look into my eyes, look into my eyes

 “Ah come on Ted, you never know, there might be something in it. Sure it’s no more peculiar than that stuff we learned at the seminary, heaven and hell and everlasting life and all that; you’re not meant to take it seriously!” – Father Dougal Maguire

the davis psychic

I’ve wanted to draw this building for quite some time. I don’t know who the Davis Psychic is, or what they do, but if they have half the prognostic track record of Mystic Pete then they can’t be half bad. Mystic Pete, for those who don’t recall, is the famed predictor of football seasons (that year when he said that Newcastle would win the league! And they came 14th), and I am his representative on Earth, etc etc. He’s taking a sabbatical this year (and coincidentally Spurs start playing well). Anyway back to the Davis Psychic. That’s a bold statement, a yellow house with purple trimmings. Who is the Davis Psychic? Perhaps we’ll never know. Here is the page on the Davis Wiki: http://daviswiki.org/Davis_Psychic. The wiki writers seem to think the Davis Psychic is a mystery figure with a Hummer who elusively hangs up the phone whenever they call (or whenever they crank call, by the sound of it). I wonder if they have an assistant called the Davis Sidekick? Maybe a Dougal type of person, in a tank-top? “Well, I’m very cynical as you know…”

sacramentalists

sac 23rd and J

I went sketching in Sacramento yesterday; it’s been a while. The bus is 50 cents more expensive now. Not much else has changed though. I decided I finally wanted to draw that tall brick building downtown, I think it’s an elk’s lodge or something, and was excited when sketching out the perspective lines. However, this being downtown Sacramento, there are a larger than average concentration of street mentals per square yard, so I was distracted. As I was sat on my stool, one slightly agitated gentleman started screaming into an empty doorway at the brickwork, some nonsense about his “enemies in the drywall” and how they’re coming and what not. I carried on. But then he took residence in the middle of a large structure of metal poles and began yelling abuse at the universe in a variety of voices. I’m not really into that, and I felt a bit like, you know, I didn’t want to hang around such nonsense for too long, so I abandoned the interesting perspective sketch and traipsed up to Midtown to draw a wooden building, on the corner of 23rd and J, with a tree to the right and some blue sky. A typical Pete; it’s my equivalent of a three-chord song (but it takes considerably longer, when drawing every tile and slat).
Shame; you would have liked the brick building. Maybe next time.

flits from shop to shop just like a butterfly

fillmore street, SF

It was so warm and sunny on Saturday in the City. We went up to Grace Cathedral on Nob Hill (and like a nob I forgot the camera) to see the Labyrinth, before heading over to Fillmore Street to have lunch and look around the really cool shops they have there. My wife like ‘Seconds to Go’, a cool second hand store that is in the drawing above, and I loved ‘Paper Source’, a great store stuffed wit many different types of paper for all purposes; I bought some cardstock to make some cards of my drawings. They were very friendly in there. 

I sat on the pavement outside Crepevine (where we had eaten lunch) and sketched the colourful street ahead of me. It’s a cool part of a very cool town. There are so mnay different neighbourhoods here. I could draw San Francisco for ever.

Also blogged over at Urban Sketchers.

bay windows

view from the hyatt, SF

We spent the weekend in San Francisco, staying in a suite at the enormous Hyatt beside the Ferry Building. The view from our enormous wide-screen window was incredible, the Bay Bridge and Embarcadero, and we had blazing hot sunshine on Saturday morning. We even saw Robin Williams at the Farmer’s Market. Naturally I chose to draw just a small segment of this view, looking out at the Bridge (above). Sunday morning saw fog roll in and add the familiar cool summer grey to the City, so I drew again, looking down at the perspective lines racing up at me.

looking down at market street

Below is a photo I took on the sunny Saturday morning, the best part of the view (I never had time to sketch it), with the Bay Bridge rising above a light blanket of mist. What a stunning city.

P1030101 small

restlessness has siezed me now it’s true

villefranche sur mer

I finished the Villefranche-sur-Mer picture by adding a minimal amount of colour. I think I like it minimal, any more may have taken away from it. If you’re wondering where the Mer is in Villefranche, well it is behind me in this shot. I may draw the other side as well, because that was a lovely view downhill to the harbour.

when the half light makes for a clearer view

villefranche sur mer, pen version

villefranche (unfinished)
parts of the process

When I was last in Villefranche-sur-Mer, the beautiful old Mediterranean port nestled between Nice and Monaco, I took this photo of Rue Eglise (having just eaten at that cafe and sketched the sea) and told myself I’d draw a picture of it when I got home. That was over six years ago. Yesterday I finally got the photo out and started drawing, because I was playing with perspective in my messy sketchbook (see the quick watercolour sketch below) and wanted something nice to draw.

One thing I recall is that Villefranche was where they set that film Dirty Rotten Scoundrels. That’s a good movie. I especially like that Emperor Palpatine plays Michael Caine’s butler. I stopped off here on my way back to London from Aix-en-Provence, having been out here to visit some old friends and watch their play. I was flying from

villefranche, quick sketch

a quick watercolour sketch

Nice that evening, and so I whiled away a few hours by the sea at Villefranche. The old town is especially nice. I’d love to go back there to draw.

Well, I will have to make do with my old photos for now, I’m too far away. I did a watercolour study, primarily to work out how the perspective lines worked. It’s messy and quick but I quite like it, and sometimes wish I did more of my sketch work like that, if only so I could get better at the technique.  But I love drawing in pen too much! The version at the top is not the ultimately finished version – I will add some watercolour, if only just to tint it. But I like how it looks anyhow. I think it’s quite nice.

 
 

my fair lady

I painted the ladies again. Well I drew them first. San Francisco’s famous old houses, sloping down Alamo Square, with the City in the background.

painted ladies again

The last drawing I did of the Painted Ladies was in sepia. I added colour this time. They are supposed to be colourful after all. This will very likely be for sale on my long-time-coming Etsy shop which is of course not yet ready. Keep your ears peeled.

I do love these buildings, but now when I see them I think of that awful Sleep Train Mattress Center commercial on TV (“a ticket to a better night’s sleep”), which uses them (or near approximations).  the thing about those commercials is they always do these special holiday greetings for events throughout the year. They use the standard American commercial ‘Happy Holidays’ line at Christmas, fair enough. For Easter, however, they used the over-generic “Happy Spring”, Easter being a bit religious for them (though I can go into how the word and the bunny and egg-hunting have absolutely nothing to do with Christian religion). And yet, throughout March, they constantly wish you a Happy St.Patrick’s Day. Which is wierd, because that is a religious, Christian event (or at least it is in Ireland); it’s named for a saint. Sure, it’s an event for the Irish – though as we know, everyone wants to be Irish on March 17, so they can pretend to be an Irish sterotype and pretend they like Guinness (I’m London Irish, and I can’t stand Guinness). It’s just funny how ‘Christmas’ and ‘Easter’ are seen to offend on religious grounds in the eyes of commercial-makers, yet the saint’s day of a very Catholic country is not. Just an interesting observation. Anyway that’s what crosses my mind when I think of those adverts, and now, by association, these buildings. But I still love them, whatever holiday it is.

who ate all the pi’s

I’ve mentioned the Davis frat houses before, and I will mention them again, because I drew another one (or rather, a different part of one I’ve drawn before). There are lots of them, lining the streets just outside campus. they are currently pretty quiet, but give it a month or two and these places will be rocking out to the new academic year. Rushes, hazing, all of that fun stuff that comes with these strange greek-lettered clubs. Some frats are old, really old, while others cater to certain fields, such as law, or ethnic groups. The one below, Theta Xi, is presumably the frat-house of apprentice cab-drivers.  However I still can’t find the house of the boating fraternity (Rho Rho Rho)…
fraternising

If I had gone to university in America, I would not have been a frat boy. I would have gone to the parties though, for sure.  I can’t help wondering if those greek letters are just an old form of textspeak, like Omicron Mu Gamma, Beta Phi Phi, or, from the society of proctologist comedians, Lamda Mu Alpha Omicron.

see you on the other side

Having just drawn Mrak from the other side of Putah Creek, and noted over the past few years its vanishing appearance, I chose to draw from the front side (or it may be the back; like Buckingham Palace, the front is really the back and vice versa).

mrak from the other side

back in mrakAnd naturally, I have drawn it before, and therefore you get to see how the view is slowly vanishing even on this side, as a forest grows at its very toes. Well, not exactly, more that the last time I drew it was late Fall or early Winter (whichever it is called here), and the trees did not have many leaves. But it illustrates the recurring theme. That drawing was way back at the start of Moleskine #2; I am now more than halfway through Moleskine #4.

the slowly vanishing mrak hall

I’ve drawn this view three summers in a row now. Each year, the creek has been a green pea soup, the tree on the left has been an orangey brown, and the weather has been a hot hundred degrees. Well, near enough. It was certainly over a hundred today.

mrak hall... with the law school ruining the view

mrak hallMrak Hall, the university powerhouse, stays ever the same in the background. In 2007, however, there were two grassy hillocks, with two of Robert Arneson’s Eggheads on them. Probably the highest ground in Davis? They were razed to the ground, for the new law school extension. When I drew it again in 2008, the hillocks were gone, replaced with some wire-fencing, a load of mud and a construction truck. Now in 2009, the shell of the law school is now there, King Hall, blocking the view. I’m glad I drew it. I’ll draw it again next year, with the finished law school, if they finish it.

mrak, seen from the creek