s full name is Specs 12 Adler Museum Cafe, and it was founded by Richard Simmons, nicknamed ‘Specs’ due to the big glasses he wore. I took the seat closest to the window, underneath the orange lamp-shade. Still too dark for my weak eyes to read, it was barely light enough for me to draw (once upon a time, maybe wouldn’t have been an issue) but I was going to draw anyway. I had sketched a lot that day, this was a tired end of the day sketch, and one where I couldn’t really see colours on my page too well so I bathed it in a wash made up of the colours I could see. There is so much to draw in here, and I have done it before. I listened to the conversations of some people sat nearby, one older fellow was a music photographer or journalist telling stories about musicians from over the years, it was interesting. There are always interesting local people in this bar, I remember coming here once and sketching a panorama on one busy evening about a decade ago; the elderly barman that evening (who may have been Specs himself? Probably wasn’t) passed me a free Anchor Steam and told me that this was a place full of artists; away to my right a guy was oil painting on a canvas, behind me at the tables there was an older woman busy scribbling drawings in charcoal and pencil; I was definitely not alone. You never run out of things to look at, and sketch, in Specs. One of my most fun evenings in the city was spent here about thirteen years ago with my friend Simon, visiting from England, where we played a drunken game of chess in there and told silly stories. It’s still my favourite bar in the city, and this was the first time I’d been in since before the pandemic; so glad it’s still there.

Speaking of artists, back to Paul Madonna: I ordered that third All Over Coffee volume (“You Know Exactly”) online and have been enjoying going through all three volumes a lot. Here is a book review of it on KQED. I learned shortly afterwards that he had been in a really bad accident towards the end of 2022, when a driver going the wrong way collided with his vehicle in San Francisco and left the scene, leaving him severely hospitalized and lucky to be alive. I met Paul and his wife Joen in 2016 at the grand opening of the Manetti Shrem gallery in Davis, but I’ve been inspired by his work ever since seeing that first volume in a shop window in Berkeley in 2007 while on a sketchcrawl (when I was drawing a lot with purple pen, if I recall), and immediately getting excited about the linework and detail, as well as the subject, which was every corner of San Francisco (but erasing the people and cars, as I’d been doing). I still love his work, as it has developed over the years, and it reminds me to keep trying to look at the same places again in different ways. So it was a shock to hear of his awful accident which has prevented him from working, though there was an update in the past couple of weeks that he has finally been able to go back to the studio. There is a Gofundme fundraising page set up by the San Francisco Public Library to help Paul during his recovery. I really hope that he has a full recovery soon, and can continue to share his inspiring art with the world.

At the Corner of St. Germain, Paris

Paris Le Corner St Germain cafe

We took the train from Normandy to Paris, where we would spend a few days of Parisian touristing, museums, walking, people watching, and dodging people zipping along the road in the wrong direction on those hoverboard platform things. I like Paris, I really like Paris; I don’t know if I love Paris, but I really enjoy spending time there and it’s a place I love to wander about in. Actually I think I do love Paris. I don’t know; these days if say you don’t love a place it means you hate it, and wow no, I definitely don’t. Give me a chance to spend time in Paris, I’m there man, especially with my sketchbooks. So yeah, I love Paris. It’s just I still feel I don’t know it well enough. I’ve been quite a few times now, but most of my time in France has usually been in other places. Maybe it’s because I’m a Londoner; Paris is our sister city. It’s pretty great though. We stayed in an apartment just off the Boulevard St.Germain in the Quartier Latin, on the corner of a pedestrianized street and next to a pretty nice brasserie called Le Corner. That is where I would stop off of an evening and sit outside with a nice big cold beer, with the sketchbook, looking out at the Parisians, and if my wife or son were up in the apartment they could just call down out of the window. The apartment was nice, and more often than not we’d get food out and bring it back there, or cook up what we got from the supermarché. As always I would get up early to wander and sketch, and bring back pastries (I think my wife was getting a bit sick of all the pastries). I drew Le Corner, stood outside on the busy street after a day of exploring with the family, while they rested upstairs. That’s the Paris I love, busy not not too busy, vibrant and close by to stuff, and with a little table and a cold beer (or a wine, or an Orangina) always very close by. The sketch below was done on the first evening here, just sat down and drawing the world going by.

Paris Blvd St Germain people sm

We last visited Paris altogether back in 2012, when my son was only four, and we also stayed in the Latin Quarter, though a bit further south, near Rue Mouffetard. We loved that short trip. I was last in Paris in 2019 when I flew in for the day before heading to Brussels, and wandered about Montmartre; we all went to Disneyland Paris at the end of that trip, but not into the big city itself. I went a couple of times in the 90s on short trips, plus of course I went at the start and end of my 1998 European rail journey, and saw some of the World Cup there. I guess I have been quite a few times now, but perhaps because there is always more, I’m always left feeling like I barely saw it. Well, on this trip we checked off quite a few boxes and really saw a lot of the city, so it was a good trip. I’m glad we had this spot to come back to and relax though. While it was a family touristy trip, I still did a lot of sketching, in those moments when we needed a rest.

Paris people rue boutebrie

from sudden death to the good old times

Brussels Mort Subite sm

I’ve always enjoyed the cafe A La Mort Subite in Brussels. ‘To Sudden Death’. You may have heard of the beer. I’ve sketched here before, and years ago when I had my rainy year in Belgium, this is where I would come sometimes on a weekend to dry off in the early evening, usually after a day of wandering about Brussels, to sit and read a book with a glass of their lovely Gueuze. It hasn’t changed much over the years (except for one important thing – it doesn’t reek of smoke like it did back in 1999). It opened in 1928, and is a proper heritage site. I always liked sitting at the little wobbly table inside by the door, and remember playing chess there years ago. I always make a point of stopping here whenever I visit Belgium, and this time I made sure my hotel was right around the corner. After taking a quick rest in my room, I came out and drew the outside (I was very happy with how this turned out), before coming in for some beer and food. I got myself a lambic blanche (a wheat beer made from ‘lambic’, which I think is something to do with sheep) (took an effort not to order a ‘lambic baaa-r’) and found a spot with a good view to sketch from. My food came quickly, a very eggy omelette full of mushrooms, and the longest slice of bread you ever saw. Seriously it was about three or four regular slices in length. You could have used it as a yoga mat. I took my time, that’s the way at a Belgian cafe, and listened to the French conversations around me. I didn’t hear much Flemish (Dutch); although Brussels as the capital is officially bilingual, with everything in French and Flemish (not to mention every other language you will hear spoken here in this capital of Europe), and despite being landlocked in a sea of Flemish language areas, French is still very much the main language of Brussels. I remember when I was in Belgium it was explained to be roughly 70-80% French speaking, with the remainder being Flemish-speaking (not including the not-insignificant number of languages spoken by the many, many other nationalities living in Brussels of course). Actually, I say I listened, I didn’t really listen very much, I was inside the page of my sketchbook. I had another beer, a peche (a peach beer), and went back out to finish off my big Grand Place drawing.

Brussels Mort Subite INT sm

My legs were tired after the big Grand Place sketch. The weather was nice, the big rainstorms from the day before in Lille had not followed me to Belgium, though they were probably not far behind. I imagined myself as being on the run from a big storm, like the little fellows in Time Bandits. I strolled past chocolate shops and friteries, wandered about looking for Mannekin Pis, a famous little statue of a small boy doing a wee, which despite never changing location in all these years I always seem to have trouble finding. I needed a rest now, and after that long session stood drawing in the Grand Place I needed a Belgian beer a little stronger than a lambic blanche. I’d never been into the little tavern Au Bon Vieux Temps before, though I had passed by the narrow alleyway that leads to its door many times. “At the Good Old Times“. It’s opposite another very old bar, A l’Imaige Nostre Dame, which I’d also never once visited. Why I’d never been in those places I don’t know, but I think I was perhaps a bit nervous of them. Something a bit scary about going down those medieval nooks, perhaps I had read too many fantasy adventure stories when I was a kid, and expected to be jumped by vagabonds or goblins. There were no orcs or padfoots in here though. It wasn’t busy – it was a Monday evening – but there were a few people seated at the bar chatting (in French and American). I could have spent hours sketching here; if I ever come back, I may well do. I found a table with a view of the bar and the big colourful stained glass window, and got myself a dark Orval trappist beer. The bartender was friendly, the atmosphere was warm. I drew fast; this felt more like a cool-down exercise after the big Grand Place panorama, but in truth I’d been sketching non-stop for three days straight and had no intention of slowing down now.

Brussels Au Bon Vieux Temps sm

It didn’t take long for me to fall asleep. The next day I was going to be back riding on the train tracks again, to explore the port city of Antwerp. Good old times.